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    AN AUCTION RECORD FOR A DRAWING BY CANALETTO

    Wednesday, July 5th, 2017

    The Coronation of the Doge on the Scala dei Giganti

    There was an auction record for a drawing by Canaletto at Sotheby’s in London today. The Coronation of the Doge on the Scala dei Giganti sold for £2.6 million.

    Greg Rubinstein, Worldwide Head of Old Master Drawings at Sotheby’s, said: “The record price realised today for Canaletto’s superb drawing is a fitting testimony to its importance and its quality. Nothing like it has been seen at auction. A more total expression of the essence of Canaletto’s genius as a draughtsman than this extraordinary drawing, which transports us to the very heart of 18th-century Venice, in all its glory, wit and mystery, is hard to imagine.”

    Canaletto continues to draw crowds in London, both at Sotheby’s pre-sale exhibition and at The Queen’s Gallery, where Canaletto & the Art of Venice remains on view until 12 November.

    SCULPTURE AT SOTHEBY’S THIS JULY

    Monday, July 3rd, 2017

    Jean Baptiste Clésinger (1814-1883), Cléopâtre mourante (The Dying Cleopatra), 1861, white marble (£100,000-150,000)

    A wide range of sculptures from the Middle Ages to the early 19th century will come up at Sotheby’s in London in July. The Old Masters evening sale on July 5 will include  a sculpture – a portrait terracotta bust by Pietro Tacca, Giambologna’s pupil, of Grand Duke Ferdinando II de’ Medici (1610-1670) estimated at £1-2 million.

    Auguste Clésinger’s Cléopâtre which comes up at a sale on July 12 is an important rediscovery.  Clésigner executed the marble in Rome and exhibited the model at the Paris Salon of 1861. In order to give this unambiguous nude enough of a veneer of respectability for it to be passed by the Salon jury, the sculptor’s friends urged him to include a snake, twisted around the ankle, in a possible reference to a classical subject, such as Cleopatra. The sculpture was so life-like that the sculptor was accused, with some justification, of using plaster casts of the live model in its creation. With this work Clésinger became famous as a sculptor of the female form. At auction for the first time since 1892 it is estimated at £100,000-200,000.

    THE BLESSING OF THE FLEET BY JAMES MAHONY

    Saturday, July 1st, 2017

    The Blessing of the Fleet by James Mahony

    The Blessing of the Fleet by the Cork artist James Mahony is a highlight of the sale at Cork Auction Rooms on July 2.  Born in Cork in either 1811 or 1817 the artist is best known for his harrowing illustrations of the famine for The Illustrated London News, where he worked as an artist and reporter.  When a painting by James Mahony of The Consecration of St. Mary’s, Pope’s Quay around 1842 came up at Whyte’s in Dublin in 2015 the Great Hunger Museum at Quinnipiac University in Connecticut paid 19,000 at hammer for a work that had been estimated at 8,000-10,000.

    The Dominican congregation in Cork were the disappointed underbidders.  A replica of the work was subsequently presented by the Dublin auctioneers to the Cork Dominican Church and priory. Among the other lots coming up at Cork Auction Rooms tomorrow are a stained glass window design by Evie Hone based on the apparition at Fatima for St. Mary’s Church, Kingscourt, Co. Cavan, a gramophone with chinoiserie cabinet, a selection of gold coins and a greyhound painting  by the popular contemporary artist Mark O’Neill.

    WARHOL’S FIRST SELFIE SELLS FOR £6 MILLION

    Wednesday, June 28th, 2017

    Andy Warhol – Self Portrait 1963-64.

    Andy Warhol’s first “selfie” sold for £6 million at Sotheby’s contemporary art evening auction in London tonight.  The work, from his  first series of self-portraits, million / $7.7  was at auction for the first time 30 years after the artist’s death in 1987.  After achieving renown for his candid portrayals of luminaries including Marilyn Monroe, Jackie Kennedy and Elizabeth Taylor in the early 1960s, Self-Portrait represents the moment that Warhol stepped out from behind the camera and into the glare of its flashbulb.  This painting belongs to the very first sequence of self-portraits created by Warhol and was based on the first image in a strip of photo booth portraits.  The use of such unconventional source material was, at this time, fiercely innovative.

    “In the age of Instagram, Warhol’s fabled prediction that ‘in the future, everyone will be world-famous for 15 minutes’ has never felt more prophetic, and the artist’s first self-portraits – created using a strip of photographs taken in a New York dime store photo-booth – have never felt more relevant to contemporary culture. This is a work of immense art historical importance that marks the watershed moment when Warhol joined the canon of the greatest self-portraitists,” James Sevier, Senior Specialist, Contemporary Art, remarked.

    The sale totalled £62.3 million, an increase of 20% on last year. Au Untitled work by Jean Michel Basquiat from 1983  made £6.4 million.

    NEW WORLD RECORD FOR MAX BECKMANN AT CHRISTIE’S

    Tuesday, June 27th, 2017

    Max Beckmann, Hölle der Vögel (Birds’ Hell) c CHRISTIE’S IMAGES LTD. 2017

    Max Beckmann’s Hölle der Vögel (Birds’ Hell) (1937-38) achieved a new world record price for the artist of £36,005,000 at Christie’s Impressionist and Modern Art Evening Sale on June 27.  The work continues the Germanic tradition of using gruesome allegorical scenes at the same time as taking aspects of Classicism and mythology to turn reality into a timeless evocation of human suffering.

    In this sense, the painting transcends the time and political situation in which it was created to become a universal symbol of humanity like Pablo Picasso’s Guernica of the same period. Begun in Amsterdam in 1937 and completed in Paris at the end of 1938 it ranks amongst the clearest and most important anti-Nazi statements that the artist ever made.

    The sale totalled £149.5 million.  Three lots made over £20 million, the Beckmann, Picasso’s Femme ecrivant (Marie-Therese) which made £34.8 million and Van Gogh’s Le moissonneur (d’apres Millet) which made £24.2 million.

    RUGS GET SHEPPARDS OFF TO A GOOD START AT COOLATTIN

    Tuesday, June 27th, 2017

    THIS CHELABERD EAGLE KAZAK CAUCASIAN RUG MADE 8,500 AT HAMMER

    Persian and Irish rugs and runners got Sheppards two day country house collections sale at Coolattin House, Co. Wicklow off to a good start today.  The first lot, a bespoke Gavin Morton and G.K. Roberstson 21st century Donegal design carport made 3,900.  Lot two, a Kazak rug made 8,500 and lot three, a bespoke C.F.A. Voysey Donegal design carpet made 3,700. A North West Persian Heriz carpet made 3,800 and a large Turkish Isparta carpet on gold ground sold for 8,000. Later in the morning a 19th century ormolu and pietra dura clock garniture sold for 6,500 and a nude attributed to Roderic O’Conor estimated at 2,000-3,000 sold for 7,500.

    Later in the auction a 19th century satinwood and marquetry Carlton House desk sold for 18,500, a pair of Dublin Edwardian wing back armchairs made 14,000, a pair of Japanese Imari urns made 17,500 and a pair of 19th century kingwood and parquetry commodes made  13,500.  Prime lots from the morning session on June 28 included a pair of 18th century bronze canons from Malahide Castle which sold for 17,000 at hammer and a late 17th century Brussels tapestry which made 26,500.   A pair of 19th century carved gilt wood console tables sold for 46,400 and a 19th century bureau plat made 36,000.

    (See post on antiquesandartireland.com for June 25, 2017)

    AN ALBERS TO BENEFIT CORK’S GLUCKSMAN GALLERY

    Monday, June 26th, 2017

    Josef Albers – Colour Study for Homage to the Square  UPDATE: THIS SOLD FOR £168,750

    A colour study for Homage to the Square by Josef Albers (1888-1976) to be sold to benefit Cork’s Lewis Glucksman Gallery comes up at Sotheby’s contemporary art day auction in London on June 29.   Made in 1976 the oil on paper is estimated at £80,000-120,000. It is to be included in the catalogue raisonne currently being prepared by the Josef and Anni Albers Foundation, who donated the work.

    A statement from the Bethany, Connecticut based foundation said:   The Josef and Anni Albers Foundation is delighted to sell this powerful Homage to the Square on behalf of the Glucksman Gallery. We feel that this particular oil on paper represents the bold experimentation and true dedication to human seeing, and the thrills of courageous art,  consistently achieved at this superb museum at University College Cork, Ireland. The small, innovative staff of the Glucksman, diligent and tenacious people of vision, embody the values the Alberses held most dear.

    THE £120,875 STRAWBERRY AND NIGHT OF FALLING RECORDS AT SOTHEBY’S

    Thursday, June 22nd, 2017

    Lucian Freud Strawberries – oil on copper

    The record for Kandinsky was broken twice in one night, there was a new record for Miro and Lucian Freud’s actual size strawberries made £120,875 per strawberry at a sterling night at Sotheby’s in London last night.  Three works made over £20 million for the first time in any London auction. The Actual Size and Impressionist and Modern evening sales brought in a combined total of £148.9 million. Kandinsky’s Murnau – Landschaft kit grunem Haus made a new record for the artist of £21 million followed just six lots later by Bild kit weissen Linien which sold for £33 million. Femme et oiseau by Joan Miro from his Constellation series sold for £24.6 million. A unique cast by Giacometti made £17.9 million. A small group of strawberries by Lucian Freud made £1.2 million.

    Helena Newman, Global Co-Head of Sotheby’s Impressionist & Modern Art Department & Chairman of Sotheby’s Europe, said: “To have three landmarks in the development of 20th Century art by Kandinsky, Miró and Giacometti come to the market in a single sale tonight was momentous. These key works stand as turning points in the history of art, and tonight auction history was made when the record for Kandinsky broken not just once but twice and an unprecedented three works sold over £20m in a single London Evening Sale. The strength at the very highest level of the market was echoed across price points – and sizes. Collectors were out in force, participating from a record number of locations around the globe, with the level of Asian buyers as numerous as those from the US, underscoring the enduring importance of London as a key driver of the global art market.”

    Joan Miró’s Femme et oiseaux

    Helena Newman finds bids during the sale of Wassily Kandinsky’s Bild mit weissen Linien for £33 million.

    AN ONLINE SALE OF AFFORDABLE IRISH ART

    Wednesday, June 21st, 2017

    An online sale of affordable Irish art runs at Morgan O’Driscoll until June 26.

    GRETTA O’BRIEN – SUMMER REFLECTION (600-800)  UPDATE: THIS MADE 550 AT HAMMER

    The catalogue, which is online, lists 330 lots. Here is a small selection:

    LOUIS LE BROCQUY (1916-2012 )Head of Strindberg 17/100 (600-900)  UPDATE: THIS MADE 1,600 AT HAMMER

    BRIAN BALLARD (B.1943) Irises in a Blue Jug (900-1,200) UPDATE: THIS MADE 1,100 AT HAMMER

    Liam Belton – Vessels with Eggs (2008) litho 27/50 (300-500)  UPDATE: THIS MADE 240 AT HAMMER

    SARAH GLENNIE TO BECOME DIRECTOR OF NCAD

    Tuesday, June 20th, 2017

    Sarah Glennie

    Sarah Glennie is to leave the Irish Museum of Modern Art (IMMA) to take up a new position of Director of the NCAD (National College of Art and Design).  Glennie took up the post of Director of IMMA in 2012 and has overseen exhibitions by artists including Nan Goldin, Lucian Freud, Etel Adnan, Stan Douglas, Karla Black, Hito Steyerl and Helio Oiticia. She will begin her new directorship in January 2018.

    Irish Culture Minister Heather Humphreys thanked Glennie for years of service and said: “IMMA is in a very strong place as a result of her directorship, with significantly increased visitor numbers, greater opportunities for Irish artists, a strong international reputation.”

    Sarah Glennie said: “While I am very sad to be leaving IMMA I am excited by the great opportunity to contribute further to the development of creativity in Ireland as the director of such a significant institution as NCAD which is in a unique position to inspire and nurture creative talent in Ireland”. The search for a new director at the IMMA will begin in the coming weeks.