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    INCREDIBLE LONDON SEASON IN FULL SWING AND IRISH ART SALES

    Saturday, June 27th, 2026

    The Mayor Gallery, London shows Minding his own Business by Patrick O’Reilly at Treasure House.

    From Old Master paintings, antiquities, sculpture and rare books to a prehistoric woolly mammoth head and Galileo’s first drawing of the moon the incredible London season now in full swing continues on its merry way. 

    London’s flagship Treasure House Fair continues at the Royal Hospital in Chelsea this weekend, it is Classic Week at Christie’s and Sotheby’s offerings next week include Scene in Braemar by Sir Edwin Landseer, a little known sister painting to The Monarch of the Glen.

    In Ireland summer online sales of much more affordable art  will be held at Whyte’s on Monday June 29 and Morgan O’Driscoll on Tuesday June 30.  It all adds up to a very healthy market for art and collectibles.

    The trove of masterpieces at Treasure House includes a 25,000 year old woolly mammoth head, drawings by Gallileo, a luxurious dog house made for Marie Antoinette’s favourite pet, a pair of commodes owned by Madame du Pompadour, jewels from the era of  Henry VIII and Shakespeare, an exhibition of contemporary British women artists, a show of British Surrealism and a sculpture walk with monumental artworks by Eduardo Paolozzi, Elizabeth Frink, Ron Arad, Nicola Anthony and Patrick O’Reilly.

     Sir Thomas Lawrence – Portrait of Arthur Wellesley, 1st Duke of Wellington, at Christie’s.

    Christie’s has an estimate of £8 million – £12 million (€9.22 million – €13.83 million) on Sir Thomas Lawrence’s portrait of  Arthur Wellesley, 1st Duke of Wellington.  In this portrait painted after Wellington’s defeat of Napoleon at the Battle of Waterloo the artist succeeded in penetrating Wellington’s aura of heroism to capture the essence of the man.  The Old Master’s sale takes place next Tuesday evening (June 30).  Sales during Classic Week feature art from antiquity to the 21st century.

    Sir Edwin Landseer – Scene in Braemar at Sotheby’s.

    The estimate for Landseer’s Scene at Braemar at Sotheby’s on the following evening (July 1) is £3 million – £4 million (€3.46 million – €4.61 million). Painted in 1857 the nearly nine foot canvas is a darker sister painting to the iconic and renowned Monarch of the Glen.

    Rosaleen Brigid Ganly (1909-2002) – Stargazer Lily at Whyte’s.

    There is a good selection of affordable art at Whyte’s summer online art auction which gets underway at 6 pm next Monday (June 29).  The catalogue features 241 lots and includes work by Jack Butler Yeats, Walter Osborne, Estella Solomons, Eva Hamilton, Harry Kernoff, Dan O’Neill, Henry Moore, James Brohan, Liam Treacy, Banksy, Nelson Mandela, Brigid Ganly and many more artists.  The most expensively estimated lots are Fishing Boats by James Brohan an d Self Portrait by Eva Hamilton, each estimated at €2,500-€3,500.  The Tennis Court, a signed lithograph by Nelson Mandela from his Robben Island series, is estimated at €2,000-€3,000.

    Majella O’Neill Collins (b.1964) – Returning home to Sherkin Island at Morgan O’Driscoll

    Morgan O’Driscoll’s off the wall online sale of affordable art is on view in Skibbereen next Monday and Tuesday. It gets underway at 6.30 pm on Tuesday (June 30) and the catalogue is online. An oil on board of Montpellier by Arthur Maderson carries the highest estimate of  €4,000-€6,000.  There is art by a wide variety of artists including William Crozier, Paul Henry, Damien Hirst, Robert Ballagh, Shepard Fairey, Andy Warhol, Jack B Yeats, Jim Sheehy, George Campbell and John Behan.

    JUNE ART SALES AT SOTHEBY’S IN LONDON TOTAL £420.5 MILLION

    Friday, June 26th, 2026

    Pablo Picasso – Baigneuses, sirènes, femme nue et minotaure sold for £7,044,000

    June sales of Masterpieces from the Lewis Collection and Modern & Contemporary art at Sotheby’s in London realised £420,488,006 across four auctions. This is the highest result for any season of sales
    ever staged in Europe. There was spirited activity from around the world, with bidding from 45 countries and particularly strong participation from Asian collectors, whose purchases in The Lewis Collection evening auction accounted for over a third of the total value of the sale.

    The season was led by Masterpieces from the Lewis collection. The 47 works sold in Sotheby’s rooms
    this week brought in £306.6 million, the highest total for any single owner sale ever staged in London. Together with the £35.8 million realised for four School of London works offered from the same collection in March, the combined total for works sold from the Lewis Collection at Sotheby’s this year now stands at £342.4 million. The Lewis evening auction realised £296.3 million for 23 work with nine breaking the £10 million barrier. La Loge, a pastel by Degas, did not find a buyer during the sale but was sold immediately afterwards to a private collector.

    The contemporary day auction totalled £9.3 million and the modern day auction, with masterpieces from the Lewis collection, brought in £17.8 million.

    FASCINATING STUDY IN TOLERANCE BY REMBRANDT AT SOTHEBY’S

    Friday, June 26th, 2026

    Rembrandt Harmenszoon van Rijn – Let The Little Children Come Unto Me, c.1627 

    A rare and fascinating early history painting by Rembrandt Harmenszoon van Rijn comes up at Sotheby’s in London on July 1. Discovered just over a decade ago, and carefully restored since it offers insights into his working practices and reveals a powerful message of tolerance.  There is a vivid self-portrait, depictions of his mother and father and, quite possibly, of his god-parents and god-sister too. In no other image does Rembrandt bring his family together so completely. He made it after his return to Leiden following his apprenticeship with leading Amsterdam artist Pieter Lastman. Rembrandt ultimately left the foreground unfinished.  It was completed at a later point, by an unidentified contemporary or follower.  Recent restoration has removed these additions to reveal Rembrandt’s original hand.

    The tall figure in the centre of the scene had – under Rembrandt’s hand – been wearing a turban, but this was replaced during the re-painting by a more familiar-looking Dutch soft cap. The presence of this oriental (possibly Muslim) figure might here be particularly pertinent, given that the Jewish and Christian faiths are also represented in the painting. In light of this, it is possible that Rembrandt was seeking to harness the image to spotlight the question of tolerance between faiths. The 30 years war at its height and Leiden was full of refugees, a question that would have probably preoccupied him at this time.

    Rivalry between religious factions was then spilling onto the street, something Rembrandt would have felt acutely, given his own mixed religious heritage (his mother had Catholic roots, his father Protestant).

    The estimate for the work is £8-£12 million.

     

    THE MOST VALUABLE MONET EVER AT AUCTION IN EUROPE

    Friday, June 19th, 2026

    Claude Monet – Nymphéas. UPDATE: THIS SOLD FOR £40,760,000

    Nymphéas (1907) by Monet at Sotheby’s Modern and Contemporary evening auction in London on June 24 carries the highest estimate ever placed on a work by the artist at auction in Europe. Painted in 1907 the ethereal and luminous view of Monet’s famed water lily pond at Giverny is estimated at £30-£40 million. Together with the Lewis Collection and other major works on the same evening the painting arrives at a defining moment for the London art market, bringing an exceptional concentration of museum-quality works to auction.

    LANDSEER’S SCENE IN BRAEMAR AT SOTHEBY’S

    Wednesday, June 17th, 2026

     Sir Edwin Landseer –  Scene in Braemar

    Scene in Braemar by Sir Edwin Landseer, a little known sister painting to The Monarch of the Glen, is at Sotheby’s Old Masters evening sale in London on July 1. The estimate is £3-£4 million. Painted by 1857, the nearly nine-foot canvas has long been understood as a darker and more mysterious sister painting to Landseer’s iconic image of the Highland stag – one of the most recognisable symbols of British art.

    The title locates the scene at Braemar in the eastern Highlands, close to Mar Lodge, where Landseer frequently stayed while stalking in the Deeside forests. This was the part of Scotland he knew most intimately – near Blair Atholl, another of his regular haunts, and Balmoral, the royal residence built for Queen Victoria and Prince Albert who were among his most important patrons. 

    MODIGLIANI NUDE LEADS LEWIS COLLECTION AT SOTHEBY’S

    Saturday, June 13th, 2026

    Amadeo Modigliani – Nu assis au collier. UPDATE: THIS SOLD FOR £48,235,000

    The 25 defining masterpieces of modern figurative painting from the Lewis Collection at Sotheby’s on June 24 constitute the most valuable single collection ever offered in London.  

    A nude considered scandalous by Modigliani leads an auction which features stellar artists like Picasso, Schiele, Bacon, Klimt, Freud, Caillebotte and Toulouse-Lautrec.  Modigliani’s sensuous Nu assis au collier (Seated nude with necklace)  ranks among the most important works by the artist ever to come to market. It is estimated to make around £45 million (€52.1 million).  Painted in 1917 it belongs to a series now widely regarded as pivotal in the evolution of modern art, but considered so outrageous at the time the exhibition in which they featured was shut down by the police. Modigliani is one of a rare coterie of artists to have broken the $100 million threshold at auction, not just once but twice – each time in New York.  Both were works from this series.  The mantle now passes to London where this is one of the highest value works of any kind ever offered in the city and the highest value work by Modigliani ever to be offered in Europe.

    Pablo Picasso – Buste de Femme. UPDATE: THIS SOLD FOR £23,855,000

    A suite of seven works by Picasso spans eight full decades of his career.  The group is led by a highly unusual and evocative portrait of Dora Maar, the vibrant, fiercely independent artist who first attracted his attention by playing ‘knife roulette’ between her splayed fingers on an adjacent table at Les Deux Magots in Paris.  As well as becoming Picasso’s muse and lover Maar also became his indispensable intellectual and artistic sparring partner. Given both the provocative nature of their nine year relationship and the tumultuous backdrop against which it unfolded (the Spanish Civil War and the Second World War), the vast majority of Picasso’s renditions of Dora Maar are angular and jagged in form. Buste de femme, unseen for over half a century, is a rare example of something quite different – a generous, sweepingly lyrical rendition of the Dora Maar with whom Picasso was still entirely besotted in 1938 when this work was painted.

     Egon Schiele – Danaë. UPDATE: THIS SOLD FOR £17,932,500

    With its jewel like surface and geometric patterning Egon Schiele’s Danaë – painted when the artist was just 19 – is seen as a key breakthrough work.  Here Schiele imagines the mythological scene in which Zeus descends on Danaë in a shower of golden rain, its heaviness accentuated by the introduction of greens and blacks.  Schiele died in the Spanish flu epidemic in 1918 aged just 28.

    Bacon’s Two Studies for a Self-Portrait was made in 1977 and captures an artist beset by inner turmoil. Following the suicide of his love George Dyer in 1971 Bacon launched into a period of production that would become the most emotionally fraught but ambitious of his career. Behind these works lies a decade of guilt, bereavement, and self-scrutiny, marked by the deaths of many of those closest to him – not only George Dyer, but also Peter Lacey. When asked in 1979 why he made so many self-portraits, Bacon explained: “people have been dying around me like flies and I’ve had nobody else to paint but myself.” 

    Many of the works in a sale estimated to make in the region of £200 million (€231.5 million) have been shown in major museums across the globe.  They were assembled over decades by Joe Lewis and his daughter Vivienne.  Born and raised in London’s East End, Joe Lewis felt a natural affinity as a collector with the School of London painters, such as Bacon and Freud, whose work confronted the human condition with an uncompromising intensity. That early passion became the foundation for what is today one of the world’s most important private collections of modern art, shaped by a fascination with the human figure in all its forms. 

    Over the years the collection has been re-shaped.  The Lewis journey as collectors is far from over. “We remain committed to the avant garde painters of today, much of whose work is informed by the artists showcased here” a statement said. 

    Billionaire Joe Lewis, who left school at 15 to help his father run his father’s West End catering business, was born in 1937 to a Jewish family living above a public house in Bow, East London. He holds assets through his Tavistock Group and was previously the majority owner of ENIC Group, the majority owner of Tottenham Hotspur.  Accused of tipping off associates and friends with non public information and charged with multiple counts of insider trading in New York in 2023 he pleaded guilty. Lewis was spared jail time, fined $5 million and later pardoned by Donald Trump.  His art collection is estimated to be worth $1 billion.

    Francis Bacon – Two Studies for self-portrait. UPDATE: THIS SOLD FOR £8,675,000

    A MASTERPIECE BY LUCIAN FREUD AT SOTHEBY’S

    Sunday, June 7th, 2026

    UPDATE: THIS SOLD FOR £29,260,000

    Sleeping by the Lion Carpet, a masterpiece by Lucian Freud, the final work of the artist’s celebrated quartet of monumental portraits of benefits supervisor Sue Tilley, is at Sotheby’s in London on June 24 with an estimate of £25 million – £35 million (€28.89 million – €40.44 million).  The four monumental canvases Freud painted of Tilley between 1993 and 1996 are widely regarded not only as the artist’s greatest body of work, but also among the most radical and powerful paintings of the human figure in the entire history of art.  The last time a painting from the series came to auction it made history. When Benefits Supervisor Resting sold for $56.2 million (€48.24 million) in 2015 it was a record for Freud and any living artist. Sleeping by the Lion Carpet is from the Lewis Collection, assembled by former Tottenham Hotspur owner Joe Lewis and his daughter Vivienne. It promises to be the most valuable single collection ever offered in London.

    WHITE GLOVE AUCTION OF THE COLLECTION OF ROBERT MNUCHIN

    Friday, May 15th, 2026

    Mark Rothko – Brown and Blacks in Reds

    Mark Rothko’s Brown and Blacks in Reds sold for $85.8 million at Sotheby’s white glove auction (100% sold by lot) of the collection of Robert Mnuchin in New York last night. It was the second highest price for a Rothko at auction. The Mnuchin collection made $166.3 million. The Now and Contemporary auction at Sotheby’s last night totalled €266.8 million, a 110% increase on last years sale. The combined total was $433.1 million. There were artists records for Kenneth Noland, Ding Shilun, Joseph Jaeger, Yu Nishimura and Florian Krewer.

    The Mnuchin collection was characterised by deep bidding, averaging 12 bids per lot, with bidders participating from 24 countries. Artworks from the collection of Jean and Terry de Gunzburg totalled $50.7 million. The standout results continue a strong wave of 100% sold sales in recent months at Sotheby’s around the world, starting with the sale of the Karpidas collection in September last year, followed by six white-glove sales at Sotheby’s New York last season and further white-glove sales of Modern and Contemporary Art in Hong Kong and London in March.

    (See posts on antiquesandartireland.com for April 5 and May 2, 2026)

    AMAZING OFFERINGS AT ART SALES IN NEW YORK THIS MONTH

    Saturday, May 2nd, 2026

    Jackson Pollock (1912-1956) – Number 7A, 1948 at Christie’s UPDATE: THIS SOLD FOR  $181,185,000

    So far in 2026 the rebound in the art market which began in the second half of last year has continued.  In a world full of new uncertainties the big New York art sales this month look set to continue the trend. In a market where the premium is on rarity and quality there are some amazing offerings.

    In the late 1940’s Jackson Pollock pioneered a revolutionary painting style that was utterly baffling to most people.  Nowadays the art of  ‘Jack the Dripper’ is unbuyable unless you happen to be one of the growing global band of billionaires – whose numbers now approach  4,000 from a figure of just 140 in 1987. The largest example of Jackson Pollock’s monumental drip paintings left in private hands, Number 7A, 1948 – from the collection of legendary Condé Nast co-owner S I Newhouse – is at Christie’s on May 18. 

    The first and only large scale drip painting ever to appear at auction was last seen at an exhibition at the Whitney Museum in 1977. 

    Constantin Brancusi  (1867-1957) – Danaïde, 1913 at Christie’s. UPDATE: THIS SOLD FOR $107,585,000

    Another great rarity from the S I Newhouse collection is Danaïde, conceived and cast in 1913 by Constantin Brancusi.  Of the six bronzes cast of this model four are held in institutional collections, the Pompidou in Paris, the Philadelphia Museum of Art, Tate London and Kunst Museum, Winterthur.  This sculpture is the only gilded example left in private hands. 

    Both works are estimated at around $100 million.  The Newhouse collection, which includes masterworks by Bacon, Johns, Matisse, Miro, Mondrian, Picasso, Rauschenburg and Warhol, is poised to become only the second collection ever to surpass the $1 billion mark established in 2022 with the sale the collection of Microsoft founder Paul G Allen.

    At Sotheby’s on May 14 the collection of financier Robert Mnuchin featuring Franz Kline, Willem  de Kooning and Mark Rothko is expected to make around $130 million.  Sotheby’s Modern evening auction on May 19 is headed by Arlequin (Buste) painted by Picasso in 1909 and estimated in the region of $40 million.  There are just ten works at this sale, which offers art by Georgia O’Keeffe, Wassily Kandinsky, Degas, Monet and Matisse.

    Elizabeth Peyton (b1965) – Earl’s Court (Liam + Noel) at Sotheby’s. UPDATE: THIS MADE $1.9 MILLION

    With masterworks from the last 80 years the Now and Contemporary evening auction at Sotheby’s in New York on May 14 is led by Basquiat’s Museum Security (Broadway Meltdown)  (1983).  There is art by  by Rothko, Fontana and Calder from the collection of Jean and Terry de Gunzburg.  Earl’s Court (Liam + Noel) December 1995 and dated 1996 by Elizabeth Peyton captures Oasis frontman Liam Gallagher kissing his brother Noel on the cheek. By appropriating a photograph from two concerts at Earl’s Court in London in November 1995 at the height of their fame she contrasts their strained relationship, unprecedented success with their care and appreciation as siblings, their glories with their faults. The estimate is $1.5 million – $2 million.

    Later last year it became apparent that major collectors are becoming more picky.  The upcoming New York sales offer lots of rich pickings for the super rich.

    Mark Rothko No. 1 (1949) at Sotheby’s. UPDATE: THIS SOLD FOR $20.8 million

    SCHOOL OF LONDON PAINTINGS AT SOTHEBY’S

    Sunday, February 22nd, 2026

    UPDATE: THIS MADE £16,035,000

    This storied self portrait by Francis Bacon leads one of the finest groups of School of London paintings ever brought to market. No less than four museum quality works  by Bacon, Freud and Kossoff are at Sotheby’s Modern and Contemporary evening auction in London on March 4. The Bacon portrait was painted in 1972 in the shadow of a devastating personal loss.  Struggling to cope following the death of his partner George Dyer, he obsessively painted himself again and again.  Two career-defining portraits by Lucian Freud, and Leon Kossoff’s Children’s Swimming Pool—widely considered the artist’s masterpiece—complete the group.  The School of London was a small group of free spirited artists who pursued their separate but related visions. Fully engaged with the world around them, they up-ended tradition and created a completely new path forward for figurative art.