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    MODIGLIANI NUDE LEADS LEWIS COLLECTION AT SOTHEBY’S

    Saturday, June 13th, 2026

    Amadeo Modigliani – Nu assis au collier. UPDATE: THIS SOLD FOR £48,235,000

    The 25 defining masterpieces of modern figurative painting from the Lewis Collection at Sotheby’s on June 24 constitute the most valuable single collection ever offered in London.  

    A nude considered scandalous by Modigliani leads an auction which features stellar artists like Picasso, Schiele, Bacon, Klimt, Freud, Caillebotte and Toulouse-Lautrec.  Modigliani’s sensuous Nu assis au collier (Seated nude with necklace)  ranks among the most important works by the artist ever to come to market. It is estimated to make around £45 million (€52.1 million).  Painted in 1917 it belongs to a series now widely regarded as pivotal in the evolution of modern art, but considered so outrageous at the time the exhibition in which they featured was shut down by the police. Modigliani is one of a rare coterie of artists to have broken the $100 million threshold at auction, not just once but twice – each time in New York.  Both were works from this series.  The mantle now passes to London where this is one of the highest value works of any kind ever offered in the city and the highest value work by Modigliani ever to be offered in Europe.

    Pablo Picasso – Buste de Femme. UPDATE: THIS SOLD FOR £23,855,000

    A suite of seven works by Picasso spans eight full decades of his career.  The group is led by a highly unusual and evocative portrait of Dora Maar, the vibrant, fiercely independent artist who first attracted his attention by playing ‘knife roulette’ between her splayed fingers on an adjacent table at Les Deux Magots in Paris.  As well as becoming Picasso’s muse and lover Maar also became his indispensable intellectual and artistic sparring partner. Given both the provocative nature of their nine year relationship and the tumultuous backdrop against which it unfolded (the Spanish Civil War and the Second World War), the vast majority of Picasso’s renditions of Dora Maar are angular and jagged in form. Buste de femme, unseen for over half a century, is a rare example of something quite different – a generous, sweepingly lyrical rendition of the Dora Maar with whom Picasso was still entirely besotted in 1938 when this work was painted.

     Egon Schiele – Danaë. UPDATE: THIS SOLD FOR £17,932,500

    With its jewel like surface and geometric patterning Egon Schiele’s Danaë – painted when the artist was just 19 – is seen as a key breakthrough work.  Here Schiele imagines the mythological scene in which Zeus descends on Danaë in a shower of golden rain, its heaviness accentuated by the introduction of greens and blacks.  Schiele died in the Spanish flu epidemic in 1918 aged just 28.

    Bacon’s Two Studies for a Self-Portrait was made in 1977 and captures an artist beset by inner turmoil. Following the suicide of his love George Dyer in 1971 Bacon launched into a period of production that would become the most emotionally fraught but ambitious of his career. Behind these works lies a decade of guilt, bereavement, and self-scrutiny, marked by the deaths of many of those closest to him – not only George Dyer, but also Peter Lacey. When asked in 1979 why he made so many self-portraits, Bacon explained: “people have been dying around me like flies and I’ve had nobody else to paint but myself.” 

    Many of the works in a sale estimated to make in the region of £200 million (€231.5 million) have been shown in major museums across the globe.  They were assembled over decades by Joe Lewis and his daughter Vivienne.  Born and raised in London’s East End, Joe Lewis felt a natural affinity as a collector with the School of London painters, such as Bacon and Freud, whose work confronted the human condition with an uncompromising intensity. That early passion became the foundation for what is today one of the world’s most important private collections of modern art, shaped by a fascination with the human figure in all its forms. 

    Over the years the collection has been re-shaped.  The Lewis journey as collectors is far from over. “We remain committed to the avant garde painters of today, much of whose work is informed by the artists showcased here” a statement said. 

    Billionaire Joe Lewis, who left school at 15 to help his father run his father’s West End catering business, was born in 1937 to a Jewish family living above a public house in Bow, East London. He holds assets through his Tavistock Group and was previously the majority owner of ENIC Group, the majority owner of Tottenham Hotspur.  Accused of tipping off associates and friends with non public information and charged with multiple counts of insider trading in New York in 2023 he pleaded guilty. Lewis was spared jail time, fined $5 million and later pardoned by Donald Trump.  His art collection is estimated to be worth $1 billion.

    Francis Bacon – Two Studies for self-portrait. UPDATE: THIS SOLD FOR £8,675,000

    THE LEWIS COLLECTION AT SOTHEBY’S IN LONDON

    Friday, May 1st, 2026

    Gustav Klimt –  Bildnis Gertrud Loew (Gertha Felsoványi) from 1902. UPDATE: THIS MADE £36,160,000

    This ethereal portrait by Gustav Klimt from the Lewis Collection – the most valuable single collection ever offered in London – will come under the hammer at Sotheby’s in June. Gertrud Loew was a member of fin-de-siècle Viennese society, later known by her married name Gertha Felsoványi, who was aged 19 when this portrait was painted. It is estimated at £20-£30 million. Assembled over decades by Joe Lewis, former owner of Tottenham Hotspur, and his daughter Vivienne, many of the works in the collection have been exhibited in major museums across the globe. There is art by Egon Schiele, Amadeo Modigliani, Francis Bacon, Gustav Caillebotte, Lucian Freud, Chaim Soutine and Picasso in a collection estimated to make in the region of £150 million.

    Born and raised in London’s East End, Joe Lewis felt a natural affinity as a collector with the School of London painters, such as Bacon and Freud, whose work confronted the human condition with an uncompromising intensity. That early passion became the foundation for what is today one of the world’s most important private collections of modern art, shaped by a fascination with the human figure in all its forms. From Klimt, Schiele and Modigliani to Caillebotte, Toulouse-Lautrec, Bacon and Freud, the Lewis Collection captures the radical inventiveness of the leading artists of the 20th century, and includes some of the greatest works of modern figurative painting to remain in private hands.


    The June sale follows the presentation of four School of London masterpieces from the Lewis Collection at Sotheby’s London in March, which doubled their combined low estimate to realise a total of £35.8 million,. It also follows last September’s record-setting sale of the Pauline Karpidas collection, which achieved £101 million to become the highest-value single owner sale ever staged in London.

    Highlights will be unveiled at Sotheby’s in New York tomorrow. The auctions will be held on the week of June 22 in London.

    FRANCIS BACON – TWO STUDIES FOR SELF-PORTRAIT. (£8 – £12 MILLION). UPDATE: THIS SOLD FOR £8,675,000

    SCHOOL OF LONDON PAINTINGS AT SOTHEBY’S

    Sunday, February 22nd, 2026

    UPDATE: THIS MADE £16,035,000

    This storied self portrait by Francis Bacon leads one of the finest groups of School of London paintings ever brought to market. No less than four museum quality works  by Bacon, Freud and Kossoff are at Sotheby’s Modern and Contemporary evening auction in London on March 4. The Bacon portrait was painted in 1972 in the shadow of a devastating personal loss.  Struggling to cope following the death of his partner George Dyer, he obsessively painted himself again and again.  Two career-defining portraits by Lucian Freud, and Leon Kossoff’s Children’s Swimming Pool—widely considered the artist’s masterpiece—complete the group.  The School of London was a small group of free spirited artists who pursued their separate but related visions. Fully engaged with the world around them, they up-ended tradition and created a completely new path forward for figurative art. 

    PORTRAIT OF A DWARF BY BACON AT SOTHEBY’S

    Wednesday, October 8th, 2025

    Francis Bacon – Portrait of a Dwarf. UPDATE: THIS SOLD FOR £13.1 MILLION

    Portrait of a Dwarf by Francis Bacon is, at £6 million – £9 million, the most expensively estimated lot at Sotheby’s contemporary evening art sale in London on October 16. Executed in Paris in 1975 the painting stands alone in Bacon’s oeuvre. Four years after George Dyer’s tragic death on the eve of the artist’s Grand Palais retrospective in the same city, Bacon turned to Velazquez, his ‘God’, once again for inspiration. In the same way as his Popes had been presented on a dais or throne, here his subject is raised up to meet and confront the viewer directly. An amalgamation of Dyer’s hairline, Peter Beard’s face, Lucian Freud’s torso and Bacon’s own foreshortened legs, this figure melds some of his closest friends and greatest loves – yet still recalls Velazquez’s A Dwarf Sitting on the Floor

    BACON PORTRAIT OF MAN WITH GLASSES AT CHRISTIE’S IN LONDON

    Monday, February 17th, 2025

    Francis Bacon – Portrait of Man with Glasses III, 1963. UPDATE: THIS MADE £6,635,000

    Francis Bacon’s Portrait of Man with Glasses III from 1963 will be a highlight at Christie’s 20th/21st Century evening sale in London on March 5. At auction for the first time it has been exhibited extensively worldwide featuring in 17 major international retrospectives and serving as the cover image for the catalogue of the Francis Bacon/Henry Moore: Flesh and Bone exhibition at the Ashmolean Museum, Oxford in 2013. Most recently, it was displayed at London’s National Portrait Gallery as part of Francis Bacon: Human Presence, reaffirming its status as a cornerstone of Bacon’s oeuvre.

    The painting’s distorted yet captivating features reflect Bacon’s deep exploration of emotion, form, and the human condition: the bared teeth, rendered with thick impasto and delicate colour, embody his ambition to “paint the mouth like Monet painted a sunset”. The estimate is £6 million – £9 million.

    THE EVOLUTION OF BACON’S PORTRAITS

    Monday, August 5th, 2024
    Self-Portrait, 1987

    Francis Bacon, Human Presence at the National Portrait Gallery in London from October 10 will be the first exhibition in nearly 20 years to focus on the artist’s portraits.  Through five key phases, – Portraits Emerge, Beyond Appearance, Painting from the Masters, Self-Portraits and Friends and Lovers – the show will chart the evolution of Bacon’s practice and explore how he embraced and challenged traditional definitions of potraiture. With more than 50 rarely seen works from private collections around the world it explores an engagement with portraiture from the 1940’s with a focus on self portraits and images of key sitters including lovers and friends.  These will be displayed alongside rarely seen photographs and portraits of Bacon from the gallery’s collection by leading 20th century photographers like Cecil Beaton, Arnold Newman and Bill Brandt. The first major exhibition of portraits by Bacon at the National Portrait Gallery runs until January 19, 2025.  

    BACON LITHOGRAPH AT MORGAN O’DRISCOLL SALE

    Friday, May 10th, 2024

    FRANCIS BACON (1909-1992) – SECOND VERSION (1944). UPDATE: THIS MADE 26,000 AT HAMMER

    THIS triptych by Francis Bacon – a lithograph in Arches wove paper and number 2 from an edition of 60 – comes up as lot 22 at Morgan O’Driscoll’s Irish online art auction which runs until May 20. Each is signed on the lower right. It was co-published by Edition Frédéric Birr and Michel Archimbaud for Librairie Séguier, Paris in 1989. The estimate is €20,000-€30,000.

    MAJOR INTERNATIONAL ART SALES IN NEW YORK

    Saturday, May 4th, 2024

    The Italian Version of Popeye Has no Pork in His Diet by Jean-Michel Basquiat at Christie’s. UPDATE: THIS SOLD FOR $32 MILLION

    The Italian Version of Popeye Has no Pork in His Diet, a lawn being sprinkled, a haunting portrait of a lover and muse, scientific literature and Irish and Mexican myth getting the surreal treatment all feature at the big art sales at Christie’s and Sotheby’s in New York this month.

    The 20th/21st Century series at Christie’s and masterworks spanning more than a century of production at Sotheby’s underline the glorious diversity of Modern, Contemporary and Post-War Art and the boundary pushing art of now.

    Jean-Michel Basquiat’s arresting 1982 work The Italian Version of Popeye has no Pork in His Diet will be a highlight at Christie’s 21st Century evening sale on May 14.  Peppered with figures, numbers, shapes and crossed out words it mixes symbols, text and portraiture and is estimated to achieve around $30 million (€28.03 million). It is part of a series featuring tied together wooden supports on which a canvas has been mounted.

    In a market that is weaker than latter years Basquiat continues to exert strong pulling power. A highlight at Sotheby’s Contemporary Auction in New York on May 13 is one of the most significant paintings created jointly by Basquiat and  Andy Warhol during their famed period of collaboration from 1983 – 1985. “Andy would start one and put something very recognizable on it, or a product logo, and I would sort of deface it” Basquiat said once, while Warhol credited Basquiat with getting him into painting differently.  Untitled (1984), a large scale example of this collaborative series, is estimated in the region of $18 million (€16.82 million).

    David Hockney “A Lawn Being Sprinkled” 1967 Acrylic on canvas 60 x 60″ © David Hockney Photo Credit: Richard Schmidt. UPDATE: THIS SOLD FOR $28.6 MILLION.

    Now aged 86 David Hockney continues to make great art today (he says he does not feel his age when in the studio).  Hockney’s mesmerising A Lawn being Sprinkled at Christie’s dates to 1967 and is estimated at $25 million – $35 million (€23.36 million – €32.7 million). It is from the Los Angeles collection of legendary screenwriter, producer and activist Norman Lear and his wife Lyn Davis Lear.

    Portrait of George Dyer Crouching by Francis Bacon at Sotheby’s. UPDATE: THIS SOLD FOR $27,735,000

    Francis Bacon’s Portrait of George Dyer Crouching at Sotheby’s Contemporary evening auction on May 13 dates to 1966 and is the first of a  cycle of ten monumental portraits of Dyer created between 1966 and 1968. It offers a haunting glimpse of Dyer – who died from a drugs and drink overdose in Paris two days before the opening of the Francis Bacon Retrospective at the Grand Palais in 1971 – both as hero and a figure of vulnerability.  The estimate is $30 million – $50 million (€28.03 million – €46.72 million).

    Les Distractions de Dagobert by Leonora Carrington at Sotheby’s. UPDATE: THIS SOLD FOR $28,485,000

    Born in 1917 to an upper class Catholic family in rural north west England Leonora Carrington’s childhood was shaped on one hand by rigid social structures and on the other by magical myths from her Irish grandmother and nanny.  She returned often to Irish legends, especially in works like Les Distractions de Dagobert which is rife with Celtic imagery.  Following a rebellious youth, a brief sojourn with the Parisian Surrealist group and a harrowing flight from war torn Europe Carrington painted this tour de force at the age of 28. The  centrepiece at her first retrospective exhibition at the Pierre Matisse gallery in New York in 1948 it is at Sotheby’s Modern evening auction on May 15 with an estimate of  $12 million – $18 million.

    CROUCHING DYER, HIDDEN BACON

    Tuesday, March 26th, 2024

    UPDATE: THIS SOLD FOR $27,735,000

    Francis Bacon’s haunting Portrait of George Dyer Crouching comes up at Sotheby’s contemporary art evening auction in New York in May. It is the first in a series of ten monumental portraits of Dyer created between 1966 and 1968 and it has never been on the auction market before. Dyer is portrayed shirtless, crouched over his discarded shirt like a predator over his prey, his head depicted in triplicate as it turns towards the viewer, combining Dyer’s face with Bacon’s, nodding to their indivisibility. This image of the entwined head is among the best examples within Bacon’s oeuvre – a significant motif that would persist throughout his work. The revolutionary impact that Dyer and Bacon had on each other’s lives can be felt palpably here, as the first painting in a series that would, over years, chronicle the seduction and sadness, frustration and fulfillment, tension and collapse that underlined one of the most tempestuous relationships in art history.

    It was acquired from The Marlborough Gallery in 1970 and has not been on the market since. It is the first full-scale portrait of Dyer at auction since another from this same cycle, George Dyer Talking, sold in 2014 for $70 million – establishing the record for any single-panel portrait by Bacon. The centerpiece of Francis Bacon: Man and Beast held at the Royal Academy of Arts, London in 2022 Portrait of George Dyer Crouching is estimated at between $30 million and $50 million.

    BACON PORTRAIT OF GEORGE DYER AT SOTHEBY’S IN MARCH

    Friday, February 23rd, 2024
    Francis Bacon –  Study of George Dyer UPDATE: THIS SOLD FOR £6.8 MILLION

    Francis Bacon’s last intimately scaled portrait of his lover George Dyer shortly before his tragic death comes up at Sotheby’s in London on March 6. Acquired directly from the Marlborough Gallery in London in 1970, the year it was painted the portrait is charged with extraordinary intimacy and framed within a seductive dark background. The depiction of Dyer – at the time, the love of Bacon’s life – was selected by the artist for inclusion in his major retrospective at the Grand Palais in Paris held in the autumn of 1971. The work was briefly seen in 1993, when it was included in an exhibition of the artist’s small portrait studies at the Marlborough Gallery, after which it went back onto its owners wall until now. It is estimated at £5 – £7 million.

    The major retrospective of Bacon’s work at the Grand Palais was of great personal significance to Bacon as it marked only the first time after Picasso – Bacon’s artist hero – that a living artist had been afforded a one-man show at the prestigious venue. The monumental occasion celebrating the artist’s already stellar career was, however, marred by an event which would leave Bacon grief-stricken: barely thirty-six hours before the opening, Dyer was found dead from an overdose of sleeping pills, exacerbated by alcohol abuse, in the hotel suite the pair shared. Despite suffering from numbing shock and a despairing guilt, Bacon continued with the opening apparently unabated, though the shadow Dyer cast over Bacon would linger for the rest of his life.

    The Dyer portrait leads a powerful and arresting group of twentieth-century artworks from a distinguished private collection at Sotheby’s in London this March.. Assembled with unfaltering energy and focus over some sixty years, the paintings, sculpture and drawings that comprise the collection are linked by a common thread – an unwavering interest in the human form by artists at the peak of their powers who sought to convey the emotions and forces that govern and dictate the human condition. Art by Chaïm Soutine, Jean Dubuffet, Henry Moore, Henri Matisse, Edouard Vuillard and Henri Hayden will be presented in Sotheby’s Modern & Contemporary evening and day auctions on March 6 and 7. A further selection of works from this collection will be offered across a range of sales in London up until June. They were sourced principally in the late 1960s and the 1970s, chiefly from the leading London galleries of the moment such as Marlborough, Alex Reid & Lefevre, Waddington, Crane Kalman and Redfern.