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    JAZZ IN CORK AND ART MARKET AIN’T MISBEHAVIN’

    Saturday, October 24th, 2026

    The Potato Harvest by Paul Henry broke the million euro barrier.

    With Paul Henry breaking the million euro barrier for the first time the Guinness Cork Jazz Festival is not the only cause for celebration this October Bank Holiday  weekend. 

    As the autumn leaves drift by the window the art market ain’t misbehavin’. In fact it has been hitting the right notes all over the show. Thus far October has been an astonishing month.

    The sale of The Potato Harvest by Paul Henry for £883,200 (€1,043,290) at Sotheby’s over a top estimate of £350,000 (€414,700) was somewhat of a surprise though nonetheless overdue.  With rock solid saleroom performances Henry has been among the most bankable of Irish artists for a very long time.

    The Potato Harvest, first exhibited in 1919, introduces many of the defining features of his mature style – the low horizon, dramatic coastal atmosphere and careful balance between figure and landscape.  In 2013 The Potato Diggers by Henry made a hammer price of €400,000 at Adam’s in Dublin. Other examples from this series are in public collections like the Ulster Museum in Belfast.

    Boys Catching Crabs in Connemara by Gerard Dillon sold for €333,655 at Sotheby’s.

    It was a stellar evening for Irish art at Sotheby’s where a private collection of nine Irish paintings was on offer.  The combined estimate was £1.4 million (€1.6 million) and six of them sold, making more than €2.37 million.  Little Spanish Dancer (Girl in Red Shawl) by Sir William Orpen made £358,400 (€424,652), Boys Catching Crabs in Connemara by Gerard Dillon made €281,600 (€333,655), Red Rocks and Foam by Roderic O’Conor made £243,200 (€288,156), A Winter Sea by Paul Henry made £192,000 (€227,490) and Galway by Jack B Yeats made £81,920 (€97,063).

    These results were more than enough to keep the blues at bay even as three paintings, by Sean Scully, Yeats and Henry, failed to find buyers.

    Study for a figure by Francis Bacon from the Peter Simon Monsoon collection sold for €127,075,402 at Christie’s.

    There were celebrations at Christie’s too.  The combined 20/21 evening sales generated £218,603,400 (€258,389,219).  There were bidders from around the world and more than 10,000 people turned up for viewings in London. The leading lots were Wassily Kandinsky’s Das bunte Leben (The colourful life) 1907 which made £31,560,000 (€37,394,000) and Piet Mondrian’s Composition III (1920) which made £25,235,000 (€29,899,815). The evening sale of the collection of  Peter Simon – founder of the Monsoon clothing chain – made £107,508,800 (€127,075,402).  This was the highest value single owner collection ever at Christie’s in London. The top lot was Francis Bacon’s Figure in Movement. It made £17,185,000 (€20,361,733).

    Sales of Irish art in Ireland have been going very well this autumn too.  Paul Henry’s Connemara Landscape made €140,000 at hammer at Whytes, Against the Stream by Yeats made €125,000. Crossing the City by Yeats and Nude by the Sea by Mainie Jellett each made hammer prices of €120,000.  At Adams Errigal by Paul Henry  made €95,000 at hammer.

    No blue notes are being struck here.  If all this is a bit beyond the budget there is always great art out there to be enjoyed for next to nothing.  Hilma af Klint, Artist and Visionary – the first major exhibition in Ireland devoted to one of Sweden’s most celebrated modern artists – is now on show at the National Gallery in Dublin.  The exhibition, which explores the time, place and circumstance that shaped her unique artistic vision, runs until next February 7.

    Altarbilder by Hilma af Klint at the National Gallery.

    MONSOON: THE PETER SIMON COLLECTION AT CHRISTIE’S

    Tuesday, September 15th, 2026

    FRANCIS BACON – Figure in Movement, 1978. UPDATE: THIS SOLD FOR £17,185,000

    Monsoon: The Peter Simon Collection will highlight Christie’s London Marquee Week in October. Offered in three dedicated auctions with an evening sale on October 14,, a day sale on October 15 plus an online sale from October 1-20 collectively comprising nearly 200 works, this selection from the personal collection of British businessman Peter Simon, the founder of Monsoon, will be offered during Frieze Week. The paintings in these sales span the history of Modern and Contemporary art, connecting the St Ives School with European Modernism, Abstract Expressionism with Op Art, and the School of London with contemporary painting from around the world. Major works by masters of modern and contemporary art (such as Francis Bacon, Piet Mondrian, Joan Miró, Andy Warhol, Pablo Picasso and Hurvin Anderson) are presented alongside lesser-known and rarely seen pieces, each selected for its individual character and story. Bacon’s Figure in Movement is estimated at £14 million – £18 million.

    The collection bears witness to Simon’s love of colour, form and pattern, honed by hours spent reviewing prints with Monsoon’s fashion and textile designers, and guided by an innate understanding of shades, textures and composition. Alighiero Boetti’s Mappa, created in 1988 (£2,000,000-3,000,000), is an emblematic example of this: vibrant hand-sewn silk embroideries that depict the world’s landmasses fragmented into nation-states, with flags filling their irregular outlines to create a melee of colour, pattern and symbol. They were produced in partnership with Afghan weavers who crafted the maps to Boetti’s instructions.

    ALIGHIERO BOETTI – Mappa, 1988. UPDATE: THIS SOLD FOR £2,896,000

    DANCE AROUND A WINE GLASS BY FRANCIS BACON AT BIRR AUCTION

    Wednesday, August 12th, 2026

    Francis Bacon (1909-1992) Chateau Mouton Rothschild, Pauillac Wine Label 1990. UPDATE: THIS WAS UNSOLD

    It is no secret that world renowned artist Francis Bacon was a lover of wine. In 1990 he created a formal dance about a wine-glass for the Mouton Rothschild 1990 label, distorting it to the curve of the label. A copy, still in its original white board tube with the name Chateau Mouton Rothschild and emblem in gilt along with an unused post card depicting the lithograph, will come up at a sale by Purcell Auctioneers in Birr on September 16. It is inscribed in French in homage to Bacon, who offered to Mouton one of his last works and signed both by Bacon and Baronne Philippine de Rothschild. Lot 373 is estimated at €800-€1,600.

    Titled the W B Yeats sale and filled with collectible treasures the auction of 578 lots offers the libraries of the late Professor Warwick Gould and his wife Deirdre Toomey. Both prominent scholars they had a particular interest in the poetry, prose and drama of Yeats. The leading lot in the sale is a first (1726) edition of Gulliver’s Travels with an estimate of €8,000-€16,000.

    MODIGLIANI NUDE LEADS LEWIS COLLECTION AT SOTHEBY’S

    Saturday, June 13th, 2026

    Amadeo Modigliani – Nu assis au collier. UPDATE: THIS SOLD FOR £48,235,000

    The 25 defining masterpieces of modern figurative painting from the Lewis Collection at Sotheby’s on June 24 constitute the most valuable single collection ever offered in London.  

    A nude considered scandalous by Modigliani leads an auction which features stellar artists like Picasso, Schiele, Bacon, Klimt, Freud, Caillebotte and Toulouse-Lautrec.  Modigliani’s sensuous Nu assis au collier (Seated nude with necklace)  ranks among the most important works by the artist ever to come to market. It is estimated to make around £45 million (€52.1 million).  Painted in 1917 it belongs to a series now widely regarded as pivotal in the evolution of modern art, but considered so outrageous at the time the exhibition in which they featured was shut down by the police. Modigliani is one of a rare coterie of artists to have broken the $100 million threshold at auction, not just once but twice – each time in New York.  Both were works from this series.  The mantle now passes to London where this is one of the highest value works of any kind ever offered in the city and the highest value work by Modigliani ever to be offered in Europe.

    Pablo Picasso – Buste de Femme. UPDATE: THIS SOLD FOR £23,855,000

    A suite of seven works by Picasso spans eight full decades of his career.  The group is led by a highly unusual and evocative portrait of Dora Maar, the vibrant, fiercely independent artist who first attracted his attention by playing ‘knife roulette’ between her splayed fingers on an adjacent table at Les Deux Magots in Paris.  As well as becoming Picasso’s muse and lover Maar also became his indispensable intellectual and artistic sparring partner. Given both the provocative nature of their nine year relationship and the tumultuous backdrop against which it unfolded (the Spanish Civil War and the Second World War), the vast majority of Picasso’s renditions of Dora Maar are angular and jagged in form. Buste de femme, unseen for over half a century, is a rare example of something quite different – a generous, sweepingly lyrical rendition of the Dora Maar with whom Picasso was still entirely besotted in 1938 when this work was painted.

     Egon Schiele – Danaë. UPDATE: THIS SOLD FOR £17,932,500

    With its jewel like surface and geometric patterning Egon Schiele’s Danaë – painted when the artist was just 19 – is seen as a key breakthrough work.  Here Schiele imagines the mythological scene in which Zeus descends on Danaë in a shower of golden rain, its heaviness accentuated by the introduction of greens and blacks.  Schiele died in the Spanish flu epidemic in 1918 aged just 28.

    Bacon’s Two Studies for a Self-Portrait was made in 1977 and captures an artist beset by inner turmoil. Following the suicide of his love George Dyer in 1971 Bacon launched into a period of production that would become the most emotionally fraught but ambitious of his career. Behind these works lies a decade of guilt, bereavement, and self-scrutiny, marked by the deaths of many of those closest to him – not only George Dyer, but also Peter Lacey. When asked in 1979 why he made so many self-portraits, Bacon explained: “people have been dying around me like flies and I’ve had nobody else to paint but myself.” 

    Many of the works in a sale estimated to make in the region of £200 million (€231.5 million) have been shown in major museums across the globe.  They were assembled over decades by Joe Lewis and his daughter Vivienne.  Born and raised in London’s East End, Joe Lewis felt a natural affinity as a collector with the School of London painters, such as Bacon and Freud, whose work confronted the human condition with an uncompromising intensity. That early passion became the foundation for what is today one of the world’s most important private collections of modern art, shaped by a fascination with the human figure in all its forms. 

    Over the years the collection has been re-shaped.  The Lewis journey as collectors is far from over. “We remain committed to the avant garde painters of today, much of whose work is informed by the artists showcased here” a statement said. 

    Billionaire Joe Lewis, who left school at 15 to help his father run his father’s West End catering business, was born in 1937 to a Jewish family living above a public house in Bow, East London. He holds assets through his Tavistock Group and was previously the majority owner of ENIC Group, the majority owner of Tottenham Hotspur.  Accused of tipping off associates and friends with non public information and charged with multiple counts of insider trading in New York in 2023 he pleaded guilty. Lewis was spared jail time, fined $5 million and later pardoned by Donald Trump.  His art collection is estimated to be worth $1 billion.

    Francis Bacon – Two Studies for self-portrait. UPDATE: THIS SOLD FOR £8,675,000

    THE LEWIS COLLECTION AT SOTHEBY’S IN LONDON

    Friday, May 1st, 2026

    Gustav Klimt –  Bildnis Gertrud Loew (Gertha Felsoványi) from 1902. UPDATE: THIS MADE £36,160,000

    This ethereal portrait by Gustav Klimt from the Lewis Collection – the most valuable single collection ever offered in London – will come under the hammer at Sotheby’s in June. Gertrud Loew was a member of fin-de-siècle Viennese society, later known by her married name Gertha Felsoványi, who was aged 19 when this portrait was painted. It is estimated at £20-£30 million. Assembled over decades by Joe Lewis, former owner of Tottenham Hotspur, and his daughter Vivienne, many of the works in the collection have been exhibited in major museums across the globe. There is art by Egon Schiele, Amadeo Modigliani, Francis Bacon, Gustav Caillebotte, Lucian Freud, Chaim Soutine and Picasso in a collection estimated to make in the region of £150 million.

    Born and raised in London’s East End, Joe Lewis felt a natural affinity as a collector with the School of London painters, such as Bacon and Freud, whose work confronted the human condition with an uncompromising intensity. That early passion became the foundation for what is today one of the world’s most important private collections of modern art, shaped by a fascination with the human figure in all its forms. From Klimt, Schiele and Modigliani to Caillebotte, Toulouse-Lautrec, Bacon and Freud, the Lewis Collection captures the radical inventiveness of the leading artists of the 20th century, and includes some of the greatest works of modern figurative painting to remain in private hands.


    The June sale follows the presentation of four School of London masterpieces from the Lewis Collection at Sotheby’s London in March, which doubled their combined low estimate to realise a total of £35.8 million,. It also follows last September’s record-setting sale of the Pauline Karpidas collection, which achieved £101 million to become the highest-value single owner sale ever staged in London.

    Highlights will be unveiled at Sotheby’s in New York tomorrow. The auctions will be held on the week of June 22 in London.

    FRANCIS BACON – TWO STUDIES FOR SELF-PORTRAIT. (£8 – £12 MILLION). UPDATE: THIS SOLD FOR £8,675,000

    SCHOOL OF LONDON PAINTINGS AT SOTHEBY’S

    Sunday, February 22nd, 2026

    UPDATE: THIS MADE £16,035,000

    This storied self portrait by Francis Bacon leads one of the finest groups of School of London paintings ever brought to market. No less than four museum quality works  by Bacon, Freud and Kossoff are at Sotheby’s Modern and Contemporary evening auction in London on March 4. The Bacon portrait was painted in 1972 in the shadow of a devastating personal loss.  Struggling to cope following the death of his partner George Dyer, he obsessively painted himself again and again.  Two career-defining portraits by Lucian Freud, and Leon Kossoff’s Children’s Swimming Pool—widely considered the artist’s masterpiece—complete the group.  The School of London was a small group of free spirited artists who pursued their separate but related visions. Fully engaged with the world around them, they up-ended tradition and created a completely new path forward for figurative art. 

    PORTRAIT OF A DWARF BY BACON AT SOTHEBY’S

    Wednesday, October 8th, 2025

    Francis Bacon – Portrait of a Dwarf. UPDATE: THIS SOLD FOR £13.1 MILLION

    Portrait of a Dwarf by Francis Bacon is, at £6 million – £9 million, the most expensively estimated lot at Sotheby’s contemporary evening art sale in London on October 16. Executed in Paris in 1975 the painting stands alone in Bacon’s oeuvre. Four years after George Dyer’s tragic death on the eve of the artist’s Grand Palais retrospective in the same city, Bacon turned to Velazquez, his ‘God’, once again for inspiration. In the same way as his Popes had been presented on a dais or throne, here his subject is raised up to meet and confront the viewer directly. An amalgamation of Dyer’s hairline, Peter Beard’s face, Lucian Freud’s torso and Bacon’s own foreshortened legs, this figure melds some of his closest friends and greatest loves – yet still recalls Velazquez’s A Dwarf Sitting on the Floor

    BACON PORTRAIT OF MAN WITH GLASSES AT CHRISTIE’S IN LONDON

    Monday, February 17th, 2025

    Francis Bacon – Portrait of Man with Glasses III, 1963. UPDATE: THIS MADE £6,635,000

    Francis Bacon’s Portrait of Man with Glasses III from 1963 will be a highlight at Christie’s 20th/21st Century evening sale in London on March 5. At auction for the first time it has been exhibited extensively worldwide featuring in 17 major international retrospectives and serving as the cover image for the catalogue of the Francis Bacon/Henry Moore: Flesh and Bone exhibition at the Ashmolean Museum, Oxford in 2013. Most recently, it was displayed at London’s National Portrait Gallery as part of Francis Bacon: Human Presence, reaffirming its status as a cornerstone of Bacon’s oeuvre.

    The painting’s distorted yet captivating features reflect Bacon’s deep exploration of emotion, form, and the human condition: the bared teeth, rendered with thick impasto and delicate colour, embody his ambition to “paint the mouth like Monet painted a sunset”. The estimate is £6 million – £9 million.

    THE EVOLUTION OF BACON’S PORTRAITS

    Monday, August 5th, 2024
    Self-Portrait, 1987

    Francis Bacon, Human Presence at the National Portrait Gallery in London from October 10 will be the first exhibition in nearly 20 years to focus on the artist’s portraits.  Through five key phases, – Portraits Emerge, Beyond Appearance, Painting from the Masters, Self-Portraits and Friends and Lovers – the show will chart the evolution of Bacon’s practice and explore how he embraced and challenged traditional definitions of potraiture. With more than 50 rarely seen works from private collections around the world it explores an engagement with portraiture from the 1940’s with a focus on self portraits and images of key sitters including lovers and friends.  These will be displayed alongside rarely seen photographs and portraits of Bacon from the gallery’s collection by leading 20th century photographers like Cecil Beaton, Arnold Newman and Bill Brandt. The first major exhibition of portraits by Bacon at the National Portrait Gallery runs until January 19, 2025.  

    BACON LITHOGRAPH AT MORGAN O’DRISCOLL SALE

    Friday, May 10th, 2024

    FRANCIS BACON (1909-1992) – SECOND VERSION (1944). UPDATE: THIS MADE 26,000 AT HAMMER

    THIS triptych by Francis Bacon – a lithograph in Arches wove paper and number 2 from an edition of 60 – comes up as lot 22 at Morgan O’Driscoll’s Irish online art auction which runs until May 20. Each is signed on the lower right. It was co-published by Edition Frédéric Birr and Michel Archimbaud for Librairie Séguier, Paris in 1989. The estimate is €20,000-€30,000.