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  • Posts Tagged ‘George Dyer’

    LAST OF BACON’S PORTRAITS OF GEORGE DYER AT SOTHEBY’S NEW YORK

    Wednesday, March 6th, 2019

    Francis Bacon – Study for Portrait. Signed, titled and dated 1981 on the reverse ($12-18 MILLION)

    Francis Bacon’s Study for Portrait – the last of the artist’s famed portraits of his lover and muse George Dyer – is to come up at Sotheby’s in New York.  It is among the highlights from the Gerald L. Lennard Foundation Collection at the May  marquee auctions of Contemporary and Impressionist & Modern Art.  Other works include Willem de Kooning’s Untitled X from the group of works created in 1975 that marked the artist’s transition from a period of radical experimentation to the lush abstracts which are among his most celebrated and sought after works today; the most comprehensive group of late works by Philip Guston ever to appear at auction, including Legs, Rug, Floor from 1976 andRed Sky from 1978; and signature portraits by Frank Auerbarch depicting his wife Julia Wolstenhome and his friend Catherine Lampert.

    The Gerald L. Lennard Foundation’s interests include helping to promote programs involving visual and performing arts, healthcare, education and environmental sustainability.  Proceeds from the sale of the 37 works presented will help to benefit the Foundation’s mission now and in the future.

    Philip Guston Legs, Rug, Floor Signed, titled, and dated 1976 on the reverse ($6-8 MILLION)

    Willem de Kooning Untitled X Executed in 1975 ($8-12 MILLION)

    BACON POPE WITH DYER’S REFLECTION AT CHRISTIE’S

    Friday, September 15th, 2017

    Francis Bacon, Study of Red Pope 1962. 2nd Version 1971

    Francis Bacon’s landmark painting Study of Red Pope 1962, 2nd version 1971,  will come up at Christie’s Post War and Contemporary Art evening sale on October 6 during Frieze Week.  It stands as the grand finale to his celebrated body of Papal portraits and is the only painting that unites the Pope with his greatest love George Dyer, who is depicted as the Pope’s reflection.

    First exhibited on 26 October 1971, in the legendary retrospective of Francis Bacon’s work at the Grand Palais in Paris, Study of Red Pope 1962,  2nd version 1971 was executed six months earlier in April 1971. It has been unseen in public for 45 years.  This is the first and only time in his oeuvre that Bacon united his two greatest obsessions: the Pope and George Dyer – his great muse and lover.

    The canvas became a tragic premonition of Dyer’s fateful end when, less than thirty-six hours before the opening of the career-defining exhibition, Dyer was found dead. Acquired by the family of the present owner in 1973 this work has appeared in all the major publications dedicated to Bacon’s work but never exhibited publicly.