The complete bar from Kiely’s of Mount Merrion at Aidan Foley’s sale.
The complete bar from Kiely’s of Mount Merrion or a De Sede white modular sofa first launched in 1972 – the choice is yours at upcoming auctions by Aidan Foley and James Adam this month.
The sofa would have been very much out of place in a traditional setting like Kiely’s but would make itself very much at home in any large luxurious contemporary space. Designed by Eleanoa Peduzzi-Riva, Ueli Berger, Klaus Vogt and Heinz Ulrich it is complete with 22 sections with which multiple compositions can be created. At their Mid Century Modern sale in Dublin on May 21 Adams estimate it at €10,000-€15,000.
The bar at Kiely’s is a real deal throwback, laden with memory. It is a highlight at Aidan Foley’s online auction in conjunction with Niall Mullen at Oldcastle on May 21 and 22. All sorts of pub memorabilia will come under the hammer and the catalogue is online. The estimate on the complete bar is a mere €1,000-€2,000.
DS-600 modular sofa in white leather at James Adam.
THIS triptych by Francis Bacon – a lithograph in Arches wove paper and number 2 from an edition of 60 – comes up as lot 22 at Morgan O’Driscoll’s Irish online art auction which runs until May 20. Each is signed on the lower right. It was co-published by Edition Frédéric Birr and Michel Archimbaud for Librairie Séguier, Paris in 1989. The estimate is €20,000-€30,000.
DISCOVERY, 1952 – JACK BUTLER YEATS RHA (1871-1957)
The distinguished London-based art critic, John Berger, who visited Jack B. Yeats in Dublin in September 1956, wrote to him about this painting a few weeks later. ‘In your canvas called Discovery, the explorer has to enter the cave, walk past the last lights that circle and fly as though they were moth and candle in one, and go even further, trailing a scarf of shadow – but then suddenly in the explorer’s close-up face it is the spectator who makes the discovery. Perhaps all art’s rather like that. But many must be richer for the discoveries that are made through your being the explorer – I among them’.
Discovery is, at €300,000-€500,000, the most expensively estimated lot at Whyte’s sale of Important Irish Art in Dublin on May 27. The catalogue is online.
Johannes Vermeer, (1632–1675) – Mistress and Maid, ca. 1666?67. The Frick Collection, New York, photo: Joseph Coscia Jr.
Vermeer Visits at the National Gallery of Ireland from May 11-August 18 will reunite Mistress and Maid from the Frick with the gallery’s own Vermeer, Woman Writing a Letter with her Maid. While The Frick Collection’s New York residence is currently undergoing a renovation, Mistress and Maid makes an exceptional trip to Dublin, marking only the second time it has left New York since its acquisition in 1919. Before the paintings were on display at the Rijksmuseum’s Vermeer exhibition in 2023, they were last united at the auction of French copper industrialist Eugène Secrétan in Paris in 1889. The painting rarely travels outside its home in New York under the conditions of its bequest.
Mistress and Maid is unusual in Vermeer’s oeuvre in that the composition focuses almost exclusively on the interaction between the figures – the mistress pausing her writing in surprise at the arrival of a letter brought by a maid. The painting is exceptionally large in comparison to Vermeer’s other genre scenes, measuring over a metre in height.
Johannes Vermeer, (1632–1675) – Woman Writing a Letter, with her Maid, c.1670. Presented, Sir Alfred and Lady Beit, 1987 (Beit Collection). Image, National Gallery of Ireland.
The Italian Version of Popeye Has no Pork in His Diet by Jean-Michel Basquiat at Christie’s
The Italian Version of Popeye Has no Pork in His Diet, a lawn being sprinkled, a haunting portrait of a lover and muse, scientific literature and Irish and Mexican myth getting the surreal treatment all feature at the big art sales at Christie’s and Sotheby’s in New York this month.
The 20th/21st Century series at Christie’s and masterworks spanning more than a century of production at Sotheby’s underline the glorious diversity of Modern, Contemporary and Post-War Art and the boundary pushing art of now.
Jean-Michel Basquiat’s arresting 1982 work The Italian Version of Popeye has no Pork in His Diet will be a highlight at Christie’s 21st Century evening sale on May 14. Peppered with figures, numbers, shapes and crossed out words it mixes symbols, text and portraiture and is estimated to achieve around $30 million (€28.03 million). It is part of a series featuring tied together wooden supports on which a canvas has been mounted.
In a market that is weaker than latter years Basquiat continues to exert strong pulling power. A highlight at Sotheby’s Contemporary Auction in New York on May 13 is one of the most significant paintings created jointly by Basquiat and Andy Warhol during their famed period of collaboration from 1983 – 1985. “Andy would start one and put something very recognizable on it, or a product logo, and I would sort of deface it” Basquiat said once, while Warhol credited Basquiat with getting him into painting differently. Untitled (1984), a large scale example of this collaborative series, is estimated in the region of $18 million (€16.82 million).
Now aged 86 David Hockney continues to make great art today (he says he does not feel his age when in the studio). Hockney’s mesmerising A Lawn being Sprinkled at Christie’s dates to 1967 and is estimated at $25 million – $35 million (€23.36 million – €32.7 million). It is from the Los Angeles collection of legendary screenwriter, producer and activist Norman Lear and his wife Lyn Davis Lear.
Portrait of George Dyer Crouching by Francis Bacon at Sotheby’s.
Francis Bacon’s Portrait of George Dyer Crouching at Sotheby’s Contemporary evening auction on May 13 dates to 1966 and is the first of a cycle of ten monumental portraits of Dyer created between 1966 and 1968. It offers a haunting glimpse of Dyer – who died from a drugs and drink overdose in Paris two days before the opening of the Francis Bacon Retrospective at the Grand Palais in 1971 – both as hero and a figure of vulnerability. The estimate is $30 million – $50 million (€28.03 million – €46.72 million).
Les Distractions de Dagobert by Leonora Carrington at Sotheby’s.
Born in 1917 to an upper class Catholic family in rural north west England Leonora Carrington’s childhood was shaped on one hand by rigid social structures and on the other by magical myths from her Irish grandmother and nanny. She returned often to Irish legends, especially in works like Les Distractions de Dagobert which is rife with Celtic imagery. Following a rebellious youth, a brief sojourn with the Parisian Surrealist group and a harrowing flight from war torn Europe Carrington painted this tour de force at the age of 28. The centrepiece at her first retrospective exhibition at the Pierre Matisse gallery in New York in 1948 it is at Sotheby’s Modern evening auction on May 15 with an estimate of $1
An image of Samuel Beckett by Louis le Brocquy was the most expensive lot sold at Sotheby’s Irish art sale in Paris today. It made 88,900 against an estimate of 40,000-60,000 in a sale that brought in €529,463. Halloween by Colin Midleton made 63,500 against an estimate of 50,000-80,000 and an image of James Joyce by le Brocquy brought in 63,500 against an estimate of 50,000-70,000. Among the other top lots were A Shining Palace, Venice by William Leech (50,800), Tangier by Sir John Lavery (38,100), Two Clowns Fooling by Camille Souter (21,590), Later Love by Rowan Gillespie (19,050) and Head by Louis le Brocquy (19,050). A 1922 drawing of Michael Collins by Hazel Lavery made 13,970 against a top estimate of 5,000.
Aran Islanders by Gerard Dillon comes up as lot 7 at Sotheby’s Irish Art sale in Paris on May 2 is from a private collection in Nevada and thence by descent. Bidding is now open. In a catalogue note art historian Karen Reihill recounts how Reeves Lowenthal, Director of the Associated American Artists (AAA), travelled to Europe in 1946 to buy paintings for rota exhibitions in America. He purchased a number of Irish paintings at Victor Waddington’s in Dublin and the label suggests that this one was exhibited in New York in March of 1947. It was definitely shown at an AAA show in California in December of that year as it was illustrated in the Los Angeles Times. Gerard Dillon made his first visit to Aran in 1944 and this work dates from that period. Aran Islanders is estimated at €20,000-€30,000. UPDATE: THIS WAS WITHDRAWN
A PAIR OF GILT CIRCULAR COCKTAIL TABLES, MADE FOR THE RITZ HOTEL, PARIS. UPDATE: THESE MADE 3,800 AT HAMMER
This pair of gilt circular cocktail tables custom made for the Ritz Hotel in Paris and removed when renovated in 2018 come up as lot 23 at de Veres international Art and Design auction in Dublin on April 30. They are estimated at €1,200-€1,800. The sale features chairs from the Louvre, a Golden Egg chair designed by Arne Jacobsen and Ron Arad designed chairs. The Golden Age of stylish and functional Danish design, from the 1940’s to the 1960’s, is well represented too. It remains popular today as it works in traditional and contemporary spaces. There is art by Pierre Soulages, William Scott, Felim Egan and Barry Flanagan.
A first edition of Lewis Carroll’s Through the Looking Glass, a set of four 18th century armorial hall chairs and a portrait of Thomas Wyndham by the Dutch painter Simon Pietersz Verelst (1644-1721) from Christie’s sale at Adare Manor in 1982 come up at Hegarty’s sale in Bandon on April 30. The auction features The Durrus Collection and includes items from the estate of Major Ian Alexander Dorling Thomson who was awarded a Military Cross in 1953. The jewellery selection includes a yellow gold pink sapphire and diamond floral ring where the central petals revolve (pictured above). UPDATE: THE RING WAS UNSOLD
A woodblock print by Hiroshi Yoshida. UPDATE: THIS MADE 7,000 AT HAMMER
A west Cork collection of 18th century Irish and Oriental artefacts assembled by an investment banker is included in four days of sales with more than 1,800 lots at Sheppards in Durrow next week. Among the lots from west Cork is a set of Japanese woodblock prints from the series Seto inland sea by Hiroshi Yoshida (1876-1950), a pair of 19th century Meissen parakeets and a pair of 19th century Meissen plates.
A 17th century Flemish tapestry, a pair of Chippendale elbow chairs from Malahide Castle, a 17th century silver chalice from the Tim O’Mahony Collection, Kilkenny, an Irish 18th century wake table, four 18th century Chippendale chairs from the estate of Yehudi Menuhin and a long Donegal runner supplied by Robert Kime to Clarence House, home of King Charles and Queen Camilla add considerable interest to this auction.
The Great Irish Interiors sale takes place on April 30 and May 1. Curated jewellery will come under the hammer at Sheppards on May 2 with top brands like Cartier, Boucheron and Dior and the Irish Vernacular sale on May 3 offers a c1880 three wheeled bike, dug out chairs, hedge chairs and a Penal Cross. Viewing for all these sales gets underway in Durrow today and the catalogue is online.
This blue ground with trellis panel Donegal runner at Sheppards was supplied by Robert Kime to Clarence House. UPDATE: THIS WAS UNSOLD
