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    OLD FAMILY PROVENANCE AT LYNES AND LYNES AUCTION

    Saturday, April 6th, 2024

    An Irish Georgian tallboy originally at Brittas Castle, Thurles 

    Irish furniture, silver and glass with an old family provenance will feature at the Lynes and Lynes sale in Carrigtwohill, Co. Cork on April 20.  The auction will feature lots from the estate of Roma Peare (nee Knox) of Kinsale and Tipperary. The Tipperary connection relates to the Knox family of Brittas Castle, Thurles and Parkville, Clonmel.  The family owned Brittas from 1853. A total of 64 acres of land at Parkville changed hands last month for €2.45 million.  It was bought by Coolmore Stud.

    Lots from the estate of Roma Peare include a Georgian tallboy (€800-€1,200), a Georgian cellarette (€500-€700), a convex mirror with eagle and dolphins (€600-€800), a large collection of silverware including an Irish silver teapot with a typically florid 19th century inscription as follows: “A memento from the inhabitants of St. Peters Parish Cork until the Rev Nich.s C Dunscombe to record their high esteem of him for his indefatigable labours as a Parish Minister and a Public Benefactor being the main spring of the Temperance cause in his native city. January 30th 1840”.

    Nicholas Dunscombe was a leading Protestant clergyman and a founder member, along with Fr. Matthew, of the temperance movement in Cork.  The distinctive Dunscombe fountain, installed in the 1880’s at the bottom of Shandon St. in Cork, supplied drinking water for almost a century.  It was constructed by friends of the Rev Dunscombe as a memorial to him. Cast in Glasgow the antique structure was removed sometime before the 1980’s and is still missing.

    A convex mirror 

    Silver from the Knox estate include a pair of Cork bright cut tablespoons by J. Warner along with some fine tea sets and flatware.  The family also collected Irish glass and there are several examples in the sale. There are Knox family portraits including a large oil of Col. William Knox which is in need of restoration.

    Art by Marshal Hutson and 18th century engravings of Cork and Youghal and a large old framed map of the City of Cork and suburbs by John Rocque from 1759 will create interest.  Among the more unusual lots is a 1961 Morris Minor which has been with the family since 1961 and unused for the past 15 years.  Viewing gets underway in Carrigtwohill next Saturday (April 13).

     A timber fairground horse

    IRISH AND INTERNATIONAL ART SALE ON VIEW IN DUBLIN

    Friday, April 5th, 2024

    LAURENCE STEPHEN LOWRY (1887-1976) – DOCK STREET, BELFAST (1964). UPDATE: THIS MADE 46,000 AT HAMMER

    The painter L.S. Lowry was proud of his Irish heritage and visited regularly from the mid 1950’s. He painted scenes in Dublin, Skerries, Drogheda and Belfast. This drawing of Dock St., Belfast from 1964 comes up as lot 16 at Morgan O’Driscoll’s Irish and International art sale which runs until April 9. The estimate is €15,000-€20,000. Viewing for the sale gets underway at the Minerva Suite at the RDS today and continues until Monday. The catalogue is online.

    THE CLASSICS SALE AT BONHAMS IN PARIS

    Thursday, April 4th, 2024

    A pair of Sèvres hard-paste Vases Hollandois or flower-pots and stands, 1775-85.

    Important furniture, Old Master paintings and drawings and Italian ceramics from Italian collections lead the Classics sale at Bonhams Cornette de Saint Cyr in Paris on April 16. A selection of 60 works from an important Italian collection from Rome will feature  old master drawings, paintings and furniture, drawing interest from international buyers with classical tastes. Among the highlights are a pair of Sèvres hard-paste Vases Hollandois or flower-pots and stands, 1775-85. These vases were in the celebrated collection of Edouard Chappey (c1858-1907) and are estimated at €6,000-8,000. A pair of northern Italian amaranth, bois citronnier, green-stained sycamore and tulipwood marquetry commodes, Lombard or Genoese, in the taste of Giuseppe Maggiolini, late 18th century are estimated at €20,000-25,000.

    A pair of late 18th century northern Italian commodes

    EARLY MASTERPIECE BY TITIAN AT CHRISTIE’S IN LONDON

    Thursday, April 4th, 2024

    Tiziano Vecellio, called Titian (Pieve di Cadore circa 1485/90-1576 Venice) – Rest on the Flight into Egypt

    Titian’s early masterpiece Rest on the Flight into Egypt will headline Christie’s Old Masters Part I sale in London on July 2. Estimated at £15 million – £25 million it offers a very rare opportunity for buyers to become part of the next chapter in this fabled picture’s remarkable story. It is being offered by Lord Bath and the Longleat Trustees as part of their long term investment strategy and is one of the last religious works from the artist’s celebrated early years to remain in private hands. It has been owned by Dukes, Archdukes and Holy Roman Emperors, was looted by Napoleon’s troops in 1809 and stolen from Longleat in 1995. It was recovered seven years later in a carrier bag in greater London, minus the frame.

    A LUMINOUS MONET AT CHRISTIE’S IN NEW YORK IN MAY

    Tuesday, April 2nd, 2024

    Claude Monet (1840-1926) – Moulin de Limetz

    Claude Monet’s Moulin de Limetz will be a highlight at Christie’s 20th  century evening sale in New York in May. The work is being offered by The Nelson-Atkins Museum of Art in Kansas City and the heirs of Ethel B. Atha and proceeds will benefit future art acquisitions for the Nelson-Atkins. Moulin de Limetz is one of only two canvases by Claude Monet picturing the subject of the mill at Limetz-Villez, near Giverny. Painted in 1888, this example presents a prologue to Monet’s development into series, which would become a defining tenet of his late career. Featuring dazzling kaleidoscopic light that reflects and sparkles off the gently flowing water and shimmers off the rustling foliage, Monet’s painterly achievement radiates color with depth and complexity through layers of thick, rich and sumptuous pigment. The estimate is $18-$25 million.

    GREAT VARIETY AT MORGAN O’DRISCOLL IRISH AND INTERNATIONAL SALE

    Saturday, March 30th, 2024

    Primrose Hill by Frank Auerbach UPDATE: THIS MADE 21,000 AT HAMMER

    With signed Andy Warhol and Joan Miro screenprints, contrasting approaches to landscape in views of Primrose Hill by Frank Auerbach and Union Hall by Donald Teskey, an oil on canvas by Conor Harrington, still lifes, interiors and a bravura portrait by Genieve Figgis the April 9 Irish and International sale by Morgan O’Driscoll is characterised by great variety.

    The first two artworks of the 164 lots on offer, a pen drawing by Jack B Yeats redolent of an Ireland long vanished and a fairly abstract lithograph entitled Coloured Wall by Sean Scully, illustrate this diversity very well.  The most expensively estimated lot is Villas near the Sea, Cassis (1913) by Roderic O’Conor (€70,000-€100,000).  At the other end of the cost scale is a 1980 photograph of Samuel Beckett by John Minihan (€300-€500) and an oil on board of The Rosses, Co. Donegal by Estella Solomons (€500-€750).

    Artists are often fascinated by the unformed drawings of the very young. At first glance Primrose Hill by Frank Auerbach – a series of crayon squiggles on a page – looks like something your average two or three year old might have produced.  The clue is in the title. Look more closely and an image of Hampstead Heath on a summer day emerges, complete with winding path, trees, blue sky and approaching dark clouds.  The colour range is precise. In his catalogue entry Peter Murray notes:  “Much of the drawing’s zest and energy is created by this understanding of colour theory translated into action that underpins the seemingly random and chaotic marks and results in an impressive work of art created from the simplest materials”.  Auerbach’s Primrose Hill (€15,000-€25,000) is indeed fascinating and no, you could not do it yourself.

     Union Hall, West Cork by Donald Teskey. UPDATE: THIS MADE 29,000 AT HAMMER

    Union Hall by Donald Teskey presents a beguiling picture of the charming west Cork fishing village and is estimated at €20,000-€30,000.

    The catalogue cover lot is a screenprint by Andy Warhol titled Ladies and Gentlemen II.135 (1975).  The estimate is €7,000-€9,000. A William Scott screenprint,  Still Life with Frying Pan and Eggs, is estimated at €5,000-€7,000 and there are etchings and prints by Georges Braque, Damien Hirst, Mr. Brainwash and Joan Miro whose La Megere et La Lune (1973) was published by Maeght Paris and  numbered 36 from an edition of 50.  A pencil drawing of Dock St., Belfast by L.S. Lowry dates to 1964 and is estimated at €15,000-€20,000.

    Master of Money and Mirrors by Conor Harrington. UPDATE: THIS MADE 40,000 AT HAMMER

    Master of Money and Mirrors is an oil on canvas by the Cork artist Conor Harrington whose street art propelled him to fame.  He is now represented in a growing number of collections and this piece is estimated at €40,000-€60,000. Portrait of a Lady by Dublin born Genieve Figgis, whose use of Twitter propelled her to the international stage, is estimated at €30,000-€50,000.

    A portrait of a lady in a white dress by Cork born Adam Buck (1759-1833) is estimated at €2,000-€3,000 and a unique 3D wood relief by Maser has an estimate of €4,000-€6,000.  There is sculpture by, among others, John Behan, Rowan Gillespie, Helen Walsh, Patrick O’Reilly, Siobhan Bulfin and Mark Rode.

    Viewing takes place in Skibbereen on today, tomorrow and Monday and in Dublin at the RDS from April 5 to April 8. The auction will begin to close at 6.30 pm on April 9.

    No to War by Patrick O’Reilly. UPDATE: THIS MADE 2,400 AT HAMMER

    REMINDERS OF A FORGOTTEN IRISH VC AT O’DONOVAN SALE

    Saturday, March 30th, 2024

    UPDATE: THIS MADE 300 AT HAMMER

    A World War I British Army recruitment poster featuring Inchigeelagh born Victoria Cross recipient Michael O’Leary comes up as lot 18 at O’Donovan’s online auction in Newcastlewest on April 3.  He was awarded Britain’s most prestigious award for gallantry for single handedly charging and destroying two German barricades defended by machine gun positions at  Cuinchy in France in 1915.

    Subsequently feted in London and Macroom he was jeered by Ulster Volunteers during a recruitment drive in Ballaghaderreen in the autumn of 1915. This caused such a scandal that it was raised in the Houses of Parliament. O’Leary, who died in London in 1961, served in France in the same regiment as British actor Stanley Holloway and the two, both born in 1890, remained lifelong friends. Holloway often stayed at The May Fair Hotel where O’Leary was concierge.  The recruitment poster is estimated at €150-€250. The contents of two pubs in Cork and Limerick will be offered by O’Donovan’s. The auction offers collectibles and many items of interest including a Michael Collins portrait poster, a Dan Breen wanted poster, an Allman’s Irish Whisky mirror, advertising signs and road signs of various sorts.

    UPDATE: THIS MADE 400 AT HAMMER

    MAJOR WARHOL – BASQUIAT COLLABORATIVE WORK AT SOTHEBY’S

    Friday, March 29th, 2024

    Untitled by Andy Warhol and Jean-Michel Basquiat

    Untitled 1984 by Andy Warhol and Jean-Michel Basquiat – the most significant collaboration painting at auction in a decade – will highlight Sotheby’s marquee contemporary art auction in New York in May. This large -scale example of a creative experiment that fused their distinctive visual languages and styles – Warhol’s signature use of screenprinting and mechanically produced imagery, such as corporate logos, coupled with Basquiat’s expressionistic, figurative scrawls in paintstick – to create one of the most singular bodies of work in 20th century art during their famed period of collaboration from 1983 – 1985.
    In the four decades since their creation, the Warhol-Basquiat collaboration paintings have only added to the mystique and legend of their creators, and stand out as daring testaments to their artistic partnership and friendship.

    Coming to auction for the first time in nearly 15 years with an estimate in the region of $18 million, Untitled’s sale is set to mark a new benchmark price for the series.

    PENAL DAYS IN IRELAND RECALLED IN HONE SKETCH AT O’DRISCOLL SALE

    Friday, March 29th, 2024

    EVIE HONE (1894-1955) – SKETCH FOR THE PENAL DAYS (c1936-37). UPDATE: THIS MADE 3,000 AT HAMMER

    Evie Hone’s design for a small stained glass window made in the 1930’s for An Túr Gloine (The Tower of Glass) comes up at Morgan O’Driscoll’s current Irish and International Art online auction which runs until April 9. The gouache on paper is based on her studies of medieval stone carvings in Ireland. The lunette, which featured at Hone’s retrospective in Dublin in 1958, is now housed the Chapel of Rest at Tallaght University Hospital. The estimate on the sketch is 3,000-5,000.

    The sale is on view in Skibbereen on March 29. 30, 31 and on April 1 and at the RDS in Dublin from April 5-8. The catalogue is online.

    The first exhibition dedicated to the pioneering stained glass studio An Túr Gloine (The Tower of Glass), founded in 1903 by Sarah Purser is now open at The National Gallery and continues until January 12, 2025. Featured artists include Wilhelmina Geddes, Michael Healy, Catherine O’Brien, Alfred E. Child, Hubert McGoldrick, Ethel Rhind and Evie Hone.

    REMARKABLE COLLABORATIVE RESTORATION GETS UNDERWAY

    Thursday, March 28th, 2024

    Paulus Potter (1625-1654), Head of a White Bull, c. 1643-47. Image, National Gallery of Ireland.

    The National Gallery of Ireland and the Mauritshuis in The Hague are set to embark on a collaborative new conservation project delving into the world of Dutch artist Paulus Potter. Potter’s lesser-known work Head of a White Bull (c. 1650), in the Gallery’s collection, will be researched by a multidisciplinary team of conservators, curators and scientists. It will be studied alongside the iconic The Bull (De Stier, 1647) in the Mauritshuis’s collection. From March 29 visitors to the Mauritshuis will be able to follow the multi-analytical examination of De Stier and Head of a White Bull. Subsequent results will go on to inform a major restoration of The Bull in front of the public at the Mauritshuis over the next two years.

    Preliminary research into Head of a White Bull has revealed that it is a fragment a large painting by Potter that once depicted The Abduction of Europa. Remarkably, parts of this scene are beneath the painting’s surface, and can be detected using scientific imaging. This discovery has provided a unique window into Potter’s artistic choices and a rare engagement with a mythological subject. Scientific investigation on both Head of a White Bull and The Bull will be led by an expert team of specialists from the National Gallery of Ireland and the Mauritshuis, using technologies to study the paintings beneath their surfaces in unprecedented detail.