Henry Moore’s seminal work King and Queen will be a highlight at Christie’s 20th/21st Century: London evening sale on March 5. It has been in the same British collection for the past 70 years. Conceived in 1952–53, the sculpture was first cast in an edition of four plus an artist’s cast. This is the only remaining example still in private hands; all other casts are held in major public collections, including the Moa Museum of Art, Atami; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Middelheim Museum, Antwerp; and the Norton Simon Museum, Pasadena. Two subsequent casts were produced specifically for the Tate Collection (1957) and The Henry Moore Foundation (1985). The estimate is £10 million – £15 million.
Chess pieces created by Graham Knuttel. UPDATE: THE TABLE AND CHESS SET MADE €40,000
Affordable art and one expensive rarity feature at online sales ending at Adam’s and de Veres in Dublin next week. A collector wishing to enhance their holding or someone wanting to dip their toe into the market will find these sales a great place to uncover the unending joy and discovery of a journey into art. First get the eye in shape, then learn how to look. Who knows where it will lead?
The expensive rarity that is lot five at the timed online Graham Knuttel II sale at Adam’s which ends from 2 pm on February 10 is a limited edition chess table with a silver and bronze chess set from around 2003. One of an edition of 12 it was designed by artist Graham Knuttel (1954-2023) and furniture maker David Linley, first cousin of King Charles III. The square table with marquetry chess board top is by Linley, the black and white silver and bronze chess pieces by Knuttel. The estimate is €50,000-€80,000.
Everything else in this auction of 123 lots is more affordable. Estimates are from €300 up and most works are to be sold without reserve. There is a large selection of signed prints by the popular Dublin artist whose striking and distinctive art was collected by various celebrities and who designed stamps for An Post to commemorate the Beijing summer olympics of 2008.
His themes have become familiar and his colourful art features cats, fish, birds, sheep, chefs, portraits and sculpture.
The Sinking of the Titanic by Graham Knuttel UPDATE: THIS MADE €14,000 at hammer
The most expensively estimated painting is a relatively cheerful (under the adverse circumstances) work titled The Sinking of the Titanic with a deep blue sea, four calm characters in lifebuoy rings with bottles of some sort of hooch, circling sharks, a distant iceberg and the elevated stern of doomed ship. The estimate for this oil on canvas with disaster everywhere is €10,000-€15,000.
William Crozier, Elizabeth Brophy, Richard Croft, Michael Farrell, George Campbell, Brian Bourke, Hilda Van Stockum, Sean McSweeney and Barbara Warren are all featured at the timed online auction at de Veres which ends from 2 pm on February 11. Estimates range from €100 to €3,000.
It is an interesting selection with work by artists who might not be as well known as they deserve to be. Still Life, Red Teapot and Apples by Richard Croft (1935-2025), President of the Royal Ulster Academy from 1997-2000, is estimated at €600-€900. En Andeche et la Ruche from the Paris Press Series by Michael Farrell (1940-2000) is at €2,000-€3,000 the most expensively estimated work in the auction. It dates to 1977-78. Farrell represented Ireland at the Biennale de Paris in 1967 and there was a retrospective of his work at the Crawford in 2013-14.
The catalogue, which is online, will reward a slow trawl. Art which makes gazillions grabs headlines and can create the incorrect impression that the art market is the preserve of the rich. These two sales demonstrate that this is not the case. Get the eye in and good art can be acquired for little more than the cost of a night out in 2026.
Still Life, Red Teapot and Apples by Richard Croft at de Veres. UPDATE: THIS MADE 650 AT HAMMER
ARTEMISIA GENTILESCHI (ROME 1593 – AFTER 1654 NAPLES) – Self-Portrait as Saint Catherine of Alexandria. CHRISTIE’S IMAGES LTD. 2026
There was a new world record for Artemisia Gentileschi at Christie’s Old Master’s sale in New York last night. Self Portrait as St. Catherine of Alexandria made $5,687,000 in an auction that brought in $54,130,050, the highest total for an Old Master’s auction in New York for over a decade. The auction was 118 percent sold hammer and buyer’s premium against low estimate and 84 percent by lot. Among the notable results were Canaletto’s view of the Venetian Lagoon during a well-known annual celebration, Venice, the Bucintoro at the Molo on Ascension Day, which made $30,535,000. This result follows on the heels of Christie’s sale in London on 1 July, 2025 when the auction house set a world record for a Canaletto with a different version of the same view, which made GBP 31,935,000 ($43,851,545).
(See posts on antiquesandartireland.com for July 1, 2025 and January 10, 2026)
The unsettling ambiguity of La plaine de l’air (1940) by Magritte resonated strongly with critics when exhibited at Galerie Dietrich in Brussels in 1941. Painted at a moment when Europe was being engulfed by conflict it shows a single oversized leaf grafted onto a trunk set against a stark mountain landscape. The leaf, one of Magritte’s most distinctive and recurring motifs, introduces a solitary, watchful presence and channels all the tension of the early Second World War. Estimated at £3.5-£5.5 million (€4.03-€6.33 million) it features at Modern Visionaries – the Roger and Josette Vanthournout Collection at Christie’s in London on March 5 and 6 plus an online auction. Assembled over six decades their collection, with an overall estimate is in the region of £40 million (€46 million), spans almost 150 years and ranges from symbolism, Belgian expressionism and surrealism to post war avant garde, minimalism to modern and contemporary British art. UPDATE: THIS WAS UNSOLD
A Dublin made bombe marquetry bureau at Woodwards. UPDATE: THIS MADE €1,600 AT HAMMER
One of the more distinctive lots of furniture at Woodwards auction in Cork on February 7 is a bombe marquetry bureau. The word bombe in furniture describes a curved front and or sides and this bureau was made in Dublin around 1870 by PJ Walsh & Sons. Woodwards estimate it at €2,000-€2,500.
The sale, with contents from a Cork convent and residences in Rochestown and Bishopstown, offers antique furniture including a Georgian walnut chest on chest and a Georgian longcase clock by Houghtons of Handsworth each estimated at €600-€1,000. A Victorian library or serving table (€400-€600), a William IV teapoy (€600-€1,000), a crossbanded rosewood card table (€400-€600), an Art Deco conservatory table (€600-€1,000) and a Victorian three tier dumb waiter (€400-€600) feature in a selection that includes art, glassware, a cast iron garden bench and a large portrait of a lady carrying a mask. The catalogue is online.
A large portrait of a lady with mask at Woodwards. Therein lies a story. UPDATE: THIS MADE €140 AT HAMMER
Classic Ford sign among the automobilia collectibles. UPDATE: THIS MADE €840 AT HAMMER
Collectibles are a major up a coming category in Ireland and there will be plenty to choose from at three days of sales by Aidan Foley in Doneraile on the evenings of February 2, 3 and 4. The online sale on Tuesday evening features two lifetime collections of automobilia with 277 lots in total including dealership signs, enamel signs, oil cans, banners and petrol globes. An oval Esso forecourt sign and a Munster Simms Oil cabinet are of particular interest. Mondays sale offers antique furniture, jewellery and art by Ivan Sutton, Graham Knuttel, Marie Carroll and others. There will be 150 lots pub memorabilia on offer on Wednesday. The catalogue is online.
Irish Georgian mahogany serving table, possibly Cork. UPDATE: THIS MADE €360 AT HAMMER
With everything from a 1963 Morris Minor and a 19th century decorated hand painted Sicilian cart to a 19th century inlaid boulle credenza and a Irish Georgian mahogany serving table possibly made in Cork Fonsie Mealy’s Making Room sale in Castlecomer on February 4 and 5 has lots to interest collectors of every hue.
More than 840 lots of antique furniture, paintings, decorative arts and collectibles will come under the hammer. Estimates are reasonable and all lots are to be sold.
There will be Cork interest in a retro wooden mantel clock presented to solicitor John Rearden in September 1950. A small plaque on the Edwardian mahogany clock records that it was presented by the Cork Employers Federation Ltd. “In token of their appreciation of his 42 years service as Secretary”. The lot, complete with a photograph of the presentation, is estimated at €180-€220. An inlaid wall clock by Hilsers of the Grand Parade has an estimate of €120-€180.
Given that it is reckoned that you could travel around central London in a horse drawn carriage in the old days more quickly than by fast car nowadays the contrasting options of a 19th century pony trap (€800-€1,200) and the four cylinder Morris Minor (€3,000-€4,000) are of interest. The car was owned by the Odlum family of Portarlington. The Sicilian cart, with spoked and iron clad wheels, has an estimate of €400-€600.
Tables, chairs, chests, Oriental screens, display cabinets, paintings, rugs and a converted 18th century spinet, an early 20th century carved wooden hobby horse, a Cork Mansion House service plate, a pair of Dresden bowls and three pieces of Copeland to be sold as one lot and all sorts collectibles vie for attention in an auction where the offerings are comprehensive. Ebony string inlay marks an Irish Georgian serving table as a possible Cork piece. The estimate is a mere €400-€500. The catalogue is online and the sale is on view in Castlecomer on February 3.
A pair of Dresden floral bowls, a Copeland dish and two matching plates. UPDATE: THIS LOT MADE €140 AT HAMMER
The death has taken place of the Irish artist Richard Gorman, primarily known for his abstract and colour field works. Kerlin Gallery, Dublin issued a statement saying: “It is with great sadness that we announce the passing of Richard Gorman. It is also with a deep sense of gratitude and joy that we celebrate the time we shared together. For over three decades, we have had the honour of knowing and working with Richard, an artist of integrity, intelligence and grace.”
Kerlin added: “Richard’s work is marked by a lifelong commitment to abstraction, craftsmanship and quiet innovation. His practice was rooted in looking – at landscape, at architecture, at the everyday rhythms of place – and transforming these observations into works of remarkable clarity and restraint. His paintings, sculpture and printmaking reveal a profound sensitivity to colour, structure and balance, shaped by years of travelling between Ireland, Italy and Japan.”
A pair of 19th century Japanese censers. UPDATE: THESE MADE €150 at hammer
Viewing gets underway in Castlecomer today for Fonsie Mealy’s Making Room sale which will take place over two days on February 4 and 5. There are 633 lots in total including this pair of 19th century bronze Japanese censers of elephant form with pagodas. They are each 13 inches in height and the estimate is €250-€350, The catalogue is online.
Graham Knuttel and David Linley with their collaborative project. UPDATE: THIS MADE €40,000 at hammer
One of Graham Knuttel’s most striking creations is a chess set made in collaboration with the furniture designer and manufacturer David Linley. The limited edition (of 12) square table with marquetry chessboard top designed by Linley and silver and bronze chess pieces created by Knuttel is lot 5 at the Graham Knuttel II sale at Adam’s in Dublin on February 10. The four square table is supported by a tapered column on a walnut base, with a marquetry chessboard. The white chess pieces are made of solid silver, the black pieces are made of bronze. The estimate is €50,000-€80,000. It is the most expensively estimated lot in a sale of mostly paintings with some sculptures with estimates from €300 up. The catalogue is online
