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  • Posts Tagged ‘MARK ROTHKO’

    WHITE GLOVE AUCTION OF THE COLLECTION OF ROBERT MNUCHIN

    Friday, May 15th, 2026

    Mark Rothko – Brown and Blacks in Reds

    Mark Rothko’s Brown and Blacks in Reds sold for $85.8 million at Sotheby’s white glove auction (100% sold by lot) of the collection of Robert Mnuchin in New York last night. It was the second highest price for a Rothko at auction. The Mnuchin collection made $166.3 million. The Now and Contemporary auction at Sotheby’s last night totalled €266.8 million, a 110% increase on last years sale. The combined total was $433.1 million. There were artists records for Kenneth Noland, Ding Shilun, Joseph Jaeger, Yu Nishimura and Florian Krewer.

    The Mnuchin collection was characterised by deep bidding, averaging 12 bids per lot, with bidders participating from 24 countries. Artworks from the collection of Jean and Terry de Gunzburg totalled $50.7 million. The standout results continue a strong wave of 100% sold sales in recent months at Sotheby’s around the world, starting with the sale of the Karpidas collection in September last year, followed by six white-glove sales at Sotheby’s New York last season and further white-glove sales of Modern and Contemporary Art in Hong Kong and London in March.

    (See posts on antiquesandartireland.com for April 5 and May 2, 2026)

    AMAZING OFFERINGS AT ART SALES IN NEW YORK THIS MONTH

    Saturday, May 2nd, 2026

    Jackson Pollock (1912-1956) – Number 7A, 1948 at Christie’s

    So far in 2026 the rebound in the art market which began in the second half of last year has continued.  In a world full of new uncertainties the big New York art sales this month look set to continue the trend. In a market where the premium is on rarity and quality there are some amazing offerings.

    In the late 1940’s Jackson Pollock pioneered a revolutionary painting style that was utterly baffling to most people.  Nowadays the art of  ‘Jack the Dripper’ is unbuyable unless you happen to be one of the growing global band of billionaires – whose numbers now approach  4,000 from a figure of just 140 in 1987. The largest example of Jackson Pollock’s monumental drip paintings left in private hands, Number 7A, 1948 – from the collection of legendary Condé Nast co-owner S I Newhouse – is at Christie’s on May 18. 

    The first and only large scale drip painting ever to appear at auction was last seen at an exhibition at the Whitney Museum in 1977. 

    Constantin Brancusi  (1867-1957) – Danaïde, 1913 at Christie’s.

    Another great rarity from the S I Newhouse collection is Danaïde, conceived and cast in 1913 by Constantin Brancusi.  Of the six bronzes cast of this model four are held in institutional collections, the Pompidou in Paris, the Philadelphia Museum of Art, Tate London and Kunst Museum, Winterthur.  This sculpture is the only gilded example left in private hands. 

    Both works are estimated at around $100 million.  The Newhouse collection, which includes masterworks by Bacon, Johns, Matisse, Miro, Mondrian, Picasso, Rauschenburg and Warhol, is poised to become only the second collection ever to surpass the $1 billion mark established in 2022 with the sale the collection of Microsoft founder Paul G Allen.

    At Sotheby’s on May 14 the collection of financier Robert Mnuchin featuring Franz Kline, Willem  de Kooning and Mark Rothko is expected to make around $130 million.  Sotheby’s Modern evening auction on May 19 is headed by Arlequin (Buste) painted by Picasso in 1909 and estimated in the region of $40 million.  There are just ten works at this sale, which offers art by Georgia O’Keeffe, Wassily Kandinsky, Degas, Monet and Matisse.

    Elizabeth Peyton (b1965) – Earl’s Court (Liam + Noel) at Sotheby’s. UPDATE: THIS MADE $1.9 MILLION

    With masterworks from the last 80 years the Now and Contemporary evening auction at Sotheby’s in New York on May 14 is led by Basquiat’s Museum Security (Broadway Meltdown)  (1983).  There is art by  by Rothko, Fontana and Calder from the collection of Jean and Terry de Gunzburg.  Earl’s Court (Liam + Noel) December 1995 and dated 1996 by Elizabeth Peyton captures Oasis frontman Liam Gallagher kissing his brother Noel on the cheek. By appropriating a photograph from two concerts at Earl’s Court in London in November 1995 at the height of their fame she contrasts their strained relationship, unprecedented success with their care and appreciation as siblings, their glories with their faults. The estimate is $1.5 million – $2 million.

    Later last year it became apparent that major collectors are becoming more picky.  The upcoming New York sales offer lots of rich pickings for the super rich.

    Mark Rothko No. 1 (1949) at Sotheby’s. UPDATE: THIS SOLD FOR $20.8 million

    LANDMARK COLLECTION OF DESIGN AND ART AT SOTHEBY’S NEW YORK

    Friday, February 27th, 2026

    An Important Ensemble of Fifteen Mirrors by Claude Lalanne, from the Salon de Musique of Yves Saint Laurent and Pierre Bergé’s Apartment, Paris 1974-1985 ($10-15 million)

    A landmark collection of design and modern and contemporary art anchored next April by the most valuable design sale in Sotheby’s history is due in New York in April and May. The selection from the
    Collection of Jean & Terry de Gunzburg, offering around 135 works with a combined estimate of $67–99 million will be led by Design Masters on April 22 estimated in the region of $30–44 million.

    The collection brings together iconic works by Claude and François-Xavier Lalanne, Jean Royère, Alberto
    Giacometti, Jean-Michel Frank, Alexandre Noll, André Groult, Eugène Printz, Paul Dupré-Lafon, Pierre
    Chareau, Marc du Plantier, Jean Dunand, Émile-Jacques Ruhlmann, Armand-Albert Rateau and
    others. Artworks by Mark Rothko, Robert Ryman, Agnes Martin, Alexander Calder, Pablo Picasso, and Paul Klee introduce parallel investigations into abstraction and the expressive potential of line and color.

    This collection reflects the vision of two titans of their respective fields. Terry de Gunzburg is widely regarded as one of the most influential creative figures in modern beauty, having spent fifteen years at Yves Saint Laurent Beauté, including a number of years as Creative Director, where she translated the couturier’s artistic vision into groundbreaking cosmetics and created the iconic Touche Éclat concealer—one of the most enduring innovations in the industry. After working in close collaboration with leading photographers including Helmut Newton and Guy Bourdin, shaping the visual language of fashion imagery, she went on to found her own brand, By Terry, in 1998.

    Jean de Gunzburg, a molecular and cell biologist of international distinction, pursued a career at the forefront of scientific research, trained at the Pasteur and Whitehead Institutes, then holding a senior role at INSERM and the Institut Curie, where his work advanced understanding in molecular biology and oncology, before applying his expertise to the biotechnology sector.

    A view of the New York apartment with art by Rothko and a bust by Picasso. Photograph by Annie Schlecter. UPDATE: THE ROTHKO SOLD FOR $16.5 million.

    PALPABLE ENERGY AT ART SALES NOW UNDERWAY IN NEW YORK

    Tuesday, November 18th, 2025

    MARK ROTHKO (1903-1970) – No. 31 (Yellow Stripe)

    Great depth of bidding, numerous artist records, and palpable energy marked the opening night of Christie’s Marquee Week in New York, where the auction house achieved exceptional results for two premier sales: The Collection of Robert F. and Patricia G. Ross Weis and the 20th Century Evening Sale. In a packed, energetic saleroom at Rockefeller Center, and with active online bidders, the two sales achieved a total of $689,795,000 million, were 96% sold by lot, 97% sold by value.

    The top lot of the evening was Mark Rothko’s No. 31 (Yellow Stripe) from the Weis collection. It work sold for $62,160,000 to a bidder on the phone after a fierce four-minute and 40-second bidding battle—also securing the highest online bid ever for a live auction at Christie’s. Another highlight of the collection was La Lecture, a portrait of Marie-Therese by Pablo Picasso which made $45,485,000.

    The top lot from the 20th Century Evening sale was Claude Monet’s Nymphéas from the collection of Japan’s Kawamura Memorial DIC Museum of Art. It made $45,485,000

    THE MOST VALUABLE ART COLLECTION EVER SOLD AT AUCTION

    Tuesday, May 17th, 2022
    Mark Rothko – Untitled (signed and dated 1960) made $48 million

    The sale of 30 lots from the Macklowe Collection achieved $246.1 million at Sotheby’s in New York last night. When added to the results of the November auction the total comes to $922.2 million, making this the most valuable collection ever sold at auction. Highlights last night included Mark Rothko’s Untitled, which made $48 million, Gerhard Richter’s Seestuck (Seascape) which made $30.2 million, Andy Warhol’s Self Portrait which made $18.7 million, and Willem de Kooning’s Untitled which sold for $17.8 million.

    A ROTHKO AT SOTHEBY’S IN NEW YORK

    Sunday, October 18th, 2020

    Untitled (Black on Maroon) by Mark Rothko will highlight Sotheby’s Contemporary evening art auction in New York on October 28. It dates to 1958 and preempts the artists celebrated Seagram Building Murals. These are now at the Tate in London. The sale will feature masterpieces by Clyfford Still and Brice Marden from the Baltimore Museum of Art.

    MARK ROTHKO | UNTITLED (BLACK ON MAROON)

    SFMOMA TO SELL UNTITLED 1960 BY ROTHKO FOR ACQUISITIONS

    Friday, February 15th, 2019

    Mark Rothko – Untitled, 1960 UPDATE: THIS SOLD FOR $50.1 MILLION

    Untitled 1960 by Mark Rothko will highlight Sotheby’s Contemporary evening art auction in New York next May.  Estimated at $35-50 million it is being sold to benefit SFMOMA’s acquisition fund.

    Untitled, 1960 is one of just 19 paintings completed by the artist in 1960.  That year marked a critical juncture in his career when he was at the apex of his artistic powers. It followed on from his defining commission of the Seagram Murals (1958-59) and his representation of the United States in the XXIX Venice Biennale in 1958.  This was organised by the Museum of Modern Art, New York, which would subsequently hold Rothko’s first and only major lifetime retrospective in 1961.

    Following a collection review, and working within the guidelines of the Association of Art Museum Directors (AAMD), proceeds from the sale of Untitled, 1960 will only be used to purchase works for the museum.  Neal Benezra, Helen and Charles Schwab Director of SFMOMA, said: “With a spirit of experimentation, diversity of thought, and openness to new ways of telling stories, we are rethinking our exhibitions, collections, and education programs to enhance accessibility and expand our commitment to a global perspective, while sustaining our dedication to Bay Area and California art. Untitled, 1960 is being sold in order to broadly diversify SFMOMA’s collection, enhance its contemporary holdings, and address art historical gaps in order to continue to push boundaries and embrace fresh ideas.”

    Untitled, 1960 will travel to London, Taipei and Hong Kong, before returning to New York for exhibition and auction this May.

    NOVEMBER ART SALES IN NEW YORK FULL OF PROMISE

    Monday, October 29th, 2018
    Major works by some of the world’s most revered and expensive artists will come under the hammer at the big November art sales in New York. With work ranging from a major restituted masterpiece by Egon Schiele to a splash painting that promises to make David Hockney the world’s priciest living artist the sales of Impressionist and Modern and Contemporary and Post War art at Christie’s and Sotheby’s promise to create a splash of their very own.
    Schiele’s masterwork, City in Twilight, the small city II will highlight Sotheby’s Impressionist and Modern evening sale on November 12. Painted in 1913 it was purchased in 1928 by a young Jewish widow living in Vienna, Elsa Koditschek. The work was forcibly sold under the Nazi regime and is now offered as the resolution of a private restitution between the present owners and Elsa’s heirs.
    David Hockney’s Portrait of an Artist (Pool with two figures) at Christie’s Post War and Contemporary evening sale on November 15  is estimated in the region of $80 million and is poised to become the most expensive  work by a living artist ever sold at auction.
    Highlights from the Impressionist and Modern evening sale at Christie’s on November 11 range from Claude Monet’s Effet de neige at Giverny and one of 12 extant works of Le basin aux nympheas to Picasso’s Femme au beret orange et au col de fourrure (Marie-Therese).
    Along with Hockney there are  masterpieces by Pisarro, Rothko, Monet, Bacon and Rodin at Christie’s Post War and Contemporary evening sale on November 15.
    Sotheby’s say that their Impressionist and Modern sale on November 12 promises to be among the strongest and boldest in recent history. Works on offer range from a floral composition by Monet to a painterly canvas showcasing Maurice Vlaminck’s Fauve period and Miro’s monumental pastel Figure. Magritte’s painting of Edward James is one of the most important Surrealist portraits to appear at auction in decades and will feature with newly discovered works by Renoir, Morandi and Rembrandt Bugatti.

    The Contemporary Art evening sale at Sotheby’s on November 14 will offer works by Willem de Kooning, Frank Stella, Jeff Koons and many other leading contemporaries.

    Egon Schiele’s City in Twilight, the small city II is at Sotheby’s.  UPDATE: THIS MADE $24.6 million  

    David Hockney’s Portrait of an Artist (Pool with two figures) at Christie’s  UPDATE:THIS MADE $90,312,500

    Mark Rothko’s Untitled (Rusts, Blacks on Plum) 1962 at Christie’s. UPDATE: THIS MADE $35,712,500

    Georgia O’Keeffe, Calla lilies on Red at Sotheby’s. UPDATE: THIS MADE $6.3 MILLION

    ROTHKO AND RAUSCHENBERG AT CHRISTIE’S IN MARCH

    Tuesday, January 17th, 2017

    Groundbreaking works by Mark Rothko and Robert Rauschenberg will feature at Christie’s Post-War and Contemporary Art evening auction on March 7 in London. Mark Rothko’s groundbreaking No. 1 1949 is one of the earliest examples of his mature artistic vocabulary. Robert Rauschenberg’s Transom (1963) comes to auction alongside a major retrospective of his work at London’s Tate Modern, and demonstrates the radical new visual language that went on to lead a generation of American artists towards global domination. Together these two masters of 20th-Century painting will lead the field of American talent due to take centre stage during 20th Century at Christie’s, a series of sales from February 28 to March 10.   The works will tour to Hong Kong (January 17-20), Shanghai (February 8), Beijing (February 11-13) and New York (February 24-26).

    Francis Outred, Chairman and Head of Post-War and Contemporary Art at Christies: “America is a profound force on the global stage and has been unstoppable in defining the contemporary culture of the last century. It is a privilege to present two seminal works that date from the beginning of this cultural dominance. Mark Rothko’s No.1 dates from 1949 and was one of his first works to incorporate the planes of colour as mood that defined his career. Robert Rauschenberg’s Transom is one of the breakthrough series of Silkscreen Paintings with which he not only sparred with Warhol but also became the very first American artist to win the Golden Lion at the 1964 Venice Biennale.”

    A BLUE ROTHKO FROM 1957 AT CHRISTIE’S NEW YORK

    Saturday, April 2nd, 2016

    Mark Rothko (1903-1970) No. 17 (c) 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York Courtesy Christie's Images Ltd., 2016

    Mark Rothko (1903-1970)
    No. 17 (c) 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York Courtesy Christie’s Images Ltd., 2016

    Mark Rothko’s pivotal 1957 canvas No. 17  will lead Christie’s evening sale of  Post-War & Contemporary Art in New York on May 10.  It is estimated at $30-40 million One of the artist’s rare “blue” canvases, this work belongs to a select group that marked the culmination of a short period during which he executed a number of brightly hued works.  This was just a few months before he embarked on the Seagram Murals which have been at the Tate Gallery, London since 1970, the year of Rothko’s suicide.

    It was featured in the 1961-1963 Rothko retrospective which championed the cause of Abstract Expressionism in Europe in a variety of different venues. The  first stop was the Whitechapel Gallery in London.  Afterwards it travelled to Amsterdam, Brussels, Basel, Rome before finishing at the Musée d’Art Moderne de la Ville de Paris in January 1963.

    After the retrospective No. 17 went into a private Italian collection and remained unseen by the public for the next several decades. In 2001 it was the central part of an exhibition at the Fondation Beyeler near Basel in Switzerland.  After that exhibition it went into another private collection, where it has remained until now.

    Brett Gorvy, International Head of Post-War and Contemporary Art, at Christie’s said: “No. 17, is a strikingly beautiful canvas that comes with an exhibition history that places it within the canon of Rothko’s most important paintings of the late 1950’s. We are particularly pleased to be presenting this work to the marketplace at a time when there is such tremendous demand for examples by Rothko of this remarkable quality. With its vibrant, enveloping surface, and its freshness to the auction market, we are confident that No. 17 will appeal to a broad global audience.”

    No. 17 is being sold on the heels of the tremendously successful sale of Rothko’s 1958 painting, No. 10, which realized $81,925,000 against a high estimate of $60 million at Christie’s New York, in May 2015. No. 10’s strength at auction demonstrated the tremendous demand for works of this quality by Rothko in the global marketplace, which continues to exist in full force today.