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  • Posts Tagged ‘Constantin Brancusi’

    AMAZING OFFERINGS AT ART SALES IN NEW YORK THIS MONTH

    Saturday, May 2nd, 2026

    Jackson Pollock (1912-1956) – Number 7A, 1948 at Christie’s

    So far in 2026 the rebound in the art market which began in the second half of last year has continued.  In a world full of new uncertainties the big New York art sales this month look set to continue the trend. In a market where the premium is on rarity and quality there are some amazing offerings.

    In the late 1940’s Jackson Pollock pioneered a revolutionary painting style that was utterly baffling to most people.  Nowadays the art of  ‘Jack the Dripper’ is unbuyable unless you happen to be one of the growing global band of billionaires – whose numbers now approach  4,000 from a figure of just 140 in 1987. The largest example of Jackson Pollock’s monumental drip paintings left in private hands, Number 7A, 1948 – from the collection of legendary Condé Nast co-owner S I Newhouse – is at Christie’s on May 18. 

    The first and only large scale drip painting ever to appear at auction was last seen at an exhibition at the Whitney Museum in 1977. 

    Constantin Brancusi  (1867-1957) – Danaïde, 1913 at Christie’s.

    Another great rarity from the S I Newhouse collection is Danaïde, conceived and cast in 1913 by Constantin Brancusi.  Of the six bronzes cast of this model four are held in institutional collections, the Pompidou in Paris, the Philadelphia Museum of Art, Tate London and Kunst Museum, Winterthur.  This sculpture is the only gilded example left in private hands. 

    Both works are estimated at around $100 million.  The Newhouse collection, which includes masterworks by Bacon, Johns, Matisse, Miro, Mondrian, Picasso, Rauschenburg and Warhol, is poised to become only the second collection ever to surpass the $1 billion mark established in 2022 with the sale the collection of Microsoft founder Paul G Allen.

    At Sotheby’s on May 14 the collection of financier Robert Mnuchin featuring Franz Kline, Willem  de Kooning and Mark Rothko is expected to make around $130 million.  Sotheby’s Modern evening auction on May 19 is headed by Arlequin (Buste) painted by Picasso in 1909 and estimated in the region of $40 million.  There are just ten works at this sale, which offers art by Georgia O’Keeffe, Wassily Kandinsky, Degas, Monet and Matisse.

    Elizabeth Peyton (b1965) – Earl’s Court (Liam + Noel) at Sotheby’s.

    With masterworks from the last 80 years the Now and Contemporary evening auction at Sotheby’s in New York on May 14 is led by Basquiat’s Museum Security (Broadway Meltdown)  (1983).  There is art by  by Rothko, Fontana and Calder from the collection of Jean and Terry de Gunzburg.  Earl’s Court (Liam + Noel) December 1995 and dated 1996 by Elizabeth Peyton captures Oasis frontman Liam Gallagher kissing his brother Noel on the cheek. By appropriating a photograph from two concerts at Earl’s Court in London in November 1995 at the height of their fame she contrasts their strained relationship, unprecedented success with their care and appreciation as siblings, their glories with their faults. The estimate is $1.5 million – $2 million.

    Later last year it became apparent that major collectors are becoming more picky.  The upcoming New York sales offer lots of rich pickings for the super rich.

    Mark Rothko No. 1 (1949) at Sotheby’s.

    BRANCUSI PHOTOGRAPHS AT THADDAEUS ROPAC PARIS MARAIS

    Tuesday, October 21st, 2025

    Constantin Brancusi – Leda, c. 1921 Vintage silver gelatin print. Courtesy of Thaddaeus Ropac gallery, London · Paris · Salzburg · Milan · Seoul© Succession Brancusi / Adagp, Paris, 2025

    Following the major retrospective dedicated to Constantin Brancusi (1876–1957) at the Centre Pompidou, Paris last year a selection of his photographic work, spanning 1906 to 1938 is at Thaddaeus Ropac Paris Marais until December 23. The Romanian artist’s photography was an integral part of his artistic practice and evolved alongside his sculpture from early in his career. In 1956 Brancusi bequeathed his entire studio to the French State, including a number of photographs, which were the subject of a focused exhibition running alongside the artist’s first retrospective in France at the Centre Pompidou in 1995.

    Brancusi began experimenting with the medium following his arrival in Paris in 1904. He immersed himself in the photographic and cinematographic avant-gardes and befriended numerous photographers including Edward Steichen, Alfred Stieglitz and Man Ray. Brancusi notably accompanied Steichen to take nocturnal shots of Rodin’s Balzac sculpture – a formative event that fostered his experimental approach to photography. In 1917, Brancusi met Irish American lawyer John Quinn, one of the most important collectors of modern and avant garde art of his generation. Quinn would become one of his most prominent collectors and, crucially, acquired most of his sculptures from photographs. In 1913, five of Brancusi’s sculptures were displayed in the seminal Armory Show in New York.

    BRANCUSI’S LA MUSE ENDORMIE AT CHRISTIE’S, NEW YORK

    Thursday, April 20th, 2017

    CONSTANTIN BRANCUSI (1867-1957) La muse endormie , patinated bronze with gold leaf, Length: 10 ½ inches  UPDATE: THIS SOLD FOR $57.3 MILLION, A WORLD RECORD

    Constantin Brancusi’s sculpture La muse endormie will be a highlight  at Christie’s evening sale of Impressionist and Modern Art on May 15 in New York. Estimated at $20-30 million La muse endormie counts among the greatest achievements in sculptural history. Its drastic purification of form and emotional resonance mark the dawn of a new sculptural language.

    First conceived in marble in 1909-1910, La muse endormie was cast by Brancusi in six bronze versions by 1913. Four bronzes today are housed in museums—The Metropolitan Museum of Art in New York, The Art Institute of Chicago, and two examples in the Musée National d’Art Moderne, Centre Georges Pompidou in Paris—while two, including the present work, remain in private collections. This one was acquired by the distinguished French collector Jacques UImann in the 1950’s and has remained in his family to this day.

    Jessica Fertig, Senior Vice President, Head of Evening Sale, Impressionist and Modern Art, said: La muse endormie has a magical amplitude — displaying a formal genius and wondrously modulated patina. Brancusi considered each of his La muse endormie bronzes a unique work of art, rather than as part of a uniform edition. He therefore oversaw the patination process during casting to ensure variations between every bronze. Brancusi delighted in the varying effects of color and finish, always aware of the diversity of expression he could achieve through patination. The present sculpture has a rich, warm patina that Brancusi heightened by gilding sections, a contrast he described to the legendary American collector John Quinn as enhancing the expressive power of his art.”