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    YELLOW DIAMONDS – SAPPHIRES, RUBIES AND EMERALDS TOO

    Saturday, May 11th, 2024

    The Allnatt, a fancy vivid yellow diamond of 101.29 carats at Sotheby’s, Geneva. UPDATE: THIS WAS NOT SOLD

    Kashmir sapphires, Burmese rubies, Colombian emeralds and lots and lots of diamonds – what’s not to like?  Traditionally this is the month for sales which bring a global audience of very rich buyers to Geneva for eye watering jewels with all sorts of exotic provenance and stories histories.

    The collections of modern and historic jewellery at sales like these are fascinating. Some lots make millions.  But passion for fine jewellery is not the exclusive preserve of the super rich. There will be plenty of pickings for the rest of us at sales on May 14 at both James Adam in Dublin and Matthews in Kells and O’Reilly’s in Dublin on May 15 with no shortage of choices across all price levels.

    An exceptional pigeon’s blood ruby and diamond ring  at Christie’s.  The 5.03 carat ruby originated in Burma (Myanmar). UPDATE: THIS MADE 1 MILLION CHF AT HAMMER (€1.02 MILLION)

    On the international scene yellow diamonds are the flavour of the month this month. Christie’s will offer The Yellow Rose in Geneva on May 15, an unmounted rare fancy intense yellow pear modified and brilliant cut diamond of 202.18 carats. Like most intense yellow diamonds it is from South Africa where deposits are rich in nitrogen.

    Sotheby’s claim to have one of the world’s most significant fancy vivid yellow diamonds as a highlight of their magnificent jewels sale in Geneva on May 14.  The Allnatt – named for its first recorded owner Major Alfred Allnatt, renowned British racehorse owner, philanthropist and patron of the arts – weighs in at 101.29 carats and is celebrated for its richly saturated gold colour, older cutting style and elegant 1950’s mounting by Cartier.  It too originates in South Africa and the estimate is 5.6 million – 6.5 million Swiss francs (€5.74 million – €6.67 million).

    Both sales are distinguished by one of a kind pieces and historic and modern jewellery from houses like Harry Winston, Cartier, Van Cleef & Arpels, Tiffany, JAR and many others. 

    Turquoise, lapis lazuli and diamond bracelet at Adams. UPDATE: THIS MADE 19,000 AT HAMMER

    Meantime in Ireland viewing is underway both in Dublin and in Kells for the jewellery sales on May 14 at Adams and Matthews and the regular monthly jewellery and silver sale at O’Reilly’s of Francis St. in Dublin takes place on Wednesday.  Top lots at Adams include a c1960 Serpenti bracelet watch and a ruby and diamond ring both by Bulgari.  Each is estimated at €40,000-€60,000. A rare turquoise, lapis lazuli and diamond bracelet by Fred, Paris c1960 is estimated at €20,000-€30,000.  

    A Trinity bangle by Cartier is estimated at €6,000-€8,000 while a Trinity ring by the same maker (€700-€900) is one of a selection of lots available at under €1,000 in a catalogue with 268 lots in total.

    A vintage diamond and enamel ring by David Morris hallmarked London 1975 is the top lot at O’Reilly’s with an estimate of €58,000-€65,000. It comes with a gold rope link and black enamel surround. A total of 234 lots will come under the hammer.

    A selection of lots from Matthews 

    In Kells the auction at Matthews will offer silver and gold from various executor instructions, pawnbrokers unredeemed pledges and lots from private clients.  The top lot is a Toi et Moi diamond ring (€12,000-€18,000).  There is much to choose from in a wide selection of rings, brooches, bracelets, earrings, pendants and wristwatches.  Happy hunting….

    MAJOR INTERNATIONAL ART SALES IN NEW YORK

    Saturday, May 4th, 2024

    The Italian Version of Popeye Has no Pork in His Diet by Jean-Michel Basquiat at Christie’s. UPDATE: THIS SOLD FOR $32 MILLION

    The Italian Version of Popeye Has no Pork in His Diet, a lawn being sprinkled, a haunting portrait of a lover and muse, scientific literature and Irish and Mexican myth getting the surreal treatment all feature at the big art sales at Christie’s and Sotheby’s in New York this month.

    The 20th/21st Century series at Christie’s and masterworks spanning more than a century of production at Sotheby’s underline the glorious diversity of Modern, Contemporary and Post-War Art and the boundary pushing art of now.

    Jean-Michel Basquiat’s arresting 1982 work The Italian Version of Popeye has no Pork in His Diet will be a highlight at Christie’s 21st Century evening sale on May 14.  Peppered with figures, numbers, shapes and crossed out words it mixes symbols, text and portraiture and is estimated to achieve around $30 million (€28.03 million). It is part of a series featuring tied together wooden supports on which a canvas has been mounted.

    In a market that is weaker than latter years Basquiat continues to exert strong pulling power. A highlight at Sotheby’s Contemporary Auction in New York on May 13 is one of the most significant paintings created jointly by Basquiat and  Andy Warhol during their famed period of collaboration from 1983 – 1985. “Andy would start one and put something very recognizable on it, or a product logo, and I would sort of deface it” Basquiat said once, while Warhol credited Basquiat with getting him into painting differently.  Untitled (1984), a large scale example of this collaborative series, is estimated in the region of $18 million (€16.82 million).

    David Hockney “A Lawn Being Sprinkled” 1967 Acrylic on canvas 60 x 60″ © David Hockney Photo Credit: Richard Schmidt. UPDATE: THIS SOLD FOR $28.6 MILLION.

    Now aged 86 David Hockney continues to make great art today (he says he does not feel his age when in the studio).  Hockney’s mesmerising A Lawn being Sprinkled at Christie’s dates to 1967 and is estimated at $25 million – $35 million (€23.36 million – €32.7 million). It is from the Los Angeles collection of legendary screenwriter, producer and activist Norman Lear and his wife Lyn Davis Lear.

    Portrait of George Dyer Crouching by Francis Bacon at Sotheby’s. UPDATE: THIS SOLD FOR $27,735,000

    Francis Bacon’s Portrait of George Dyer Crouching at Sotheby’s Contemporary evening auction on May 13 dates to 1966 and is the first of a  cycle of ten monumental portraits of Dyer created between 1966 and 1968. It offers a haunting glimpse of Dyer – who died from a drugs and drink overdose in Paris two days before the opening of the Francis Bacon Retrospective at the Grand Palais in 1971 – both as hero and a figure of vulnerability.  The estimate is $30 million – $50 million (€28.03 million – €46.72 million).

    Les Distractions de Dagobert by Leonora Carrington at Sotheby’s. UPDATE: THIS SOLD FOR $28,485,000

    Born in 1917 to an upper class Catholic family in rural north west England Leonora Carrington’s childhood was shaped on one hand by rigid social structures and on the other by magical myths from her Irish grandmother and nanny.  She returned often to Irish legends, especially in works like Les Distractions de Dagobert which is rife with Celtic imagery.  Following a rebellious youth, a brief sojourn with the Parisian Surrealist group and a harrowing flight from war torn Europe Carrington painted this tour de force at the age of 28. The  centrepiece at her first retrospective exhibition at the Pierre Matisse gallery in New York in 1948 it is at Sotheby’s Modern evening auction on May 15 with an estimate of  $12 million – $18 million.

    A CHURCHILL PORTRAIT SURVIVOR AT SOTHEBY’S

    Wednesday, April 17th, 2024

    Graham Sutherland – Surviving study for a portrait of Churchill commissioned by Parliament. UPDATE: THIS SOLD FOR £660,000

    One of the best surviving portraits of Winston Churchill by Graham Sutherland – an 80th birthday present commissioned by parliament – comes up at Sotheby’s in London on June 6. The Houses
    of Parliament commissioned the portrait thus setting up a new chapter in Churchill’s life story which ended with the painting being burned in an episode immortalised in popular culture by The Crown. On offer is an intimate painted study created in preparation for the final work.
    Winston Churchill was one of the most reproduced characters, described by curators of the National Portrait Gallery in London as “the most famous face of the 20th century”. The legacy that he left rests in no small part on the extraordinary care he took to cultivate his public image: from the ‘V for Victory’ to his cigars and bowler hats. Over the course of his life, he was painted by William Orpen, John Singer Sargent, Walter Sickert, William Nicholson and Oswald Birley, among others.
    Churchill was extraordinarily concerned by how he was represented, and often gave withering
    assessments to those who dared portray him. The portrait painted by Graham Sutherland in 1954
    proved to be the most objectionable. Sutherland was at the very forefront of modern British art at the time, eclipsing Francis Bacon with whom he shared a gallery. It was Churchill’s intention to be painted in his Garter robes but Sutherland insisted that he was to be painted in the clothes which Parliament and the public knew him. Sutherland did ultimately produce a painting of him in his garter robes, now in the Beaverbrook Art Gallery, Fredericton. Churchill was keen to inspect the portrait as the project went along, but Sutherland insisted that he
    mustn’t. It was Clementine who first viewed the work at Sutherland’s studio once it was complete, and
    she was so pleased with it that she cried tears of joy and took a photograph home with her. Sadly, this
    celebration was short lived. On seeing the work, Churchill wrote to his personal doctor Lord Moran describing the work as “filthy and malignant”, followed by a letter to Sutherland and his wife that it was not suitable as a presentation from the Houses of Parliament and so he did not want to be part of the ceremony. In the end, Churchill attended the ceremony but uncharitably derided the work as a
    “striking example of Modern art”, to a peal of laughter from the audience. The press were in the large part unforgiving, the Telegraph and the Daily Express calling for the work
    to be thrown away or even burnt. The Spectator went against the pack and described the work as “by
    far the best record of the Prime Minister which we shall bequeath to posterity”. However, this vision
    was not to be realised. Within two years, such was the rancour with which the painting was viewed at Chartwell, that Churchill’s loyal secretary Grace Hamblin employed her brother to take it away and burn it (a move that received Clementine’s approval, who despite her original enthusiasm had gradually turned against it too, feeling betrayed).

    MOST VALUABLE CONAN DOYLE MANUSCRIPT EVER AT AUCTION

    Friday, April 5th, 2024

    The most valuable Sir Arthur Conan Doyle manuscript ever at auction comes up at Sotheby’s in New York next June. The autograph manuscript of the Sherlock Holmes novel The Sign of the Four, signed twice and with edits to Americanize the text is estimated at $800,000-$1.2 million. It is offered with a collection of autograph letters between Doyle and J. M Stoddart, the American businessman and editor of Lippincott’s Monthly Magazine, who commissioned The Sign of Four. The letters chronicle the progress of the book, including discussion on the title as well as Doyle’s happiness with the printing, in particular the illustration.

    Sotheby’s Book Week sale on June 26 will feature as its centerpiece the Library of Dr. Rodney P. Swantko, a significant collection of modern literature encompassing rare examples of the most famous volumes in English and American literature from the past two centuries. The sale offers a remarkable array of over forty rare books and manuscripts encompassing iconic works by, Charles Dickens, F. Scott
    Fitzgerald, Ernest Hemingway, Samuel Clemens (Mark Twain), Vladimir Nabokov, Edgar Allan Poe, John Steinbeck, and Walt Whitman. The Swantko collection also features two extraordinary literary artworks including Sidney Paget’s original drawing for the illustration “The Death of Sherlock Holmes” for the Conan Doyle short story “The Final Problem.”

    FOSSILISED IRISH ELK ANTLERS AT SOTHEBY’S DESIGN SALE

    Wednesday, April 3rd, 2024

    This pair of fossilised Irish elk antlers will come up at Sotheby’s in London on April 11 with an estimate of £20,000-£30,000. One has four points, the other eight and there are restorations. Although the elk inhabited a vast expanse of central Europe and Asia, the largest concentration of its remains have been found mainly in the marl underlying bogland of Ireland, giving rise to the popular nomenclature of this species. The high calcium carbonate content of the marl is conducive to the preservation of bones, and examples of these ancient antler specimens have been discovered in Counties Waterford, Clare and Cork, many of them in caves. Many have featured in Irish banqueting halls following a centuries-old tradition, particularly during the 19th century, when it was fashionable for such antiquarian relics to be displayed in baronial halls. An instance of this is recorded in an 1850s interior drawing of the new manor at Adare, Co. Limerick. The antlers are part of a sale of Classic Design and are listed in the catalogue as property from Ollerton Grange, a lavish Cheshire mansion. The sale includes a set of 12 Irish George III silver dinner plates from the Drogheda Service by Robert Calderwood (£8,000-£12,000) and a pair of Irish silver soup tureens by Calderwood (£10,000-£15,000). UPDATE: THE ANTLERS WERE UNSOLD

    MAJOR WARHOL – BASQUIAT COLLABORATIVE WORK AT SOTHEBY’S

    Friday, March 29th, 2024

    Untitled by Andy Warhol and Jean-Michel Basquiat

    Untitled 1984 by Andy Warhol and Jean-Michel Basquiat – the most significant collaboration painting at auction in a decade – will highlight Sotheby’s marquee contemporary art auction in New York in May. This large -scale example of a creative experiment that fused their distinctive visual languages and styles – Warhol’s signature use of screenprinting and mechanically produced imagery, such as corporate logos, coupled with Basquiat’s expressionistic, figurative scrawls in paintstick – to create one of the most singular bodies of work in 20th century art during their famed period of collaboration from 1983 – 1985.
    In the four decades since their creation, the Warhol-Basquiat collaboration paintings have only added to the mystique and legend of their creators, and stand out as daring testaments to their artistic partnership and friendship.

    Coming to auction for the first time in nearly 15 years with an estimate in the region of $18 million, Untitled’s sale is set to mark a new benchmark price for the series.

    CROUCHING DYER, HIDDEN BACON

    Tuesday, March 26th, 2024

    UPDATE: THIS SOLD FOR $27,735,000

    Francis Bacon’s haunting Portrait of George Dyer Crouching comes up at Sotheby’s contemporary art evening auction in New York in May. It is the first in a series of ten monumental portraits of Dyer created between 1966 and 1968 and it has never been on the auction market before. Dyer is portrayed shirtless, crouched over his discarded shirt like a predator over his prey, his head depicted in triplicate as it turns towards the viewer, combining Dyer’s face with Bacon’s, nodding to their indivisibility. This image of the entwined head is among the best examples within Bacon’s oeuvre – a significant motif that would persist throughout his work. The revolutionary impact that Dyer and Bacon had on each other’s lives can be felt palpably here, as the first painting in a series that would, over years, chronicle the seduction and sadness, frustration and fulfillment, tension and collapse that underlined one of the most tempestuous relationships in art history.

    It was acquired from The Marlborough Gallery in 1970 and has not been on the market since. It is the first full-scale portrait of Dyer at auction since another from this same cycle, George Dyer Talking, sold in 2014 for $70 million – establishing the record for any single-panel portrait by Bacon. The centerpiece of Francis Bacon: Man and Beast held at the Royal Academy of Arts, London in 2022 Portrait of George Dyer Crouching is estimated at between $30 million and $50 million.

    THE COMPLETE WORKS OF OSCAR WILDE FROM 1907

    Thursday, March 14th, 2024
    The Writings of Oscar Wilde – Keller-Farmer Co. 1907

    A finely bound limited-edition collection of The Writings Of Oscar Wilde from 1907 is available at Sotheby’s buy now platform priced at $5,500. The Wilde collection – a set of 15 – was published by Keller-Farmer Co., 1907 and is number 75 out of a limited edition of 200 seta. Profusely illustrated throughout the set is in very good condition.

    BACON PORTRAIT OF GEORGE DYER AT SOTHEBY’S IN MARCH

    Friday, February 23rd, 2024
    Francis Bacon –  Study of George Dyer UPDATE: THIS SOLD FOR £6.8 MILLION

    Francis Bacon’s last intimately scaled portrait of his lover George Dyer shortly before his tragic death comes up at Sotheby’s in London on March 6. Acquired directly from the Marlborough Gallery in London in 1970, the year it was painted the portrait is charged with extraordinary intimacy and framed within a seductive dark background. The depiction of Dyer – at the time, the love of Bacon’s life – was selected by the artist for inclusion in his major retrospective at the Grand Palais in Paris held in the autumn of 1971. The work was briefly seen in 1993, when it was included in an exhibition of the artist’s small portrait studies at the Marlborough Gallery, after which it went back onto its owners wall until now. It is estimated at £5 – £7 million.

    The major retrospective of Bacon’s work at the Grand Palais was of great personal significance to Bacon as it marked only the first time after Picasso – Bacon’s artist hero – that a living artist had been afforded a one-man show at the prestigious venue. The monumental occasion celebrating the artist’s already stellar career was, however, marred by an event which would leave Bacon grief-stricken: barely thirty-six hours before the opening, Dyer was found dead from an overdose of sleeping pills, exacerbated by alcohol abuse, in the hotel suite the pair shared. Despite suffering from numbing shock and a despairing guilt, Bacon continued with the opening apparently unabated, though the shadow Dyer cast over Bacon would linger for the rest of his life.

    The Dyer portrait leads a powerful and arresting group of twentieth-century artworks from a distinguished private collection at Sotheby’s in London this March.. Assembled with unfaltering energy and focus over some sixty years, the paintings, sculpture and drawings that comprise the collection are linked by a common thread – an unwavering interest in the human form by artists at the peak of their powers who sought to convey the emotions and forces that govern and dictate the human condition. Art by Chaïm Soutine, Jean Dubuffet, Henry Moore, Henri Matisse, Edouard Vuillard and Henri Hayden will be presented in Sotheby’s Modern & Contemporary evening and day auctions on March 6 and 7. A further selection of works from this collection will be offered across a range of sales in London up until June. They were sourced principally in the late 1960s and the 1970s, chiefly from the leading London galleries of the moment such as Marlborough, Alex Reid & Lefevre, Waddington, Crane Kalman and Redfern.

    ARTISTIC FREEDOM OF EXPRESSION UNDER THREAT

    Saturday, January 13th, 2024
    An interior shot of Palazzo Volpi in Venice with contents to be sold by Sotheby’s in Paris.

    Art mirrors life and the life it is currently mirroring is one of censorship and intolerable attacks on freedom of expression.  The art world has not been immune as  the Israeli-Hamas war has spawned a new wave of hidden and not so hidden persuaders who move to stifle anything other than total support for hardliners against humanity. Against this background of global uncertainty there is a pipeline of interesting international sales coming up in 2024.  On offer already are a variety of covetable lots as diverse as the contents of a sumptuous Venetian palace on the Grand Canal to Hugh Hefner’s Playboy Archive to a Royal portrait by Velazquez and property from the life and career of Marilyn Monroe.  We must assume that all this will be okay once there is nothing in these auctions – such as seeking a ceasefire in Gaza – that can be construed as anti-semitic.

    A pair of stools or tabourets delivered to the Empress Josephine at Christie’s in New York

    Sotheby’s will offer 200 lots from Palazzo Volpi in Venice at an auction in Paris on February 28. The collection will include palatial Roman tables, ballroom banquettes, art panels in the style of Jacopo Sansovino, Wagner sofas and Venetian mirrors. Julien’s will offer contents from the Playboy archives and from Marilyn Monroe at a three day sale in Los Angeles on March 28, 29 and 30.  Highlights will include a Playboy Bunny silkscreen by Andy Warhol and a black and cellophane effect evening gown worn by Monroe in The Seven Year Itch.  The Velazquez portrait of Isabel de Borbon is at Sotheby’s in New York on February 1.

    A black and cellophane effect evening gown worn by Marilyn Monroe in The Seven Year Itch at Julien’s

    Elvis Presley’s Gretsch guitar from his Las Vegas residency is among the lots at Christie’s Exceptional Sale in New York on the same day along with a pair of c1800 tabourets or stools delivered to the Empress Josephine at Chateau de St. Cloud.

    It has the potential to be an exciting year with many records being broken at home and abroad.  Yet in 2024 there are well founded accusations of censorship in an art world that has never been noted for its lack of freedom of expression.  In New York board members and many art writers withdrew in protest after the editor of the prestigious Artforum magazine, David Valasco, was abruptly fired when a letter supporting Palestinian liberation was published which omitted to mention the victims of the Hamas attack on October 7.  Advertisers like gallerist David Zwirner and the Chanel culture fund threatened to withdraw.The Saarland Museum in Germany cancelled an exhibition by Candice Breitz, who is Jewish and has condemned Hamas, saying they would not show works by anyone who does not recognise Hamas terror as a rupture of civilisation.  The entire selection panel for the next curator of Documenta, a global art exhibition in 2027, resigned after disputes with administrators about the war. This mirrors the wider environment.  Think of resignations like that of Harvard President Claudine Gay in a campaign led by the Wall Street Jewish financier Bill Ackman whose wife is a former member of the IDF. You do not need to be a soothsayer to know there will be more resignations. UPDATE: The first American retrospective of Samia Halaby (87), regarded as one of the most important living Palestinian artists, has been cancelled by officials at Indiana University.

    Andy Warhol’s original Playboy Bunny at Julien’s.