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  • Posts Tagged ‘Christie’s’

    THE ART OF THE SURREAL AT CHRISTIE’S

    Wednesday, February 8th, 2017

    René Magritte – La corde sensible

    The Art of the Surreal sale at Christie’s in London on February 28 will include 35 lots that chart the history of Dada and Surrealism. Highlights include René Magritte’s La code sensible, 1960 (£14-18 million), one of the largest oils he created, alongside his painting Le domaine d’Arnheim 1938 (£6.5-8.5 million). A group of seven works by Max Ernst include Portrait érotique voilé (1933 and circa 19500)(£1.5-2.5 million), offered by the artist’s family, and Les deux oiseaux 1925 (£100,000-150,000) from the personal collection of Barbara Lambrecht, sold to benefit the Rubens Prize Collection in the Museum of Contemporary Art at Siegen in Germany.

    René Magritte’s La corde sensible, a composition unique in his oeuvre, exemplifies the artist’s lifelong quest to reveal and revel in the mystery that he perceived to exist within the real world. Magritte originally presented it as a gift to his wife, Georgette. Later owned by Ronald Winston, the son of the world-renowned jeweller, Harry Winston, the painting has remained in the same private collection since 1990. Situated under a blue sky, amidst a verdant green landscape with a mountain range in the distance, an enormous crystal glass stands incongruously in the middle of the valley. Hovering just above it is a cloud, the weightless form meeting the solid glass creating a compelling contrast between lightness and weight, transparency and opacity, atmosphere and earth.

    AN EARLY DOIG MASTERWORK AT CHRISTIE’S

    Monday, February 6th, 2017

    Peter Doig – Cobourg 3 + 1 More (1994).

    Peter Doig’s Cobourg 3 + 1 More (1994) comes up at Christie’s post war and contemporary art evening auction on March 7 in London. A visionary apparition rendered on a majestic scale, Cobourg 3 + 1 More conjures a distant, half-remembered reality beneath a shimmering membrane of scattered pigment. It is among the  icons of Doig’s early oeuvre. Acquired in 1994 by German insurance company Provinzial Rheinland Cobourg 3 + 1 More comes to auction for the first time in its history. Estimated at £8-12 million it will be at Christie’s New York from February 24 to 26 February and at King Street in London from March 3. Provinzial Rheinland will use the proceeds of the sale to uphold a long-standing tradition of engagement with the arts and culture in the Rhine region and to continue to acquire works of young contemporary artists.

    Francis Outred, Chairman and Head of Post War and Contemporary Art, EMERI said:  “Back in 1994 when the tendency was for cool conceptual art, Provinzial Rheinland displayed a brave collecting vision by recognising that Peter Doig was developing a new approach to painting which gave new life and energy to the medium. Standing in front of this work one is taken to a different world and through the whiteout gradually we see a memory of his childhood home landscape and begin to pick out the silhouettes of Doig himself and his brother. Up close the thick texture of snow and staccato brushmarks create a tapestry of paint, the like of which nobody had seen before.”

    100 SAATCHI GALLERY ARTWORKS AT CHRISTIE’S IN LONDON AND NEW YORK

    Wednesday, February 1st, 2017

    An auction of 100 artworks by 100 contemporary artists selected by the Saatchi Gallery is to be held by Christie’s in London and New York in March.  The sale is in support of the Saatchi Gallery’s free entry and education programme. From the collection of Charles Saatchi, these works reflect the Gallery’s commitment to provide an innovative forum for contemporary art. The sale features art from America and the UK as well as Europe, Canada, Costa Rica and South Korea and includes names from across the globe like  Julia Dault, Anthea Hamilton, Laure Prouvost and Jon Rafman.  A total of 50 works come up at Christie’s, South Kensington on March 10 and 50 more will come up in New York on March 22.

    Highlights from the London sale will include Light Perpetual by Conrad Shawcross and a series of 30 portraits by Annie Kevans depicting the faces of dictators as children. The New York selection includes Henry Taylor’s “The young, the brave, Bobby Hutton” RIP Oakland, California capturing the tension and pride in the post of a 17 year old killed by police and Dana Schutz’s portrait of an albino woman. Estimates range from £1,000-35,000.

    Conrad Shawcross (B. 1977) Light Perpetual (£10,000-15,000) © Christie’s Images Limited 2017

    Federico Herrero (B. 1978) Amansalva ($15,000-20,000) © Christie’s Images Limited 2017

    Annie Kevans (B. 1972) Alfredo Stroessner, Paraguay © Christie’s Images Limited 2017 (£18,000-25,000)

    Dana Schutz (B. 1976)
    Albino ($12,000-18,000) © Christie’s Images Limited 2017

    THE ODYSSEY OF THE PALESTINIAN PEOPLE

    Tuesday, January 31st, 2017

    An impressive 6 meter long painting by Ismail Shammout (1930-2006) recalling the history of Palestine and the life experiences of this master of Arab modern art will lead Christie’s spring auction season in Dubai from March 15-19. Driven by emotion and passion Odyssey of a People was painted in 1980 as a result of a relentless dedicated effort of over 6 months of daily work. It is the most important and seminal work of the artist’s career and has been directly consigned from the artist’s family.

    It was first exhibited in 1981 in Dar Al-Karama in Beirut, later travelling on loan to Damascus, Malaysia, Kuwait, the Jordan National Museum, Abu Dhabi and finally Ramallah. It was at this final location in 2002, on the day of an Israeli incursion, that the painting was quickly hidden and folded away by the director of the museum in a pillow case. It has not been displayed publicly since. After the artist’s death in 2006 and the director’s death in 2008 the artist’s wife Tamam Al Akhal established contact with the museum director’s wife and reclaimed the work.  Estimated at US$800,000-900,000 it comes up for sale on March 18

    ROTHKO AND RAUSCHENBERG AT CHRISTIE’S IN MARCH

    Tuesday, January 17th, 2017

    Groundbreaking works by Mark Rothko and Robert Rauschenberg will feature at Christie’s Post-War and Contemporary Art evening auction on March 7 in London. Mark Rothko’s groundbreaking No. 1 1949 is one of the earliest examples of his mature artistic vocabulary. Robert Rauschenberg’s Transom (1963) comes to auction alongside a major retrospective of his work at London’s Tate Modern, and demonstrates the radical new visual language that went on to lead a generation of American artists towards global domination. Together these two masters of 20th-Century painting will lead the field of American talent due to take centre stage during 20th Century at Christie’s, a series of sales from February 28 to March 10.   The works will tour to Hong Kong (January 17-20), Shanghai (February 8), Beijing (February 11-13) and New York (February 24-26).

    Francis Outred, Chairman and Head of Post-War and Contemporary Art at Christies: “America is a profound force on the global stage and has been unstoppable in defining the contemporary culture of the last century. It is a privilege to present two seminal works that date from the beginning of this cultural dominance. Mark Rothko’s No.1 dates from 1949 and was one of his first works to incorporate the planes of colour as mood that defined his career. Robert Rauschenberg’s Transom is one of the breakthrough series of Silkscreen Paintings with which he not only sparred with Warhol but also became the very first American artist to win the Golden Lion at the 1964 Venice Biennale.”

    A HAPPY CHRISTMAS TO ALL OUR VIEWERS AND READERS

    Saturday, December 24th, 2016
    The Holy Family with an Angel by Jacob Jordaens (1593-1678) © Christie’s Images Limited 2016

    The Holy Family with an Angel by Jacob Jordaens (1593-1678) © Christie’s Images Limited 2016

    We wish everyone who enjoys antiquesandartireland.com a very Happy Christmas.  Here is a seasonal image of The Holy Family with an Angel by Jacob Jordaens (1593-1678). It was the top lot at Christie’s Old Masters evening sale in London this month. Jordaens succeeded Rubens as the leading painter in Antwerp in 1640. After the death of Rubens in that year he became the most important painter in Antwerp for large scale commissions.

    He painted altar pieces and mythological and allegorical scenes. As well as being a successful painter he was a prominent designer of tapestries.  In this painting his use of realistic models, the rustic presentation of religious subjects and dramatic use of light and shade point to the influence of Caravaggio. It sold for £1.8 million.  Bidders from 28 countries took part in the auction.

    It has been a great year for Old Masters at Christie’s with global sales of around £152 million.  Ruben’s masterpiece Lot and his Daughters which can be found elsewhere on this website sold for £44.9 million in July, the highest auction price for any work of art sold in Europe this year.

    SALES OF OLD MASTERS DOUBLE AT CHRISTIE’S IN 2016

    Sunday, December 18th, 2016
    SIR PETER PAUL RUBENS (Seigen 1577-1640 Antwerp), Lot and his Daughters, circa 1613-1614. Courtesy CHRISTIE'S IMAGES LTD. 2016

    THE MOST EXPENSIVE PAINTING SOLD IN EUROPE THIS YEAR – SIR PETER PAUL RUBENS (Seigen 1577-1640 Antwerp), Lot and his Daughters, circa 1613-1614 made £44.9 million. Courtesy CHRISTIE’S IMAGES LTD. 2016

    Old Master sales at Christie’s in 2016 came to £152 million, doubling the auction sales total of 2015.  Classic Week, which ended in London on December 15, achieved a total of £47.8 million. This was a dedicated series of sales spanning Old Master Paintings, Decorative Arts and Sculpture, Antiquities, Japanese Art and private collections.  There was global participation with more than 1,200 registered bidders from 53 countries and substantial cross category buying. The entire classic week series achieved $272.3 million in 2016.

    Karl Hermanns, Global Managing Director, Old Master, 19th Century, Russian Art, said: “Classic Week in December concludes an outstanding year for the classical arts at Christie’s. Following its launch in April in New York and in July in London the new Classic Weeks series, complementing Christie’s innovative 20th-century weeks, have achieved for our clients significantly increased sales, cross-category bidders and new bidders. We are particularly encouraged by the number of 20th-century clients and Asian collectors participating in these sale. Classic Week auction sales were led by the masterpiece by Rubens, ‘Lot and his Daughters’, which achieved £44.9 million, the highest auction price for any work of art sold in Europe in 2016. Old Master and Victorian pictures also sold well alongside the best modern and contemporary art in the Defining British Art sale, the flagship event of Christie’s 250th anniversary. Christie’s also led the market in Old Master private sales, led by the historic sale of Rembrandt portraits, which sold to the French and Dutch states. Our specialists will continue to innovate and to inspire collectors with curated sales weeks of the highest quality. We look forward to hosting the next Classic Weeks in New York in April 2017 and in London in July 2017.”

    A WORLD RECORD FOR A PRINTED SCIENTIFIC BOOK

    Thursday, December 15th, 2016
    Sir Isaac Newton’s (1642-1727) Philosophiae naturalis principia mathematica

    Sir Isaac Newton’s (1642-1727) Philosophiae naturalis principia mathematica

    Sir Isaac Newton’s Principia made a world record for a world record for a printed scientific book when it sold for $3,719,500 at Christie’s in New York on December 14. It had been estimated at $1-1.5 million.  One of the most important books in the history of science Sir Isaac Newton’s (1642-1727, knighted 1705) Philosophiae naturalis principia mathematica  was described by Einstein as  “perhaps the greatest intellectual stride that it has ever been granted to any man to make”.

    This was a First edition, Continental issue bound in full inlaid morocco for presentation by the publisher/bookseller Samuel Smith. Two apparently concurrent issues can be distinguished, identified by their title in uncancelled or cancelled state. One was distributed by Edmond Halley and Newton themselves through a number of unnamed booksellers, the other was largely turned over to Samuel Smith for distribution on the Continent (as here). This Continental issue is considerably rarer.

    The fine books and manuscripts sale totaled $9,433,063, with 82% sold by lot and 91% sold by value.  This was the highest total for a various owner sale of Books & Manuscripts at Christie’s. There was active in-room, phone, and online participation from institutions, established collectors, and new buyers with registered bidders from over 25 countries.

    CERRUTI TO TAKE OVER AS CHRISTIE’S CEO FROM JANUARY

    Wednesday, December 14th, 2016
    Patricia Barizet and Guillaume Cerruti.  Christie's London, 14 December 2016 © Christie’s 2016

    Patricia Barizet and Guillaume Cerruti. Christie’s London, 14 December 2016 © Christie’s 2016

    The Board of Christie’s has appointed Guillaume Cerutti as Chief Executive Officer effective from January 1.  Currently President of Christie’s Europe, Middle East, Russia and India (EMERI) operations he is a respected authority in the art world. He has operated for over a decade as a senior executive in the art auction world and within the cultural industry for over twenty years. François Pinault assumes the role of Chairman of the Board and Patricia Barbizet is appointed Vice Chairman.

    Patricia Barbizet commented: “As we conclude a successful year, the time is right to adapt our structure and further enhance the tremendous work we have done to make the company more efficient, creative and collaborative. I believe Guillaume’s experience and deep knowledge of the art world will bring Christie’s one more step forward. Christie’s is a key asset for its shareholder.  Alongside Mr. Pinault, as CEO of Artemis, I will remain closely involved as we continue to expand Christie’s global reach and introduce more best-in-class services for today’s collectors.”

    Guillaume Cerutti said: “It is a great honour to take forward the company’s strategic initiatives and continue the successful work that have been implemented under Patricia’s tutorship. At year-end, Christie’s continues to lead the market globally, and is poised for continued success. I will rely on Christie’s exceptional talents to build and adapt the company for the future.”

    François Pinault said: “Two years ago I asked Patricia to take the helm of Christie’s and adapt the organisation to the new challenges of the art industry and market. During these two years, she has worked tirelessly on the key milestones we had established to capitalise upon Christie’s leadership. She has led the company to a point where it is appropriate to pass the baton to Guillaume Cerutti. It will now be for him to push this advantage even further. Patricia and I will provide Guillaume our continuous support so Christie’s can thrive for the greatest benefit of its clients, its specialist community, its employees and all art connoisseurs.”

    SCULLY SELLS FOR £341,000 AT CHRISTIE’S

    Wednesday, November 23rd, 2016
    Sean Scully (b. 1945) Small Horizontal Robe © Christie’s Images Limited 2016

    Sean Scully (b. 1945)
    Small Horizontal Robe © Christie’s Images Limited 2016

    Small Horizontal Robe by Sean Scully sold for £341,000 at Christie’s Modern British and Irish art evening sale in London this evening.   A Windy Day by Sir John Lavery made £1,172,486 in a sale with sell through rates of 90% by lot and 95% by value which brought in £14.6 million. There were world records for Ben Nicholson April 57 (Arbia 2), £3,749,000: John Minton, Jamaican Village, £293,000 and Edward Wadsworth, Imaginary Harbour I, £197,000. The Nicholson was the top lot of the evening in a sale characterised by lively bidding.

    André Zlattinger, Senior Director, Head of Modern British Art, Christie’s London and Rachel Hidderley, International Specialist and Director, Modern British Art commented: “Bidding from Asia was particularly strong, underlining the growing global appeal for this dynamic category that represents the diversity of artists working in Britain and Ireland during the last two centuries”.