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    110,000 HITS AND GROWING

    Monday, December 13th, 2010
    HITS on antiquesandartireland.com have passed the 100,000 mark.  According to Google’s webmaster tools the number of search queries on this site in the month to December 10 was 110,000. The previous week it stood at 90,500. I would like to sincerely thank each and every one of you.  Hits come from all around the globe, the majority from Ireland, Britain and the US. Established in April and largely unpromoted, the website has been growing steadily month on month.
    Reaction has been extremely positive, and for this I am grateful.  Here are two, one from James Adam, the Irish auction house with the largest annual turnover, the other from Sotheby’s.
    James O’Halloran, managing director at James Adam, writes: “I am an avid fan of your blog, in fact it is the first site on my bookmarks bar so I check it at least once a day hoping for another snippet of interesting information from the world of art and antiques. I particularly like the wide variety of up to the minute stories and the useful links to other websites. We, at Adams are always delighted to have coverage of our activities on the blog and look forward to working with you long into the future.”
    Arabella Bishop, Director, Sotheby’s Ireland writes:  ‘I find this an invaluable website for reference to keep abreast of the art market both in Ireland and abroad.  Des’s years of experience and knowledge makes this site indispensable’

    ARTISTS AND MANSIONS

    Thursday, December 9th, 2010
    AT this time of giving three new books from Irish publishers might be of interest.  Plurabelle Publishing Ltd. of 33B Daniel St., Dublin 8 launched a Dictionary of Living Irish Artists this year.  It features 200 living Irish artists and full colour images of the work of each one of them along with biographical information.  It is written by Robert O’Byrne.  More information is available on www.livingirishartists.ie
    Tarquin Blake’s Abandoned Mansions of Ireland documents what is left of 50 mansion houses throughout the length and breadth of this country. It includes Mountpelier Lodge (Dublin Hellfire Club), the birthplaces of Daniel O’Connell (Carhen House) and the Duke of Wellington (Dangan Castle) and the home of Grace O’Malley (Bunowen Castle).  It is published by The Collins Press of Cork. (www.collinspress.ie).
    Also from The Collins Press comes Privilege & Poverty, the life and times and Irish painter and naturalist Alexander Williams RHA (1846-1930). He was an apprentice hatter, a taxidermist and a professional singer and is credited with being one of the first artists to open up the west of Ireland and in particular Achill Island to a wide audience.  This is written by Gordon T. Ledbetter.

    DIAMOND AUCTION RECORD SMASHED

    Wednesday, November 17th, 2010

    This rare pink diamond sold for 33.7 million euro at Sotheby's in Geneva. (click on image to enlarge)

    A rare pink diamond broke auction records when it made 33.7 million euro at Sotheby’s in Geneva on November 16.  The buyer was London diamond dealer Laurence Graff.

    Sotheby’s had said in advance that the market for coloured diamonds is extremely strong.  They are the most sought after gemstones in the world’s auction rooms today.

    This one is an exceptionally rare 24.78 carat fancy intense pink diamond of the purest hue.  It had been purchased directly from Mr. Harry Winston 60 years ago and has not been on the open market since.

    Sotheby’s had estimated the stone at $27-38 million Swiss Francs or about 20-25 million euro.  Demand for rare gems as wealth that is portable has pushed up prices.

    See post on antiquesandartireland.com for October 4



    GOOD DAY FOR METAL DETECTOR

    Thursday, October 7th, 2010

    THE Crosby Garrett Helmet sold at Christies for £1.28 million.

    An exceptional survival from Roman Britain, discovered by metal detector in Cumbria in May 2010,  made £2,281,250 at an antiquities sale at Christie’s, South Kensington, London on October 7.  The Crosby Garrett Helmet, dating from the late 1st-2nd Century A.D., is an extraordinary example of Roman metalwork at its zenith.  No less than six bidders chased it, three on the telephone, two in the room and one via the internet from California. It was bought by an anonymous telephone bidder.

    This is one of only three Roman Cavalry Parade helmets complete with face-masks to have been discovered in Britain.  The Ribchester Helmet, found in 1796, is in the British Museum and the Newstead Helmet, fond c1905, is in the Museum of Antiquities, Edinburgh.

    HUNT EXHIBTION BRINGS FORGOTTEN ARTIST BACK TO IRELAND

    Saturday, September 11th, 2010

    A Wayside Chat by artist Thomas Hovenden, part of the French Connection exhibition at the Hunt Museum in Limerick until October 10. (click on image to enlarge)

    THERE are at least three works by Dunmanway born Thomas Hovenden (1840-1890) in the art collection of the Metropolitan Museum in New York.  Yet he is practically unknown in his native country.
    An exhibition now on at the Hunt Museum in Limerick may go some way towards redressing this imbalance.  Organised by James Adam The French Connection focuses on Irish artists who worked in France in the late 19th century and early 20th century.  This is a show of 35 works by artists including  Nathaniel Hone, Sir John Lavery, William John Leech, Roderic O’Conor,  Walter Frederick Osborne and  two paintings, A Wayside Chat and The Story of the Hunt, by Thomas Hovenden.
    Orphaned at the age of six during the Great Famine he went on to become a member of the Society of American Artists (1881), the Philadelphia Society of Artists (1883) and an Associate member of the National Academy of Design (1881). He succeeded Thomas Eakins as Professor of Painting and Drawing at the Pennsylvania Academy of the Fine Arts (1886-88) and his students included Alexander Calder and the leader of the Ashcan School, Robert Henri. Around the time of his untimely death in an accident academic painting went out of fashion and so he was soon to be forgotten.
    Hovenden arrived in America at the end of the Civil War and rose to fame painting patriotic scenes in sympathy with the American version of Victorian values, and later  for paintings of African Americans during the Abolitionist movement. Among his works in the Metropolitan Museum of Art collection are The Last Moments of John Brown. His work features in the collections of the Yale University Art Gallery, the Detroit Institute of Arts, the San Francisco Museum of Fine Art and the Philadelphia Museum of Art.
    He spent time painting in Pont-Aven and his influence can be seen in the work of contemporaries, especially Aloysius O’Kelly. Hovenden was apprenticed to the Cork carver and gilder George Tolerton, who noted his skill at draughtsmanship and sent him to the Cork School of Design in 1858 (later to become the Crawford). Part of the South Kensington School (now the Victoria and Albert Museum), the Cork school promoted the ideas of Aestheticism and the teachings of John Ruskin at the time. Although the school focused on design, Hovenden subscribed to the notion of painting as a higher art with a social and moral purpose, and advanced his draughtsmanship by sketching the school’s collection of Antonio Canova’s plaster cast statuary as well as painting plein air watercolours. He was a medal
    winning student.  Later he studied in Paris at the Ecole des Beaux Arts under Alexandre Cabanel.
    The French Connection is at the Hunt Museum until October 10.

    VAN GOGH STOLEN IN CAIRO

    Sunday, August 22nd, 2010

    VAN GOGH'S POPPY FLOWERS, ALSO KNOWN AS VASE AND FLOWERS, STOLEN IN CAIRO

    A Van Gogh painting worth $50m, known as both Poppy Flowers and Vase And Flowers, was cut from its frame and stolen at the Mahmoud Khalil Museum in Cairo on Saturday, August 21.  Measuring 30cm by 30cm(1ft by 1ft), and depicting yellow and red flowers it is believed to have been painted in 1887, three years before the death of Vincent Van Gogh.

    The Mahmoud Khalil Museum was built in the 1930’s and holds works by Monet, Renoir and Degas.  The same Van Gogh was stolen from here in 1978, and recovered ten years later in Kuwait.

    In May five paintings — worth up to $124 million — were stolen from the Musée d’Art moderne de la ville de Paris (see post for May 20 on antiquesandartireland.com).

    INTERPOL, the world’s largest international police organization with 188 member countries, has a database of missing art. The organization’s general secretariat also produces a CD-ROM – updated every two months in English, Spanish, French and Arabic – of all the missing items, and provides it to museums, antique dealers and collectors.
    The London based Art Loss Register (ALR) is a growing computerized international database about lost and stolen art, antiques and collectables.
    In July 2010 a stolen Caravaggio was recovered in Berlin. The ‘Taking of Christ’ or the ‘Kiss of Judas’ was snatched from the Ukraine’s Museum of Western European and Oriental Art in Odessa in July 2008. A joint German Ukrainian police operation resulted in three Ukrainians and one Russian national being detained in Berlin, just as the suspects were reportedly about to sell the stolen painting. More than 20 suspects were arrested and an alleged international art theft gang was broken up.

    RAPHAEL’S SISTINE CHAPEL TAPESTRIES AT V AND A

    Tuesday, August 17th, 2010

    Raphael's Miraculous Draught of Fishes (click on image to enlarge)

    An exhibition of four of the ten tapestries designed by Raphael for the Sistine Chapel goes on display at the Victoria and Albert Museum in London from September 8 to October 17.  The exhibition of these original tapestries, masterpieces of High Renaissance art, will coincide with the historic visit to England and Scotland of Pope Benedict XVI.  They have never been seen in England before.

    The tapestries, of the Acts of St Peter and St Paul, The Miraculous Draught of Fishes, Christ’s Charge to Peter, The Healing of the Lame Man, and The Sacrifice at Lystra, were made for the Sistine Chapel almost 500 years ago after Raphael was commissioned by Pope Leo X in 1515, three years after Michaelangelo completed the chapel ceiling. The tapestries were woven in Brussels, Europe’s leading centre for tapestry-weaving.
    Interest in tapestry has been on the increase since the spectacular Tapestry in the Renaissance show at the Metropolitan Museum, New York,  in 2002 which highlighted the great cycles of the late 15th and early 16th centuries as the unsung glories of Renaissance art. The Vatican Museums own the tapestries, the Cartoons, or designs for them belong to Queen Elizabeth.  They have been on long-term loan to the V&A since Queen Victoria lent them in 1865.
    The four tapestries will be hung in the V&A’s Raphael Gallery next to the seven Cartoons. The design of each cartoon corresponds in every point, but in reverse, to the tapestry it was made for. The weavers cut Raphael’s cartoons into strips and copied them closely, weaving each tapestry from the back. The front image was therefore the reverse of its cartoon. The painted strips of cartoon were joined together again later, and became prized as artworks in their own right.

    AWARD WINNING RESTORATION PROJECT

    Tuesday, August 10th, 2010

    AFTER: The dining room post restoration: (copywright Will Pryce photographer). (click on image to enlarge)

    A thing of beauty is a joy forever, especially when it is sensitively restored.  The winning entry in the

    BEFORE: The dining room at Wilton House before it was restored. (click on image to enlarge)

    Historic Houses Association (HHA) and Sotheby’s Restoration Award 2010 is Wilton House near Salisbury in Wiltshire.

    Wilton’s winning project is its spectacular private Dining Room, which is the centerpiece of an extensive programme of exceptional restoration projects at the house in recent years.
    The house stands on a 9th century nunnery founded by King Alfred. The Benedictine abbey and surrounding lands was surrendered at the time of the Dissolution of the monasteries to King Henry VIII, who gave them to William Herbert around 1542. Wilton House has remained in the Herbert family since this time and is the home of the Earl of Pembroke.
    William Herbert, the 18th Earl of Pembroke, inherited the title and the Wilton estate in 2005. With the assistance of the Wilton House Trustees and interior designer David Mlinaric he initiated an extensive programme of restoration projects aimed at parts of the house that it was felt had lost their historical integrity or which had been neglected during previous structural repairs. Both traditional and modern methods of restoration have been used and, wherever possible, the work has been undertaken by estate and local craftsmen.
    For many years the Dining Room was used as a games room and general storage room but in 2008 the 18th Earl commenced the major restoration efforts to return it to its former glory. The walls were painted in a dark blueish green to match an existing paint sample and the ceiling and paneling mouldings in a stone colour, which were subsequently part-gilded by Hare & Humphreys. Two new caryatids were created from those in the Library by Coade Ltd, to stand either side of the doorway. Antiqued-looking glass panels were set between the windows on the north wall, and new metal radiator covers were made. The furnishings underwent major conservation work – two giltwood torcheres, three tapestries, the table, two large Reynolds portraits. Two new chandeliers were also made by Coade Ltd and subsequently gilded by Lord Pemboke’s sister.