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The Lark Sings High, an oil on board by Jack B Yeats, at Bonhams. UPDATE: THIS SOLD FOR £95,650
The Lark Sings High by Jack B Yeats is at Bonhams Modern British and Irish art sale in London on November 19. Measuring 9 x 14 inches it is from a private collection in the UK. The estimate is £50,000-£70,000 (€57,000-€80,000).
O’Connell Bridge by Yeats was the most expensive Irish painting sold this year
The strength of the current market for Irish art is on plain view. Around €5 million worth of Irish art was auctioned at Adams, Whyte’s, de Veres and Morgan O’Driscoll in latter weeks.
This following some sterling results in November. The sale of the Hobart collection – most made up of Irish art – at Christie’s in November realised more than €7 million euro. O’Connell Bridge by Jack B Yeats from the collection of Pyms Gallery founders Mary and Alan Hobart sold for £882,200 (€1,055,890) to become the most expensive piece of Irish art at auction in 2024.
At Sotheby’s in London the previous week Sir William Orpen’s dazzling portrait of Mrs. Evelyn St. George sold for £720,000 (€866,230).
Horsemen by Jack B Yeats from the collection of Vincent O’Brien at Adams
There was excitement around the sale of the Jacqueline and Vincent O’Brien collection at Adams at the beginning of the month. Horse paintings by Yeats from the collection of Ireland’s greatest trainer seemed a seductive mix. Even though Adams had plenty of interest at viewings in London, Belfast and Dublin the top lots failed to sell on the night.
What happened? Had Yeats’s horse paintings put a stop to the gallop of the market for Irish art? The market held its breath, for a long moment. Until the announcement by Adams the following day that the four top paintings from the collection had been sold after the auction. They made a total of €1.3 million at hammer prices.
Horsemen and He Reads a Book each made €400,000. Two other works by Yeats, The Window with a view of the town and Willie Reilly made €250,000 and €100,000 respectively. And Orpen’s Old John’s Cottage from the O’Brien collection sold for €250,000.
Sir William Orpen – Old John’s Cottage
There is a poignant story to the latter work, painted by Orpen in 1907 in the interior of the Connemara cabin of Sean and Maire Geoghegan. The grief they felt over the departure of their granddaughter for New York is evident. This is an American wake. She would enter domestic service and never be seen again.
Paul Henry’s Killary Bay, Connemara, made €210,000 at Whyte’s this month, Old Road, Cahirciveen by Yeats made €160,000 at Morgan O’Driscoll and The Sleeping Sea by Yeats made €100,000 at de Veres.
Killary Bay, Connemara by Paul Henry
The top lot at Bonhams latest Irish sale was a South of France landscape by Mary Swanzy which made €43,520. Snow on the Hills, Rockbrook, Co. Dublin by Norah McGuinness made €20,480 and the collection of 20 lots by the artist consigned by her family was entirely sold. Letitia Marion Hamilton’s Ca d’Ora, Venice made €33,280 over a top estimate of €7,000.
These leading Irish artworks are finding buyers in a market where a lot of works by Yeats, Orpen, Lavery and Paul Henry have made recent appearances. It seems as if volume, rather than dampening demand, is stimulating it.
The market is expanding. Our economy is growing and Irish art is getting more international exposure than ever before. Collectors in England, USA, Hong Kong, China, Italy and Spain were among the bidders at Whyte’s most recent sale and there was worldwide interest in the O’Brien collection at Adams. Our art market is relatively conservative and much more immune to the speed bumps that have hit the international contemporary art market. The indicators are all facing in the right direction.
Old Road, Cahirciveen by Yeats
The Irish and International art sale at Whyte’s in Dublin on December 2 grossed over €1.2 million. The top lot was Paul Henry’s Killary Bay, Connemara which made a hammer price of €210,000 over a top estimate of €150,000. A 1945 Yeats, The Dust on They Chariot Wheel made €160,000 at hammer, The Turquoise Sea by Sir John Lavery made €58,000, The Long Memory by Colin Middleton made €30,000, Girl Feeding a tortoiseshell cat by Walter Osborne made €60,000, Hooker off Cork Harbour by Richard Brydges Beechey made €19,000 and Still Life with Plant and Bouquet by William Crozier made €14,000.
The Window with a view of the town by Jack B Yeats at Adams. UPDATE: THIS WAS UNSOLD AT THE AUCTION AND SOLD LATER FOR €250,000
The record for an Irish artwork sold in 2024 was broken three times in quick succession at Sotheby’s and Christie’s this month. It was a similar story on the global market. Expectations around sales of Irish art at Whyte’s, Adams and Bonhams next week are high.
First Orpen’s portrait of Evelyn St. George made £720,000 (€864,010) at Sotheby’s, then The Thinker on the Butte de Warlencourt by Orpen made £756,000 (€907,210) at Christie’s followed later in the sale of the Hobart collection by O’Connell Bridge by Jack B Yeats which made £886,000 (€1,063,210).
The art market is proving to be robust in the face of two years of downturn and continuing global uncertainty. The global market breached the $100 million barrier only once this year when Magritte’s Surrealist masterpiece L’empire des lumieres made $105,000,000 ($121,160,000 with fees) at Christie’s last week. The more conservative and resilient Irish market got a million euro plus artwork in 2024.
On the home front the combined top estimate of €2.5 million for the top four lots at the James Adam sale of Important Irish Art in Dublin on December 4 speaks volumes about the current state of the Irish art market. The four, three by Yeats and one by Orpen, are from the collection of Jacqueline and Vincent O’Brien. Horsemen (1947) (€500,000-€800,000) and He Reads a Book (1952) (€500,000-€700,000) both feature horses, a subject by Yeats that is particularly prized by collectors.
Old John’s Cottage, Connemara by Sir William Orpen at Adams depicts an American wake in 1908. UPDATE: THIS WAS UNSOLD AT THE AUCTION AND LATER SOLD FOR €250,000
There is much excitement around these works, and no wonder. They are from the collection of Ireland’s greatest trainer, voted the greatest influence in horse racing history in a worldwide poll in 2003. Orpen’s Old John’s Cottage, Connemara is estimated at €300,000-€500,000 as is another Yeats from their collection, The Window with a view of the Town from 1951.
John Joseph Tracey (1813-1873) – THE IRISH PEASANT’S GRAVE, 1843 AT WHYTE’S. UPDATE: THIS MADE 9,000 AT HAMMER
Paul Henry and Jack B Yeats share the top billing at Whyte’s sale of Irish and International art in Dublin next Monday evening (Dec 2). Killary Bay by Paul Henry and The Dust on thy Chariot Wheel by Yeats are each estimated at €100,000-€150,000. A self portrait by Roderic O’Conor has an estimate of €70,000-€90,000.
The sale at Whytes includes nine lots from the Bank of Ireland collection including Colin Middleton’s Evening Star, Clonelly, Co. Fermanagh from 1970 (€18,000-€22,000). There is art by Maurice MacGonigal, William Crozier, Michael Farrell and Peter Collis. Amongst other lots Walter Osborne’s Girl Feeding a tortoiseshell cat is estimated at €60,000-€80,000 and the sale offers art by Nano Reid, Flora Mitchell, Letitia Hamilton and many more artists. The large sculpture section includes work by Rowan Gillespie, John Coll, Eamonn O’Doherty and Linda Brunker.
The Irish Sale: Vision and Voice online at Bonhams until December 5 features work by Sir John Lavery, Mainie Jellett, Mary Swanzy, John Doherty, Dan O’Neill and a collection of 20 works by Norah McGuinness consigned by her family.
The Long Memory (Westerness Series) by Colin Middleton at Whyte’s. UPDATE: THIS MADE 30,000 AT HAMMER
In New York last week Standard Station – Ten cent Western being torn in half by Ed Ruscha sold for $68.5 million at Christie’s. A monumental Water Lilies by Claude Monet made $65.5 million at Sotheby’s.
The question now is will more records be broken in Ireland in December?
The Fourth Estate (1945) by Yeats at Whytes features the interior of a newsagents shop and a cat sitting on a row of books. The cat can be taken to represent a reporter on the press gallery. UPDATE: THIS MADE 85,000 AT HAMMER
IT may not be strictly accurate to compare art sales to buses. But three of them are arriving one after the other in Dublin next week – at Whyte’s on Monday, de Veres on Tuesday and Adams on Wednesday. Millions of euro worth of Irish art will come under the hammer in a market that has expanded steadily rather than spectacularly over the years.
The old stalwarts still tend to hold sway – even more so in times of global uncertainty – and this mirrors the situation of the art market internationally. The most expensively estimated work in Dublin next week is a 1952 Yeats at Whyte’s entitled Discovery. The estimate is €300,000-€500,000.
A c1891 still life by Roderic O’Conor – Flowers, Bottle and Two Jugs would, at €120,000-€180,000, have been the highest estimated lot at de Veres, but it has been sold prior to auction and the sale will now be led by an Orpen estimated at €100,000-€150,000.
Another Yeats, The Water Steps from 1947, will lead the sale at Adams with an estimate of €120,000-€180,000. Yeats, Osborne, Paul Henry and Sir John Lavery – among the blue chip artists whose work continues to dominate Irish sales – are all represented in Dublin next week. It might create an impression that nothing ever changes but in fact many changes are afoot in an Irish market which is dynamic. Tastes are evolving and new artists are emerging with access to international cutting edge work in a way that their older counterparts did not.
Game of Chance by Colin Middleton at de Veres. UPDATE: THIS MADE 40,000 AT HAMMER
The market evolves more quickly on the international front but there are resemblances. For instance the six marquee week sales at Christie’s in New York last week brought in more than $640 million (587.46 million). The highest individual sale total, at $413.3 million (€379.21 million), was the 20th century evening sale led by Andy Warhol’s Flowers which made $35.5 million (€32.59 million) followed by blue chip artists like Van Gogh, David Hockney and Alberto Giacometti in a sale where 15 works made more than $10 million (€9.18 million).
Next Monday evening Whyte’s will offer a carefully curated sale of 131 lots. Along with Yeats there are two significant paintings by Paul Henry with works by Louis le Brocquy, F E McWiliam, Mary Swanzy, William Scott, Donald Teskey and Genieve Figgis featuring strongly.
At de Veres, where Dan O’Neill, William Crozier, Louis le Brocquy, Orla de Bri, Colin Middleton, Stephen McKenna and Harry Kernoff are among the leading artists on offer, there will be over 100 lots in a timed sale closing from 6 pm on Tuesday.
On Wednesday evening Adams will offer fresh to market work like Early Market, Quimperle by Walter Osborne. Painted in 1883 it has been in the same family since being acquired directly from the artist and is estimated at €120,000-€160,000. Another painting by Osborne not on the market before is Sheep in a Field, acquired directly by fellow artist Sarah Purser from Osborne (€60,000-€80,000). There is value to be had in quality Irish landscapes from earlier periods. The catalogue includes more contemporary art by Patrick Scott, Sean Keating, John Shinnors, Tony O’Malley, F E McWilliam, Felim Egan, James Dixon, Basil Blackshaw, Martin Mooney and many others.
Gold Painting by Patrick Scott at Adams. UPDATE: THIS WAS UNSOLD
A painting by Jack B Yeats once in the collection of actor Peter O’Toole comes up at Bonhams sale of Modern British and Irish Art in London on June 22. Painted in 1925 The Train through the Woods is estimated at £40,000-60,000. There is art in the sale by Hughie O’Donoghue and Sir John Lavery.
Shouting, an epic large scale work by Jack B. Yeats, made a hammer price of €1.4 million at Whyte’s sale of Important Irish Art in Dublin tonight. With fees and VAT this amounted to €1.74 million. It had been estimated at €1.5 million – €2 million, making it the most expensively estimated Irish artwork to come to sale in Ireland. Painted in 1950 this visionary work, painted late in his career, is considered to be one of his finest achievements. It ranks as one of the most expensive Yeats paintings ever sold. At the sale of the Ernie O’Malley Collection at Whyte’s in Dublin in 2019 Reverie and Evening in Spring, both by Yeats, made €1.4 and €1.3 million respectively. In 2001 The Whistle of a Jacket made £1.4 million (€1.65 million) at Christie’s in London and The Wild Ones by Yeats made £1.2 million (€1.42 million) at Sotheby’s in 1999. The winter selling season of Irish art has proved to be spectacular so far. Sales at Sotheby’s, de Veres and Bonhams last week achieved an aggregate of around €7 million. With 50 in room bidders, 500 on-line bidders and about 60 telephone bidders Whyte’s added another €2.5 million to that total with 85% of lots sold. There were new world records for Grace Henry and Graham Knuttel. With big sales at Morgan O’Driscoll on November 30 and at James Adam in Dublin on December 8 in the offing the winter selling season for Irish art is set to surpass €10 million easily. Irish women artists fared particularly well at Whyte’s. The Fortune Teller by Grace Henry made €37,000 at hammer over a top estimate of €7,000; A Cove in Lake Garda by Letitia Hamilton made €17,000 over a top estimate of €12,000 and The Stringagh (Co. Meath) by Nano Reid made €12,000 over a top estimate of €8,000.
A lone figure stands at the waters edge in Waiting for the Ferry, Low Tide, 1946. This enigmatic Yeats work is the catalogue cover lot at Whyte’s evening sale of Important Irish and International Art in Dublin on March 22. It was acquired by American sculptor Helen Hooker O’Malley in the same year that she sought a divorce from the Irish revolutionary Ernie O’Malley. The O’Malleys were important collectors of Yeats in the 1930’s and ’40’s. His collection, sold by Whyte’s and Christie’s in Dublin in 1919, grossed €5.5 million. She bought it from Leo Smith, who had been co-director of the Waddington Gallery in Dublin before setting up the Dawson Gallery in 1944. Helen gifted it to Liam Redmond, with whom she founded the Dublin Players Theatre in 1944, and it is now estimated at €100,000-€150,000. Redmond was married to Barbara MacDonagh, daughter of poet Thomas MacDonagh who was executed after the 1916 Rising.
The virtual auction of 153 lots features work by sculptors John Behan and Rowan Gillespie, paintings by Louis le Brocquy, Paul Henry, Patrick Scott, Camille Souter, William Crozier, James Humbert Craig, Gladys Maccabe, Dan O’Neill and international artists Tracey Emin, Bob Dylan and Damien Hirst.Francis Bacon and Louis le Brocquy met in the 1940’s in London and remained friends until Bacon’s death in 1992. Bacon penned the introduction to a le Brocquy retrospective in 1966. It was not until 1979 that le Brocquy created an image of Bacon and it was one of the few portraits of people he knew personally. His oil of canvas Image of Francis Bacon is estimated at €120,000-€150,000. A watercolour image of Beckett, estimated at €15,000-€20,000, is one of a number of works by le Brocquy in this sale. Spring in Wicklow, a 1920’s landscape by Paul Henry is estimated at €150,000-€200,000. There is much Irish work to choose from with art by Tony O’Malley, Donald Teskey, John Shinnors, William Crozier, John Kingerlee and others. Among these is a still life by Christy Brown with an estimate of €2,000-3,000.A small oil on canvas of ships in moonlight by the noted Dutch artist Johnan Barthold Jongkind (1819-1891) is estimated at €8,000-€12,000. A 2019 lithograph by Tracey Emin (75/200) entitled I Loved my Innocence has an estimate of €3,000-€4,000 and two unnumbered etchings by Damien Hirst from an edition of 68 are each estimated at €1,000-€1,500. Bob Dylan’s are has proved popular in Ireland at past sales and this auction offers three prints by the American singer songwriter at estimates ranging from €1,200 to €5,000.
INTERNATIONAL interest in the Irish art market will be tested at Sotheby’s Irish art sale in London on September 9. This auction of 60 lots features a roll call of the most beloved and esteemed names in the field. The pre-sale estimate of £3.2 million makes it the highest value auction since Sotheby’s re-introduced dedicated sales of Irish art in 2015. More than 1,000 people attended three and a half days of viewing at the RHA Gallery in Dublin. The sale is distinguished by 18 works from the collection of Sir Michael Smurfit and some of these have been displayed at the K Club in Co. Kildare.
Arabella Bishop, head of Sotheby’s Ireland, remarked: “It is a market that was catapulted onto the global platform in the 1990’s by advocates such as Sir Michael, who has played a key role in bestowing Irish artists with the reputation they deserved and still deserve today.” Sotheby’s hope that this sale will appeal to and excite collectors worldwide. Sir Michael Smurfit’s passion for Irish artists like Yeats, Lavery and Orpen is reflected in a number of significant works by these figures. The collection is distinguished further by one of le Brocquy’s most significant works, Travelling Woman with Newspaper (£700,000-£1,000,000) and William Conor’s depiction of The Dublin Horse Show (£80,000-£120,000).The sale opens with twelve works from the Yeats family including sketches by John Butler Yeats and Jack B. Yeats. Lot 10, Three Girls listening to music by the former, created significant interest at the Dublin view. It is estimated at £4,000-£6,000. Many other works have emerged from long held private collections including Houses by the Sea (£50,000-£70,000) and Kerry Fisherman (£70,000-£100,000), both by Jack B. Yeats and Tory Island (£18,000-£25,000) and The Dreamer (£100,000-£150,000) both by Gerard Dillon. Artists like Sir John Lavery and William Scott have a significant international following. Lavery’s Tennis under the orange trees, Cannes (£300,000-£500,000) and Poem for a Jug, No. 23 (£70,000-£100,000) are both certain to perform well at this sale.The selection on offer is completed by artists and sculptors like Tony O’Malley, Peter Curling, John Kingerlee, Patrick O’Reilly, John Behan, Elizabeth Magill and Mainie Jellett. Sotheby’s will offer over 50 items from the collection of Sir Michael Smurfit at various auctions over the coming year.
UPDATE: Travelling Woman with Newspaper and The Dublin Horse show failed to sell. Works from the Yeats family collection all sold. The Dreamer by Gerard Dillon made £378,000 and Kerry Fisherman made £81,500.
This painting of a Kerry Fisherman by Jack B. Yeats has been in a private family collection in Canada for over fifty years. It comes up at Sotheby’s annual Irish Art sale in London on September 9 with an estimate of £70,000-£100,000. Dating to the late 1920’s Sotheby’s say it has not been at auction before. The strong features and confident stance offer a heroic figure, Yeats’s wonder and admiration for such figures was instilled in him during a childhood near the quays of Sligo. The work anticipates the looser brushwork and dissolving forms of his later work. The sale, which includes 18 works from the collection of Sir Michael Smurfit, is on view by appointment only at the RHA in Dublin from 10 am to 5 pm today and from 10 am to 3 pm tomorrow. UPDATE: THIS SOLD FOR £81,900
