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    JOHN KINGERLEE STUDIO SALE BY MORGAN O’DRISCOLL IN CORK

    Saturday, August 20th, 2011

    'Grid Studies' is the title of this work by John Kingerlee. It is estimated at 2,000-4,000. UPDATE: THIS MADE 550 AT HAMMER.

    'Sea Shore, Kilcatherine' by John Kingerlee is estimated at 2,500-4,000. UPDATE: THIS MADE 950 AT HAMMER.

    A retrospective no reserve sale from the studio of artist John Kingerlee is to be held by auctioneer Morgan O’Driscoll in Cork on September 18 next.  The Birmingham born (in 1936) artist has been a long term resident of the Beara Peninsula in west Cork.  The sale will cover the period from 1969 to 2010.  Estimates range from 300 to 20,000.
    Morgan O’Driscoll has held several successful no reserve art sales this year.  Public interest has been high and many works sold for under the low estimate. Kingerlee has exhibited locally, nationally and internationally.  He applies layers of pigment to form a thick strata of paint akin to the rocky landscape outside his studio window.  The sale, which features 136 works, is to be held at the CIT Wandesforde Quay Gallery in Cork city centre on September 18 at 4 p.m.

    Headscapes' by John Kingerlee (6,000-9,000). UPDATE: THESE MADE 1,600 AT HAMMER.

    Kilcatherine Landscape' by John Kingerlee (15,000-20,000) UPDATE: THIS MADE 9,000 AT HAMMER

     

     

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    IRISH ART AND MODERNISM AT AVA GALLERY, CLANDEBOYE

    Wednesday, June 15th, 2011
    An exhibition celebrating Irish art and modernism runs at the Ava Gallery at Clandeboye in Northern Ireland from June 16 to September 3.  Comprising 49 paintings and sculptural objects it features work by Jack B.Yeats, William Orpen, Mainie Jellett, Charles Lamb, Colin Middleton, F.E. McWilliam, Evie Hone, John Luke, and Gerard Dillon.

    Gerard Dillon, Tea Break from the exhibition. (Click on image to enlarge)

    William Orpen, Portrait of Dolly Stiles. (click on image to enlarge)

    The show marks the 20th anniversary of the ground-breaking exhibition and book ‘Irish Art & Modernism’ by Dr. B S Kennedy.  This work surveyed the period 1880 until 1950, and was published to accompany an exhibition of the same title held at Dublin’s Hugh Lane Gallery in 1991.
    The Adam’s exhibition at the Ava Gallery looks to recreate the original show, but largely concentrates on the latter half of the period. It focuses on areas including the Pupils of William Orpen; the Traditionalists, including Keating, McCaig and McKelvey; the Dublin Painters, based on the school established by Paul and Grace Henry; the Ulster Unit, featuring Middleton, O’Neill, Luke, Campbell and Dillon; the White Stag Group and the early Living Art Exhibitions, heralded by Le Brocquy, Jellett and McGuinness.
    David Britton, Director, Adam’s & Ava Gallery, said: “We have gone to great efforts to feature almost every artist that was included in the original 1991 exhibition, and in three cases we were able to source the original paintings – Christopher Campbell’s ‘Self Portrait’ of 1950, Charles Lamb’s ‘Hearing the News’, c. 1920-2, and Nick Nicholl’s ‘Contemplation, 1944’. Furthermore a number of works were recently included in the Irish Museum of Modern Art’s (IMMA) ‘The Moderns Exhibition’, including Evie Hone, Paul Henry & Jack B. Yeats. Many of the works we’ve selected weren’t available for exhibition twenty years ago, so we hope this 20th anniversary collection provides further insight to Irish modernism, and perhaps puts the original exhibition into a newer context”.
    Further information is available online at adams.ie/clandeboye. An exhibition catalogue can be downloaded.

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    NOT FAR FROM HERE BY MELITA DENARO IN DUBLIN AND LONDON

    Monday, June 6th, 2011

    Not Far from Here by Melita Denaro is priced at £17,500 sterling. (Click on image to enlarge)

    Not Far from Here is the title of this work by the Irish artist Melita Denaro.  It is from an exhibition which charts the progress of her painting over the last four years.  The Tenderness of Attention is the largest survey of her work. In two parts it takes place at the galleries which represent the Irish artist, the John Martin Gallery, Albemarle St., London WI from June 3 to June 25 and  Taylor Galleries, Kildare St., Dublin from June 10 to July 2.

    All Denaro’s small studies are painted on location on the Isle of Doagh, an island on the Atlantic coast of Ireland. Her larger oil paintings are inspired by these smaller studies and are usually painted in London. Denaro was trained at Central School of Art and the Royal Academy Schools.
    The exhibition presents two sets of paintings that are arranged to tell a similar story. It sets out to capture something of the rhythm of her painting created in part by the demands of her working routine as an artist: the monthly journey from London to Donegal, and the necessity of making all her work from one single spot on the isle of Doagh. The catalogue arranges the paintings by the date of each visit to Donegal, from 2007 to the spring of 2011.

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    IRISH ART SEASON BRINGS IN 6 MILLION AND A TALE OF THREE HENRY’S

    Thursday, June 2nd, 2011
    The value of Irish art which has changed hands in the current season of sales amounts to around 6 million euro.  James Adam brought in around 1.1 million on June 1, Whyte’s and de Veres brought in 700,000 and 400,000 respectively in May, the Irish artists at Christie’s sale of British and Irish art on May 26 (including Sir John Lavery and William Scott) accounted for another 1.3 million euro and Sotheby’s annual Irish sale at the end of March brought in 2.1 million euro.  These bigger players achieved around 5.6 million.
    To this total must be added the achievements of smaller auction houses like Morgan O’Driscoll and Dolans which hold dedicated art sales and tend to deal in names that are less stellar.   In addition Irish art is a latter day mainstay of antique auctions around the country and features to a greater or lesser extent at most sales. All this increases the overall total. The six million euro figure is probably slightly conservative.

    Christie's

    Whyte's

    Adams

    These not dissimilar West of Ireland landscapes by Paul Henry boosted results at Christie’s, Whytes and Adams where they sold for £79,250, 106,000 euro and 110,000 euro respectively.
    Christie’s sold the single most expensive Irish artwork to change hands at auction thus far in 2011 when they achieved £657,250  for Sir John Lavery’s Played!!  Sotheby’s achieved the highest total for any Irish sale over the past two years.  Roderic O’Conor’s Landscape, Cassis was the top lot at Sotheby’s where it made £337,250.
    This website will make two comments on these results. The first is that these totals are highly respectable given that Ireland continues to be in deep recession.  The second is that the Irish art market urgently needs to find new ways of promoting in the salesrooms more contemporary Irish art. The best of Paul Henry, along with Yeats, Orpen, Lavery, O’Conor, Osborne , le Brocquy et all, is highly bankable, especially in recession.  But these are not the only Irish artists who deserve an outlet in the salesrooms. There is no shortage in Ireland of available quality work by contemporary artists. Many more are waiting in the wings for the recognition that is properly their due. The focus of the Irish art market is too narrow. This problem needs to be addressed by everyone involved in the art market in an effective way if stagnation is to be avoided in the salesrooms.

    See posts on antiquesandartireland.com for May 29, May 28, May 27, May 20, May 19 and March 29.

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    THE STORY OF THE HUNT AT ADAMS AND ANOTHER STORY

    Sunday, May 29th, 2011

    The Story of the Hunt by Thomas Hovenden. (click on image to enlarge) UPDATE: IT SOLD FOR 47,000

    THE Story of the Hunt by Thomas Hovenden at the Adams Irish art sale in Dublin on June 1 is a rare example of work by the Cork born artist at auction.
    Thomas Hovenden was born in Dunmanway in December 1840, son of the town goaler. Orphaned in the Great Famine at the age of 6 he was placed in the Cork Orphanage. Later he was apprenticed to George Tolerton, a carver and gilder in Cork, who noted his skill at draughtsmanship.  Tolerton paid for him to attend the Cork School of Art which promoted ideas of aestheticism and the teachings of John Ruskin. Hovenden advanced his draughtsmanship by sketching the school’s collection of Antonio Canova’s plaster cast statuary and painting plein air watercolours.  A medal winning student he graduated in 1862.
    Hovenden arrived in America at the end of the Civil War and rose to fame painting patriotic scenes in sympathy with the American version of Victorian values, and later  for paintings of African Americans during the Abolitionist movement. Among his works in the Metropolitan Museum of Art collection are The Last Moments of John Brown. His work features in the collections of the Yale University Art Gallery, the Detroit Institute of Arts, the San Francisco Museum of Fine Art and the Philadelphia Museum of Art.
    He studied in Paris at the Ecole des Beaux Arts under Alexandre Cabanel.  He was sent there with funding from the art collector John McCoy and his business partner William Walters.  From there he went to Pont Aven where he met Irish artists and his future wife, Helen Corson.  He returned to America in 1881 and became  a member of the Society of American Artists (1881), the Philadelphia Society of Artists (1883) and an Associate member of the National Academy of Design (1881). He succeeded Thomas Eakins as Professor of Painting and Drawing at the Pennsylvania Academy of the Fine Arts (1886-88) and his students included Alexander Calder and the leader of the Ashcan School, Robert Henri. Around the time of his untimely death in 1895  in an accident – he died saving a child on a railway track – academic painting went out of fashion and so he was soon to be forgotten.
    Painted in Brittany in 1880 The Story of the Hunt is estimated at 50,000-70,000.
    UPDATE:  THIS SOLD FOR A HAMMER PRICE OF 47,000.
    See posts on antiquesandartireland.com for May 20, 2011 and September 11, 2010.

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    KEATING SCENES FROM SYNGE’S PLAYBOY AT WHYTES

    Saturday, May 28th, 2011

    Sean Keating's illustration for The Playboy of the Western World at Whyte's. UPDATE: THIS MADE 41,000

    These illustrations from April 1922 are from five oils by Sean Keating PRHA HRA HRSA (1889-1977) of  scenes from J.M. Synge’s The Playboy of the Western World.  The images feature as lots 33 to 37 in Whyte’s sale of Irish Art in Dublin on May 30.  They feature models of contemporary Irish actors and actresses.
    The artist makes an appearance in the images as Christy Mahon’s father. Keating even posed nude in the image of lot number 37.

    This Sean Keating illustration is estimated at 15,000-20,000. UPDATE: THIS WAS UNSOLD.

    An important commission for the artist, they formed part of his own collection.  He exhibited in them in various venues in the late 1920’s.  They were published by George Allen and Unwin, London, in 1927.
    Lot 33 (illustrated on the left), estimated at 30,000-40,000,  featured on a commemorative stamp issued by An Post in 2009 to mark the centenary of the death of Synge.  The five works are variously estimated at between 15,000 and 40,000.
    UPDATE:  Only one of these five oils sold. The auction grossed over 700,000 with a sell rate of 73%.

    See post on antiquesandartireland.com for May 19.

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    LAVERY LEADS IRISH ART AT CHRISTIE’S SALE IN LONDON

    Friday, May 27th, 2011

    Paul Henry's West of Ireland Cottages made £79,250 at Christie's on May 26.

    Paul Henry's An Old Man from Connacht made £34,850 at Christies.

    THE leading Irish artwork at Christie’s sale in London was Sir John Lavery’s Played !! which made £657,250. Another Lavery, Mary in Black, sold for £61,250.

    Sir John Lavery’s Played!! made £657,250.
    (Click on image to enlarge)

    © Christie’s Images Limited 2011

    Paul Henry’s West of Ireland cottages  made £79,250 over an estimate of £30,000-50,000. Other works by Paul Henry, R.H.A. (1876-1958) sold were An Old Man from Connacht which made  £34,850 and An Old Woman which sold for  £34,850.

    Portrait of Dorelia by Augustus John made £15,000 .

    A Still Life by William Scott made £337,250 and Untitled 1961 by William Scott made £12,500.  Portraits of Miss Joanna Yorke and Miss Lisa Yorke by Louis le Brocquy made £16,500.

    The 20th Century British & Irish Art sale realised £17,877,500,  the highest total ever achieved for the category. (See antiquesandartireland.com post for May 26)

    CHRISTIE’S BIENNALE APP

    Christie’s has created the first ever complete app guide to the Venice Art Biennale and are happy to offer it for free to any art lover.  They say Christie’s Biennale App will revolutionise the way visitors experience the Venice Art Biennale this summer.  The 54th International Art Exhibition runs from June 4 to November 27 at the Giardini, the Arsenale  and venues around Venice.
    For your free download go to:
    www.christies.com/on-the-go/mobile/iphone.aspx#biennale

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    CONTRASTING STYLES AT ADAMS IRISH ART SALE

    Friday, May 20th, 2011

    Jack B. Yeats RHA (1871-1957) The Westering Sun ( 1950 ) at Adams on June 1. The estimate is 80,000-120,000. (Click to enlarge) UPDATE: THIS SOLD FOR 135,000

    Patrick Collins HRHA (1910-1984) Landscape with Flying Bird (1973) at Adams. The estimate is 25,000-35,000. (Click on image to enlarge) UPDATE: THIS WAS UNSOLD

    CONTRASTING styles of Irish art are illustrated in these images from the James Adam evening sale in Dublin on June 1. A total of 155 carefully chosen lots will be offered in this summer auction of Important Irish Art.

    The range and style of work on offer is considerable.  This is a sale with something to suit all tastes.  The venue for the auction is the Adam Salesroom at St. Stephen’s Green in Dublin.

    UPDATE:  The sale brought in 1.1 million.  More than 70 per cent of lots on offer found buyers.

    William Scott OBE RA (1913-1989) Cup and Pan Blues Silkscreen print estimated at 6,000-8,000 at Adams. (Click on image to enlarge) UPDATE: THIS SOLD FOR 7,500

    Erskine Nicol ARA RSA (1825-1904) Insolvent (1862) Exhibited: The Royal Academy London 1863 estimated at 15,000-20,000. (Click on image to enlarge) UPDATE: THIS SOLD FOR 36,000

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    FROM HENRY TO HENDRIX AT WHYTE’S IRISH ART

    Thursday, May 19th, 2011

    Paul Henry RHA (1876-1958) Cottage and Wheat Stacks at Whyte's. It is estimated at 60,000-80,000. (Click on image to enlarge) UPDATE: THIS MADE 106,000.

    Maurice MacGonigal PRHA HRA HRSA (1900-1979) THE RIVER DODDER NEAR TEMPLEOGUE, estimate 2,000-3,000. Click on image to enlarge. UPDATE: THIS MADE 1,900

    From west of Ireland landscapes by Paul Henry to Jimmy Hendrix in concert by renowned photographer John Minihane the Whytes sale on May 30 promises something for everyone.

    The venue for this 300 lot Irish art sale is the Clyde Rooms at the Royal Dublin Society.

    It Includes a unique archive of material from Jack B Yeats’ studio. There are watercolours by  Yeats, a wonderful Paul Henry from the 1920’s, Sean Keating original paintings for Synge’s Playboy of The Western World, rare early works by Miceal MacLiammoir, and a great selection of contemporary works. Whytes say that all estimates are realistic and range from 200 to 80,000.

    UPDATE: The sale grossed over 700,000 and achieved a 73 per cent sell through rate.  The Yeats archive made 24,000.

    AT THE ISLE OF WIGHT, 1969 Estimate: €500-700. (click to enlarge)”]

    John Minihan (b.1946) JIMI HENDRIX UPDATE: THIS WAS UNSOLD

    John Minihan (b.1946) RAY CHARLES IN CONCERT WATERFORD, 1993 Estimate: €500-700. (click on image to enlarge). UPDATE: THIS WAS UNSOLD

    Harry Kernoff RHA (1900-1974) PORTRAIT OF DESMOND McCARTHY, 1936 Estimate: €1500-1800. UPDATE: THIS WAS UNSOLD

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    JOHN DOHERTY AT TAYLOR GALLERIES, DUBLIN

    Saturday, May 7th, 2011

    John Doherty 'The Odd Couple (Open for Petrol)', 2010

    John Doherty, 'Morris', 2010

    John Doherty, 'The Fruit & Veg Van', 2011,

    The photo-realist painter John Doherty has a show of New Paintings at Taylor Galleries on Kildare St. in Dublin until May 21.   He returns with new works on canvas and smaller works on card to his most familiar subjects – forlorn shop fronts, rusting petrol pumps, lighthouses and colourful boats abandoned in shipyards. Works on card are priced at 3,500 and works on canvas start at 6,500.  It is his first solo show at Taylor since 2007.
    Born in Kilkenny in 1949 John Doherty studied architecture at Bolton St. in Dublin before moving to Sydney, where he pursued a career as a visual artist. His paintings feature in public collections at the National Gallery of Victoria, Melbourne; the Institute of Modern Art, Chicago; the Irish National Stud, Kildare; and Artbank in Sydney.  (Click on any image to enlarge)

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