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  • Posts Tagged ‘Christie’s’

    LOST MASTERPIECE BY CANOVA REAPPEARS AT CHRISTIE’S

    Friday, March 18th, 2022
    Antonio Canova (Possagno 1757-1822 Venice) – Maddalena Giacente (Recumbent Magdalene) marble, 1819-1822. UPDATE: THIS WAS UNSOLD

    Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, the Italian titan’s lost masterpiece completed shortly before his death, will be a highlight at Christie’s during Classic Week in London this summer. The sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool (1812-1827). Scholars have searched for the work for decades. In November 1819 Thomas Moore, the Irish poet and lyricist, recorded that Canova: “took me to see his last Magdalen, which is divine: she is lying recumbent in all the abandonment of grief; and the expression on her face and the beauty of her figure … are perfection”. The sculpture passed to Lord Liverpool’s brother and after his death it came up at Christie’s in 1852. It was acquired by Lord Ward whose son sold it at a moment of personal tragedy to the carpet manufacturer Sir Herbert Smith. The attribution to Canova seems to have been lost at this stage. It changed hands as a “classical figure” in 1938 and was purchased by Violet van der Elst, a campaigner who was instrumental in bringing about the abolition of the death penalty in England. It was in the garden in her house at Addison Road, Kensington and was sold with the house several times. In 2002 it was sold in a garden statuary sale and the attribution to Canova has only been established recently. It is now estimated at £5,000,000-8,000,000.  The earliest known photograph of the marble was taken in 1857 at the Manchester Art Treasures exhibition which was opened by Prince Albert.

    FIRST HIGHLIGHTS OF THE HUBERT DE GIVENCHY COLLECTION

    Thursday, March 10th, 2022
    Courtyard lounge, ground floor, Givenchy’s Hotel d’Orrouer with Picasso’s Faun with a Spear. Courtesy, Christie’s Images Ltd. UPDATE: THIS PICASSO MADE €3,500,000 AT HAMMER

    The first highlights from the collection of Hubert de Givenchy were unveiled by Christie’s today. They include Woman Walking by Alberto Giacometti (€20-30 million); Passage of the Migratory Bird by Joan Miro (€2.5 – €3.5 million) and Faun with a Spear by Pablo Picasso (€1.5 – 2 million). With over 1,200 lots dating from the 17th to the 20th century, this collection features a remarkable gathering of nearly 800 pieces of French and European furniture, including many masterpieces of classical furniture from the French Regency period to the Neoclassical period and onwards.

    In the decoration of his homes, Hubert de Givenchy always considered the furniture in constant dialogue with the works of art, both ancient and modern. Alongside numerous major sculptures and paintings by old masters such as Hubert Robert, the collection includes several masterpieces of modern art: from the couturier’s friend and collaborator Alberto Giacometti’s Woman Walking, a key painting by Joan Miró never before presented on the market, several works by Alberto’s brother, Diego Giacometti and more contemporary works by Claudio Bravo and François-Xavier Lalanne.

    Already underway in Palm Beach, a selection of works from the collection will be previewed in several cities including New York, Los Angeles and Hong Kong. Sales will take place in Paris from June 14-17 and online from June 8-23.

    (See post on antiquesandartireland.com for February 2, 2022)

    Joan Miró – Passage of the Migratory Bird. UPDATE: THIS MADE €5,750,000 AT HAMMER

    THE PHOTOGRAPHIC COLLECTION OF RICHARD GERE AT CHRISTIE’S

    Monday, March 7th, 2022
    RICHARD AVEDON (1923–2004)
    Bob Dylan, Folk Singer, New York City, 1963

    This gelatin silver print from 1967 of Bob Dylan by Richard Avedon is estimated at $40,000-60,000. It comes up at an online sale of photographs from the collection of actor Richard Gere at Christie’s from March 23 – April 7. The 156-lot sale offers works spanning the entire history of the medium, including 19th century masters Gustave Le Gray and Carleton Watkins, to recognised early 20th century figures such as Edward Weston, Tina Modotti and Alfred Stieglitz, through notable contemporary icons of today including Richard Avedon, Diane Arbus, Irving Penn, Sally Mann, Robert Mapplethorpe and Herb Ritts. Many of the works were acquired directly from the artists, many of whom Mr. Gere counted among his close friends. The sale carries a low estimate of nearly $2 million.

    Richard Gere said: “These photographs arrived in my life because I felt something for them. They have real soul, a humanity, a generosity – it doesn’t matter what the technique is. You know, you listen to an early recording of a great opera singer from 1902, when they just started recording – it’s scratchy, it’s trebly. But the quality of that voice, the soul of the voice, it still hits you hard in your heart. Most of the photographers here are not that interested in technique. And the ones that are interested in technique were coming from a deep, personal place, with a point of view, and understanding of the universe.”

    THE AMERICAN WEST AT CHRISTIE’S NEW YORK

    Wednesday, March 2nd, 2022
    THOMAS MORAN (1837-1926) – A Passing Shower in the Yellowstone Cañyon. UPDATE: THIS MADE $1,740,000

    Stewards of the West: The Knobloch Collection, a dedicated live auction of Western American Art comes up at Christie’s in New York on May 18. The late entrepreneur and conservationist Carl W. Knobloch, Jr. built a striking private assemblage of Western American painting and sculpture that reflects his deep commitment to the region, while developing a reputation as a leading connoisseur and collector in the field. Off the walls of the family’s Wyoming residence, the collection is notable for its exceptional quality and features the leading artists of the genre such as Thomas Moran, Albert Bierstadt, Frederic Remington and Henry F. Farny, among others. Proceeds of the auction will benefit The Knobloch Family Foundation which is committed to grant making that ensures the conservation of natural ecosystems. With approximately 75 lots, the collection is expected to make in the region of $15 to $23 million.

    CRANACH’S NYMPH OF SPRING AT CHRISTIE’S

    Thursday, February 24th, 2022
    Lucas Cranach the Elder (1472-1553)The Nymph of the Spring. UPDATE: THIS SOLD FOR £9,449,500, A NEW WORLD AUCTION RECORD FOR THE ARTIST

    Lucas Cranach the Elder’s (1472-1553) The Nymph of the Spring and Jan Jansz den Uyl’s (1595-1639) Pewter jug and silver tazza on a table will be highlights at Christie’s Old Masters evening sale in London on July 7. The paintings are from the collection of Cecil and Hilda Lewis who supported wide-ranging charitable and cultural endeavours from the V&A and National Gallery to the Weizman Institute of Science. The Nymph of the Spring, painted around 1540,  is estimated at £6,000,000-8,000,000,  Pewter jug and silver tazza on a table is estimated at £2,500,000-3,500,000.

    BACON’S MEDITATION ON THE PASSAGE OF TIME AT CHRISTIE’S

    Thursday, February 10th, 2022
    Francis Bacon – Triptych 1986-7. UPDATE: THIS SOLD FOR £38,459,206,

    ONE of Francis Bacon’s last great paintings, Triptych 1986-7, will come to auction for the first time at Christie’s 20th/21st Century on March 1. The London evening sale is a key auction within the 20/21 Shanghai to London series. This triptych, an extraordinary meditation on the passage of time and the solitude of the human condition, is estimated at £35-50 million. The suited figure in the left-hand panel is based on a press clipping of the US President Woodrow Wilson, stepping forward as he was leaving the Treaty of Versailles negotiations in 1919; the right-hand panel was inspired by a photograph of Leon Trotsky’s study taken after his assassination in 1940. In the centre sits a figure resembling Bacon’s then-partner John Edwards, his pose reminiscent of the artist’s beloved George Dyer in the haunting eulogy Triptych August 1972 (Tate, London). Widely exhibited throughout its lifetime, Triptych 1986-7 was most recently seen in the Centre Georges Pompidou’s acclaimed exhibition ‘Bacon en Toutes Lettres’(2019-20).

    The year after its creation, Triptych 1986-7 was one of 22 paintings shown at the Central House of Artists’ Tretyakov Gallery in Moscow: the first exhibition by a well-known artist from the West to take place in Soviet Russia. Many viewers did not recognise the Trotsky photograph as a source, but to those who did, the painting’s presence heralded a sea-change in the country’s political attitudes towards art: the Iron Curtain, notably, would fall the next year. It is one of a rare number of large-scale triptychs by Bacon to remain in private hands. Between 1962 and 1991, the artist produced just 28 such works measuring 78 by 58 inches, nearly half of which reside in museums worldwide. 

    A PIECE OF MARS HAS LANDED ON CHRISTIE’S AUCTION BLOCK

    Wednesday, February 9th, 2022
    THE THIRD LARGEST PIECE OF MARS ON EARTH. UPDATE: THIS WAS UNSOLD

    The third largest piece of Mars on Earth is available to buy at Christie’s Deep Impact: Martian, Lunar and other Meteorites online sale which runs to February 23. It is estimated at $500,000-800,000. Specimens of Mars are by far among the rarest substances on our planet with less than 600 lb­­s (275 kg) known to exist. These samples arrived here after having been blasted off Mars following an asteroid impact and are identified by their mineralogical, chemical and isotopic signatures. NWA 12690, the third largest piece of Mars on Earth, weighs 20 pounds (9.1 kilograms). Following an analysis by a panel of scientists, this meteorite joined the official registry of scientific record, the Meteoritical Bulletin. Highlights at this auction of 66 lots include meteorites containing the oldest matter humankind can touch and others with gemstones from outer space.  Estimates range from $400 to $800,000 and 62 lots are offered with no reserve.

    PICASSO HIGHLIGHT AT CHRISTIE’S ART OF THE SURREAL SALE

    Friday, January 21st, 2022
    Pablo Picasso, La fenêtre ouverte (1929, estimate: £14,000,000-24,000,000)

    A seminal work from Pablo Picasso’s Surrealist period, La fenetre ouverte (1929) will highlight Christie’s 21st edition of The Art of the Surreal evening sale. It is part of the 20/21 Shanghai to London series of auctions due take place on March 1, 2022. Painted on November 22, 1929, this complex and compelling studio scene is one of a series of Atelier works that Picasso had begun around 1926, richly symbolic and radically constructed paintings that reveal the multi-faceted interests of the artist at this time. Other works from this series are housed in museums including The Museum of Modern Art, New York and Musée National d’Art Moderne, Le Centre Pompidou, Paris. At once a still life, a veiled Atelier scene, and a Surrealist distortion of reality, La fenêtre ouverte is rich with personal and artistic symbolism and is estimated at £14 million – £24 million.

    ANTIQUARIAN BOOKS FROM OUTSTANDING DEALER-SCHOLAR

    Thursday, January 13th, 2022

    The private collection of Bill Reese, renowned as the foremost dealer-scholar of antiquarian books of his generation, comes up at a series of sales at Christie’s beginning of May 25. The rich combination of printed works, historic prints, fine art, and colour-plate books rank this among the most valuable sales of printed Americana in over 50 years. With approximately 700 lots, the collection has a total pre-sale auction estimate of $12 to $18 million.

    J W AudUbon – Gold Rush. Jesus Maria. UPDATE: Illustrated Notes of an Expedition through Mexico and California made $189,000

    The collection is highlighted by one of only six recorded copies of one of the earliest contemporary broadside editions of the Declaration of Independence, and likely the first edition printed in New England: the Sang-Copley-Reese copy ($1,000,000-1,500,000) – UPDATE – THIS SOLD FOR $2.1 MILLION. The Continental Congress, after authorising the writing of the Declaration and approving the text submitted by Thomas Jefferson and his committee, took steps to ensure the rapid dissemination of the historic document when it was approved on 4 July 1776.

    Highlights include the Illustrated Notes of an Expedition through Mexico and California by John Woodhouse Audubon from 1852; Henry James Warre’s Sketches in North America and the Oregon Territory; William Guy’s Wall’s Hudson River Portfolio (the first complete copy of the first issue to be at auction since 1948); Hannah Millard’s even rarer chromolithograph work on the wine grapes of California—most copies of which seem to have been destroyed in the San Francisco’s Great Earthquake and Fire of 1906; and natural history works of John James Audubon, Mark Catesby, George Brookshaw, John Fisk Allen, and Daniel Giraud Eliot, among others.

    Rare historic documents include Paul Revere’s engraving of The Bloody Massacre Perpetrated In King Street, Boston, On March 5th 1770, By Party Of The 29th Reg. Boston from March 1770 ($250,000-350,000) and a special first edition copy of Lewis and Clark’s History of the Expedition by Meriwether Lewis in 1814, which is the definitive account of the most important exploration of the North American continent.

    Paul Revere – The Bloody Massacre. UPDATE: THIS SOLD FOR $352,800

    In 1979, William S. Reese established the antiquarian books firm that would define his presence in the market: the William Reese Company, situated adjacent to the Yale University campus and its Beinecke Library.

    UPDATE: THE COLLECTION REALISED $16 MILLION

    EL GRECO’S MESMERISING AND LOOTED PORTRAIT

    Monday, January 10th, 2022

    Looted by the Nazi’s, restituted to the heirs of a Viennese Jewish industrialist, El Greco’s mesmerising 1570 Portrait of a Gentleman made €1,433,393 at Christie’s Old Masters evening sale in London in December. It was one of three works from the collection of Julius and Camilla Priester in the sale. The Priesters escaped Vienna and eventually made it to Mexico City via Lisbon. Despite photographic evidence their efforts to retrieve the collection after the war failed. It was discovered that some appraisers who had worked for the Gestapo were now dealing privately in Nazi loot. In 2010 the London based Commission for Looted Art in Europe identified the El Greco, still in its original frame, after it was acquired by a London art dealer.  An unknown number of Nazi era looted works are still unaccounted for.