Banksy’s Diamond In The Rough, 2010 ($3,000,000 – 5,000,000) comes up as a highlight at Christie’s 21st Century evening sale in New York City next May. A brilliant combination of readymade surfaces and Banksy’s instantly recognisable style it leverages perceived notions of rebelliousness attached to street art. Its ingenuity lies both in the artist’s seemingly simple choice of subject matter and its ability to spark conversation about the art form as a whole. A cultural statement itself Diamond In The Rough stands as testament to the place of street art in the canon juxtaposed with society’s inability to completely extract it from its perceived history.
Painted on a steel and glass truck door the artwork employs extant graffiti as the backdrop for a young girl rendered in Banksy’s signature stencil mode, positioned at the bottom of the frame. Her hand cradles a glowing gem with shine lines emanating on all sides, reminiscent of the playful compositions of Keith Haring. A direct predecessor of Banksy, Haring also famously engaged public transit as his canvas decades prior, prefiguring some of Banksy’s own work.