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  • IRISH HISTORY DISPLAYED IN ARTWORKS AT NATIONAL GALLERY

    October 8th, 2016
    Every painting tells a story and Ireland’s history can be seen in pictures at a show opening at the National Gallery in Dublin today.  Creating History:  Stories of Ireland in Art is the gallery’s principal contribution to this Decade of Centenaries.  The 55 paintings on display date from the 17th to the 20th century and depict or were inspired by Irish history from the arrival of St. Patrick to the establishment of the Irish Free State.
    Arranged thematically with sections entitled Testimony, Conflict, Assembly, Allegory and Lamentation, the exhibition features paintings from the permanent collection as well as work on loan from public and private collections in Ireland and overseas.  Some, like William Turner De Lond’s George IV, King of England, entering Dublin, 1821 and Sir John Lavery’s The Ratification of the Irish Treaty in the English House of Lords, 1921, have been unseen in public for many years.  Others, like Jan Wyck’s The Battle of the Boyne and Joseph Patrick Haverty’s, The Monster Meeting at Clifden, c.1844. have undergone extensive restoration specifically for this exhibition.  Yet more, such as Francis Wheatley, Dublin Volunteers on College Green, 1779 and Edwin Hayes, The Emigrant Ship, 1853 will be familiar to regulars at the gallery.  The exhibition, which is accompanied by a book with essays by Mary Jane Boland, Tom Dunne, R.F. Foster, Róisín Kennedy, Ruth Kenny and Emily Mark-FitzGerald and Brendan Rooney, runs until January 15 next.

    The O’Connell Centenary Celebrations, 1875 by Charles Russell (1852–1910) © National Gallery of Irelan

    The O’Connell Centenary Celebrations, 1875 by Charles Russell (1852–1910)
    © National Gallery of Irelan

    The Monster Meeting at Clifden, 1844 by Joseph Patrick Havery (1794-1864)  © National Gallery of Irelan

    The Monster Meeting at Clifden, 1844 by Joseph Patrick Havery (1794-1864) © National Gallery of Irelan

    GLOBAL CONTEMPORARY MARKET IS STRONG

    October 8th, 2016
    Adrian Ghenie, Nickelodeon (2008), WORLD AUCTION RECORD, £7,109,000

    Adrian Ghenie, Nickelodeon (2008), WORLD AUCTION RECORD, £7,109,000

    Christie’s auctions held during London’s Frieze Week celebrated the Post-War and Contemporary Art and confirmed that the global market is strong.  The sales totalled  £91,092,925. There were exceptional results for The Leslie Waddington Collection, which sold 100% by lot and 100% by value. The Post-War and Contemporary Art evening auction saw extraordinary results for artists including Adrian Ghenie whose Nickelodeon, a vast, cinematic vision, made a record-breaking figure of £7,109,000.  There were   19 auction records.

    ‘Francis Outred, Chairman and Head of Post-War and Contemporary Art, Christie’s said: ‘ The stand-out price for Adrian Ghenie, and the presence of nine telephone bidders for a piece which already had a record estimate, shows the power of contemporary painting to inspire lives and minds around the world today. The record prices for Thomas Schütte and Imi Knoebel confirmed a growing interest and excitement around mid-career artists and the new levels achieved for Carol Rama and Pino Pascali revealed that even posthumously artists careers can continue to be rewritten.’

    SOTHEBY’S AUTUMN HONG KONG SALES ACHIEVE US$285 MILLION

    October 7th, 2016
    Fu Baoshi, Warriors on the Night March Sold for: US$3,543,590

    Fu Baoshi, Warriors on the Night March
    Sold for: US$3,543,590

    The five day autumn sales series at Sotheby’s in Hong Kong achieved US$285 million and exceeded the high estimate.  The series brought major sales at Sotheby’s in Asia so far this year to US$690 million.  The top lot of the series was a Qing dynasty  Imperial Khotan green jade seal, which made US$11.7 million. Significantly the series attracted a new generation of bidders. Over 40% were under the age of 40.  There were participants from 28 countries.  All top lots in the sale of Fine Chinese Paintings found buyers. and top quality modern works performed with strength.

    This was the highest value offering of Western Contemporary Art ever held in a major Hong Kong auction and there was an auction record for a work on paper by Keith Haring. Jean Michel Basquiat’s Infantry sold for US$5.98 million.

    Kevin Ching, CEO, Sotheby’s Asia, said: “I am pleased that the total for major sales at Sotheby’s Hong Kong in 2016 matched that of 2015, demonstrating Asia’s resistance to uncertainty in some segments of the market.  Collectors were selective, but demand for the most desirable pieces remained robust, leading to outstanding prices.”

    (See post on antiquesandartireland.com for September 6, 2016)

    AN 18TH CENTURY SPORTING GUN FROM FRANCE AT TOWNLEY HALL

    October 6th, 2016
    The 18th century French sporting gun

    The 18th century French sporting gun. UPDATE: THIS MADE 10,000 AT HAMMER

    An 18th flintlock sporting gun is one of the more unusual lots at the Country House Collections auction by James Adam at Townley Hall, Drogheda, Co. Louth on October 11.  It was made by a gunmaker who managed to keep his head in revolutionary France.  Nicholas-Noel Boutet was a director of the Versailles Rifle Manufactory. He was son of the Royal Gunsmith and had the title Gunmaker in Ordinary to the King.  But during the Revolution he worked for Napoleon at the State of Arms company.

    The gun, which is estimated at 8,000-12,000 is single stage barrel.  The sighting ridge is engraved with a sunburst with crown and numbered No.38.  There is a carved walnut stock extending fully to the muzzle, with ebon ramrod. The silver mounts are hallmarked and engraved with foliage.  There is a leather cheek piece at the butt.  The catalogue for the sale, which is online, lists 647 lots.

    WADDINGTON COLLECTION A SELLOUT IN LONDON

    October 4th, 2016
    JEAN DUBUFFET (1901-1985) Visiteur au chapeau bleu avril 1955 signed and dated 'J. Dubuffet 55. Courtesy CHRISTIE'S IMAGES LTD. 2016

    JEAN DUBUFFET (1901-1985)
    Visiteur au chapeau bleu avril 1955
    signed and dated ‘J. Dubuffet 55. Courtesy CHRISTIE’S IMAGES LTD. 2016

    The Collection of Leslie Waddington was a sellout at Christie’s in London on October 4.  Spirited bidding for the personal collection of a pioneering art dealer saw 80% of works selling over estimate in an auction which achieved £28,285,525.  Bidders registered from 37 countries across six continents. It was an electric start of the much anticipated Frieze Week auctions.  The top lot was Jean Dubuffet’s Visiteur au chapeau bleu (Visitor with a Blue Hat)  which sold for £4,813,000.

    Born in Dublin Leslie Waddington, who died last year aged 81, was son the art dealer Victor Waddington and his wife Zelda (nee Levine).  In 1927 Victor had founded a pioneering gallery in Dublin that represented contemporary Irish artists including Jack Yeats. Leslie Waddington received a classical education at Portora Royal School, Enniskillen, whose old boys included Oscar Wilde and Samuel Beckett.  He revered the Irish literary tradition and later on, in Paris, befriended Beckett, with whom he played chess.   In 1958 he joined his father’s new gallery at Cork St. in London and in 1966 set up on his own. In 2003 he was one of the first dealers to participate in Frieze.

    (See post on antiquesandartireland.com for July 19, 2016)

    ALEXANDER CALDER (1898-1976) Le serpent rouge (The Red Snake) Courtesy Christie's Images Ltd., 2016

    ALEXANDER CALDER (1898-1976)
    Le serpent rouge (The Red Snake) sold for £4,421,000.  Courtesy Christie’s Images Ltd., 2016

    FRANCIS PICABIA (1879-1953) Lampe

    FRANCIS PICABIA (1879-1953) Lampe sold for £3,637,000.  Courtesy Christie’s Images Ltd., 2016

    CONSOLE TABLES MAKE 145,000 AT MEALY’S KILFANE AUCTION

    October 4th, 2016
    One of a pair of 18th century carved console tables which sold for 145,000 at hammer today.

    One of a pair of 18th century carved console tables which sold for 145,000 at hammer today.

    A pair of 18th century carved, painted and parcel gilt console tables sold for a hammer price of 145,000 over an estimate of 8,000-12,000 at Mealy’s sale at Kilfane, Thomastown, Co. Kilkenny today.  They were described in the catalogue as an extremely fine and rare pair of 18th century tables and listed as probably Italian.  They had been in the collection of Sir Anthony O’Reilly at Castlemartin, Co. Kildare.

    Each table has a rouge marble top above a Greek key moulded frame.  There is a carved rosette to either section and each one is raised on four shell and scroll carved supports with fish scale moulding.  The tables have three parcel gilt painted scallop shells on a leaf carved base with conforming leaf scroll legs.

    An Irish William IV mahogany side table, by repute from Kilkenny Castle, sold for 5,400 over an estimate of 5,000-7,000.A pair of English 18th century  carved gilt wood open armchairs made 30,000 at hammer over an estimate of 3,000-5,000.  The auction realised 910,000 and 87% of lots on offer were sold.

    (See post on antiquesandartireland.com for September 29, 2016)

    AFFORDABLE IRISH ART ONLINE AUCTION AT MORGAN O’DRISCOLL

    October 2nd, 2016

    An online auction of affordable art runs at Morgan O’Driscoll until 6.30 p.m. on October 3. The catalogue lists just under 300 lots and includes work by artists like Markey Robinson, Desmond Carrick, Graham Knuttel, Robert Egginton, Arthur Maderson, Louis le Brocquy and Damaris Lysaght.   The catalogue is online. Here is a small selection:

    Louis le Brocquy - Study of Samuel Beckett 18/100 (700-1,000)

    Louis le Brocquy – Study of Samuel Beckett 18/100 (700-1,000)  UPDATE: THIS MADE 600 AT HAMMER

    Markey Robinson - The Ballet (1,000-1,500)

    Markey Robinson – The Ballet (1,000-1,500)  UPDATE: THIS MADE 900 AT HAMMER

    Pauline Bewick - Yellow Man (400-600)

    Pauline Bewick – Yellow Man (400-600)  UPDATE: THIS MADE 460 AT HAMMER

    Damaris Lysaght - Kitchen Window (200-300)

    Damaris Lysaght – Kitchen Window (200-300)  UPDATE: THIS MADE 140 AT HAMMER

    20th CENTURY AND EUROPEAN DESIGN FURNITURE AND IRISH ART AT DE VERES

    October 1st, 2016
    A large pineapple form champagne ice bucket by Mauro Manetti, Florence 1960 (300-500)

    A large pineapple form champagne ice bucket by Mauro Manetti, Florence 1960 (300-500)  UPDATE: THIS SOLD FOR 650 AT HAMMER

    An auction of 20th century and quality contemporary design furniture by  de Veres takes place at the Royal College of Physicians, Kildare St., Dublin  at 6 p.m. on October 4.  There are Danish and Italian pieces from the 1950’s, ’60’s and ’70’s with work by designers like Finn Juhl, Arne Vodder, Niels Moller, Philippe Starck, Willy Rizzo, C + B Italia and Poltrona Frau. There will be some lots of modern Irish art with work by Hughie O’Donoghue, Patrick Scott, John Noel Smith, Sean McSweeney, Barrie Cooke and Felim Egan.

    The catalogue cover lot is this large pineapple form champagne ice bucket by Mauro Manetti. Lot 27 is an unusual  cocktail table with hinged burr walnut top that opens to reveal its contents.  The catalogue is online.  Here is a small selection:

    A BURR WALNUT METAMORPHIC COCKTAIL TABLE IN WILLY RIZZO STYLE, FRENCH, 1970s (1,400-1,800)

    A BURR WALNUT METAMORPHIC COCKTAIL TABLE
    IN WILLY RIZZO STYLE, FRENCH, 1970s (1,400-1,800) UPDATE: THIS SOLD FOR 1,400 AT HAMMER

    John Noel Smith b.1952 UNTITLED (3,000-5,000)

    John Noel Smith b.1952
    UNTITLED (3,000-5,000)  UPDATE: THIS SOLD FOR 2,600 AT HAMMER.

    A DANISH ROSEWOOD MOBILE BAR, by CFC Silkeborg, 1960s (400-600)

    A DANISH ROSEWOOD MOBILE BAR,
    by CFC Silkeborg, 1960s (400-600)   UPDATE: THIS MADE 370 AT HAMMER

    A PANTELLA STANDARD LAMP, BY LOUIS POULSEN (300-500)

    A PANTELLA STANDARD LAMP,
    BY LOUIS POULSEN (300-500)  UPDATE: THIS MADE 350 AT HAMMER

    THE MT3 ROCKING CHAIR BY RON ARAD FOR DRIADE (400-600)

    THE MT3 ROCKING CHAIR
    BY RON ARAD FOR DRIADE (400-600)  UPDATE: THIS SOLD FOR 500 AT HAMMER

    STOLEN MASTERPIECES RECOVERED FROM NAPLES MAFIA

    September 30th, 2016

    Italian police have recovered two Van Gogh paintings stolen during a dramatic raid on the Van Gogh Museum in Amsterdam museum in December, 2002. They were in the possession of   the Naples mafia.  The theft from the walls in the main exhibition hall was baffling because guards were on patrol and infra red security systems were in operation.  This led to criticism of security at the world’s most important art museums.The two works had been on loan to the museum from the Dutch government.  Neither was insured.  They are valued at around $100 million.

    Vincent van Gogh - View of the Sea at Scheveningen.

    Vincent van Gogh – View of the Sea at Scheveningen.

    Vincent van Gogh - Congregation Leaving the Reformed Church in Nuenen, 1884

    Vincent van Gogh – Congregation Leaving the Reformed Church in Nuenen, 1884

    A MAJOR HOCKNEY AT SOTHEBY’S, NEW YORK

    September 30th, 2016
    David Hockney Woldgate Woods, 24, 25 and 26 October, 2006

    David Hockney
    Woldgate Woods, 24, 25 and 26 October, 2006

    Woldgate Woods, 24, 25 and 26 October 2006, the first work from David Hockney’s famed Woldgate Woods series to appear at auction will come up at Sotheby’s contemporary art evening sale in New York on November 17. Measuring over three and half meters in diameter it is estimated at $9-12 million.  With a retrospective at Tate Britain opening in February 2017 Sotheby’s reckon this could establish a record for Hockney at auction.  The work captivated audiences in London at the Royal Academy blockbuster 2012 exhibition David Hockney: A Bigger Picture.

    Throughout 2006, Hockney executed a limited series of paintings of the Woldgate Woods in his native Yorkshire, charting the changes in light and colour as the seasons passed. Limited by the size of the canvas he was able to fit through the staircase at his Bridlington studio, he devised a method of using multiple canvases in order to achieve the desired scale. Woldgate Woods, 24, 25 and 26 October 2006capturing the autumnal colors of East Yorkshire, is composed using six of these canvases. The huge public and critical success of this body of work has led to this quiet corner in the north east of England becoming known as ‘Hockney Country’, with the local tourist board even creating a Hockney Trail inspired by the locations immortalized in the series.