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  • SKI POSTERS AT CHRISTIE’S INTERIORS SALE

    January 4th, 2017

    Posters evoking a glamorous era of travel will feature at Christie’s in South Kensington, London on January 11. The sale of interiors including the ski sale will offer 100 posters by the most sought after artists depicting iconic resorts. Estimates start at £1,200 and range up to £30,000.  Here is a small selection:

    JOHANNES HANDSCHIN (1899-1948) VILLARS (£5,000-7,000) © Christie’s Images Limited 2016

    Francisco Tamagno (1851-1933) CHAMONIX MONT-BLANC (£8,000-12,000) UPDATE: THIS MADE £17,500  © Christie’s Images Limited 2016

    Emil Cardinaux (1877-1936) ZERMATT (£8,000-12,000) © Christie’s Images Limited 2016  UPDATE: THIS MADE £10,000

    Roger Broders (1883-1953) SPORTS D’HIVER DANS LES VOSGES (£6,000-8,000).© Christie’s Images Limited 2016

    Emil Cardinaux (1877-1936)
    JUNGFRAUBAHN (£3,000-5,000) © Christie’s Images Limited 2016

    RARE 16TH CENTURY PORTRAIT BOUND FOR TEFAF

    January 3rd, 2017
    Annibale Carracci (1560-1609) Portrait of an African Woman Holding a Clock, circa 1585

    Annibale Carracci (1560-1609) Portrait of an African Woman Holding a Clock, circa 1585

    A rare late 16th century portrait of An African Woman holding a Clock by Annibale Carracci (1560-1609) will be brought to TEFAF, The European Fine Art Fair at Maastricht by Tomasso Brothers Fine Art. A full provenance for the work by the renowned Italian Baroque artist has been established and it includes King Philip V of Spain and Arthur Wellesley, 1st Duke of Wellington. The oil on canvas portrait was painted circa 1585 and depicts a finely dressed African woman holding a gilded clock and commanding a direct gaze.  She wears a necklace of coral, pearl earrings, and intriguingly presents to the viewer a timepiece of extreme luxury and technological advancement, perhaps reflecting the sitter’s, or patron’s, modernity and intellect.

    During the 1580s Annibale Carracci was painting the most radical and innovative pictures in Europe. He introduced a new, broken brushwork technique to represent the effects of light on form, which gave his works an intimacy and immediacy.

    In-depth research by Leeds and London based Tomasso Brothers has revealed the rich history of this unusual painting; it passed from the studio of the artist Carlo Maratti (1625-1713) to Philip V of Spain via one of Maratti’s disciples, Andrea Procaccini (1671-1734), who was painter to Phillip V and in charge of decorating the monarch’s new palace San Ildefonso in Segovia.  In August 1812 the painting was made a gift to Arthur Wellesley, 1st Duke of Wellington, along with 11 other works, following his stay at San Ildefonso Palace during the Spanish War of Independence.  It remained in a private collection until sold by Christie’s London in 2005.  The work was shown at The Walters Art Museum and Princeton University Art Museum (USA 2013) in the exhibition ‘Revealing the African presence in Renaissance Europe’. TEFAF is at Maastricht from March 10-19.

    ANNUAL EXHIBITION OF TURNER WATERCOLOURS AT NATIONAL GALLERY OF IRELAND

    January 1st, 2017
    JMW Turner (1775-1851) Sunset over Petworth Park, Sussex, c.1828 Photo © National Gallery of Ireland

    JMW Turner (1775-1851)
    Sunset over Petworth Park, Sussex, c.1828
    Photo © National Gallery of Ireland

    The annual exhibition of works by Joseph Mallord William Turner (1775-1851) displayed for the month of January at the National Gallery of Ireland gets underway today. For over a century the Gallery has followed the stipulations set out by the art collector Henry Vaughan in a bequest; that 31 watercolours covering the entire career of one of the great masters of British painting were to be exhibited to the public all at one time, free of charge, during the month of January. This is the month when daylight is low and at its least damaging level.

    Inspired by the writings of John Ruskin the collector Henry Vaughan (1809-1899) decided to gift his collection of Turner watercolours to the National Galleries of Ireland, England and Scotland. This year, alongside the much loved Vaughan bequest, the National Gallery of Ireland will display a selection of Turner’s Liber Studiorum prints.  Turner embarked on his most important publishing venture the Liber Studiorum – or drawing book – in 1807.  The series of over 70 prints was conceived as a visual treatise on landscape and art and made his work accessible to a wide audience.  The show runs to January 31.

    MORE ONLINE BIDDING AND NEW YOUNGER BUYERS

    December 31st, 2016
    Red Earth VI by Hughie O'Donoghue sold for a hammer price of 28,000 at Morgan O'Drsicoll

    Red Earth VI by Hughie O’Donoghue sold for a hammer price of 28,000 at Morgan O’Drsicoll

    In 2016 the most notable antique and art market trends are an increasing use of online bidding and a growth in younger, wealthy buyers.  This will impact on taste in the year to come.

    In Ireland younger buyers new to a market are that has been dominated for what seems like forever by Yeats, Henry, Orpen, Lavery et al are more likely to opt for more cutting edge contemporary work into the future.  The most expensive artwork sold in the winter season of Dublin art sales was a pastel on paper entitled 1.6.92 by Sean Scully which made 165,000 at hammer at de Veres.
    Research by art and antiques search engine aggregator Barnebys – covering 1,600 auction houses carrying half a million objects at any one time – shows that about 35% of bids now come in over the internet.  Millennials are logging on to buy, instead of searching the high street. Growth by younger buyers is anticipated. The environmental aspect of buying at auction – upmarket recycling – appeals in particular to this segment. Another consequence of the internet is that auctioneers are making huge savings by cutting back on the number of catalogues they print, using online catalogues instead.
    This year the market performed strongly at the top. Auctioneers are increasingly focused on the middle and lower markets. Unique items – think of Marilyn Monroe’s Happy Birthday Mr. President dress making $4 million on the hammer at Juliens – are achieving prices not seen since 1990 and before the 2008 crash.  The middle market is struggling but the lower end is growing, thanks to the internet.
    The real excitement for new investors in emerging art markets is in contemporary African and Indian art, Latin American art and Cuban art. Barneby’s predicts that there will be an increasing focus on African art, and this will include sculpture. In terms of auction results right now artists from South Africa, Nigeria and Ghana are leading the pack.
    Globally the hunt is on for female artists.  Gallery owners, dealers and museums will place great emphasis on finding new artists and the best works by artists like Georgia O’Keeffe, Louise Bourgeois, Irma Stern and Frida Kahlo. These four already enjoy high profiles and achieve strong prices at auction.
    Another growth area is 20th century design.  Demand has been growing since the late 1990’s and it is expected that this will continue.

    HONG LING AT CHESTER BEATTY LIBRARY

    December 30th, 2016
    Hong LIng - A Peak in Reds.

    Hong LIng – A Peak of Reds.

    The retrospective by Hong Ling continues at the Chester Beatty Library in Dublin until January 29.  It charts the development of Hong Ling’s art from student paintings in his personal collection to his vast later works painted in oil and in ink. Born in Beijing in 1955, the artist Hong Ling studied oil painting in the years after the Chinese Cultural Revolution (1966–76). In the mountains of rural China, however, his brush found a new path. Drawing together the imported medium of oil on canvas with the landscapes and philosophies of China’s artistic heritage, Hong Ling has made a contribution to the world of Chinese landscape painting unparalleled in its vibrancy.

    Working from his studio in the foothills of the Yellow Mountains of China’s Anhui Province, Hong Ling reveals the charged atmosphere of this dramatic locale from the bold colours of the shifting seasons to the heavy mists that weave among pine-clad peaks. As exhilarating as they are immersive, Hong Ling’s paintings stand as an invitation to join him in the landscape that is his home and his inspiration.
    The exhibition is part of a touring retrospective sponsored by UNEEC Culture and Education Foundation, Taiwan, and organised with Soka Art and the School of Oriental and African Studies, University of London.  It follows Hong Ling’s recent retirement from the prestigious Central Academy of Fine Arts (CAFA), Beijing, where he taught oil painting since 1987.  The show will travel on to Bath from Dublin.

    A HAPPY CHRISTMAS TO ALL OUR VIEWERS AND READERS

    December 24th, 2016
    The Holy Family with an Angel by Jacob Jordaens (1593-1678) © Christie’s Images Limited 2016

    The Holy Family with an Angel by Jacob Jordaens (1593-1678) © Christie’s Images Limited 2016

    We wish everyone who enjoys antiquesandartireland.com a very Happy Christmas.  Here is a seasonal image of The Holy Family with an Angel by Jacob Jordaens (1593-1678). It was the top lot at Christie’s Old Masters evening sale in London this month. Jordaens succeeded Rubens as the leading painter in Antwerp in 1640. After the death of Rubens in that year he became the most important painter in Antwerp for large scale commissions.

    He painted altar pieces and mythological and allegorical scenes. As well as being a successful painter he was a prominent designer of tapestries.  In this painting his use of realistic models, the rustic presentation of religious subjects and dramatic use of light and shade point to the influence of Caravaggio. It sold for £1.8 million.  Bidders from 28 countries took part in the auction.

    It has been a great year for Old Masters at Christie’s with global sales of around £152 million.  Ruben’s masterpiece Lot and his Daughters which can be found elsewhere on this website sold for £44.9 million in July, the highest auction price for any work of art sold in Europe this year.

    A SALE IN OLDCASTLE ON DECEMBER 30

    December 23rd, 2016

    With everything from a cased taxidermy pheasant to a selection of mirrors, antique furniture, Waterford Crystal, jewellery and a variety of collectibles the sale by Matthews of Oldcastle on December 30 offers something from everyone in the immediate aftermath of Christmas.  The catalogue, which is online, lists 588 lots, but Matthews say that viewing is advisable as there is likely to be late entries.  Here is a small selection:

    Silver Condiment Set with Bristol Blue Liners (90-120)

    Silver Condiment Set with Bristol Blue Liners (90-120)

    Antique Giltwood Carved Mirror (600-900)

    Antique Giltwood Carved Mirror (600-900)

    Regency Crossbanded Fold Over Games Table  (400-700)

    Regency Crossbanded Fold Over Games Table (400-700)

    Cased Taxidermy Pheasant (150-250)

    Cased Taxidermy Pheasant (150-250)

    FOX HEAD STIRRUP CUPS AT CORK AUCTION ROOMS

    December 23rd, 2016

    home5a_tA collection of four Fox head stirrup cups will be a feature at the sale at Cork Auction Rooms on December 28.  Such cups are rare and of interest to specialist collectors.  One sold for 1,500 at Cork Auction Rooms two years ago. On offer this time is a pair of  Fox Head form stirrup cups and a  pair of Victorian Staffordshire stirrup cups in the form of fox hounds.  Each pair is estimated at 600-1,200.  A pair of Jack B. Yeats pen and ink cartoons and letters to his sister Susan  – “Two Dublin debutants exercising themselves close by O’ Connell Bridge” and “The turnip sculptor” – are estimated at 6,000-8,000.  A c1835 Georgian Irish mahogany sideboard with acanthus leaf decoration on barley twist supports is estimated at 1,800-2,500 and the sale will feature a selection miniature portraits and silhouettes.

    AN 18TH CENTURY MASTERPIECE ACQUIRED BY THE RIJKSMUSEUM

    December 21st, 2016
    Jean-Etienne Liotard (1702-1789) 'A Dutch girl at breakfast', c. 1756-57

    Jean-Etienne Liotard (1702-1789) ‘A Dutch girl at breakfast’, c. 1756-57

    A Dutch girl at breakfast by Jean-Etienne Liotard  is to be displayed at the Gallery or Honour in Amsterdam’s Rijksmuseum from mid-January. An export licence for the work, recently purchased from a private collection where it has remained for more than 240 years, was granted today by the British government. Genevan pastellist Jean-Etienne Liotard (1702-1789) created it in the style of Dutch seventeenth-century masters during a long sojourn in Holland around 1756.  It is one of his few oil-paintings and an important addition to a group of pastels by Liotard in the Rijksmuseum since 1885.

    Taco Dibbits, General Director of the Rijksmuseum said: “A Dutch girl at breakfast radiates the same atmosphere of peace and simplicity as Vermeer’s Milkmaid. In this sensitive representation, the painter allows us to get very close to his subject. As the girl carefully opens the tap of the coffee-pot, she won’t allow herself to be disturbed by the millions of visitors who will come to see her. We are extremely grateful to the funds and private donors who made it possible to acquire this masterpiece for The Netherlands”.

    In this work Liotard reveals himself as one of the earliest 18th-century artists from abroad to put his fascination with Dutch painting of the 17th century into practice. All the characteristics of Dutch 17th-century “genre” are present: the everyday scene, the intimate ambiance, the sober colours, the sophisticated rendering of textures, and the painted church-interior in the background. Nevertheless the furnishings and tableware are all from Liotard’s own time. The mise-en-scène is strongly reminiscent of the well-known interiors of his predecessors Johannes Vermeer, Gerard Dou and Frans van Mieris. Liotard appears to have kept the A Dutch girl at breakfast for himself until 1774, when he included it in a sale of his collection in London. It was bought there by his principal British patron, the 2nd Earl of Bessborough (1704 – 1793), with whose descendants it has remained until now.   The Earl of Bessborough is a title in the Peerage of Ireland. It was created in 1739 for Brabazon Ponsonby, 2nd Viscount Duncannon, who had previously represented Newtownards and County Kildare in the Irish House of Commons.  The 2nd Earl was Whig politician who served as Lord of the Treasury, as a Lord of the Admiralty and as joint Postmaster General.

    THE TOP TEN LOTS AT SOTHEBY’S IN 2016

    December 20th, 2016
    The most expensive lot at Sotheby's in 2016 was Picasso's Femme Assise

    The most expensive lot at Sotheby’s in 2016 was Picasso’s Femme Assise

    A heady list of art and diamonds make up Sotheby’s top ten lots in 2016.  Picasso, Modigliani, Munch, Twombly, Bacon, Daqian, Richter and Gentileschi in that order accounted for the top art works, a blue diamond and a pink diamond made up the balance.

    Picasso’s  Femme Assise, 1909 which sold for £43,269,000 ($63,631,391) in London in June topped the list.  Next came Amedeo Modigliani with Jeanne Hébuterne (Au Foulard), 1919 which sold for £38,509,000 ($56,631,335): Edvard Munch, Pikene på broen (Girls on the Bridge), 1902 which sold for $54,487,500: Cy Twombly, Untitled (New York City), 1968 sold for $36,650,000: Francis Bacon, Two Studies For A Self-Portrait, 1970 sold for $34,970,000: Zhang Daqian, Peach Blossom Spring, 1982 sold for HKD $270,680,000 (US$ 34,702,564) and Gerhard Richter, A.B., Still, 1986 sold for $33,987,500.
    Number eight on the list was the De Beers Millennium Jewel 4 which sold for HK$248,280,000 ($32,013,223). Ninth came the Unique Pink, a fancy vivid diamond ring which sold for CHF 30,826,000 (US$31,561,200) and Orazio Gentileschi, Danaë, 1621 which sold for $30,490,000 was tenth.