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  • TOP LOTS FROM FONSIE MEALY’S RARE BOOK SALE

    October 3rd, 2025

    This 18th century scribal manuscript made €35,000 at hammer at Fonsie Mealy.

    An original copy of the 1916 Proclamation was the top lot at Fonsie Mealy’s two day sale on October 1 and 2. It made €90,000 at hammer. Other top hammer prices were €35,000 for an 18th century scribal copy of Keating’s History of Ireland for Edward Denny and €18,000 for a collection of working papers for Seamus Heaney’s poem Remembering Malibu. The programme for the 1913 All Ireland hurling final at Jones Road made €11,000, a match ticket for the Bloody Sunday match at Croke Park in 1920 made €9,000 and a 1924 All Ireland hurling medal made €6,000. A collection of documents relating to the Sinn Fein bank of 1908-1924 made €7,500 and a c1599 rare first state Boazio map of Ireland made €6,000. The sale made more than €5,000 on the hammer.

    (See post on antiquesandartireland.com for September 27, 2025)

    THE WINTER EGG AND IMPORTANT WORKS BY FABERGÉ

    October 2nd, 2025

    A MAGNIFICENT AND HIGHLY IMPORTANT IMPERIAL WINTER EGG BY FABERGÉ. UPDATE: THIS SOLD FOR £22,895,000 (€26,008,720)

    Commissioned by Emperor Nicholas II as an Easter gift to his mother Dowager Empress Maria Feodorovna the Winter Egg will be offered by Christie’s in London on December 2 during Classic Week with an estimate of in excess of £20 million. The Easter gift to his mother was in 1913, the year of the 300th anniversary of the Romanov Dynasty.  The creative genius of Fabergé’s most celebrated female designer Alma Theresia Pihl – exquisitely executed by her uncle workmaster Albert Holmström – it is among the most lavish of Fabergé’s Imperial creations and widely regarded as one of the most original and artistically inventive Easter eggs that the house created for the Imperial family. Believed lost for almost two decades, between 1975 and 1994, The Winter Egg has previously set the world record for a work by Fabergé not once but twice: when it was offered by Christie’s in 1994, upon being rediscovered, and again in 2002.

    The egg is finely carved in rock crystal, delicately engraved on the interior with a frost design, while the exterior is applied with rose-cut diamond-set platinum snowflake motifs, with two vertical diamond-set platinum borders concealing a hinge on the side and a cabochon moonstone dated 1913. The egg is on a rock-crystal base formed as a block of melting ice, applied with rose-cut diamond-set platinum rivulets, centering a platinum pin in the middle to support the egg,  and opens to reveal the ‘surprise’ suspended from a platinum hook. This comprises a double-handled trelliswork platinum basket, set throughout with rose-cut diamonds, full of finely carved white quartz wood anemones, each spring flower with gold wire stem and stamens, the centre set with a demantoid garnet, the leaves delicately carved in nephrite, emerging from a bed of gold moss. The sale will offer important works by Fabergé from a princely collection.

    UPDATE: The Winter Egg sold for £22,895,000 (€26,008,720), setting a new world auction record for a work by Fabergé for the third time in its storied history, all at Christie’s.

    IMMA WINS EUROPEAN ART MUSEUM AWARD

    October 1st, 2025

    Sam Gilliam – Well III c1990’s (1933-20220 from his exhibition Sewing Fields at IMMA until January 25. Courtesy Sam Gilliam Foundation

    The Irish Museum of Modern Art (IMMA) has?won the 2025 Art Museum Award, presented by the European Museum Academy (EMA). The honour recognises IMMA as one of Europe’s leading cultural institutions, celebrated for its pioneering, inclusive, and socially engaged approach to contemporary museology. The award was presented to IMMA’s Director, Annie Fletcher, at a ceremony in Budapest where cultural leaders from across Europe gathered to celebrate excellence in museum practice.?

    The award, supported by the A.G. Leventis Foundation, highlights institutions that use art in innovative and creative ways to address pressing social issues. It champions museums as “social arenas”, spaces for civic dialogue, inclusion, and community building. The Award recognises museums that explore themes such as participation, inclusion, accessibility, gender equality, migration, racial justice, decolonisation, sustainability, climate change, and public health.?? 

    IMMA was selected from a highly competitive shortlist of outstanding institutions, including the Centre Pompidou-Metz (France), Reykjavik Art Museum (Iceland), Lithuanian National Museum of Art (Lithuania), Museum of Contemporary Art of Montenegro (Montenegro), State Ethnographic Museum (Poland), Museum of Naïve and Marginal Art (Serbia), and Birmingham Museum & Art Gallery (United Kingdom).

    Sewing Fields, now on view at IMMA, highlights Gilliam’s connection to Ireland, where a transformative residency at the Ballinglen Arts Foundation in the 1990s reshaped his artistic practice. Gilliam embraced new materials, working with pre-stained fabrics that he had shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded this process, reinforcing his innovative fusion of painting and textile techniques.

    THE PALMER FAMILY COLLECTION OF CHINESE PAINTED ENAMELS

    October 1st, 2025

    A selection of 18th century Chinese painted enamels from the Palmer family collection

    Art of Asia,  a dedicated online auction of Chinese works of art at Christie’s from October 30 to November 12, is led by the final chapter of the Palmer family collection, a distinguished legacy built over three generations by the family that founded the Reading-based biscuit company Huntley & Palmers. Comprising 112 lots the Palmer collection includes Chinese ceramics and works of art from the Song (960-1127), Ming (1368-1644) and Qing dynasties (1644-1911), all with exceptional provenance. Among the sale highlights are six enamel ruby backed dishes Yongzheng period (1723-1735), a pale blue ground painted enamel dish 18th century acquired from Spink & Son Ltd, London in 1937, a selection of finely painted 18th century enamels and a rare famille rose black back flowers and bird dish with the Yongzheng six-character mark. The auction will coincide with Asian Art in London from October 27-November 6.

    THE JEWELLERY BOX SALE AT JAMES ADAM IN DUBLIN

    October 1st, 2025

    FLORENTINE PIETRA DURA MOSAIC HARDSTONE BROOCH. UPDATE: THIS MADE 600 AT HAMMER

    This Florentine hardstone brooch inlaid with a lily of the valley motif is lot 23 at The Jewellery Box timed online sale by James Adam in Dublin on October 7. It is mounted in gold and silver and estimated at just €150-€200. The sale offers 295 lots with estimates from €50-€80 to €7,000-€8,000. It will be on view at Adams from October 3-6 and the catalogue is online.

    MOURNE MOUNTAINS BY COLIN DAVIDSON MAKES €6,500 AT GORMLEY’S

    September 30th, 2025

    Colin Davidson – Mourne Mountains

    Mourne Mountains by Colin Davidson made a hammer price of €6,500 at Gormley’s art auction in Dublin this evening. Fire from the elements (H6) by Damien Hirst was the most expensive lot sold at €8,500. Hooker setting out for the island by Ciaran Clear made €5,400, Untitled by Patrick Scott made €5,200, a Still Life by Liam Belton made €5,000 and Bull by Anthony Scott made €4,200.

    MONUMENTAL KLEIN WORK TO HIGHLIGHT CHRISTIE’S PARIS SALE

    September 29th, 2025

    Yves Klein (1928-1962), California, (IKB 71), 1961  © Christie’s Images Limited 2025. UPDATE: THIS MADE 18,375,000

    California, (IKB 71) will highlight Christie’s Avant-Garde(s) including Thinking Italian sale on October 23 during Paris Art Week. This exceptional monumental work measuring over four metres embodies the radical spirit and true inventiveness of Yves Klein. Returning to the city where it was created, and appearing at auction for the first time, California, (IKB 71) ranks among the most important works by Yves Klein to ever come to market.

    With his signature International Klein Blue pigment, Klein sought to dissolve boundaries, inviting viewers to take an imaginative leap into an immaterial realm. The enveloping, immersive power of his monochromes places Yves Klein’s practice among the most ambitious of the second half of the 20th century, alongside leading figures of American Abstract Expressionism and Color Field painting.  It was last seen in public during its long-term loan to the? Metropolitan Museum of Art in New York from 2005 to 2008.  

    VALUABLE IRISH ART TO COME UNDER THE HAMMER IN DUBLIN

    September 27th, 2025

    Abstract Composition by Mainie Jellett (1897-1944). UPDATE: THIS MADE 32,000 AT HAMMER

    Art by Louis le Brocquy, Paul Henry and Roderic O’Conor will lead Whyte’s sale of Irish and international art in Dublin on the evening of September 29.  A total of 152 lots valued at over €1.2 million will come under the hammer. The catalogue cover lot is le Brocquy’s Image of Samuel Beckett from 1980 (€100,000-€150,000). In Connemara by Paul Henry has an estimate of €90,000-€120,000 and a self portrait by Roderic O’Conor has an estimate of €60,000-€80,000.

    Abstract Composition by Mainie Jellett is estimated at €18,000-€22,000 and a watercolour with ink from le Brocquy’s Tinker series, Tinker Children at a Fair (1946) is estimated at €15,000-€20,000. Artists featured include Percy French, Rose Barton, Gerard Dillon, Dan O’Neill, Pauline Bewick, Rowan Gillespie, John Behan and Liam O’Neill. 

    Mother and Baby Achill by Lillian Lucy Davidson and Dublin Bay by Norah McGuinness are the top lots at the de Veres sale which runs until next Tuesday (September 30).  Each is estimated at €7,000-€10,000.  A total of 230 lots will come under the hammer by artists including Martin Gale, Frank McKelvey, Barbara Warren, Kenneth Webb, Kitty Wilmer O’Brien, Mark O’Neill and many more.   Brown and White Cob by Basil Blackshaw (€12,000-€18,000) and Fire, from The Elements by Damien Hirst H6 (€8,000-€12,000) are the top lots at Gormley’s auction at Francis St. in Dublin at 7.30 pm next Tuesday.  Catalogues for all these sales are online.

    Dunquin Pier, Kerry by Sean O’Sullivan (1906-1964). UPDATE: THIS MADE 4,000 AT HAMMER

    FROM A PROCLAMATION TO NUNS ON THE RUN

    September 27th, 2025

    A Rolls Royce Corniche at Victor Mee’s sale in Tipperary. UPDATE: THIS WAS UNSOLD

    An original copy of the Irish Proclamation in Castlecomer, a Sheik’s Rolls Royce at New Inn in Co. Tipperary, art in Dublin and a reminder of nuns on the run – what is not to like among the auction offerings in Ireland this week.

    An original copy of the Proclamation,  first, limited and signed editions by Irish and international authors, a collection of Seamus Heaney material, rare maps, fine bindings and the earliest extant programme for the 1913 All Ireland senior hurling final are all included in Fonsie Mealy’s rare book and collectors sale in Castlecomer on October 1 and 2.

    An original copy of The Proclamation at Fonsie Mealy. UPDATE: THIS MADE 90,000 AT HAMMER

    More than 1,200 lots, headed by the Proclamation with an estimate of €100,000-€150,000, will come under the hammer. Rarities include an 18 carat gold medal presented in 1846 to Timothy O’Brien of Johnston Mooney and O’Brien for his continued exertions in the manufacture of bread from Indian corn (Trevelyan’s corn) (€15,000-€20,000).  A scribal manuscript of Keating’s History of Ireland, transcribed for the use of Edward Denny of Tralee Castle, is similarly estimated.  The  antiquarian and local history library of the late Tony Bocking of Kinsale is included.  The sale will be at the Avalon House Hotel and the auction is on view at Fonsie Mealy’s next Monday and Tuesday. The catalogue is online.

    A Rolls Royce in a convent auction recalls the group of elderly Poor Clare nuns who made international headlines in 1990 after selling their convent in Bruges and moving to a life of luxury in the South of France.  Alas, Victor Mee’s sale of contents from the Convent of Mercy at New Inn in Co. Tipperary, which includes both a Rolls and a Bentley, will feature lots from other clients too.

    The Hooper built Rolls Royce Corniche in the sale was once owned by Sheik Abdelaziz bin Ahmed Al Thani. Lot 914 and estimated at €60,000-€120,000. A 1992 Bentley is more modestly estimated at €6,000-€12,000. The wide ranging collection on offer will include antique furniture, collectibles, Irish art, clocks, lighting, kitchen equipment, carpets and rugs among 1,200 lots. 

    A 19th century Killarney work table at Victor Mee. UPDATE: THIS WAS UNSOLD

    There will be much interest in a Killarney wood work table (€5,000-€8,000), a specimen marble chess table (€5,000-€8,000), an Irish Georgian breakfront bookcase (€3,500-€5,500) and a 19th century French clock garniture (€2,000-€4,000).  Artists Edwin Hayes, Louis le Brocquy, Peter Curling, Cecil Maguire and Graham Knuttel will feature along with an Adoration of the Christ Child, a 19th century Italian work after Corregio.  A sandstone two tier fountain is estimated at €2,000-€3,000 and there is some garden sculpture. The auction on September 28 is both online and in room, the sale on September 29 will be online only. 

    An All-Ireland hurling final programme from 1913, the first final at Jones Road, at Fonsie Mealy. UPDATE: THIS MADE €11,000 at hammer

    HANDSOME PAIR OF GAINSBOROUGH ARMCHAIRS AT SHEPPARDS

    September 26th, 2025

    PAIR OF 19TH-CENTURY GAINSBOROUGH ARMCHAIRS IN BUTTONED LEATHER UPHOLSTERY

    This handsome pair of library armchairs will come up as lot 238 at Sheppard’s three day sale in Durrow from October 7-10. The Legacy of the Big House sale will offer around 1700 lots of Irish and international art, furniture, sculpture, lighting, arms, books and decorative objects. Viewing gets underway in Durrow on October 4 and the catalogue is online. The chairs are estimated at €5,000-€8,000.