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    BLOCKBUSTER ASIAN TREASURES SHOW TO OPEN AT RIJKSMUSEUM

    Wednesday, August 12th, 2015

    The excitement created by Asian treasures shipped to Holland during the Golden Age is the subject of an upcoming blockbuster show at the Rijksmuseum in Amsterdam.  Asia in Amsterdam Exotic luxury in the Golden Age runs from October 17 to January 17, 2016.  Lacquer work, ivory, silver, silk, ebony, jewellery and enormous quantities of porcelain poured into Amsterdam, the then bustling ‘capital of the world’, to enrich the interiors of the increasingly prosperous Dutch bourgeoisie.

    Chinese blue-and-white porcelain was especially popular. It was much thinner, smoother and lighter than the earthenware made in Holland. The making of earthenware was soon refined in Delft, leading to the famous ‘Delft Blue’, with Chinese origins. Coloured Japanese porcelain first appeared around 1660, imported by Dutch East India Company officials returning from the Far East. This created another sensation and, 20 years later, the exclusive and therefore expensive Kakiemon porcelain was the big favourite among the Dutch elite.  Dutch interiors changed enormously under the influence of the treasures from Asia. Porcelain was displayed on specially designed shelves and consoles. Imported silk and cotton introduced much more colour and variation in the shape of bedspreads, curtains and wall tapestries.

    With 170 objects from China, Japan, India and Batavia the exhibition presents many 17th century paintings: still-lifes and portraits of citizens who had themselves painted among their newly acquired items of Asian luxury. It is being organised in cooperation with the Peabody Essex Museum in Salem, USA. The loan items originate in Moscow, St Petersburg, Versailles, London, Oxford, Madrid and Stockholm.

    Kendi, anonymous, 1580 - 1620

    Kendi, anonymous, 1580 – 1620

    Majolica, anonymous c1630-1650.

    Majolica, anonymous c1630-1650.

    Cat. 40b Chest. Japan, 1635–1645. Wood covered in black and red lacquer, with gold and silver hiramaki-e and takamaki-e lacquer, gold and silver foil, mother-of-pearl, crystal, and silver and copper fittings. 28 1/8 × 56 1/4 × 26 5/8 inches (71.5 × 143 × 67.5 cm). State Historical Museum, Moscow.

    Cat. 40b Chest. Japan, 1635–1645. Wood covered in black and red
    lacquer, with gold and silver hiramaki-e and takamaki-e lacquer,
    gold and silver foil, mother-of-pearl, crystal, and silver and
    copper fittings.
    State Historical Museum, Moscow.

    Cabinet on stand. Cabinet, Japan, 1600–1630; stand, Japan, incorporating elements from a Dutch table, 1625–1650. Oak and Chinese arborvitae covered in black lacquer, with gold and silver hiramaki-e, ray-skin denticles, mother-of-pearl, and gilt copper mounts. Peabody Essex Museum, Salem,

    Cabinet on stand. Cabinet, Japan, 1600–1630; stand, Japan,
    incorporating elements from a Dutch table, 1625–1650. Oak
    and Chinese arborvitae covered in black lacquer, with gold
    and silver hiramaki-e, ray-skin denticles, mother-of-pearl, and
    gilt copper mounts. Peabody Essex Museum, Salem,

    Bedcover:  Palampore. Deccan, India, 1710–1750. Cotton embroidered  with silk and metal-wrapped threads. Peabody Essex Museum, Salem,

    Bedcover: Palampore. Deccan, India, 1710–1750. Cotton embroidered
    with silk and metal-wrapped threads. Peabody Essex Museum, Salem,

     

    AN AUCTION OF MODERN AND VINTAGE SPORTING GUNS

    Tuesday, August 11th, 2015
    A pair of 20-bore Holland & Holland sporting model over and under ejector guns.

    A pair of 20-bore Holland & Holland sporting model over and under ejector guns.

    A pair of 20 bore Holland and Holland sporting model over and under ejector guns will be among the highlights at Gavin Gardiner’s annual auction of fine modern and vintage sporting guns at the Gleneagles Hotel, Perthshire, Scotland on August 24.  This prestigious sale attracts buyers from the US to Europe and Australia to acquire pieces by the greatest makers.  Built in 2000 the Holland and Holland guns are estimated at £60,000-80,000.  If ordered new today they would cost £160,000.

    The sale features a pair of 16 bore pin fire hammer guns built by Alfred Staehle for Prince Ernest Augustus, Crown Prince of Hanover and 3rd Duke of Cumberland (1845-1923). He was the last Hanoverian Prince to hold a British royal title.  Although the senior male line great grandson of George III the Duke of Cumberland was deprived of his British peerages and honours for having sided with Germany in World War I.  The guns are estimated at £2,000-3,000.

    The sale will include over 200 lots of fine sporting guns, rifles and shooting accessories dating from 1860 to the present by makers including Purdey,  Holland and Holland, Boss and Company and Westley Richards.

    A GREAT HOUSE RE-AWAKENED IN DORSET

    Monday, August 10th, 2015

    The re-awakening of one of Britain’s great houses, St Giles House in Dorset ancestral seat of the Earls of Shaftesburyhas emerged as the winner of the 2015 Historic Houses Association (HHA) & Sotheby’s Restoration Award. St. Giles, which has remained in the family since the 14th-century, had been abandoned and derelict for over 50 years. It was transformed over the past four and a half years through a restoration project undertaken by the 12th Earl and Countess of Shaftsbury. Lord Shaftesbury inherited the house and 5,000 acre estate in 2005, aged only 25, following the tragic death of his father and, only a few months later, of his elder brother.  With the help of grants from Natural England and the Country House Foundation, the grounds and grand interiors of St Giles House have now been returned to their former glory.

    Anthony Ashley Cooper, 1st Earl of Shaftsbury (1621-1683), a founder of the Whig party, built the nucleus of the house. The estate continued to be developed over successive generations.  It was uninhabited for the latter part of the 20th century.  Only a few years ago snow was blowing into the library and sections of the house were at risk of collapse.

    Lord Shaftesbury said: “It is a huge honour to receive this award after four and a half years of hard work. It’s amazing now to look back at the project and think where we’ve come – it’s safe to say we’ve achieved far more than any of us imagined possible. Hopefully it will inspire others to do the same.”

    Library (copyright Marcus Peel)

    Library (copyright Marcus Peel)

    North Drawing Room (copyright Marcus Peel)

    North Drawing Room (copyright Marcus Peel)

    St Giles House 1862 (copyright St Giles House Archives)

    St Giles House 1862 (copyright St Giles House Archives)

    Great Dining Room (copyright Marcus Peel)

    Great Dining Room (copyright Marcus Peel)

    St Giles House from Great Avenue (copyright Philip Hughes)

    St Giles House from Great Avenue (copyright Philip Hughes)

    Tapestry Room (copyright Justin Barton)

    Tapestry Room (copyright Justin Barton)

    THE WALLACE COLLECTION AND THE BATTLE OF AGINCOURT

    Tuesday, August 4th, 2015

    THE 600th anniversary of the Battle of Agincourt will be marked at the Wallace Collection in London this autumn with a display of  weapons and armour from the early 15th century.   The exhibition – The Sinews of War – goes on display from September 1 and will include rare books from the archive of the collection, which  encompasses old master oil paintings from the 14th to the late 19th century including works by Titian, Velazquez, Rubens and Van Dyck, princely arms and armour, and one of the finest collections of French 18th century art.

    Agincourt has been celebrated as a great victory for the common man over haughty aristocrats, for the heroic King Henry V, and as and the culmination of Shakespeare’s famous play Henry V. All of the most popular interpretations of this event resonate with the image of the plucky and vastly outnumbered English defeating their apparently insurmountable French enemies. Sources in this exhibition show that Henry’s campaign and subsequent battle was more complicated than the myth. Here are some of the objects to be displayed.

    Pair of gauntlets, Italian c1390. Copyright, Wallace Collection.

    Pair of gauntlets, Italian c1390. Copyright, Wallace Collection.

    St. George and the Dragon (French or German), copyright Wallace Collection.

    St. George and the Dragon (French or German), copyright Wallace Collection.

    Visored bascinet, late 14th-early 15th century. Copyright The Wallace Collection.

    Visored bascinet, late 14th-early 15th century. Copyright The Wallace Collection.

    A SALE FOR MANY TASTES AT O’REILLY’S, FRANCIS ST., DUBLIN

    Friday, June 12th, 2015

    With everything from a gentleman’s set by Chaumet and a designer silver necklace by Georg Jensen to an antique diamond solitaire ring mounted in platinum and a selection of necklaces, bracelets and some silver the sale at O’Reilly’s, Francis St., Dublin on June 17 will cater for many tastes. The catalogue is online. Here is a small selection:

    A gentleman's cufflinks and shirt stud set by Chaumet (5,000-6,000).

    A gentleman’s cufflinks and shirt stud set by Chaumet (5,000-6,000).

    A brilliant cut diamond solitaire ring (14,000-17,000).

    A brilliant cut diamond solitaire ring (14,000-17,000).

    A c1930 Art Deco diamond bracelet (6,000-8,000).

    A c1930 Art Deco diamond bracelet (6,000-8,000).

    A silver necklace by Georg Jensen (signed) (1,100-1,300).

    A silver necklace by Georg Jensen (signed) (1,100-1,300).

    Antique diamond solitaire ring (9,000-10,000).

    Antique diamond solitaire ring (9,000-10,000).

    SIGNED 1st EDITION OF ULYSSES AT BONHAMS

    Friday, June 5th, 2015
    The first edition of James Joyce's Ulysses at Bonhams.

    The first edition of James Joyce’s Ulysses at Bonhams.

    A signed first edition of  James Joyce’s Ulysses comes up at Bonhams Fine Books and Manuscripts sale in London on June 24. It is part of a large collection of Joyce’s work to be offered.  Ulysses is estimated at £60,000-80,000 and the collection has a combined upper estimate of £300,000.

    The author’s presentation copy printed on hand made paper was given to Lewis Galantiere, an American translator of French literature living in Paris. There he met Joyce and other leading literary figures of the day.  Dated February 11, 1922, this is the earliest known presentation copy apart from the one Joyce gave to his wife Nora on the day of publication, February 2, 1922, the author’s 40th birthday.  Printing was hampered by difficulties over the colour for the cover which Joyce wanted to match the blue of the Greek flag.

    In 1935 Henri Matisse was commissioned to illustrate an edition of Ulysses for subscribers to the Limited Edition Club in America.  Each of the 1,000 copies was signed by Matisse and 250 were also signed by Joyce.  A copy of the book signed by both men is estimated at £6,000-8,000.
    Other works include a first edition of A Portrait of the Artist as a Young Man, (£20,000-30,000); a first edition of Dubliners,  (£3,000-4,000) and a first edition of the very scarce Gas from a Burner (£10,000-15,000) his bitingly satirical poem written in September 1912 about the destruction of 1,000 copies of Dubliners.   A signed copy of the first 1936 English printing of Ulysses, with the cover designed by Eric Gill, is estimated at £10,000-15,000.

    ART AND LITERATURE ONLINE BOOK AUCTION

    Friday, June 5th, 2015
    Annals of the Kingdom of Ireland - The Four Masters, De Burca Rare Books, Dublin 1990 (400-600).

    Annals of the Kingdom of Ireland – The Four Masters, De Burca Rare Books, Dublin 1990 (400-600).  UPDATE: THIS SOLD FOR 550

    The 220 lot Art and Literature online book auction at Morgan O’Driscoll runs until June 8 at 6.30 p.m.  It features rarities like John Lavery and his work by Walter Shaw Sparrow, published in 1912 and estimated at 30-50 and Sean Scully at Galerie Lelong Paris 1997 (eleven colour plates)(30-50), Jack B. Yeats, His Watercolours, Drawing and Pastels by Hilary Pyle 1993 (50-70) and a signed limited edition of The Burial at Thebes by Seamus Heaney (500-700).  An 1839 edition of Nicholas Nickleby by Charles Dickens is estimated  at 1,200-1,800 and a 1902 edition of The Hound of the Baskervilles by Arthur Conan Doyle is estimated at  800-1,200.  The catalogue is online.

    HIGHEST EVER ONLINE BID OF 1.49 MILLION AT BONHAMS

    Thursday, May 28th, 2015
    1990-93 Porsche Type 962 C Endurance Racing Competition Coupe

    1990-93 Porsche Type 962 C Endurance Racing Competition Coupe

    A Porsche sold at the annual Spa Classic Sale in Belgium achieved Bonhams highest ever online bid of 1.49 million euro.  Philip Kantor, Bonhams European Head of Motoring said:  “The internet continues to grow as a trusted method with which clients can bid, a fact proven today by the most valuable lot ever sold at a Bonhams auction to an online bidder, after the 1990-93 Porsche Type 962 C Endurance Racing Competition Coupe was sold for 1,495,000. Sold directly from the factory, the Porsche 962 had been carefully maintained by the same private owner for the past 25 years, so it was unsurprising it achieved such interest.”

    The auction achieved a new record of 5,497,918.

    TODAY IS THE CENTENARY OF THE SINKING OF THE LUSITANIA

    Thursday, May 7th, 2015
    Lusitania.

    Lusitania.

    Today marks the centenary of the sinking of the Lusitania, which was torpedoed by a German U-boat and sunk off the coast of Cork on May 7, 1915.  This caused the deaths of 1,198 passengers and crew.  There are commemorations of the loss of the Cunard Liner in various locations in County Cork today, including lifeboat stations and at Cobh, where many of the survivors were taken.  Cobh, then Queenstown, was an important transatlantic port and recovered bodies were brought ashore and buried in a mass grave here.  Lifeboats powered only by oarsmen set out for the site of the sinking eleven miles off the southern coast and within sight of the Old Head of Kinsale.  She had left New York for Liverpool on May 1, but sank within eighteen minutes of being torpedoed following a second, internal explosion.  Among those who died was Sir Hugh Lane, the art dealer, collector and gallery director. He  is best known for establishing Dublin’s Municipal Gallery of Modern Art – now the Hugh Lane – the first known public gallery of modern art in the world.

    A TRICK OF THE LIGHT FINGERED SILVER SCAMMER

    Friday, April 17th, 2015
    Later chased Dublin George I 1714 teapot no maker's mark.

    Later chased Dublin George I 1714 teapot no maker’s mark.

    Buyers of more valuable pieces of Irish silver ought to be aware of a trick used by light fingered scammers. It revolves around the perfectly legal practice of de-chasing.  In Victorian times repousse (embossed) decoration was fashionable. The Victorians chased older pieces – such as a plain, classical Queen Anne piece, in pursuit of fashion. Why?  Because it was cheaper to decorate an existing piece than get a new one made. Consequently the integrity of the piece was devalued.

    The very small supply of Irish silver creates a constant hunt by international dealers to find later chased pieces and dechase them.  This practice adds huge value of perhaps up to ten times the original cost. International standards dictate that when a piece is dechased it has to be labelled as such. These pieces are not permitted to be offered for sale at top international antique fairs.  Sadly this practice has not been enforced in Ireland. Buyers of significant plain pre 1750 Irish  pieces do need to be aware that collectibles like bullet shaped teapots, bowls, beer jugs and coffee pots may have been dechased and not labelled as such.

     Later chased Cork George II inverted pear shape teapot by George Hodder 1745

    Later chased Cork George II inverted pear shape teapot by George Hodder 1745

    It is profitable for the unscrupulous to do this when silver work is early and has good hallmarks. Dechasing can degenerate into downright deception when crests, weights and shapes are changed. It is illegal to add a new piece of silver such as a spout without having the new addition hallmarked.  One Irish silver dealer, outraged at the practice, said that anyone with any doubts about a piece should have it vetted by the English plate committee as they possess the experience and knowledge to detect alterations. The vast majority of dechasing is carried out by British silversmiths. 
    Sadly in the world of antiques, art and collectibles anything valuable will have been forged, imitated and copied.  The difference between restoration and re-construction is blurred and causes problems in in many fields. The old adage “caveat emptor” – buyer beware – always applies. Examples of the sort of silver which might be dechased are illustrated.

     Later chased Dublin Geo II Coffee Pot by William Williamson 1745.

    Later chased Dublin Geo II Coffee Pot by William Williamson 1745.

    Large Cork George III Later chased Cup by John Whitney 1780

    Large Cork George III Later chased Cup by John Whitney 1780