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    ART FROM THE 1950 VENICE BIENNALE AT WHYTE’S SALE

    Wednesday, February 26th, 2025

    NANO REID (1900-1981) – THROUGH THE DOOR (GEORGE CAMPBELL IN HIS STUDIO). UPDATE: THIS MADE 14,500 AT HAMMER

    Through the Door (George Campbell in his Studio) by Nano Reid was one of twenty-four works exhibited by Ireland at the 25th Venice Biennale in 1950. It comes up as lot 35 at Whyte’s sale of Important Irish Art on March 3. In 1950 there were twenty-three participating nations and Ireland – represented by two female artists, Nano Reid and Norah McGuinness – was included among them for the first time that year. 

    Both Reid and McGuinness were prominent figures in the Irish arts scene and had studied at the Metropolitan School of Art in Dublin. They travelled to London and Paris and were advocates of a modernist style of painting. Their work had been showcased on the international stage before, at the Irish Exhibition of Living Artists (IELA) and the Exhibition of Contemporary Irish Painting organised by the Cultural Relations Committee of Ireland which toured the USA in 1950. At Venice they received largely positive feedback. Italian critic Umberto Apollonio praised Reid’s ‘audacious expressionism’ while James White (who wrote the catalogue entry for the artists at Venice) claimed the critics were ‘amazed to learn that Reid was a woman artist’ because of her strongly expressionist style. McGuinness’ work was described as having ‘vibrating and rather evocative tonality’ and Italian President Luigi Einaudi acquired her painting The Black Church. Among their competition in 1950 were artists – mostly men – known today by their surnames alone, Braque, de Kooning, Dalí, Kandinsky, Klee, Picasso, Rivera, Pollock. The grand prize for painting was won by Henri Matisse, and men took all the other awards.

    Through the Door (George Campbell in his Studio) depicts Reid’s friend and fellow artist standing purposefully in front of his easel. The door is used as a device to bring the viewer into the composition which is framed by a bold use of line and colour employed to dramatic effect to cut through the dark palette. The painting is estimated at €10,000-€15,000.

    INDIAN PAINTING AND ENGLISH DESIGN SCORE AT ADAMS IN DUBLIN

    Tuesday, February 25th, 2025

    JAMINI PRAKASH GANGOOLY (INDIAN, 1876-1953) – On the beach at sunset

    This oil on canvas by Jamini Prakash Gangooly made a hammer price of €15,000 at the At Home sale at James Adam in Dublin today. It had been estimated at €2,000-€3,000. The artist was a member of the Tagore family and a nephew of the poet and Nobel Prize winner Rabindranath Tagore. A master painter he was celebrated both for his luminous and beautiful landscapes and his portraits.

    A Victorian porcelain vase by Christopher Dresser made €8,500 at hammer over a top estimate of €2,000. Born in Glasgow Christopher Dresser became Britain’s first professional, independent, industrial designeR. He was one of the most influential design reformers of the 19th century.

     CHRISTOPHER DRESSER (1834-1904) – VICTORIAN ‘CLOISONNÉ’ PORCELAIN VASE

    TONY O’MALLEY GOUACHE AT O’DRISCOLL ONLINE ART SALE

    Monday, February 24th, 2025

    Tony O’Malley (1913-2003) – Untitled (1973) UPDATE: THIS MADE 1,300 AT HAMMER

    This gouache on paper by Tony O’Malley kicks off Morgan O’Driscoll’s Irish art online auction which runs until March 4. One of Ireland’s leading painters O’Malley settled in St. Ives in 1960 and was part of the artistic community there though is painting never completely assimilated the formality of British abstract painters. This work is estimated at €1,000-€1,500. The catalogue for the sale is online.

    AT HOME INTERIORS SALE ON VIEW AT ADAMS

    Sunday, February 23rd, 2025

     A 19th century console table (€1,000-€1,500). UPDATE: THIS MADE 3,800 AT HAMMER

    An 18th century marquetry inlaid longcase clock (€3,000-€5,000) is the most expensively estimated lot at the online interiors “At Home” auction now on view at Adams in Dublin. On offer are contents from the 18th century Springfield House, Celbridge and some lots from Buswell’s Hotel in Dublin.

    Among the latter are a pair of 19th century Famille Rose vases (€600-€1,000) and a pair of French boulle tortoiseshell inlaid and ebonised side cabinets (€1,500-€2,000).  Highlights from Springfield House include a large giltwood and gesso mirror (€2,000-€3,000), a 19th century console table with marble top (€1,000-€1,500), the Wales made longcase clock mentioned above and two 20th century recumbent bronze hounds.  There is a good selection of paintings including 19th century copies of art by Caravaggio, Corregio and Rembrandt.  Nearly 500 lots are to be sold and the auction gets underway at 11 am on February 25.

    Alfred de Breanski snr. (1852-1928) – Burnham Beeches near Windsor (€1,000-€2,000). UPDATE: THIS MADE 500 AT HAMMER

    A TEFAF FOCUS ON ARTISTS OVERLOOKED FOR THEIR GENDER

    Saturday, February 22nd, 2025

    Centuries of discrimination cannot be overturned in a blink but as the search for overlooked artists gathers pace the small steps being taken at TEFAF might herald a giant leap for womankind.

    Abandon by Camille Claudel at TEFAF.

    In Maastricht next month The European Fine Art Fair will highlight the work of women artists.  This trend is firmly established and unstoppable.  New discoveries are waiting to be made.

    We know the big names like Claude Lalanne, Louise Bourgeois and Hilma af Klint.  But how about  Camille Claudel, Emma Soyer, Gjertrud Hals, Marie Bracquemond, Hilla von Rebay, Juliana Seraphim, Bianca Boni, Hannelore Baron and Sheila Hicks.  Many of them are relatively obscure, largely by virtue of their gender.  Their art is about to be brought to a wider, global audience as all of them will feature at Maastricht.

    Camille Claudel (1864-1943) is a renowned sculptor but her work is little represented in major international institutions, especially when compared to that of her master, Rodin.  Galerie Malaquais of Paris will highlight her work at TEFAF.

    The Eye by Juliana Seraphim (1934-2005) at TEFAF.

    The London gallery Richard Saltoun will show work by Juliana Seraphim, a Palestinian artist and a leading member of the Middle Eastern art scene from the 1960’s to her death in 2005. Seraphim is known for her unique Surrealist style and iconography that engaged deeply with gender struggle, the liberation of female sexuality and agency, nature and spirituality. 

    Masque c1928 by Hilla von Rebay at TEFAF.

    The visionary artist and creator Hilla von Rebay (1890-1967) was part of the first wave of abstraction to sweep across the US. She is best known for her role in the creation of the Solomon R Guggenheim Museum in New York which she founded and directed as curator. Graphic work by the artist, developed in parallel with her curatorial role, is now being rediscovered and recognised as a major influence on the American art scene, both formally and theoretically.  This art will be featured by Galerie Raphael Durazzo of Paris.

    The name Emma Soyer is unfamiliar to most museum goers today but she was as well known as any of her contemporaries from the mid 1830’s to the 1840’s before her tragically early death.  According to Colnaghi: Elliott Fine Art of London, who will showcase her art, very few artists have fallen as dramatically from public and art historical awareness as Soyer.

    The Two Inseparables by Emma Soyer at TEFAF.

    No less than nine major figures of modern and contemporary art –  Ella Bergmann-Michel, Hannelore Baron, Louise Bourgeois, Pierette Bloch, Marcel Cahn, Sonia Delauney, Sheila Hicks, Vera Molnar and the American feminist artist Mira Schor – will be highlighted by Galerie Zlotowski of Paris at a booth entirely dedicated to women artists.

    Galerie Pauline Pavec will unveil unseen works by Marie Bracquemond, who ranks alongside Berthe Morisot and Mary Cassatt among the greatest figures of Impressionism, at TEFAF.  The selection of art by women at the fair ranges from Roman miniatures to contemporary sculpture, Modern masters and Palestinian Surrealism. 

    The broad ranging European Fine Art Fair at Maastricht enjoys an unrivalled appeal as a destination for collectors, curators, art market professionals and art lovers.  From March 15-20 it will feature more than 270 prestigious dealers from 22 countries in a not to be missed fair with some of the finest works currently on the market spanning 7000 years from antiquity to the present day.

    A $250 MILLION ART COLLECTION AT CHRISTIE’S NEW YORK

    Friday, February 21st, 2025

    PIET MONDRIAN (1872-1944) Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue, 21 ¼ x 21 in. (54 x 53.3 cm.) Painted in Paris in 1922. UPDATE: THIS MADE  $47.6 million

    Art by Mondrian, Magritte, Picasso, Giacometti, Warhol and other luminaries will come under the hammer at Christie’s in New York in May in a single owner evening sale. The Leonard and Louise Riggio collected works will be offered during Spring Marquee Week. The founder of Barnes and Noble died last year and his widow is downsizing from her Manhattan apartment on Park Avenue. With more than 30 works that represent an anthology of changing ideas, the works in the collection range from Surrealist musings to reflections on the influence of Classicism. Collectively, the artworks in the sale are expected to realise in excess of $250 million.  The collection will be toured to London, Hong Kong, Paris, Dubai and Los Angeles.

    The Mondrian is expected to be the top lot with an estimate that is expected to top the $51 million record for a work by the artist set in 2022. The selection also features two exemplary Surrealist paintings by René Magritte, including the first work from his most highly coveted series, L’empire des lumières, and Les droits de l’hommes completed just a year prior, in January 1948. Further highlights include a 1937 Pablo Picasso portrait of the renowned photographer Lee Miller and three Alberto Giacometti sculptures, including Femme de Venise I, conceived in 1956 and cast in 1958.

    Bonnie Brennan, Christie’s Chief Executive Officer, said: “It is an honour to be entrusted with this inimitable collection, a tribute to Leonard and Louise Riggio and their enduring legacy as patrons of the arts and passionate collectors. Each artwork included in this encyclopedic collection is exemplary, demonstrating the Riggios’ deep appreciation for human creativity. Christie’s strives to present exceptional art and objects, and this seminal collection, to be offered to a global audience this spring, will be a highlight of the year.” 

    René Magritte – L’empire des lumières. UPDATE: THIS MADE $35 million

    RESTITUTED EGON SCHIELE ARTWORK AT CHRISTIE’S IN LONDON

    Thursday, February 20th, 2025

    Egon Schiele –  Knabe in Matrosenanzug (Boy in a Sailor Suit) 1914. UPDATE: THIS MADE £3,307,000

    Egon Schiele’s Boy in a Sailor Suit is among the highlights at Christie’s 20th/21st Century evening sale on March 5. Part of the collection of Fritz Grünbaum the work is being offered following a restitution agreement. The collection was lost when the Nazis annexed Austria in the late 1930s, and Mr. Grünbaum and his wife Lilly were sent to concentration camps where they perished. Grünbaum was a celebrated cabaret performer, writer, actor and outspoken opponent of Nazism, active in Vienna during the early twentieth century.  Over the course of his life, he purchased over 80 works by Egon Schiele spanning the full range of Schiele’s creative output. The estimate is £1 million – £1.5 million and proceeds will help the Grünbaum Fischer Foundation support underrepresented performing artists.

    For more than a quarter of a century, Christie’s has engaged with the legacy of Nazi-era and World War II art theft and dispossession. Losses during 1933–1945 to Europe’s collections, in particular those of Jewish collectors, through persecution, confiscation, and forced sales continue to resonate strongly in the art world today.

    WHYTES IRISH ART SALE NOW ON VIEW IN DUBLIN AND ONLINE

    Thursday, February 20th, 2025

    Paul Henry RHA (1876-1958)- LAKE AND MOUNTAINS IN CONNEMARA, 1933-6. UPDATE: THIS MADE 270,000 AT HAMMER

    Viewing for Whyte’s sale of Important Irish Art on March 3 gets underway in Dublin today. The top lot, of 129, is Paul Henry’s Lake and Mountains, Connemara which is estimated at €250,000-350,000. A trio of works by Paul Henry lead the sale. West of Ireland Landscape (€150,000-200,000) and Cottages Connemara (€80,000-120,000) also feature. There is art by Rose Barton, Nano Reid, Mary Swanzy, William Leech, Colin Middleton, a collection of drawings by William Orpen from the collection of Alan and Mary Hobart, work by Sean Scully, Donald Teskey, John Shinnors, Edward Delaney, Rowan Gillespie and many more.

    AN IRISH BUREAU WITH CHURCHILL PROVENANCE

    Wednesday, February 19th, 2025

    Irish 19th Century mahogany Bureau stamped J.Kerr & Co., No. 68931. UPDATE: THIS MADE 9,500 AT HAMMER

    By family tradition this bureau was a gift from Sir Winston Churchill to General Sir Bindon Blood. It comes up as lot 576 at Fonsie Mealy’s sale in Castlecomer on March 5 and 6 with an estimate of €1,000-€1,500.

    Churchill served under Blood on the North West Frontier in 1897 and dedicated his first non-fiction book – The Story of the Malakand Field Force – to him. Churchill’s dedication reads: “Major-General Sir Bindon Blood, K.C.B., under whose command the operations therein recorded were carried out; by whose generalship they were brought to a successful conclusion; and to whose kindness the author is indebted for the most valuable and fascinating experience of his life”.

    Born in 1842 Blood attended The Royal School, Banagher, Co. Offaly, Queen’s College, Galway and the Addiscombe Military College before being commissioned in the Royal Engineers in 1860. After service in Egypt, Afghanistan, India and South Africa he retired to London in 1907. He was made colonel commandant of the Royal Engineers in 1914 and worked to recruit soldiers for the First World War. He was aged 94 when he was made Chief Royal Engineer in 1936. He died in 1940.

    A TITIAN AT TEFAF MAASTRICHT

    Monday, February 17th, 2025

    Tiziano Vecellio, known as Titian – Madonna and Child with St. Mary Magdalene

    Not every fair boasts a Titian but there is one among the highlights at TEFAF Maastricht which runs from March 15-20. Trinity Fine Art of London will bring this painting by the Venetian master of a Madonna and Child with St. Mary Magdalene dated to around 1555-1560. It is being brought to light after being hidden from public view in various private collections for more than two centuries. The picture is remarkable for its sophisticated composition and emotional depth; the superb quality of the brushwork and the excellent condition of the painted surface give this picture the edge over other versions of the same subject hanging in some of the world’s leading museums, such as the Hermitage, the Gallerie degli Uf izi, and the Museo di Capodimonte. Fascinating details relating to Titian’s studio practices were revealed when the painting was X-rayed in 2024, in this case demonstrating how Titian modi ied and changed the composition