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    PICTURE POSTCARD PERFECT AT WHYTE’S AUCTION

    Saturday, January 12th, 2019
    Postcards offer a fascinating and enduring pictorial record in a way that social media is unlikely to achieve.  More than 100,000 postcards from the collection of late Dubliner Seamus Kearns will come up at Whyte’s in Dublin on January 26.  There are cards from the length and breadth of Ireland in a collection that includes topographical views, historic events, advertising, comic cards and greeting cards.  The worldwide collection features German Gruss Aus (Greetings from) cards, examples of Art Nouveau and Art Deco and glamour cards.

    A founder of the Irish Picture Postcard Society Seamus Kearns (1929-2014) began collecting stamps in the 1930’s and fell in love with old postcards in the 1950’s when he started amassing this collection.  He provided many exhibitions around the country including a show at the Guinness Hopstore in 1994. The main value is in Irish topographical and historical Irish cards.  There are views of villages and towns from the early 1900’s to the 1950’s.  Historic events like the 1916 Rising are covered.  Every county is represented with views which show a transition from muddy roads and horse drawn vehicles to tarmac, trams, buses and motor cars. Auction estimates range from 50 to 3,000.  The collection has been broken up into 500 lots with a total estimated value of 50,000-70,000.  The number of cards per lot varies from ten to over 3,000.  A collection of 110 cards of Belfast is estimated at 50,  a collection of Irish advertising cards is estimated at 3,000.  The catalogue is online and the sale can be viewed at Whyte’s from January 23.

    Lot 411 is an album of 480 mixed advertising and Art Deco cards UPDATE: THIS MADE 1,400

    Patrick’s Hill, Cork from an album of 130 cards of Cork and Queenstown (200-300).  UPDATE: THIS SOLD FOR 50

    A collection of 45 postcards of Lucan (80-120). UPDATE: THIS SOLD FOR 300

    Lot 311 is an album of 120 Irish advertising cards (200-300)  UPDATE: THIS MADE 400

    MALTON AND ORPEN AT SOTHEBY’S FINE ART SOCIETY SALE

    Thursday, January 10th, 2019

    Works by James Malton and Sir William Orpen are amongst the Irish lots at Sotheby’s upcoming sale The Fine Art Society: 142 years on New Bond Street next February 5. Malton’s View of the Provost’s House and Trinity College, Dublin is estimated at £20,000-30,000.  The watercolour with pen and ink is signed and dated 1796.

    Orpen’s oil of canvas of Miss Dorothy Stiles, a keen golfer who grew up in the Scots medical world, has an estimate of £40,000-60,000. It was commissioned by her parents for her 21st birthday.  Dorothy is the only person to have been captain of Gullane Ladies Golf Club in East Lothian twice.

    JAMES MALTON – VIEW OF THE PROVOST’S HOUSE AND TRINITY COLLEGE DUBLIN

    SIR WILLIAM ORPEN – DOROTHY STILES

     

    LANDMARK UPCOMING EXHIBITIONS AT IMMA

    Tuesday, January 8th, 2019

    Janet Mullarney – Lenience (paesaggio di compassione)

    The Irish Museum of Modern Art (IMMA) is one venue in this country where the focus is on the shock of the new.  At IMMA in 2019 there will be landmark solo exhibitions by Derek Jarman (UK), Doris Salcedo (Columbia), Walker and Walker (Ireland), Kim Gordon  (US) and a show that places Lucian Freud and Jack B. Yeats side by side. Two solo displays by Irish artists Fergus Martin and Janet Mullarney will be presented as part of the IMMA Collection Then and Now series with work from the 1990’s to the present.

    Martin elicits geometric forms that give space to his preoccupations with space, colour, tension and materials through painting, sculpture and photography. The multiplicity of Janet Mullarney’s career will be displayed in a wide ranging body of work which focuses on the importance she places on materials and the meanings they convey in sculpture. An international group exhibition exploring desire in art from the 20th century to the digital age completes a busy series of upcoming events at IMMA.

    RIJKSMUSEUM TO MARK 350TH ANNIVERSARY OF BIRTH OF REMBRANDT

    Monday, January 7th, 2019
    The 350th anniversary of Rembrandt’s birth falls this year and the Rijksmuseum in Amsterdam will mark it with a series of exhibitions and special events. Celebrations kick off on February 15 when the museum will present for the first time an exhibition of all 22 paintings, 60 drawings and more than 300 of the finest examples of Rembrandt’s prints in its collection. In July the public are invited to watch as the restoration of The Night Watch gets underway in a clear glass chamber designed by French architect Michel Wilmotte. A Rembrandt- Velazquez exhibition later in the year will showcase paintings by the two great masters of the 17th century.
    Rembrandt’s art embraces a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes as well as animal studies. His self portraits enable us to come to know him at all stages of his life. He made nearly 100 self portraits including over 40 paintings.  Here are two examples:

    Rembrandt Self Portrait c1628.

    Rembrandt Self Portrait wearing a soft hat (1632-36).

    SEARCH FOR THE NORTH WEST PASSAGE RECALLED IN ARTWORK

    Sunday, January 6th, 2019

    This painting of HMS Resolute in Search of Sir John Franklin recalls the search for the north west passage and British explorer Sir John Franklin. He had served in the Battle of Trafalgar and afterwards became one of the most famous names in Polar exploration. He set sail for the North Pole and thence into the Northwest passage from the Bering Strait, searching for a route which would connect trade between the Atlantic and Pacific via the Arctic. Franklin’s ships were last seen by a whaler off Baffin Bay in August 1845, and they had enough supplies to last until summer 1848 When painted by Francois Etienne Musin the explorer and his crew aboard HMS Erebus and Terror were understood to be in difficulty in the Canadian Arctic. Their whereabouts remained unknown. Led by the Admiralty and championed energetically by Lady Franklin numerous searches were conducted from Canada. In 1850 a squadron of four vessels commanded by HMS Resolute was dispatched, using dog sleds and even primitive hydrogen balloons with messages attached. Unbeknownst to those at home, Franklin had already died some three years earlier. Franklin’s expedition, the countless searches led to find him, and later the tragic fate that befell the men caught the imagination of the Romantic movement. The wrecks of Franklin’s ships were discovered in 2014 and 2016 off King William Island. As climate change disrupts ice in the Arctic, the North-West passage has today become navigable for small ships. The painting was sold for £100,000 at Sotheby’s in December.

    ANNUAL TURNER SHOW AT IRELAND’S NATIONAL GALLERY

    Tuesday, January 1st, 2019

    JMW Turner (1775-1851) – The Rialto Bridge, Venice

    JMW Turner (1775-1851) – The Doge’s Palace, Venice

    The THE annual January exhibition of Turner watercolours runs at the National Gallery of Ireland from New Year’s Day until the 31st of the month. Turner – The Vaughan Bequest opens alongside an exhibition of prints from the artist’s Liber Studiorum series comprising landscape and seascape exhibitions.

    Inspired by Claude Lorrain’s Liber Veritatis or book of truth – a series of drawings conceived as a record of his landscape paintings to prevent forgery –  Turner’s most ambitious publishing venture was the Liber Studiorum print series.  In contrst to Claude, the Liber Studiorum by Turner was a set of 71 original compositions aimed at elevating the status of landscape art.

    This printing project made Turner’s work accessible to a wider audience and served as an effective advertisement for his work. In 1903, the National Gallery of Ireland was presented with a complete set of Liber Studiorum prints by the Irish-born clergyman Stopford Augustus Brooke (1832-1916).

    In 1900 the National Gallery received a bequest of 31 Turner watercolours and drawings from English collector Henry Vaughan (1809-99).  In his will Vaughan divided his collection between the national galleries of London, Edinburgh and Dublin and stiplulated that the watercolours should be exhibited every year, free of charge, in January when natural light is at its most favourable for delicate watercolours.

    The works arrived in September 1900 in a custom made oak cabinet which is also on display this year.  They were first exhibited in January 1901. The Gallery continues to adhere to the conditions of the bequest and the collection remains in pristine condition.

    Born in 1775, Joseph Mallord William Turner began his career as a topographical artist.  The Vaughan Bequest at the National Gallery of Ireland is a representative collection of Turner’s work on paper. Highly finished works, engraved for various print series, hang side-by-side with evocative sketches from his annual tours of Switzerland and Italy.  The collection tracks Turner’s development as an artist and reveals his enthusiasm for landscape.   Illustrated are two of his Venice watercolours as a complement to the Canaletto exhibition also on now at the National Gallery.

    A PIVOT ON WHICH ART HISTORY TURNS

    Saturday, December 29th, 2018

    Las Meninas by Diego Velazquez painted in 1656:

    JEAN CURRAN AT DANZIGER GALLERY, NY CITY

    Saturday, December 29th, 2018

    The Vertigo Project by Irish photo artist Jean Curran is now on show at the Danziger Gallery in New York – one of the leading photography venues in the world.  The artist takes key scenes from Alfred Hitchcock’s Vertigo to reveal the cinematographic artistry of the film, considered his greatest achievement.

    In full co-operation with the Hitchcock estate Curran edited select frames from a rare original technicolour print.  She then printed them using the same dye transfer process with which the film was made.  The switch from moving picture to still prints created a medium jumping work in its own right.  The 20 still images feature the stars of the 1958 film, James Stewart and Kim Novak.  The New York exhibition runs to January 26.

    A VIEW OF VENICE BY MONET AT SOTHEBY’S

    Sunday, December 23rd, 2018

    Claude Monet – Le Palais Ducal  UPDATE: THIS SOLD FOR £27.5 MILLION

    A rare view of Venice by Claude Monet will come to auction for the first time at Sotheby’s Impressionist and Modern Art evening sale in London on February 26. Le Palais Ducal has been in the same family collection since 1925 when it was acquired by Erich Goeritz, a Berlin-based textile manufacturer. Goeritz built an extensive collection that was both eclectic and forward-thinking, counting among its number celebrated works such as Édouard Manet’s Un bar aux Folies-Bergère, now in the Courtauld Insitute of Art, London.  Philanthropic in his artistic endeavours he gifted a substantial number of works to the newly founded Tel Aviv Museum of Art in 1933 as well as donating to British institutions including the British Museum and the Tate

    Claude Monet arrived in Venice on 1 October 1908 – and, taken aback by the splendour of what he saw, the artist declared the city ‘too beautiful to paint’. Enchanted by the city, Monet painted just under forty canvases during the course of his three month stay, the greater part of which adorn the walls of museums across the globe. This one depicts the historic Gothic façade of the Doge’s palace, and it belongs to a celebrated group of three works painted from the vantage of a boat moored along the canal, one of which is held in the collection of the Brooklyn Museum in New York.  Painted in 1908 Le Palais Ducal is estimated at £20-30 million.

    SOTHEBY’S AUCTION SALES TOTAL $5.3 BILLION IN 2018

    Friday, December 21st, 2018

    Auctions at Sotheby’s worldwide totalled $5.3 billion in 2018.  This is a 12% increase over 2017. Online buyers spent more than $200 million this year and 25% of all lots sold in 2018 were sold online.  The top lot of the year at any auction house was Modigliani’s Nu Couche which sold for $157.2 million in New York in May.  This was the highest auction price in Sotheby’s history.

    Queen Marie Antoinette’s pearl sold for $36.2 million in Geneva in November.

    Amedeo Modigliani Nu couché (sur le côté gauche) Signed Modigliani (lower left)