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  • Archive for December, 2010

    EILEEN GRAY AT CHRISTIE’S SALE OF THE GOURDON COLLECTION IN PARIS

    Friday, December 3rd, 2010

    Eileen Gray's Black lacquer screen, courtesy of Christie's, estimated at up to 1.5 million euro. (click to enlarge) UPDATE: IT MADE 1,353,000

    IRISH designer Eileen Gray (1879-1976) is one of the leading names featured

    The Bibendum armchair by Eileen Gray, courtesy of Christie's images. (click to enlarge) UPDATE: IT MADE 709,000

    in an extraordinary collection to be sold at Christie’s in Paris in March 2011. Christie’s will offer the Gourdon Collection, estimated to achieve between 40 and 60 million euro, at the Palais de Tokyo in Paris on March 29, 30 and 31.

    Housed at the medieval Château de Gourdon near Grasse the collection focuses principally on the classicism of Art Deco and on the emergence of Modernism in France.  It includes an important group of works by Eileen Gray. Celebrated as a single-minded and individualistic character the County Wexford born designer managed to capture and express in her own way the prevailing spirit of the age in design through the first decades of the 20th century.
    In February 2009  her  ‘dragons’ chair, circa 1917-1919 –  see Design Record on antiquesandartireland.com – achieved the record sum of  €21 million at the sale of the Yves Saint Laurent-Pierre Bergé collections at the Grand Palais.
    In the early 1920s Gray choose to move away from the highly refined lacquer work of her early days to focus on more functionalist designs in metal, glass and painted wood, inspired at first by the Modernist ideas of the Dutch De Stjil movement.
    No less than 15 works by Eileen Gray featured in this sale include the black lacquered Brick’ screen (est. 1,200,000-1,500,000) developed from the panels she used in the hallway of the apartment of Suzanne Talbot on Rue de Lota, circa 1922. An example of this screen is now in the master bedroom of the Irish government mansion at Farmleigh in Dublin. The black and yellow base of her floor light (€400,000-600,000) resembles a piece of Constructivist architecture.
    Her Transatlantique armchair (€1,000,000-1,500,000) was formerly the property of her friend and collaborator architect Jean Badovici, founder of the avant-garde magazine L’Architecture Vivante, 1923 and the ‘Bibendum’ armchair (€800,000-1,200,000) is clearly evocative of the logo of tire-manufacturer Michelin.

    ANOTHER AUCTION FALLS FOUL OF WEATHER

    Friday, December 3rd, 2010

    THE auction at Marshs in Cork scheduled for Saturday, December 4 at noon has been postponed due to bad weather. It will now take place on Saturday, December 11 at noon.

    IRISH ART PRICED TO SELL AT DE VERES

    Thursday, December 2nd, 2010

    The Great Fight by Michael Farrell at de Veres in Dublin on December 8. (click to enlarge) UPDATE: IT MADE 14,000

    More than 140 lots of Irish art will come under the hammer

    Composition in Red, Black and Lime Green is the title of this c1952 gouache by William Scott at de Veres on December 8. UPDATE: IT WAS UNSOLD. (click to enlarge).

    at de Veres in Dublin on December 8.  Most are fresh to the market and realistically priced.

    The auction features two works by Michael Farrell (1944-2000).    “The Great Fight”, shows American heavyweight Jack Dempsey being knocked out of the ring in the 1923 world title fight and is estimated at 8,000-12,000.

    The William Scott in this sale, Composition in Red, Black and Lime Green, dates from 1952 and carries a similar estimate. The sale features five works by Dan O’Neill from a Dublin collection and a selection of good works by Markey Robinson.  Among other artists on offer are Basil Blackshaw, Peter Curling, Gerard Dillon, Evie Hone, Tony O’Malley, Colin Middleton and Hughie O’Donoghue.
    The sale is at the D4 Berkeley Hotel on Wednesday, December 8 at 6 p.m.
    UPDATE:  About 60 per cent of lots were sold in an auction which realised around 325,000.  The top lot was Fishermen’s Wives by Dan O’Neill. It made 28,000.  A second O’Neill, entitled “And yet another” made 15,500.  Evie Hone’s Abstract Composition sold for 11,500 and Yellow Head by Basil Blackshaw made 10,500.Early in Summer by Nano Reid sold for 4,000 as did Tony O’Malley’s Two Trout on a Newspaper.  Village in the West of Ireland by Gerard Dillon made 6,200, a silkscreen print by William Scott entitled A Girl Surveyed made 2,000 and most of the Markey Robinsons in the auction sold for figures within their estimates.

    DUCHESS OF WINDSOR JEWELS EXCEED ESTIMATES

    Wednesday, December 1st, 2010

    This onyx and diamond panther bracelet with emerald eyes by Cartier established a new record price for any bracelet at auction. (click to enlarge)

    The 20 exceptional jewels and precious objects formerly in the collection of The Duchess of Windsor made £7,975,550 at Sotheby’s in London on November 30.  This figure was well in excess of the pre-sale expectations of £2,906,000.  The sale was 100% sold by lot and value.

    The top-selling lot was an onyx and diamond panther bracelet by Cartier, Paris in 1952.  It was chased by four bidders and made £4,521,250, more than double the pre-sale estimate of £1-1.5 million.  This price establishes a new record for Cartier at auction and for any bracelet at auction.  The second highest price was paid for a ruby, sapphire, emerald, citrine and diamond flamingo clip, mounted by Cartier, Paris, 1940.  It was purchased by Collection Cartier for £1,721,250, a price comfortably over pre-sale expectations of £1-1.5 million.
    The jewellery was mostly bought by Edward VIII for his American wife Wallis Simpson.  He renounced his claim to the British throne in 1936 to marry the American divorcee and they became the Duke and Duchess of Windsor.
    The original Jewels of the Duchess of Windsor sale in 1986 made 31 million pounds and still ranks as the most valuable single owner jewellery sale ever.  The 20 pieces in this sale came from a single owner who acquired them at the 1986 auction.