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    ONLINE SALE OF PERSONAL ITEMS FROM FRIEDRICH VON HAYEK

    Sunday, March 3rd, 2019

    Items from the personal collection of the Nobel Prize winning economist and political philosopher Friedrich August von Hayek (1899-1992) come up at an online sale at Sotheby’s from March 8-19. From his Nobel Prize and Presidential Medal of Freedom, to his typewriter, writing desk, and personal annotated version of Adam Smith’s The Wealth of Nations, the dedicated online sale is timed to coincide with the 75th anniversary this month of the publication of Hayek’s seminal publication, The Road to Serfdom.

    Hayek’s explanation of the relationship between market forces and personal freedom, among his other theories, had a profound impact on the shaping of the modern world. From the collapse of the Soviet Union, and the governments of Margaret Thatcher and Ronald Reagan, Hayek’s theories influenced some of the major political moments in Western history.  In more recent years, his conflicting views with rival economist John Maynard Keynes about how to conquer the Great Depression were brought into sharp focus following the economic crash of 2008.

    Born in Vienna in 1899, Hayek’s family was part of the city’s intellectual elite: his father was a doctor with a keen scholarly interest in botany; both of his grandfathers were scholars and his mother the first cousin of prominent Austrian philosopher, Ludwig Wittgenstein. The civilisation of Hayek’s childhood disintegrated with World War One and his youth was inevitably marked by service in the artillery in the brutal Mountain War on the Italian Front. In later years Hayek preferred to recall these years by telling of his hapless attempt to deliver a transport of live eels to the front, but he also acknowledged how the war profoundly shaped his outlook and his resulting theories.

    The Nobel Prize awarded for Economic Science in 1974  UPDATE: THIS SOLD FOR £1.1 MILLION AND ESTABLISHED A NEW RECORD FOR ANY ITEM SOLD IN AN ONLINE ONLY AUCTION AT SOTHEBY’S

    Friedrich August von Hayek

    SCULLY AND O’MALLEY TO FEATURE AT SOTHEBY’S MADE IN BRITAIN SALE

    Saturday, March 2nd, 2019

    An etching by Sean Scully and two works on paper by Tony O’Malley will feature at Sotheby’s Made in Britain sale in London on March 20. Sotto Voce by Scully, an etching and aquatint in colours, is estimated at £1,000-2,000.  O’Malley’s Three birds from a window  and another work entitled Winter Forms are each estimated at £1,000-1,500.  Both are charcoal, pastel and oil on paper.

    Sean Scully – Sotto Voce

    Tony O’Malley – Three birds from a window

    A COLOSSAL NUDE BY JENNY SAVILLE AT SOTHEBY’S

    Thursday, February 28th, 2019

    Juncture 1994 by Jenny Saville.  UPDATE: THIS SOLD FOR £5,442,200

    A colossal nude titled Juncture by British artist Jenny Saville is among the highlights at Sotheby’s Contemporary Art evening sale in London on March 5.  The giantess painting will be offered with an estimate between £5,000,000-7,000,000, the highest pre-sale estimate ever placed on a work by a living female artist. A paradigm of the fleshy female body in paint and Saville’s principal subject, the work was born from the artist’s study of twentieth-century feminist theory and the male-dominated canon of traditional nude portraiture. Towering three metres tall, the painting celebrates the female body in a way that squares up to the depictions of women in the traditional art historical canon, and to modern society’s obsession with ageless perfection and petite symmetrical proportion.

    The sale will comprise a total of 68 lots, ranging from a private collection of parodic works by rebellious German duo Albert Oehlen andMartin Kippenberger, to explosive works on paper by Jean-Michel Basquiat, an iconic Pop canvas by Roy Lichtenstein, and the inexorable gaze of Lucian Freud. 70% of lots will appear on the market for the first time, with 35% heralding from five private collections including that of Marc Jacobs, David Teiger and Louis J.C. Tan.

    Albert Oehlen – Die Badenden, 1999 (£1 – 1.5 million)   UPDATE: THIS MADE £2,295,000

    Sean Scully – Landline (£700,000-£1 million)  UPDATE: THIS SOLD FOR £831,000

    NEW WORLD RECORD FOR A VENETIAN VIEW BY MONET AT SOTHEBY’S

    Tuesday, February 26th, 2019

    Claude Monet – Le Palais Ducal

    There was a new world record for a Venetian view by Monet at Sotheby’s in London on February 26. Le Palais Ducal from 1908 sold for £27.5 million.  The evening sales of  Impressionist, Modern and Surrealist Art brought a total of £87.7 million.  Following the strength of results for German and Austrian art at Sotheby’s New York last November, the London auction saw a continued demand for rare and important pieces from the region, with six works together bringing £25.5 million.

    The group was led by Egon Schiele’s Trieste Fishing Boat from  (1912) which sold for £10.7 million.  Schiele’s  Auf dem Bauch liegendes Mädchen, a major work on paper, was pursued by six bidders from Europe and Asia, selling for £1.6 million. Ernst Ludwig Kirchner’s Mädchen auf dem Diwan (1906) made its auction debut at £3.8 million and was sold to benefit the Museum of Modern Art, New York’s acquisition fund.

    The Surrealist sale was led by René Magritte’sbold and beautifully painted L’Etoile du Matin (1938), which sold for £5.3 million.

    SPRING ART SELLING SEASON TO START IN LONDON NEXT WEEK

    Friday, February 22nd, 2019

    The big art selling season gets underway in London next week with Impressionist and Mondern Art and the Art of the Surreal evening sales at Sotheby’s and Christie’s on February 26 and 27 respectively.

    Highlights at Sotheby’s include Monet’s Le Palais Ducal in Venice (£20-30 million) and Egon Schiele’s modernist vision of a Trieste fishing boat (£6-8 million) as well as three visually arresting paintings by Magritte as well as work by Kirchner, Chagall, Picasso, Rodin, Degas, Jean Arp and Man Ray.

    Christie’s will offer Monet’s waterlilies – Saule pleureur et bassin aux nympheas, a Still Life by Cezanne, an early Van Gogh portrait and art by Paul Signac, Gustav Caillebotte, le Corbusier, Degas, Picasso and Alexej  von Jawlensky.  Here is a sample of upcoming highlights:

    Paul Cézanne Nature morte de pêches et poires at Christie’s  UPDATE: THIS MADE £21.2 MILLION

    Egon Schiele (1890 – 1918)
    Triestiner Fischerboot (Trieste Fishing Boat) at Sotheby’s  UPDATE: THIS SOLD FOR £10.7 MILLION

    Gustave Caillebotte Chemin montant at Christie’s  UPDATE: THIS MADE £16.6 MILLION

    Claude Monet – Le Palais Ducal at Sotheby’s  UPDATE: THIS MADE £27.5 MILLION

    SFMOMA TO SELL UNTITLED 1960 BY ROTHKO FOR ACQUISITIONS

    Friday, February 15th, 2019

    Mark Rothko – Untitled, 1960 UPDATE: THIS SOLD FOR $50.1 MILLION

    Untitled 1960 by Mark Rothko will highlight Sotheby’s Contemporary evening art auction in New York next May.  Estimated at $35-50 million it is being sold to benefit SFMOMA’s acquisition fund.

    Untitled, 1960 is one of just 19 paintings completed by the artist in 1960.  That year marked a critical juncture in his career when he was at the apex of his artistic powers. It followed on from his defining commission of the Seagram Murals (1958-59) and his representation of the United States in the XXIX Venice Biennale in 1958.  This was organised by the Museum of Modern Art, New York, which would subsequently hold Rothko’s first and only major lifetime retrospective in 1961.

    Following a collection review, and working within the guidelines of the Association of Art Museum Directors (AAMD), proceeds from the sale of Untitled, 1960 will only be used to purchase works for the museum.  Neal Benezra, Helen and Charles Schwab Director of SFMOMA, said: “With a spirit of experimentation, diversity of thought, and openness to new ways of telling stories, we are rethinking our exhibitions, collections, and education programs to enhance accessibility and expand our commitment to a global perspective, while sustaining our dedication to Bay Area and California art. Untitled, 1960 is being sold in order to broadly diversify SFMOMA’s collection, enhance its contemporary holdings, and address art historical gaps in order to continue to push boundaries and embrace fresh ideas.”

    Untitled, 1960 will travel to London, Taipei and Hong Kong, before returning to New York for exhibition and auction this May.

    AN EARLY GAUGUIN AT SOTHEBY’S IN PARIS

    Thursday, February 14th, 2019

    Paul Gauguin Le Jardin de Pissarro, Quai du Pothuis à Pontoise, 1881 (recto)
    Deux esquisses d’autoportrait (verso)

    An early landscape by Paul Gauguin, which has been in the same collection for nearly a century, will come up at Sotheby’s Impressionist and  Modern art sale in Paris on March 29.   Le Jardin de Pissarro, Quai du Pothuis à Pontoise, 1881, has rarely been exhibited: in 1964 in Pont-Aven and, more recently, at a hugely popular exhibition at the Cleveland Museum of Art in 2016.

    The work is rare in more than one respect: Gauguin’s paintings from this period hardly ever appear on the market, and the two self-portraits by the artist on the back of the canvas make it truly unique.  According to the catalogue raisonné on Gauguin, these are the first known self-portraits by the artist. It appears certain that they were executed after the landscape. While they are painted on a blank background, both are of an exceptional quality, presaging some of Gauguin’s most famous self-portraits, made a few years later.

    Between 1879 and 1881, Gauguin frequently visited Pissarro, whom he called his “dear teacher” in a number of letters. He would often stay in Pontoise, where Pissarro lived. The latter launched Gauguin’s career as a painter and taught him all the technique he required. These were formative years for Gauguin’s art. As Christophe Duvivier, Director of the Pontoise museums, puts it: “With Pissarro, Gauguin learnt to see landscape and summarise it.”

    The friendship between the two men is reflected in a joint work made in 1880 and kept at the Musée d’Orsay: a portrait of Gauguin by Pissarro combined with a portrait of Pissarro by Gauguin. The house featured in this painting is where Pissarro lived in Pontoise between summer 1881 and November 1882.  The figure underneath the umbrella is likely to be Pisarro, who often painted thus.  The work is estimated at 600,000-900,000.

    LUCIAN FREUD’S PORTRAIT OF GARECH BROWN TO MAKE AUCTION DEBUT

    Thursday, January 31st, 2019

    Lucian Freud – Head of a Boy 1956.  UPDATE: THIS SOLD FOR £5,799,100

    Lucian Freud’s 1956 portrait of Garech Browne – Head of a Boy – will make its auction debut at Sotheby’s Contemporary Art evening sale in London on March 5. The portrait bespeaks the lifelong friendship between Lucian Freud and Garech Browne – dedicated patron of Irish music, poetry and culture, Guinness heir, and last custodian to the magical Luggala estate.

    Freud first visited Luggala in the 1940’s with his wife Kitty, before eloping with Garech’s cousin, Lady Caroline Hamilton-Temple-Blackwood, in 1952. This painting of a young Garech was created at the Luggala estate during a potentially fractious moment in the course of Freud’s tempestuous second marriage; he and Caroline acrimoniously separated in 1957, barely a year after its execution.

    Embodying the sensational powers of observation which famously characterise Freud’s work, this is a remarkable example of portraiture executed when Freud was just 34 years of age.  Small in scale and yet boasting a remarkable emotional intensity, the 18 by 18cm work is at once testament to the artist’s masterful control over his subject, and a tremendous tribute to the sitter – the late Hon. Garech Browne.  The portrait hung adjacent to the fireplace in the grand sitting room at Luggala for over half a century.  It is estimated at £4.5-6.5 million.

    Garech, who founded Claddagh Records in 1959, became custodian of Luggala in 1970 and continued the legacy of legendary Guinness hospitality.  He relished live performances by musicians. The Luggala visitors’ book highlights the diversity of musicians who spent time at the house from 1970: singer Dolores Keane, composer Frederick May, singer Marianne Faithfull, Sting, Bono, The Rolling Stones, Mick and Bianca Jagger, and Michael Jackson.

    NEW WORLD RECORD FOR DRAWING BY RUBENS

    Thursday, January 31st, 2019

    Sir Peter Paul Rubens’s Nude Study of Young Man with Raised Arms.

    There was a new world auction record for a drawing by Sir Peter Paul Rubens’s when Nude Study of Young Man with Raised Arms made $8.2 million at Sotheby’s in New York.  Considered one of the most important drawings by the artist to appear on the open market in over 50 years it more than doubled the high estimate of $3.5 million.  There was intense competition between two bidders at the morning sale of Old Master Drawings.

    Drawn by the artist shortly after his return to Antwerp from Italy in late 1608 and in preparation for his monumental altarpiece, The Raising of the Cross, the drawing provides the viewer with a fascinating insight into Rubens’s working methods, as well as the energy and vigor employed by the artist in his best drawings.  Throughout his life, Rubens made substantial, chalk figure studies, but his drawings of this type are at their most imposing and sculptural in these first years back in Antwerp. At this pivotal moment, Rubens made figure studies that are genuinely Michelangelesque.

    It formerly belonged to King William II of the Netherlands and his wife Anna Pavlovna, who together amassed one of the finest collections formed anywhere in Europe in the 19th century. While many of the works they owned now reside in major museums, both in the Netherlands and around the world, this drawing was among those that passed down privately through the family.

    TRIESTE FISHING BOAT BY EGON SCHIELE AT SOTHEBY’S

    Monday, January 21st, 2019

    Egon Schiele (1890 – 1918)
    Triestiner Fischerboot (Trieste Fishing Boat)  UPDATE: THIS SOLD FOR £10.7 MILLION

    A Modernist vision of a Trieste fishing boat by Egon Schiele comes to auction for the first time at Sotheby’s Impressionist and Modern art evening sale in London on February 26.  Painted in 1912, Triestiner Fischerboot (Trieste Fishing Boat) holds a unique position in Schiele’s oeuvre.  It was created in the aftermath of what was arguably the most tumultuous and life-changing experience for the artist. Recently released from a brief period of incarceration in Neulengbach in Austria, and rejected by the local community there, Schiele’s visit to Trieste in 1912 was prompted by a desire to escape memories of the recent past, and relive memories of earlier visits shared with his sister Gerti in 1907 and 1908.

    It also prompted an unleashing of radical new artistic expression. In a year of iconoclastic developments across Europe that forever altered the direction of twentieth-century art, from Cubism, Orphism and Futurism to Expressionism, Schiele sought to explore in oil a thoroughly modernist treatment of colour, surface, pattern, texture and form. The painting is estimated at  £6,000,000-8,000,000.

    In the summer of the preceding year Schiele and the model Wally Neuzil had settled in Neulengbach seeking inspiration but Schiele’s bohemian lifestyle scandalised his conservative neighbours. The couple found themselves in a precarious position when a retired naval officer’s daughter asked for their help to run away and although they returned the girl to her parents, the artist was arrested and placed on trial. The experience and particular loss of freedom it entailed was to have a marked effect on Schiele’s life and work.