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    • Posts Tagged ‘Peter Doig’

    A PASSION FOR CONTEMPORARY ART AND EMERGING ARTISTS

    Monday, August 18th, 2025

    PETER DOIG – Country Rock, 1998-99 

    The Collection of Ole Faarup will be a highlight at Christie’s 20th/21st Century Art Marquee Week in October. Comprising in the region of 140 lots and with an overall estimate of around £16,000,000–22,000,000 it will be offered in a series of sales, the 20th/21st Century London evening sale on October 15, the Post-War and Contemporary Art day sale on October 16 and a dedicated online auction from October 8–21. Assembled over fifty years it is a striking testament to Ole Faarup’s passion for contemporary art and emerging artists, which made him one of the most respected art collectors of his generation.

    Proceeds will benefit The Ole Faarup Art Foundation which carries forward his vision to nurture and support future generations of artists. Inspired by five decades of passionate and thoughtful collecting, the Foundation is dedicated to helping younger artists by placing their work in museums and public collections in Denmark and around the world. A special focus for the Foundation is to support Danish artists up to the age of 50, including those from the Faroe Islands and Greenland – one of its key objectives will be facilitating their first museum or kunsthalle exhibition abroad. 

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    GAUGUIN AND CONTEMPORARY LANDSCAPE AT ORDOVAS IN LONDON

    Thursday, February 29th, 2024
    Paul Gauguin (1848-1903) – Le toit bleu or Ferme au Pouldu Painted in 1890. Courtesy Ordovas

    Gauguin and the Contemporary Landscape, an exhibition of five paintings exploring the enduring influence and appeal of nature on artists working over a century apart, opens today at Ordovas at Savile Row in London. At the centre of the exhibition is a rural scene by Paul Gauguin (1848-1903) painted in Brittany in 1890. It is shown alongside works by two contemporary artists who have also redefined landscape painting: Peter Doig (b. 1959) and Mamma Andersson (b. 1962). These include a monumental and rarely seen cabin painting considered to be one of Doig’s finest works of the 1990s which is shown in public for the first time in 25 years, and a large-scale composition painted earlier this year by Andersson.

    Peter Doig (b.1959) – Camp Forestia (Care Taker) Painted in 1996 © Peter Doig. All Rights Reserved, DACS/Artimage 2024. Courtesy Ordovas 

    Le toit bleu or Ferme au Pouldu was painted by Paul Gauguin in 1890 after he had escaped the booming urban culture of Paris to explore relatively remote, seemingly uncivilised areas of Brittany, becoming the most prominent painter of the Pont-Aven school. Camp Forestia (Care Taker) was painted just over a century later in 1996 by Peter Doig, one of the most important British painters living today, and an artist who has redefined the genre of landscaping painting. Measuring almost 2 x 3 metres, it is the largest in a series of works by the artist depicting the clubhouse of a nudist colony, Camp Forestia, located on Tiger Mountain in Washington State.

    Mamma Andersson (b.1962) – Cauldron of Morning. Painted in 2023
    © Mamma Andersson. Courtesy the artist and David Zwirner 

    Stubbornly Waiting is a new composition painted earlier this year by Swedish artist Mamma Andersson, one of the foremost landscape painters working today. Also measuring almost 3 x 2 metres, this painting exemplifies the artist’s approach to landscape painting which recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. These scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theatre sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The London exhibition runs until April 26.

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    CHRISTIE’S LIVE STREAMED LONDON TO PARIS AUCTION MAKES £90.2 MILLION

    Friday, October 23rd, 2020

    The live streamed London to Paris auction at Christie’s achieved £90.2 million last evening. Peter Doig’s Boiler House led the evening sale series when it sold for £13.8 million. David Hockney’s Portrait of Sir David Webster, sold to raise funds for London’s Royal Opera House, Covent Garden, made £12.8 million. The Paris avant garde section was led by Pierre Soulages, whose Peinture 162 x 130 cm, 9 juillet 1961  sold for €5,392,500. Over 190,000 viewers tuned into the sales through Facebook, You Tube, Christies.com and Christie’s Live.

    PETER DOIG (B. 1959) – Boiler House

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    THE HISTORY OF NOW

    Thursday, August 30th, 2018

    The art of visionary collector David Teiger is to the sold at Sotheby’s in a sale titled The History of Now.  Sotheby’s will sent the $100 million collection through a series of global sales set to launch with a dedicated evening auction in London this October.  For visionary collector, patron and museum trustee David Teiger, art took precedence over all else. Redefining the meaning of connoisseurship and great collecting, Teiger considered himself a custodian of the work as opposed to its owner. A consummate collector who maintained clarity of vision and purpose over so many styles and decades in a way few collectors could, he built a kaleidoscopic collection daringly ahead of its time.

    The History of Now in London on October 5 will present Teiger’s esteemed private collection. Following his exceptionally generous lifelong support of museums, curators and institutions, proceeds from the series of sales will benefit Teiger Foundation – soon to be one of the world’s largest and most significant contemporary art foundations – set up to support and promote excellence in contemporary art.

    Lisa Dennison, Chairman, Sotheby’s Americas, said: “David’s extraordinary generosity and long tradition of supporting artists, curators, gallerists, and museums was unique. He fully understood the eco-system of the art world, and his patronage extended to a broad range of individuals and institutions in order to empower them to do their best work. His legacy will live on in his Foundation and the initiatives they will sponsor to support Contemporary Art.”

    Peter Doig, Buffalo Station I (1997-8), Estimate in excess of £6million

    Chris Ofili, Afromantics (2000-2), Estimate in excess of £1million

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    DOIG LEADS SOTHEBY’S CONTEMPORARY ART EVENING SALE

    Thursday, March 8th, 2018

    Rudolf Stingel, Untitled (2009), oil on canvas sold for £4.6 million.

    Peter Doig’s Toronto painting – The Architect’s Home in the Ravine – was the top lot at Sotheby’s contemporary art evening sale in London tonight.  It made £14.4 million.

    A packed London saleroom witnessed intense bidding on the phones for Rudolf Stingel’s monumental mountainscape Untited (2009).  This theatrical view of the Tyrolean Alps near Merano, Italy sold for £4.6 million. Christopher Wool’s  Untitled soared over its high estimate to reach £10.4 million, and a trio of abstract works by Gerhard Richter achieved a combined total of £21.3 million.

    The evening sale realised a total of £109,292,700.

    (See posts on antiquesandartireland.com for February 16, 2018 and February 11, 2016)

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    BRITAIN’S MOST EXPENSIVE LIVING ARTIST AT SOTHEBY’S

    Friday, February 16th, 2018

    Peter Doig, The Architect’s Home in the Ravine (1991

    The Architect’s home in the Ravine by Britain’s most expensive living artist Peter Doig will headline Sotheby’s Contemporary Art evening auction in London on March 7.  Painted in 1991 and estimated at £14-18 million it last changed hands at Christie’s in London two years ago when it sold for £11,282,500.   In 1991, just a year after graduating from his Master’s degree at Chelsea, Doig was awarded the highly prestigious Whitechapel Artist’s award.

    This was  one of only four works the artist chose to be included in the subsequent show at the Whitechapel Gallery. Others include Iron Hill (1991) which became the first work by the artist to sell for over £1 million at Sotheby’s auction in 2006, and Rosedale (1991) which established a new $28.8 million auction record for any living British artist last year.   The Architect’s Home in the Ravine refers to a building remembered from the artist’s childhood in Canada – the home of Eberhard Zeidler, which is situated in the wealthy Toronto suburb of Rosedale.

    Three of the four highest prices for the artist at auction have been set in the past 12 months.

    (See post on antiquesandartireland.com for February 11, 2016)

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    POST WAR AND CONTEMPORARY ART BRINGS IN £96.3 MILLION AT CHRISTIE’S

    Wednesday, March 8th, 2017

    Peter Doig’s Cobourg 3 + 1 More

    The Post-War and Contemporary Art Evening Auction at Christie’s in London totalled £96,384,000. The top price of the evening was for Peter Doig’s Cobourg 3 + 1 More, which saw determined bidding in the saleroom and on the phone and sold for £12,709,000. Mark Rothko’s No. 1 (1949) made £10,693,000. Jean-Michel Basquiat’s Self Portrait, from the collection of U2’s Adam Clayton made £2,225,000. The appeal of contemporary European masters was demonstrated by Jean Dubuffet’s painting Être et poraître (To Be and to Seem) which made £10,021,000.

    Edmond Francey, Head of Department, Post-War and Contemporary Art, London said: “The exceptional sell-through rates of 95% by lot and 98% by value demonstrate that Christie’s is able to anticipate and meet the demands of the market today. The prices achieved for American artists demonstrate that they are a significant force and London is an international platform, with top prices achieved for Carl Andre, Jean-Michel Basquiat, Alexander Calder, Robert Rauschenberg, Mark Rothko and Andy Warhol. Jean Dubuffet was another major highlight selling above estimate. The evening opened with record prices at auction for Wolfgang Tillmans, currently the subject of a celebrated retrospective at Tate Modern, quickly followed by records for Cecily Brown, Njideka Akunyili Crosby, Henry Taylor, Albert Oehlen, Carol Rama and Günther Uecker.”

    The total to date for 20th Century at Christie’s series of sales is £258,313,636.
    (See post on antiquesandartireland.com for February 10, 2017).

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    AN EARLY DOIG MASTERWORK AT CHRISTIE’S

    Monday, February 6th, 2017

    Peter Doig – Cobourg 3 + 1 More (1994).

    Peter Doig’s Cobourg 3 + 1 More (1994) comes up at Christie’s post war and contemporary art evening auction on March 7 in London. A visionary apparition rendered on a majestic scale, Cobourg 3 + 1 More conjures a distant, half-remembered reality beneath a shimmering membrane of scattered pigment. It is among the  icons of Doig’s early oeuvre. Acquired in 1994 by German insurance company Provinzial Rheinland Cobourg 3 + 1 More comes to auction for the first time in its history. Estimated at £8-12 million it will be at Christie’s New York from February 24 to 26 February and at King Street in London from March 3. Provinzial Rheinland will use the proceeds of the sale to uphold a long-standing tradition of engagement with the arts and culture in the Rhine region and to continue to acquire works of young contemporary artists.

    Francis Outred, Chairman and Head of Post War and Contemporary Art, EMERI said:  “Back in 1994 when the tendency was for cool conceptual art, Provinzial Rheinland displayed a brave collecting vision by recognising that Peter Doig was developing a new approach to painting which gave new life and energy to the medium. Standing in front of this work one is taken to a different world and through the whiteout gradually we see a memory of his childhood home landscape and begin to pick out the silhouettes of Doig himself and his brother. Up close the thick texture of snow and staccato brushmarks create a tapestry of paint, the like of which nobody had seen before.”

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    PETER DOIG LEADS CHRISTIE’S POST WAR AND CONTEMPORARY SALE

    Thursday, February 11th, 2016

    Peter Doig’s The Architect’s Home in the Ravine, painted in 1991, was the top lot at Christie’s Post War and Contemporary auction in London tonight.  It made £11,282,500 in a sale which brought in £58,099,000.  Registered bidders from 42 countries across four continents took part in an auction where 51% of works sold above estimate and 38% were within estimate.

    Works that were hotly contested included David Hockney’s Beach Umbrella (1971), which made £3,106,500. Three works by Alexander Calder from the Arthur and Anita Kahn Collection realised a total of £3,439,500 led by Crag with Yellow Boomerang and Red Eggplant (1974), which sold for £1,874,500. Zeitpunkt: Das Massaker von Muenchen (Point of time: The Massacre of Munich) by Joseph Beuys sold for £854,500 and Untitled (1973) by Robert Mangold, made £746,500. Each set a new world record for the artist.  The Yves Klein illustrated below, estimated at £8-14 million, failed to sell.  Francis Bacon’s Two Figures (1975) sold for £5.4 million. A self portrait conjoined with the figure of George Dyer it was painted in Paris shortly after Dyer’s suicide. It was from the collection of Michael Peppiatt, a leading biographer and curator of Bacon.

    Peter Doig - The architect's home in the ravine.

    Peter Doig – The architect’s home in the ravine.

    hockney beach

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