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  • Posts Tagged ‘National Gallery of Ireland’

    TURNER AND VERMEER AT NATIONAL GALLERY OF IRELAND

    Saturday, January 6th, 2024
    Joseph Mallord William Turner (1775-1851) Great Yarmount Harbour, Norfolk c1840 © National Gallery of Ireland

    Nearly every year in Ireland the low light of January is offset by the shining collection of Turner watercolours at the National Gallery. In 2024 the annual Vaughan Bequest display of Turners is displayed alongside a collection of 18th and 19th century coastal scenes by Irish and British artists who drew inspiration from the rugged coastlines and busy fishing communities they encountered. Turner and Coastal Scenes – on view until January 31 – reveals not only his passion for the sea and shipping, but an extraordinary understanding of the ever changing pattern including both violence and serenity of the sea. No less than 15 watercolours from the gallery’s collection – some not seen in public for years – are included.  Work by artists John Thomas Serres, Thomas Walmsley, Edward Dayes,  John Callow, David Cox the Elder, James Howard Burgess, Andrew Nicholl, Henry Newton, George Petrie and Frederic William Burton is being shown together for the first time.  Well known locations like the Baily Lighthouse in Howth, Dun Aonghasa on the Aran Island and the Giant’s Causeway in Co. Antrim are featured. A highlight of the yearly cultural calendar the Turner watercolours have been shown annually in January since 1901, except for 2021.  They were bequeathed by the wealthy English collector Henry Vaughan in 1900. He stipulated that the delicate works be shown only in January when the natural light is at its lowest.

     Johannes Vermeer – Girl with the Red Hat c1669. Andrew W. Mellon Collection. Courtesy National Gallery of Art,

    There will be something spectacular to look forward to at the Gallery when the days start to lengthen as well. Vermeer’s Girl with the Red Hat on loan from the National Gallery of Art in Washington will be a highlight of the upcoming show titled Turning Heads: Rubens, Rembrandt and Vermeer at the gallery from February 24 to May 24.It features work from Dutch and Flemish artists of the 16th and 17th centuries who were exponents of the tronie – an intriguing painting of a head that depicts an exaggerated facial expression.  Among the works to be shown are Study of an Old Woman by Rubens, The Laughing Man by Rembrandt and The Man with the Golden Helment c1650 from the circle of Rembrandt.The groundbreaking show will present an opportunity for a powerful face to face encounter with people from 300-400 years ago through an extraordinary collection of Old Master paintings.  Each work unfolds its own story.  The exhibition is a collaboration between The Royal Museum of Fine Arts, Antwerp and the National Gallery.An unprecedented opportunity to see Mistress and Maid by Vermeer from the Frick arises at the gallery later in the year.  This painting has rarely travelled outside New York, where the period home of the Frick Collection is under renovation.  It will be displayed alongside the National Gallery’s Woman Writing a Letter with her Maid.  Vermeer Visits runs from May 11 to August 18.

    Johannes Vermeer, 1632–1675 – Mistress and Maid, ca. 1666?67.  The Frick Collection, New York, photo: Joseph Coscia Jr.

    TURNER AND COASTAL SCENES AT THE NATIONAL GALLERY OF IRELAND

    Monday, January 1st, 2024
    Joseph Mallord William Turner (1775-1851) – A Shipwreck off Hastings. © National Gallery of Ireland

    The National Gallery of Ireland’s popular annual exhibition of watercolours by J.M.W. Turner opens today and continues for the month of January. This year, Turner’s work will feature alongside coastal scenes by an array of British and Irish artists from the collection. Turner and Coastal Scenes reflects his lifelong passion for the sea. The artist revelled in capturing its ever-changing character, along with the activities of those whose livelihoods depended on it. His watercolours in the Vaughan Bequest at the National Gallery of Ireland range from tranquil beach and harbour scenes to depictions of storm-tossed seas and shipwrecks. Coastal locations include Dover, Hastings, Folkestone, Clovelly, Plymouth, as well as Ostend and Venice, famously known as the jewel of the Adriatic.

    This year, the Gallery’s annual display of the Vaughan Bequest of Turner watercolours is complemented by a selection of eighteenth and nineteenth-century coastal scenes by British and Irish artists. Like Turner, these artists drew inspiration from the rugged coastlines and bustling fishing communities that they encountered at first hand. Well-known locations including the Baily Lighthouse in Howth, Dún Aonghasa on the Aran Islands, and the Giant’s Causeway in County Antrim are depicted. Significant artists who feature in this display include David Cox the Elder, Andrew Nicholl, George Petrie and Frederic William Burton.

    LAVERY ON LOCATION FOR TWO MORE WEEKS AT NATIONAL GALLERY

    Sunday, December 31st, 2023
    Sir John Lavery – Lady Lavery in an Evening Cloak courtesy National Gallery of Ireland.

    There is just two weeks left to catch up with Lavery on Location, the captivating exhibition celebrating the timeless work of John Lavery which has been running at the National Gallery of Ireland since October.  It is the first major exhibition devoted to this much loved artist in three decades, organised by the National Gallery in collaboration with National Museums, Northern Ireland and National Galleries of Scotland.

    HAPPY CHRISTMAS AND POUSSIN TOO

    Sunday, December 24th, 2023
    Nicholas Poussin (1594-1665) – The Holy Family

    This painting of the Holy Family by Nicolas Poussin dates to 1649 and is in the collection of the National Gallery of Ireland. Seated at the centre of the composition is the Virgin with the Christ Child on her lap. Behind them stand St Joseph and St Anne, who gaze downwards fondly. Anne rests one hand on the Virgin’s shoulder and the other on Christ. In the foreground, St Elizabeth holds the infant John the Baptist. Putti pick flowers and present garlands to Christ, their inclusion adding an antique note to the Christian scene.

    We wish all our readers a very Happy Christmas.

    COVID IMAGE WINS ZURICH PORTRAIT PRIZE

    Tuesday, December 12th, 2023
    David Stephenson – Ann and Ollie, Main Street, Wexford,

    This is David Stephenson’s prizewinning entry to the Zurich Portrait Prize. The winner was announced this evening at the National Gallery. His portrait of Ann and Ollie, Main St., Wexford was taken while he was recovering from Covid. The judges were Dorothy Cross RHA, artist, Dr Nicholas Cullinan, Director, National Portrait Gallery, London, and Anne Stewart, Senior Curator of Art, National Museums Northern Ireland.

    The artist explained that: “During lockdown, I made a short film in which I tried to portray what we all experienced: the isolation that enhanced one’s sense of aloneness. Something of that silence and separateness resonates in this image. What drew my eye was Ann’s red coat, the condensation that made a ghost of Ollie, and how they were separated yet connected by the cracked paint of the window frame. These details made a transitory stage suffused with pristine light, the same ordinary light that falls into every window on every street.” Along with a prize of €15,000 the Dublin born artist will receive a commission worth €5,000 to produce a new work for the National Portrait Collection.

    NATIONAL GALLERY ANNOUNCES MAJOR HARRY CLARKE ACQUISITION

    Thursday, December 7th, 2023

    The National Gallery of Ireland announced today that it had acquired Titania Enchanting Bottom by Harry Clarke. It is undergoing conservation treatment and will be on display in the New Year. The luminous stained glass panel was sold by Morgan O’Driscoll last October 24 for a hammer price of €160,000. The acquisition was supported by the Patrons of Irish Art of the National Gallery of Ireland. Born in Dublin on St Patrick’s Day in 1889, Harry Clarke is one of Ireland’s best known and most beloved artists. He achieved significant acclaim in his short lifetime, working across different media including book illustration. His principal career was in the production of stained glass windows, mainly for churches and religious houses across Ireland, as well as in the UK, US and Australia. He also produced a small number of secular works in glass. 

    Titania Enchanting Bottom is the only glass work by Clarke that is inspired by Shakespeare. It depicts Act IV, Scene I, from Shakespeare’s comedy A Midsummer Night’s Dream. Featuring characters from the play including Bottom, Puck, Titania, Peaseblossom, Cobweb and Moth, the work is adorned with botanical elements – a detail typical of Clarke’s work. From 1917 to 1922, Clarke made a unique series of miniature panels inspired by literature – including this one – adapting his talent and passion for book illustration to the medium of stained glass. These panels were set into bespoke cabinets, of which several, including this example, were designed by Dublin-born furniture maker James Hicks (1866-1936). Titania Enchanting Bottom is one of just five panels that survive. At the National Gallery of Ireland, it joins The Song of the Mad Prince (1917) which is on display in Room 20 and was acquired by the Gallery in 1987. These panels are significant to the understanding of Harry Clarke as an artist. They are the forerunners to the The Eve of St Agnes based on the Keats poem and The Geneva Window now at the Wolfsonian Museum in Miami.

    NEW PURSER SHOW AT IRELAND’S NATIONAL GALLERY

    Saturday, October 21st, 2023
    Portrait of Kathleen Behan by Sarah Henrietta Purser (1848-1943), Courtesy National Gallery of Ireland

    Sarah Purser: Private Worlds opens today at the National Gallery of Ireland.  The exhibition explores the private worlds of her female sitters.  There are two portraits of Kathleen Behan (nee Kearney and mother of Brendan) who was one of her favourite sitters.  A highlly accomplished portraitist these pensive, introspective works capture the character of her sitters without leaning into sentimentality. Purser was, in 1924, the first women member elected to the RHA and a founding member of the Friends of the National Collections, Ireland.  The exhibition continues until February 25

    LAVERY ON LOCATION AT THE NATIONAL GALLERY OF IRELAND

    Saturday, October 7th, 2023
    Sir John Lavery (1856-1941) – The Greyhound (Sir Reginald Lister and Eileen Lavery, The last British Minister, the Drawing Room, British Legation, Tangier 1910.  Courtesy NI Ulster Museum Collection.

    Lavery on Location opens in Dublin today as the highlight of the autumn programme at the National Gallery. Organised in collaboration with National Museums, Northern Ireland and National Galleries, Scotland, the focus of the show is on key destinations in Lavery’s art.  These range from Scotland to Palm Springs, France and Tangier.  There are studies from Switzerland, Spain, Ireland and Italy and depictions of cities from Glasgow to London, Venice, Cannes and New York. The not to be missed exhibition at the National Gallery runs until January 14 next.


    Sir John Lavery, (1856-1941) – Lady Lavery in an Evening Cloak. Image, National Gallery of Ireland

    IT TOOK A CENTURY: WOMEN ARTISTS AND THE RHA AT NATIONAL GALLERY

    Saturday, July 1st, 2023
    Alice Maher (b.1956) – Self-portrait, 2022
    Charcoal and chalk on paper © Alice Maher. Image, National Gallery of Ireland

    It Took a Century: Women Artists and the RHA opens today at the National Gallery of Ireland. It took a century for the Royal Hibernian Academy to elect the first woman artist, and another century before the first woman President was elected. The exhibition showcases women’s membership of the Royal Hibernian Academy of Arts from the election in 1923 of the first woman member, Sarah Purser, to the first woman President, Dr Abigail O’Brien, in 2018.

    As part of the RHA bicentenary celebrations the exhibition combines an historic survey of the past 100 years together with a presentation of work by current woman members of the Academy, which has now achieved equitable representation in its membership. The constituent works are drawn almost exclusively from the collections of the National Gallery of Ireland and the Royal Hibernian Academy of Arts. The show runs until October 2022.

    LAVINIA FONTANA AT THE NATIONAL GALLERY OF IRELAND

    Thursday, May 4th, 2023
    Lavinia Fontana, Minerva Dressing, 1613. Galleria Borghese, Roma

    Lavinia Fontana: Trailblazer, Rule Breaker, the major summer show at the National Gallery of Ireland, runs from May 6 until August 27. The late sixteenth-century Bolognese artist is widely considered to be the first female artist to achieve professional success beyond the confines of a court or a convent. Fontana was the first woman to manage her own workshop, and the first woman to paint public altarpieces and female nudes. She maintained an active career, painting for many illustrious patrons, while also taking on the role of wife and mother.

    The first monographic exhibition to examine Fontana’s work in over two decades, and the first to focus on her portraits the show brings together a selection of her most highly regarded works from international public and private collections, alongside the artist’s celebrated The Visit of the Queen of Sheba to King Solomon, from the Gallery’s own collection. The recent conservation of this Renaissance masterpiece was supported by Bank of America.

    Lavinia Fontana, Self-Portrait at the Virginal, 1577.  Accademia Di San Luca