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  • Posts Tagged ‘Ludovico Mazzolino’

    EXCITING YEAR IN PROSPECT AT IRELAND’S NATIONAL GALLERY

    Saturday, January 4th, 2025
    Pablo Picasso – Portrait de Marie-Therese © Succession Picasso/DACS, London 2024, © GrandPalaisRmn (musée national Picasso-Paris) / Adrien Didierjean

    THE annual Turner watercolour exhibition is now underway and with major exhibitions focussed on Picasso, Mainie Jellett and Evie Hone it is going to be an exciting year at the National Gallery of Ireland.  We will have to wait until October for Picasso: From the Studio, a monographic exhibition in collaboration with the Musée Picasso national-Paris.

    Picasso lived surrounded by his art. His personal life and his work, his homes and his studios were always intimately linked. This exhibition places Picasso in the context of his studios, highlighting the various facets and phases of his art and life. It will explore the key locations that defined him, from his arrival in Paris at the start of the twentieth century to his studio in Villa La Californie (1955-1961) in Cannes. Featuring paintings, sculptures, ceramics, and works on paper, as well as photographic and audio-visual works the exhibition will run from October 11 to February 22, 2026.

    Mainie Jellett & Evie Hone – The Art of Friendship from April 10 to August 10 will bring together 90 works from these pioneering Irish modernist women artists.  The exhibition will highlight the early convergences and later divergences in their styles as they developed distinct artistic voices. Featuring paintings, stained glass, and preparatory drawings, it reveals how both women were trailblazers in Irish art although remaining connected to conventional themes such as religion and landscape.

    Ludovico Mazzolino – The Crossing of the Red Sea Photo, National Gallery of Ireland

    Among many more events at the Gallery is the display of Ludovico Mazzolino’s masterpiece The Crossing of the Red Sea (1521).  On display from February 15 to July 6 it celebrates the conservation and re-display of a rarely seen work. Supported by a grant from the TEFAF Museum Restoration Fund, the painting has undergone extensive scientific analysis and conservation, revealing its remarkable detail and historical significance. Mazzolino, who worked extensively for the D’Este rulers of Renaissance Ferrara, is best known for his small- scale paintings. 

    Meantime the annual Turner extravaganza at the National Gallery comes with a new twist in 2025 with an exciting exchange with the National Galleries of Scotland.  Both institutions benefitted from the bequest of the wealthy English collector Henry Vaughan.  The 38 Vaughan Bequest Turner watercolours which he bequeathed to Scotland are now on display in Dublin.  Ireland’s Turner collection are being showcased this month at the Royal Scottish Academy Building in Edinburgh.

    JMW Turner – The Piazetta  National Galleries of Scotland. Henry Vaughan Bequest 1900

    Visitors have an opportunity to see and appreciate a new selection of these masterful watercolours in the annual January show of 2025.The works on loan range from his detailed topographical views of the 1790s to the vibrant and expressive watercolours of Venice and the Alps that highlight his innovative techniques. The exchange, very much in the spirit of Vaughan’s bequest, comes after many years of discussion and planning by the two institutions.

    Bequeathed in 1900 the Turner watercolours have been displayed every year since 1901 with the notable exception of the pandemic year of 2021.  It was a stipulation of the bequest that the delicate watercolours be displayed only in January, when the natural light is at its lowest.  Turner’s Watercolours: Scotland’s Vaughan Bequest runs until January 31 and is supported by Grant Thornton.

    AN IRISH CONSERVATION PROJECT TO FOCUS MINDS AT TEFAF

    Tuesday, February 20th, 2024
    Ludovico Mazzolino – The Crossing of the Red Sea

    The programming schedule for TEFAF Maastricht includes Conversations on Conservation on March 9 at 3 pm. This will focus on the conservation of Ludovico Mazzolino’s (c. 1480–c. 1530) masterpiece, The Crossing of the Red Sea (1521). The National Gallery of Ireland has received funding from TEFAF to restore the work, which has been part of its collection for over a century. The painting, in its current fragile state, cannot be safely displayed. The Crossing of the Red Sea requires extensive conservation efforts. The National Gallery of Ireland will collaborate with experts in Mazzolino’s work to better understand his artistic practice so that this rare large-scale painting can be sensitively restored and made accessible to the visiting public.

    TEFAF will run from March 9-14 at the MECC Maastricht. It will be preceeded by invitation only days on March 7 and 8.

    (See post on antiquesandartireland.com for January 16, 2024).

    TEFAF GRANT TO AID RESTORATION OF RARE ARTWORK IN IRELAND

    Tuesday, January 16th, 2024
    Ludovico Mazzolino’s (c. 1480 – c. 1530) – The Crossing of the Red Sea (1521)

    Ludovico Mazzolini’s 1521 painting of The Crossing of the Red Sea in the collection of the National Gallery of Ireland is to be restored thanks to a grant from TEFAF, The European Fine Art Foundation. TEFAF announced today that Ireland’s National Gallery and the Wadsworth Atheneum Museum of Art (Connecticut, USA) are the recipients of this year’s TEFAF Museum Restoration Fund (TMRF). This is an annual grant created in support of the international art community’s vital work to preserve artistic and cultural heritage.

    Remarkable for its size and rarity Mazzolino’s biblical artwork departs from the conventional rules of perspective. It has been in the collection of the gallery for over a century but it cannot be displayed in its current fragile state. With severe delamination of the paint layer and soiling to the cracked surface The Crossing of the Red Sea requires extensive conservation efforts. With TEFAF’s funding, the National Gallery of Ireland will collaborate with experts in Mazzolino’s work to better understand his artistic practice so that this rare large-scale masterpiece can be sensitively restored and made accessible to the visiting public.

    Dr Caroline Campbell, Director of the National Gallery of Ireland, commented, “Ludovico Mazzolino was a prominent painter in sixteenth-century Italy, where he worked for the Este court in Ferrara and later in Bologna. The Crossing of the Red Sea is recognized internationally as an important and rare large-scale example of his work. It has been part of the National Gallery of Ireland’s collection since 1914, acquired just 50 years after we opened our doors. Unfortunately, due to the fragility of the panel, we have been unable to put it on display for many decades. We are delighted to receive this grant from the TEFAF Museum Restoration Fund, which will enable us to undertake essential conservation treatment on this striking painting and make it possible to return it to our galleries for the enjoyment of our visitors.”

    The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has received funding from TEFAF to restore Venus with a Nymph and Satyr (1600), a marble sculpture by Pietro Francavilla (1548 – 1615). The TEFAF Museum Restoration Fund was established in 2012 to support and promote professional restoration and related scholarly research of significant museum artworks. Championing art in all its forms, applications for its grants are open to museums from all over the world and artworks of any age. Each year, a maximum of €50,000 is allocated to projects. The committee of independent experts usually selects two winners to each receive up to €25,000 to support their restoration project.

    Pietro Francavilla’s Venus with a Nymph and Satyr (1600)