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  • Posts Tagged ‘maria edgeworth’

    PHOTOGRAPHY AT NATIONAL GALLERY OF IRELAND

    Saturday, November 9th, 2019

    This 1841 daguerreotype of Maria Edgeworth by an unknown photographer is part of the first photography display at National Gallery of Ireland until February 2.  The growing photography collection is showcased  with works by Irish and international photographers including Erich Hartmann, Amelia Stein, Nevill Johnson, Eamonn Doyle, Inge Morath and Jane Bown.  Over the past 12 months the Gallery has acquired over 100 photographs by Irish and international photographers, ranging from the 19th century to contemporary practice.

    The collection includes both vintage and modern prints and incorporates daguerreotypes, albumen prints, platinum and silver gelatin prints.  In 2018, the Gallery acquired a rare example of a vintage albumen print, dating back to the 1860s, by one of the fore-runners of early photography, Julia Margaret Cameron. The distinctive work features Mary Ryan, an Irish woman who was taken in by Cameron when she was struggling to support herself in England.  Maria Edgeworth was a prolific Ango-Irish writer whose works include Castle Rackrent.  The daguerreotype was the first commercially successful photographic process and this one is from the collection of The National Gallery.

    JANE AUSTEN’S EMMA, SIGNED BY MARIA EDGEWORTH, SELLS FOR £79,250

    Thursday, December 16th, 2010

    Jane Austen's Emma signed by Maria Edgeworth. (click to enlarge)

    AN extremely rare first edition of Jane Austen’s Emma, signed by the Irish authoress Maria Edgeworth, made a hammer price with buyer’s premium of £79,250 at Sotheby’s in London on December 16.  It is the only known copy of Emma given by Jane Austen – Britain’s most beloved authoress – to a fellow writer.

    Emma was published in three volumes by John Murray on December 23, 1815.  This lot comprised volumes I and 3. No part of the manuscript for Emma survives and no presentation copy inscribed by Jane Austen herself is known to exist.  This copy has remained in Maria Edgeworth’s family ever since. The Irish writer is regarded as the creator, in Castle Rackrent, of the first true historical novel in English.
    At the same sale a first printing in England of James Joyce’s Ulysses, published in London by John Lane the Bodley Head in 1936, sold for £11,875.  This was number 89 of a limited edition of 1,000 copies.
    Sotheby’s English Literature and History and Childrens books and illustrations sale realised £821,813.  (see antiquesandartireland.com post for October 29)

    RARE FIRST EDITION LITERATURE ATTRACTS WORLDWIDE BIDS

    Friday, October 29th, 2010

    An 1843 edition of A Christmas Carol inscribed by Charles Dickens. (click to enlarge)

    Competition for rare first edition works of literature was fierce at Sotheby’s in London on October 28.

    Poems inscribed by T.S. Eliot for Virginia Woolf. (click to enlarge)

    It was the first of a series of sales from “The Library of an English Bibliophile”.  Many of the works on offer were inscribed by the authors to people who played a major part in their lives and their oeuvre. The sale realised £3,160,257, comfortably above the top estimate of £2,185,500-2,943,500.

    The top lot was Charles Dickens A Christmas Carol, 1843, inscribed to W.C. Macready.  It made £181,250.  An 1847 edition of Wuthering Heights made £163,250 and an 1813 edition of Pride and Prejudice sold for £139,250.

    A 1922 version of Ulysses inscribed to Raymonde Linoissier made £121,250 and Poems 1920 inscribed by T.S. Eliot to Virginia Woolf made £91,250.

    The quality of the works on offer drew bids from around the world.  Prices include the buyer’s premium. Sotheby’s buyer’s premium is 25% of the hammer price on the first £25·000, 20% of the hammer price up to and including £500·000, and 12% thereafter on each lot.

    Sotheby’s will include two offerings intimately connected with Jane Austen – Britain’s most beloved authoress – in its sale of English Literature, History and Children’s Books & Illustrations in London, on December 16: an extremely rare first edition of Emma – arguably the author’s finest work – given by Austen to her  fellow novelist Maria Edgeworth, and the family’s Wedgwood dinner set, which Jane Austen helped to choose and would have used on countless occasions.
    Signed by Maria Edgeworth this is the only known copy for Emma given by Jane Austen to a fellow writer.  It is estimated at £70,000-£100,000.  The dinner service is estimated at 50,000-70,000.
    EMMA made a hammer price with buyer’s premium of £79,250.  The Wedgwood dinner service failed to find a buyer.