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  • Posts Tagged ‘Christie’s’

    JAPANESE ART AT CHRISTIE’S IN PARIS

    Wednesday, March 16th, 2016

    A personal collection of Japanese art reflecting the taste of four generations of experts and collectors comes up in Paris on June 21.  The Portier family, major figures of the Asian art market in France, will offer 90 lots at Hotel Drout through Beaussant Lefèvre in association with Christie’s.  Highlights include 8 exceptional Japanese stamps from the Edo period. They are mainly okubi-e (portraits of actors) by masters  Toshusai Sharaku (active between 1794 and 1795), Kitagawa Utamaro (1753-1806), Kitagawa Kunimasa (1773-1810) and Utagawa Toyokuni (1769-1825). Each piece was acquired by Henri Portier and his son André (1886-1963), great-grandfather and grandfather to Patrick, Thierry and Emeric Portier, through various auctions held at Drouot in the 1900’s.

    With the exception of three exhibitions where some stamps were shown (Utamaro in 1976 and Sharaku, portraits d’acteurs at the Huguette Bérès Gallery, Paris and Toulouse-Lautrec and Utamaro in 1980 at the Mitsukoshi museum, Tokyo), these works have remained out of the public eye since their acquisition over a century ago.

    Kitagawa Utamaro (1753 ? -1806) Deeply Hidden Love (Fukaku shinobu koi), from the series Anthology of Poems: The Love Section (Kasen koi no bu), with pink mica ground Oban tate-e (80,000-100,000). © CHRISTIE’S IMAGES LIMITED 2016

    Kitagawa Utamaro (1753 ? -1806)
    Deeply Hidden Love (Fukaku shinobu koi), from the series Anthology of Poems: The Love Section (Kasen koi no bu), with pink mica ground
    Oban tate-e (80,000-100,000). © CHRISTIE’S IMAGES LIMITED 2016

    oshusai Sharaku (active circa 1794-1795)  The actor Segawa Tomisaburo II as Yadorigi, the wife of Ogishi Kurando, with dark grey mica ground Oban tate-e: (50,000-70,000) © CHRISTIE’S IMAGES LIMITED 2016

    Toshusai Sharaku (active circa 1794-1795)
    The actor Segawa Tomisaburo II as Yadorigi, the wife of Ogishi Kurando, with dark grey mica ground
    Oban tate-e: (50,000-70,000) © CHRISTIE’S IMAGES LIMITED 2016

    A MASTERPIECE BY RUBENS AT CHRISTIE’S IN JULY

    Friday, March 11th, 2016
    SIR PETER PAUL RUBENS (Seigen 1577-1640 Antwerp), Lot and his Daughters, circa 1613-1614. Courtesy CHRISTIE'S IMAGES LTD. 2016

    SIR PETER PAUL RUBENS (Seigen 1577-1640 Antwerp), Lot and his Daughters, circa 1613-1614. Courtesy CHRISTIE’S IMAGES LTD. 2016

    Sir Peter Paul Rubens’s masterpiece, Lot and his Daughters (circa 1613-1614) is to be sold by Christie’s  in London in July. An outstanding example of Rubens’s early maturity this is one of the most important paintings by the artist to have remained in private hands. It has been hidden from public view for over a century. Lot and his Daughters will be exhibited during Christie’s New York Classic Week on April 8-12 and in Hong Kong from May 26-30.  It will be the centerpiece of a curated week of sales, Classic Week, in London and will lead Christie’s Old Master & British Paintings evening dale on July 7.

    The work boasts a distinguished provenance. It was once part of the collections of wealthy Antwerp merchants; a Governor-General of the Spanish Netherlands; Joseph I Holy Roman Emperor; and the Dukes of Marlborough. It was included in the first volume of The English Connoisseur from 1766 and has since been listed in all the major publications on Rubens’s work. The sale of this painting by the quintessential artist of the Northern Baroque presents a rare opportunity for both international collectors and institutions.

    “After the historic private sale of two Rembrandt Portraits* to the French and Dutch states earlier this year, Christie’s is leading the masterpiece market by offering this monumental work by the other stellar artist of the Northern School, Sir Peter Paul Rubens. The impact of this painting in the flesh is overwhelming: we look forward to seeing the reactions of those who come to view it when we exhibit it in New York, Hong Kong and London.”  said Paul Raison, Deputy Chairman, Old Master Pictures.

    UPDATE: THIS MADE £44,882,500, THE HIGHEST PRICE EVER ACHIEVED FOR AN OLD MASTER AT CHRISTIE’S

    A WATCH OWNED BY THE FOUNDER OF AGENCE FRANCE PRESSE

    Tuesday, March 1st, 2016

    A Breguet watch once owned by Charles-Louis Havas, founder of Agence France Presse, comes up at Christie’s in Geneva on May 16. The self-winding quarter repeating watch with equation of time, day, month and power reserve was acquired on December 311817 by Charles-Louis Havas (1783-1858), founder of AFP. The former international merchant who became banker, then journalist and translator, came up with the concept of an international and universal news agency in 1835, at the age of 52. This man of great taste, from a wealthy family, acquired this 18k golden watch which reunites the whole savoir faire of the Maison Breguet. It is today considered amongst the most complicated watch ever realized by Breguet following the example of the watch N°144, sold at Christie’s in 2012 at the record price of 3.6 million euros.  This one is estimated at 600,000-1.2 million Swiss francs.  UPDATE: IT WAS SOLD TO A PRIVATE SWISS MUSEUM FOR CHF3,245,000

    Breguet et Fils, Paris No. 217. Courtesy Christie's Images Ltd., 2016.

    Breguet et Fils, Paris No. 217. Courtesy Christie’s Images Ltd., 2016.

    Brequet et Fils, Paris No. 217

    Brequet et Fils, Paris No. 217

    ART BY FRANCIS BACON AND TONY O’MALLEY REUNITED ON SAME CANVAS AT CHRISTIE’S

    Monday, February 29th, 2016
    The O'Malley paintings with Bacon on the back.

    The O’Malley paintings with Bacon on the back.

    A lost unfinished nude by Francis Bacon on the back of two early paintings by Tony O’Malley surfaces at The Modern British & Irish Art sale at Christie’s South Kensington on March 17.  Bacon started Figure when working in St Ives, Cornwall in the late 1950’s, but when the artist cut short his visit following an argument with his partner he abandoned the work, among many others. It was divided into two by Tony O’Malley who worked and lived at St. Ives for many years. He went on to paint two scenes on the opposite sides: Currach, Clare Island and Evening Landscape Tehidy Hospital.  

    The works were separated in different collections – the O’Malley family and the Fallon family – for many years.  They have now been reunited and will be offered with an estimate of £20,000-30,000.  Given the amount of interest generated this could be conservative.

    UPDATE: IT SOLD FOR £434,000

    Here is a video about the reunited Bacon:

    STING’S STEINWAY SELLS FOR £116,500 AT CHRISTIE’S

    Wednesday, February 24th, 2016
    A GERMAN EBONISED ‘MODEL B’ GRAND PIANO STEINWAY & SONS (EST. 1853), HAMBURG, 1909, RESTORED IN 2002. Courtesy Christie's Images Ltd., 2013.

    A GERMAN EBONISED ‘MODEL B’ GRAND PIANO
    STEINWAY & SONS (EST. 1853), HAMBURG, 1909, RESTORED IN 2002. Courtesy Christie’s Images Ltd., 2016.

    Sting’s Steinway Grand Piano sold for £116,500 at Christie’s sale in London today. The piano on which Sting worked on for a decade aroused international interest.  It was sold in the Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler sale at which it had been estimated at £30,000-50,000.

    Sting’s Steinway grand piano occupied pride of place in the music room at Queen Anne’s Gate. He worked extensively with this piano specifically on three albums: Songs from the LabyrinthIf on a Winter’s Night…, and The Last Ship. The world renowned Steinway & Sons was established in New York, and this model B-137185 grand piano was registered and produced by Steinway Hamburg in 1909. The piano was restored, ebonised and subsequently purchased by Sting & Trudie Styler in 2002.  The sale realized £3,006,812.

    (See post on antiquesandartireland.com for October 28, 2015)

    BOND’S ASTON MARTIN MAKES £2.43 MILLION

    Friday, February 19th, 2016
    The Aston Martin DB10 with Daniel Craig.

    The Aston Martin DB10 with Daniel Craig.

    The top lot at the first part of Christie’s sale of James Bond Spectre Memorabilia in London last night was Bond’s Aston Martin which made £2,434,500.  The sale realised £2,785,500.  All profitable proceeds are for charity.  The auction of ten lots was to celebrate the Home Entertainment release of Spectre on Blu-ray™ and DVD on February  22.  Proceeds are for Médecins Sans Frontières (MSF), other charitable organisations and the United Nations Mine Action Service (UNMAS).  Registered bidders from 25 countries across four continents took part.   Afterwards producer Michael Wilson and Barbara Broccoli commented that they were truly delighted that the money raised will help vital medical projects in South Sudan, Syria and Yemen and thanked Aston Martin for donating the Aston Martin DB10.  It is one of a series designed and engineered exclusively for James Bond Spectre. The Day of the Dead costume worn by Daniel Craig made £98,500.  Spectre is the 24th film in the James Bond series.

    The online-only auction of 14 lots, James Bond Spectre: Online, remains open for bidding until February 23 at www.christies.com/spectreonline  Estimates are from £1,000 to £7,000.

    (See post on antiquesandartireland.com for January 21, 2016)

    SEVEN SALES = £190 MILLION AT CHRISTIE’S

    Wednesday, February 17th, 2016

    20th christiesA strong total of £190,230,950 was achieved by Christie’s across seven sales from January 29 to February 12.  Registered bidders from 71 countries across six continents, gave a strong indication that a ‘globalisation’ of taste continues to drive the evolution of collecting today. The sell-through rate was 86% by value and 84% by lot. All of the top ten lots were sold at the Impressionist, Modern and Surreal evening sale which achieved a total of £117,788,500. The Post-War and Contemporary evening auction achieved £58,099,000. British painting led the results with three decades of work by Peter Doig, David Hockney, Francis Bacon and Lucian Freud making stand out results – the top six results were for British artists.

    PETER DOIG LEADS CHRISTIE’S POST WAR AND CONTEMPORARY SALE

    Thursday, February 11th, 2016

    Peter Doig’s The Architect’s Home in the Ravine, painted in 1991, was the top lot at Christie’s Post War and Contemporary auction in London tonight.  It made £11,282,500 in a sale which brought in £58,099,000.  Registered bidders from 42 countries across four continents took part in an auction where 51% of works sold above estimate and 38% were within estimate.

    Works that were hotly contested included David Hockney’s Beach Umbrella (1971), which made £3,106,500. Three works by Alexander Calder from the Arthur and Anita Kahn Collection realised a total of £3,439,500 led by Crag with Yellow Boomerang and Red Eggplant (1974), which sold for £1,874,500. Zeitpunkt: Das Massaker von Muenchen (Point of time: The Massacre of Munich) by Joseph Beuys sold for £854,500 and Untitled (1973) by Robert Mangold, made £746,500. Each set a new world record for the artist.  The Yves Klein illustrated below, estimated at £8-14 million, failed to sell.  Francis Bacon’s Two Figures (1975) sold for £5.4 million. A self portrait conjoined with the figure of George Dyer it was painted in Paris shortly after Dyer’s suicide. It was from the collection of Michael Peppiatt, a leading biographer and curator of Bacon.

    Peter Doig - The architect's home in the ravine.

    Peter Doig – The architect’s home in the ravine.

    hockney beach

    AN ASSURED START TO 2016 AT CHRISTIE’S

    Saturday, February 6th, 2016
    Max Ernst - The Stolen Mirror - was the top lot of the week at Christie's.

    Max Ernst – The Stolen Mirror – was the top lot of the week at Christie’s.

    RESULTS from the February auctions of Impressionist, Modern and Surreal art offer an assured start to 2016 according to  Christie’s.  The sales in London this week brought in £117.8 million.  The top lot of the week was The Stolen Mirror by Max Ernst which made £7.6 million.

    Christie’s report that demand continues across price levels, styles, media and periods. There were buyers from 35 countries across five continents for the week of sales.  There were new and established buyers at all price levels at King St. and South Kensington.  The Impressionist & Modern Art and Picasso Ceramics Sale realised the highest ever total for a various owner sale in the category at South Kensington.  No less than 46% of lots were either sold or directly underbid online.

    A NIGHT OF STRONG SALES AT CHRISTIE’S IN LONDON

    Wednesday, February 3rd, 2016
    MAX ERNST (1891-1976) The Stolen Mirror

    MAX ERNST (1891-1976) The Stolen Mirror

    THE Stolen Mirror by Max Ernst was the top lot at Christie’s sales of Impressionist and Modern Art and The Art of the Surreal in London last night.  With registered bidders from 35 countries across five continents the sales realized £95.9 million.  There was strong participation from Asia, America and Europe.  The Stolen Mirror, a museum quality work, sold for £7.6 million.  A total of 27 works of art sold for over £1 million and there were artists records for George Scholz and Peter Rose Pulham and a record for a work on paper by Salvador Dali.

    Jay Vincze, International Director and Head of The Impressionist and Modern Art Department, Christie’s London, and Olivier Camu, Deputy Chairman, Impressionist and Modern Art, Christie’s commented afterwards: “We are pleased with the total realised this evening and with the high sell-through rate by value, accompanied by the solid sell-through rate by lot. We had strong interest across price levels and periods, from Paul Cezanne’s 1882 work ‘Ferme en Normandie, été (Hattenville)’, through to Joan Miró’s 1968 ‘Femme et oiseaux dans la unit .”

    (See posts on antiquesandartireland.com for January 31 and January 13, 2016).