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  • A STUNNING ORANGE ROTHKO AT CHRISTIE’S, NEW YORK

    October 17th, 2013
    Mark Rothko (1903-1970) Untitled (No. 11) Painted in 1957. Courtesy Christie's Images Ltd., 2013

    Mark Rothko (1903-1970)
    Untitled (No. 11) Painted in 1957. Courtesy Christie’s Images Ltd., 2013  UPDATE: SOLD FOR $46,085,000

    A stunning orange Rothko comes up at Christie’s Post War and Contemporary Art evening auction in New York on November 12. Untitled (No. 11) from 1957 has featured in museum retrospectives including  the Contemporary Arts Museum in Houston, the Neue National-Galerie in Dusseldorf and The Solomon R. Guggenheim Museum in New York.

    It is estimated at $25-35 million. This is probably highly conservative.  There was an identical estimate on Mark Rothko’s Orange, Red, Yellow from the Pincus Collection, which sold for a record $86.8 million at Christie’s New York in May 2012.

    Brett Gorvy, Chairman and International Head of Post-War & Contemporary Art at Christie’s said: “The demand for masterworks by Rothko is probably the most international amongst all the artists we sell, with strong bidding consistently from the Americas, Europe, Asia, Russia and the Middle-East. Untitled (No. 11) is remarkable for its incredible beauty, intensity of color and inner light – the very hallmarks of Rothko’s prime period. The monumental scale allows viewers to be completely enveloped by the colors and its sensations.”

    UPDATE:  THIS SOLD FOR $46,085,000

    LOST DRAWING BY CASPAR DAVID FRIEDRICH AT SOTHEBY’S

    October 17th, 2013
    Caspar David Friedrich Blick auf Arkona, Rügen (View towards Arkona, Rügen)

    Caspar David Friedrich Blick auf Arkona, Rügen (View towards Arkona, Rügen)

    Blick auf Arkona, Rügen (View towards Arkona, Rügen), a lost drawing by German artist Caspar David Friedrich known only from an archive photograph, has resurfaced on the international market.  Sotheby’s will present the drawing as a highlight of a sale of 19th century European paintings in London on November 20.  It is estimated at £200,000-300,000.

    Tessa Kostrzewa, director, Sotheby’s 19th century European Paintings department, said: “It is always tremendously exciting to handle works by Friedrich, the father of German Romantic painting, especially when one is dealing with a rediscovered work believed to have been lost. The composition, and its symbolism, was clearly very meaningful to the young Friedrich, as he repeated it several times. The isle of Rügen had a hold on his imagination, becoming the subject of one of his most famous paintings of all, of strollers overlooking the sea from the island’s chalk cliffs.”

    Friedrich worked up seven drawings of varying size and detail from an ink sketch he made on the beach at Vitt on the island of Rügen on Germany’s Baltic coast on 22 June 1801. This drawing in the series was produced circa 1803 and depicts a view looking north towards Kap Arkona, the island’s north cape.

    FINE AND DECORATIVE ART ON OFFER IN CASTLECOMER

    October 16th, 2013

    The catalogue for the autumn fine and decorative art sale at Mealy’s in Castlecomer on October 22 and 23 lists more than 1100 lots with a pre-sale estimate of 300,000-500,000. Oriental art, decorative art, clocks, barometers, scientific instruments, silver, jewellery, light fittings and glass will feature on October 22.  On Wednesday it is the turn of 18th, 19th and 20th century furniture, paintings, watercolours, carpets, rare books and maps.  The catalogue is online. Here is a small selection (click on any image to enlarge it).

    LATE 19TH CENTURY ITALIAN CARVED WHITE MARBLE FIGURE, (1,500-2,500).

    LATE 19TH CENTURY ITALIAN CARVED WHITE MARBLE FIGURE, (1,500-2,500). UPDATE: THIS MADE 3,300

    Some of the lots due to come under the hammer.

    Some of the lots due to come under the hammer.

    LOUIS B. HURT (1856-1929) Highland Cattle resting near a Loch (4,000-6,000).

    LOUIS B. HURT (1856-1929) Highland Cattle resting near a Loch (4,000-6,000).  UPDATE: THIS MADE 4,000

    A pair of 19th century Roman micromosaic circular panels (5,000-7,000).

    A pair of 19th century Roman micromosaic circular panels (5,000-7,000).   UPDATE: THESE MADE 6,900

    A total of 106 volumes, Thom's Irish Directory, late 19th century-mid 20th century (1,500-2,500).

    A total of 106 volumes, Thom’s Irish Directory, late 19th century-mid 20th century (1,500-2,500).  UPDATE: SOLD FOR 1,200

    IRISH GILTWOOD PIER TABLE SELLS FOR 90,000

    October 15th, 2013
    This George II carved Irish pier table made 90,000 at Adams.

    This George II carved Irish pier table made 90,000 at Adams.

    This c1740 George II Irish carved giltwood and gesso rectangular pier table sold for a hammer price of 90,000 at the James Adam Country House Collections auction at Slane Castle on Monday.  This one has a later breccia marble top above a frieze with tongue and dart border, ribbon tied knots and a lion mask.

    An illustration of one of a pair of very similar tables, also c1740, is contained in Glin and Piell’s Irish Furniture published by Yale University Press. That pair, which is slightly smaller than this table, was supplied to Malahide Castle.
    The only recorded Irish view by Joseph Mallord William Turner - Clontarf Castle in Co. Dublin - is estimated at 20,000-40,000.

    Turner’s Clontarf Castle

     

    The only recorded Irish view by Joseph Mallord William Turner – Clontarf Castle in Co. Dublin – made a hammer price of 65,000 over an estimate of 20,000-40,000.

    A HIGHLIGHT BY PAUL HENRY AT BONHAMS IN NOVEMBER

    October 15th, 2013
    Paul Henry R.H.A. (1876-1958) - The Currach (click on image to enlarge).

    Paul Henry R.H.A. (1876-1958) – The Currach (click on image to enlarge).  UPDATE: THIS SOLD FOR £158,500

    The Currach by Paul Henry is to be a highlight at Bonhams sale of Modern British and Irish Art in London on November 20.  Dating to 1913-14 it comes to market from a private Irish collection. It has not been sold for 60 years and it is now estimated at £100,000-150,000.

    Penny Day, Head of Irish Art at Bonhams, comments: “What’s exciting about ‘The Curragh’ is that it presents a rare and charged seascape by an artist who’s better known for his calm, rural landscapes. The scene is rendered with spontaneous strokes that show Henry at his best and compel the viewer to urge the men forward”.  It was painted on Achill Island where Henry spent a decade from 1910.
    It was exhibited in Belfast at the Art Gallery of the Belfast Industrial Development Association in 1914 and Magee’s Gallery in 1919; in Dublin at Mill’s Hall in 1919, the Royal Hibernian Academy in 1943, and the National Gallery of Ireland in 2003; and in Shannon at Shannon Free Airport in 1957.
    UPDATE: IT SOLD FOR £158,500.

    SIDE CABINETS SELL FOR 21,000 AT SLANE CASTLE

    October 14th, 2013
    One of a pair of boulle and ormolu side cabinets sold for 21,000.

    One of a pair of boulle and ormolu side cabinets sold for 21,000.

    A pair of Napoleon III boulle and ormolu side cabinets more than doubled their top estimate on day one of the James Adam Country House Collections auction at Slane Castle on October 13.  Estimated at 6,000-10,000 the pair sold for a hammer price of 21,000.

    An Irish Georgian brass hall door lock sold for 2,000; a 19th century white marble bust of Julius Caesar by John MacDonald made 4,000; a pair of Victorian billiard room benches made 5,000; a c1660 pair of English oak joint stools made 2,500; a mid 19th century percussion action five shot revolver made 10,000; an Irish 18th century double action flintlock fowling piece made 9,500; an 18th century Irish blanket chest made 4.000;  a French ormolu and marble figural cercle clock surmounted by a Cupid and signed Dubuisson made 8,000; an Irish satinwood foldover card table made 5,000; a longcase clock by William Haddock of Waterford made 3,000; a George II London walnut cased bracket clock made 4,000; a Victorian hexagonal red lacquered post box made 5,500; a George III breakfront wardrobe in the style of Gillows made 11,000; an oil on canvas of a standing nude by Emmanual Michel Benner (1873-1965) made 11,000 and a George III Gainsborough armchair made 7,200. (These are all hammer prices).

    LIMERICK SOVIET NOTE TO COME UNDER THE HAMMER

    October 14th, 2013
    The Limerick Soviet ten shilling note.

    The Limerick Soviet ten shilling note.  UPDATE: THIS SOLD FOR 700

    A rare Limerick Soviet ten shilling note comes up at Limerick Auction Rooms on October 23.  The Limerick Soviet ran the city, printed its own money and organised a food supply in 1919.  It ran from April 15-27 in that year and attracted attention around the world. At the beginning of the War of Independence a general strike was called by the Limerick Trades and Labour Council to protest the British Army designation of Limerick city and parts of the county as a special military area.

    Dan Breen in Limerick Prison with the Freestate Officer who used to be his driver.

    Dan Breen in Limerick Prison with the Freestate Officer who used to be his driver.  UPDATE: THIS SOLD FOR 65 EURO

    Estimated at 1,000-1,500 the ten shilling note is inscribed: “April Limerick 1919.  General Strike Against British Militarism.  The workers of Limerick promise to pay the bearer ten shilllings.  The Limerick Trades and Labour Council.  The note is signed by George Cronin, Chairman and James Casey, Treasurer.

    Another unusual lot  is a photograph of the Republican Dan Breen in Limerick Prison arm in arm with the Freestate Office from the other side who had been his driver during the War of Independence.  The photograph, which is dog eared, is estimated at 50-100 euro.
     

    COMPELLING GIACOMETTI PORTRAIT AT CHRISTIE’S NEW YORK

    October 14th, 2013
    Alberto Giacometti (1901-1966) - Diego en chemise écossaise

    Alberto Giacometti (1901-1966) – Diego en chemise écossaise

    A compelling portrait by Alberto Giacometti (1901-1966) of his brother Diego will lead Christie’s sale of Impressionist and Modern Art in New York on November 5.  Diego en chemise écossaise, which is estimated at $30—50 million, showcases the graphic drama and economy of representation that would become hallmarks of Giacometti’s painting.  The work has been in a private collection for over two decades and has never appeared at auction.

    Andreas Rumbler, Deputy Chairman of the Impressionist and Modern Art department and Head of Evening Sale, at Christie’s New York commented: “Although Diego was Alberto Giacometti’s most frequent sitter—serving almost as an alter ego for the artist—never before did he depict him with quite the same energy or fervor as he did in this work. The interplay of multiple dimensions and color renders his subject as an object in space, an “everyman” without unique qualities, an emblem of humanity. With this masterpiece, Alberto Giacometti establishes himself as one of the greatest portrait painters of the 20th Century, paving the way for the likes of Francis Bacon and Lucian Freud.”

    UPDATE: There were no bids for the work which was guaranteed by a third party before the sale.  The guarantor paid $32.6 million, a record for a Giacometti painting.

    FASHION ILLUSTRATIONS AT CHESTER BEATTY LIBRARY

    October 11th, 2013

    More than 100 exquisite illustrations from the Journal des Dames et des Modes (1912-1914) go on display at the Chester Beatty Library in Dublin Castle from October 11 to March 30, 2014. A century after publication the exhibition provides a vivid snapshot of culture and fashion in early 20th century France.  The illustrations, known as Costumes Parisiens, feature a glamourous period just before the oubreak of the First World War.

    The display is complemented by a contemporary costumes on loan from the Ulster Museum in Belfast.

    Robe de serge garnie de tresse de soie,  Baudray D’Aniou, from Journal des Dames et des Modes, engraving and pochoir, 20 May 1914, Paris, France, CBL Wep 0943, ©Trustees of the Chester Beatty Library

    Robe de serge garnie de tresse de soie, Baudray D’Aniou, from Journal des Dames et des Modes, engraving and pochoir, 20 May 1914, Paris, France, CBL Wep 0943, ©Trustees of the Chester Beatty Library

    Robe de satin violet à ceinture pourpre, Georges Robert, from Journal des Dames et des Modes, engraving and pochoir, 10 September 1913, Paris, France, CBL Wep 0892, ©Trustees of the Chester Beatty Library

    Robe de satin violet à ceinture pourpre, Georges Robert, from Journal des Dames et des Modes, engraving and pochoir, 10 September 1913, Paris, France, CBL Wep 0892, ©Trustees of the Chester Beatty Library

    Toilette aux couleurs gagnantes, Jan van Brock, from Journal des Dames et des Modes, engraving and pochoir, 10 July 1913, Paris, France, CBL Wep 0885, ©Trustees of the Chester Beatty Library

    Toilette aux couleurs gagnantes, Jan van Brock, from Journal des Dames et des Modes, engraving and pochoir, 10 July 1913, Paris, France, CBL Wep 0885, ©Trustees of the Chester Beatty Library

    BACON’S STUDIES OF FREUD SET TO MAKE NEW AUCTION RECORD

    October 10th, 2013
    Francis Bacon (1909-1992) Three Studies of Lucian Freud each (unframed): 78 x 58 in. (198 x 147.5 cm.)  oil on canvas Painted in 1969

    Francis Bacon (1909-1992) Three Studies of Lucian Freud each (unframed): 78 x 58 in. (198 x 147.5 cm.) oil on canvas Painted in 1969 UPDATE: IT MADE $142.4 MILLION

    Francis Bacon’s Three Studies of Lucian Freud, which comes up at Christie’s in New York on November 12, is poised to make a new auction record for the Irish born artist.  Christie’s say it can break the previous record for Bacon of $86 million set in 2008. The triptych, which unites two of the greatest figurative painters of the 20th century at the height of their friendship, is on view at Christie’s in London from October 13-18 to coincide with Frieze Week.  It was exhibited at Bacon’s renowned Grand Palais retrospective in Paris in 1971-72 and has never been on the auction market before.  It was executed almost 25 years after Bacon and Freud met.

    Francis Outred, head of Post-War and Contemporary Art, Christie’s Europe said:  “We are honored to announce the sale of an undeniable icon of twentieth century art. A conversation between two masters of 20th century figurative painting, Francis Bacon’s triptych, ‘Three Studies of Lucian Freud’, executed in 1969 is a true masterpiece that marks Bacon and Freud’s relationship, paying tribute to the creative and emotional kinship between the two artists. The juxtaposition of radiant sunshine yellow contrasting with the brutal physicality and immediacy of the brushstrokes in this celebrated life-size triptych is what makes Bacon’s art so remarkable. ‘Three Studies of Lucian Freud’ stands as one of only two existing full-length triptychs of Lucian Freud. The three panels that make up this work were separated for almost fifteen years in the mid-1970s and were reunited in their entire splendor sometime in the 1980’s.” 

    UPDATE: IT SOLD FOR $142.4 MILLION TO BECOME THE MOST EXPENSIVE ARTWORK EVER SOLD AT AUCTION.