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  • A TEFAF FOCUS ON ARTISTS OVERLOOKED FOR THEIR GENDER

    February 22nd, 2025

    Centuries of discrimination cannot be overturned in a blink but as the search for overlooked artists gathers pace the small steps being taken at TEFAF might herald a giant leap for womankind.

    Abandon by Camille Claudel at TEFAF.

    In Maastricht next month The European Fine Art Fair will highlight the work of women artists.  This trend is firmly established and unstoppable.  New discoveries are waiting to be made.

    We know the big names like Claude Lalanne, Louise Bourgeois and Hilma af Klint.  But how about  Camille Claudel, Emma Soyer, Gjertrud Hals, Marie Bracquemond, Hilla von Rebay, Juliana Seraphim, Bianca Boni, Hannelore Baron and Sheila Hicks.  Many of them are relatively obscure, largely by virtue of their gender.  Their art is about to be brought to a wider, global audience as all of them will feature at Maastricht.

    Camille Claudel (1864-1943) is a renowned sculptor but her work is little represented in major international institutions, especially when compared to that of her master, Rodin.  Galerie Malaquais of Paris will highlight her work at TEFAF.

    The Eye by Juliana Seraphim (1934-2005) at TEFAF.

    The London gallery Richard Saltoun will show work by Juliana Seraphim, a Palestinian artist and a leading member of the Middle Eastern art scene from the 1960’s to her death in 2005. Seraphim is known for her unique Surrealist style and iconography that engaged deeply with gender struggle, the liberation of female sexuality and agency, nature and spirituality. 

    Masque c1928 by Hilla von Rebay at TEFAF.

    The visionary artist and creator Hilla von Rebay (1890-1967) was part of the first wave of abstraction to sweep across the US. She is best known for her role in the creation of the Solomon R Guggenheim Museum in New York which she founded and directed as curator. Graphic work by the artist, developed in parallel with her curatorial role, is now being rediscovered and recognised as a major influence on the American art scene, both formally and theoretically.  This art will be featured by Galerie Raphael Durazzo of Paris.

    The name Emma Soyer is unfamiliar to most museum goers today but she was as well known as any of her contemporaries from the mid 1830’s to the 1840’s before her tragically early death.  According to Colnaghi: Elliott Fine Art of London, who will showcase her art, very few artists have fallen as dramatically from public and art historical awareness as Soyer.

    The Two Inseparables by Emma Soyer at TEFAF.

    No less than nine major figures of modern and contemporary art –  Ella Bergmann-Michel, Hannelore Baron, Louise Bourgeois, Pierette Bloch, Marcel Cahn, Sonia Delauney, Sheila Hicks, Vera Molnar and the American feminist artist Mira Schor – will be highlighted by Galerie Zlotowski of Paris at a booth entirely dedicated to women artists.

    Galerie Pauline Pavec will unveil unseen works by Marie Bracquemond, who ranks alongside Berthe Morisot and Mary Cassatt among the greatest figures of Impressionism, at TEFAF.  The selection of art by women at the fair ranges from Roman miniatures to contemporary sculpture, Modern masters and Palestinian Surrealism. 

    The broad ranging European Fine Art Fair at Maastricht enjoys an unrivalled appeal as a destination for collectors, curators, art market professionals and art lovers.  From March 15-20 it will feature more than 270 prestigious dealers from 22 countries in a not to be missed fair with some of the finest works currently on the market spanning 7000 years from antiquity to the present day.

    A $250 MILLION ART COLLECTION AT CHRISTIE’S NEW YORK

    February 21st, 2025

    PIET MONDRIAN (1872-1944) Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue, 21 ¼ x 21 in. (54 x 53.3 cm.) Painted in Paris in 1922. UPDATE: THIS MADE  $47.6 million

    Art by Mondrian, Magritte, Picasso, Giacometti, Warhol and other luminaries will come under the hammer at Christie’s in New York in May in a single owner evening sale. The Leonard and Louise Riggio collected works will be offered during Spring Marquee Week. The founder of Barnes and Noble died last year and his widow is downsizing from her Manhattan apartment on Park Avenue. With more than 30 works that represent an anthology of changing ideas, the works in the collection range from Surrealist musings to reflections on the influence of Classicism. Collectively, the artworks in the sale are expected to realise in excess of $250 million.  The collection will be toured to London, Hong Kong, Paris, Dubai and Los Angeles.

    The Mondrian is expected to be the top lot with an estimate that is expected to top the $51 million record for a work by the artist set in 2022. The selection also features two exemplary Surrealist paintings by René Magritte, including the first work from his most highly coveted series, L’empire des lumières, and Les droits de l’hommes completed just a year prior, in January 1948. Further highlights include a 1937 Pablo Picasso portrait of the renowned photographer Lee Miller and three Alberto Giacometti sculptures, including Femme de Venise I, conceived in 1956 and cast in 1958.

    Bonnie Brennan, Christie’s Chief Executive Officer, said: “It is an honour to be entrusted with this inimitable collection, a tribute to Leonard and Louise Riggio and their enduring legacy as patrons of the arts and passionate collectors. Each artwork included in this encyclopedic collection is exemplary, demonstrating the Riggios’ deep appreciation for human creativity. Christie’s strives to present exceptional art and objects, and this seminal collection, to be offered to a global audience this spring, will be a highlight of the year.” 

    René Magritte – L’empire des lumières. UPDATE: THIS MADE $35 million

    RESTITUTED EGON SCHIELE ARTWORK AT CHRISTIE’S IN LONDON

    February 20th, 2025

    Egon Schiele –  Knabe in Matrosenanzug (Boy in a Sailor Suit) 1914. UPDATE: THIS MADE £3,307,000

    Egon Schiele’s Boy in a Sailor Suit is among the highlights at Christie’s 20th/21st Century evening sale on March 5. Part of the collection of Fritz Grünbaum the work is being offered following a restitution agreement. The collection was lost when the Nazis annexed Austria in the late 1930s, and Mr. Grünbaum and his wife Lilly were sent to concentration camps where they perished. Grünbaum was a celebrated cabaret performer, writer, actor and outspoken opponent of Nazism, active in Vienna during the early twentieth century.  Over the course of his life, he purchased over 80 works by Egon Schiele spanning the full range of Schiele’s creative output. The estimate is £1 million – £1.5 million and proceeds will help the Grünbaum Fischer Foundation support underrepresented performing artists.

    For more than a quarter of a century, Christie’s has engaged with the legacy of Nazi-era and World War II art theft and dispossession. Losses during 1933–1945 to Europe’s collections, in particular those of Jewish collectors, through persecution, confiscation, and forced sales continue to resonate strongly in the art world today.

    WHYTES IRISH ART SALE NOW ON VIEW IN DUBLIN AND ONLINE

    February 20th, 2025

    Paul Henry RHA (1876-1958)- LAKE AND MOUNTAINS IN CONNEMARA, 1933-6. UPDATE: THIS MADE 270,000 AT HAMMER

    Viewing for Whyte’s sale of Important Irish Art on March 3 gets underway in Dublin today. The top lot, of 129, is Paul Henry’s Lake and Mountains, Connemara which is estimated at €250,000-350,000. A trio of works by Paul Henry lead the sale. West of Ireland Landscape (€150,000-200,000) and Cottages Connemara (€80,000-120,000) also feature. There is art by Rose Barton, Nano Reid, Mary Swanzy, William Leech, Colin Middleton, a collection of drawings by William Orpen from the collection of Alan and Mary Hobart, work by Sean Scully, Donald Teskey, John Shinnors, Edward Delaney, Rowan Gillespie and many more.

    AN IRISH BUREAU WITH CHURCHILL PROVENANCE

    February 19th, 2025

    Irish 19th Century mahogany Bureau stamped J.Kerr & Co., No. 68931. UPDATE: THIS MADE 9,500 AT HAMMER

    By family tradition this bureau was a gift from Sir Winston Churchill to General Sir Bindon Blood. It comes up as lot 576 at Fonsie Mealy’s sale in Castlecomer on March 5 and 6 with an estimate of €1,000-€1,500.

    Churchill served under Blood on the North West Frontier in 1897 and dedicated his first non-fiction book – The Story of the Malakand Field Force – to him. Churchill’s dedication reads: “Major-General Sir Bindon Blood, K.C.B., under whose command the operations therein recorded were carried out; by whose generalship they were brought to a successful conclusion; and to whose kindness the author is indebted for the most valuable and fascinating experience of his life”.

    Born in 1842 Blood attended The Royal School, Banagher, Co. Offaly, Queen’s College, Galway and the Addiscombe Military College before being commissioned in the Royal Engineers in 1860. After service in Egypt, Afghanistan, India and South Africa he retired to London in 1907. He was made colonel commandant of the Royal Engineers in 1914 and worked to recruit soldiers for the First World War. He was aged 94 when he was made Chief Royal Engineer in 1936. He died in 1940.

    A TITIAN AT TEFAF MAASTRICHT

    February 17th, 2025

    Tiziano Vecellio, known as Titian – Madonna and Child with St. Mary Magdalene

    Not every fair boasts a Titian but there is one among the highlights at TEFAF Maastricht which runs from March 15-20. Trinity Fine Art of London will bring this painting by the Venetian master of a Madonna and Child with St. Mary Magdalene dated to around 1555-1560. It is being brought to light after being hidden from public view in various private collections for more than two centuries. The picture is remarkable for its sophisticated composition and emotional depth; the superb quality of the brushwork and the excellent condition of the painted surface give this picture the edge over other versions of the same subject hanging in some of the world’s leading museums, such as the Hermitage, the Gallerie degli Uf izi, and the Museo di Capodimonte. Fascinating details relating to Titian’s studio practices were revealed when the painting was X-rayed in 2024, in this case demonstrating how Titian modi ied and changed the composition

    BACON PORTRAIT OF MAN WITH GLASSES AT CHRISTIE’S IN LONDON

    February 17th, 2025

    Francis Bacon – Portrait of Man with Glasses III, 1963. UPDATE: THIS MADE £6,635,000

    Francis Bacon’s Portrait of Man with Glasses III from 1963 will be a highlight at Christie’s 20th/21st Century evening sale in London on March 5. At auction for the first time it has been exhibited extensively worldwide featuring in 17 major international retrospectives and serving as the cover image for the catalogue of the Francis Bacon/Henry Moore: Flesh and Bone exhibition at the Ashmolean Museum, Oxford in 2013. Most recently, it was displayed at London’s National Portrait Gallery as part of Francis Bacon: Human Presence, reaffirming its status as a cornerstone of Bacon’s oeuvre.

    The painting’s distorted yet captivating features reflect Bacon’s deep exploration of emotion, form, and the human condition: the bared teeth, rendered with thick impasto and delicate colour, embody his ambition to “paint the mouth like Monet painted a sunset”. The estimate is £6 million – £9 million.

    THE ENDURING ALLURE OF THE TITANIC AT JULIEN’S AUCTIONS

    February 16th, 2025

    Telegram requesting a list of Titanic survivors on the Olympic

    Titanic memorabilia or the early days of transatlantic aviation?  The choice is yours at Julien’s online and live in California on February 27.  Among a collection of Titanic relics are two telegrams from rescue ships Carpathia and the Olympic. One to Captain Herbert Haddock of the Olympic from the International Mercantile Marine Co. in New York requests a list of every survivor on the Carpathia, the other is from 2nd Class passenger Lucy Ridsdale to her sister in Milwaukee saying “safe”. There are serviceware items from Titanic and an envelope signed by all four surviving ships officers.

    Another lot of local interest is the Pan Am 1938 Air Trails magazine and cover artwork of the Boeing 314 Clipper Flying Boat. There are no B314’s left today and the only full scale replica in existence is at the Foynes Flying Boat and Maritime Museum in Co. Limerick.  This museum re-opens on March 15 after a winter break.

    Pan Am 1938 Air Trails magazine and cover artwork of the Boeing 314 Clipper Flying Boat.

    AN IRISH REVOLUTIONARY’S APPROACH TO THE FEIS OF 1904

    February 16th, 2025

    The book sale by Purcell Auctioneers in Birr on February 19 features The Exodus, a sacred cantata with words by activist, poet and playwright Thomas MacDonagh of Cloughjordan, a signatory of the 1916 Proclamation and music by B Palmieri.  Published in London in 1904 it was for the Feis Ceoil and is estimated at €220-€440.  The auction includes a selection of Irish and world interest books, antiquarian books, maps and ten lots of sporting memorabilia. UPDATE: THIS MADE 120 AT HAMMER

    IRISH ART MARKET AN EXAMPLE OF HOW TARIFFS DON’T ALWAYS WORK

    February 15th, 2025
    One of a pair of Irish commodes attributed to William Moore from the collection of the Metropolitan Museum in New York.

    At a time of great global uncertainty and concern about Mr. Trump’s protectionist behaviour the Irish art market, though small, offers a ray of consolation.  It demonstrates that tariffs don’t always work.  Without them America built incredible collections.

    Our VAT at point of entry – a tariff –  has prevented Ireland’s art market taking any  advantage from the fallout of Brexit in the UK. Five years on the gain to our art and antique market from that particular exit has been zilch.

    Ireland has gained in finance market terms but the fallout from the damage to  London’s status as a global art market hub has not benefited us in the slightest.  Even though we are the only remaining English speaking country in the EU that gain has largely gone to France and Germany where VAT rates on art sales have been slashed. 

    France accounts for over 50% of all European art sales and between 6%-9% of global auctions since Brexit.  Germany is next on the list.  VAT can have an outsize effect on local art scenes because big hitting international collectors are attracted to countries where VAT rates are lower. In EU member states VAT is notoriously complex. In Ireland most artists will have to charge 13.5% VAT on their work and customs and VAT rates equate to 13.5% on art imported to Ireland. 

    No matter what the future holds in terms of trade barriers it looks at this stage as if it might not make much of a difference to an Irish art market where imports and exports are drowning in red tape.

    View of Toledo by El Greco, one of only two surviving landscapes by the artist, from the collection of the Metropolitan Museum in New York.

    Acres of Monets and Manets, wall to wall Picassos and the very best of William Moore Irish 18th century furniture can be found in the US. America does not impose tariffs on the import of art and antiques which contributes in no small measure to the fabulous holdings of European art, sculpture and furniture in American museums and collections.

    The lesson of this remains unlearnt in Ireland. The venerable Dublin firm James Adam has noted a decrease in the number of queries from the UK about selling and buying Irish art since Brexit.  When they do get inquiries on an artwork of low value the advice to a potential UK seller is to forget about it. Before Brexit this was a much easier process. Nowadays red tape is time consuming, complicated and a turn off.

    In contrast to France Brexit has resulted in a shrinkage in the amount of art coming to Ireland from the UK.  And it has become very expensive for Irish art purchasers to buy in the UK.  They must pay a premium which is usually higher than would be paid in Ireland, deal with exchange rates, artists re-sale rights payable by the buyer and on top of all that 13.5% for art imported into Ireland.

    Even if many of us, rightly, condemn the disruption inherent in Mr. Trump’s tariffs in respect of the Irish art market at least Ireland can be accused of throwing stones in a glasshouse.

    Portrait of Gertrude Stein by Pablo Picasso at the Metropolitan Museum of Art, New York.