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  • THE CENTENARY AUCTION BY FONSIE MEALY IN DUBLIN

    April 17th, 2016

    The Centenary Auction by Fonsie Mealy at the Gresham Hotel in Dublin on Saturday April 23 will take place on the 100th anniversary of Easter Sunday, 1916. The Easter Rising, centred diagonally across the road at the GPO, looms large in this auction of 642 lots. The original copy of the 1916 Proclamation in the auction is by tradition reputed to be a copy which hung in the GPO during the rising.  Guaranteed provenance leads to  Dr. James Ryan, medical officer at the GPO who subsequently became a TD, served as Fianna Fail Minister for Agriculture and Minister for Finance and founded the New Ireland Assurance Company.

    Among many items of interest is a collection of letters, photographs and memorabilia of Captain Percival Lea-Wilson, Royal Irish Constabulary (RIC) and his wife Dr Marie Lea-Wilson. Captain Lea-Wilson was known for the abuse and humiliation of Republican prisoners at the Rotunda Gardens. He was subsequently assassinated on the orders of Michael Collins. His widow is famous for presenting an Old Master painting to the Jesuits, later identified as by Caravaggio and now in the National Gallery of Ireland. Items relating to the rebellion of 1798 and the Fenian Rising will also feature. The catalogue is online.

    (See posts on antiquesandartireland.com for April 4 and February 8, 2016)

    The Lea-Wilson collection (4,500-6,500)

    The Lea-Wilson collection (4,500-6,500)  UPDATE: THIS MADE 7,000

    The GPO copy of the Porclamation (100,000-150,000)

    The GPO copy of the Proclamation (100,000-150,000)  UPDATE: THIS SOLD FOR 150,000 AND WAS THE TOP LOT OF THE AUCTION

    A Bloody Sunday 1st anniversary tournament gold medal 1921 (6,500-7,000)

    A Bloody Sunday 1st anniversary tournament gold medal 1921 (6,500-7,000)  UPDATE: THIS WAS UNSOLD

    An Irish Volunteers uniform worn by Thomas J. Byrne (3,500-5,000)

    An Irish Volunteers uniform worn by Thomas J. Byrne (3,500-5,000)  UPDATE: THJIS MADE 6,400 AT HAMMER

    A Victorian brass street lantern from O'Connell St. with a bullet hole (300-500)

    A Victorian brass street lantern from O’Connell St. with a bullet hole (300-500)  UPDATE: THIS MADE 1,200 AT HAMMER

    NEW FUND TO SUPPORT CONTEMPORARY ART IN IRELAND

    April 17th, 2016
    Dorothy Cross, Parachute, 2005, Dimensions variable, Parachute and gannet, Collection IMMA, Purchase 2005

    Dorothy Cross, Parachute, 2005, Dimensions variable, Parachute and gannet, Collection IMMA, Purchase 2005

    A new fund designed to support the future of contemporary art in Ireland  has just been launched by IMMA, the Irish Musem of Modern Art.  The private fundraising initiative is a reaction to the devastating cuts experienced by the arts sector in recent years.  Initially IMMA 1000 is to be a three year fundraising programme from 2016–2018. The fund launches with 60,000 which IMMA plans to double in year one through donations of 1,000 each from 60 individuals.

    IMMA Director Sarah Glennie said; “IMMA 1000 is a new fund specifically created to support our work with Irish artists in the drastically altered social and economic environment we find ourselves in today. Severe cuts in arts funding since 2008 have had a devastating effect on supports available directly to contemporary artists, and as a result artists simply cannot afford to live and work in Ireland, creating a huge concern for the future of Irish art, and contemporary Irish culture.”

    “Artists tell us about ourselves, they challenge us; they create space for difference, debate and imagination. Their voice is an essential part of a vibrant and dynamic society and it is essential that we value artists and create a sustainable base for them in Ireland. With IMMA 1000 we want to create a support infrastructure for working Irish artists today, securing the ecosystem for the future.”

    The fund will help support artists to live and work in Ireland through bursaries and the IMMA residency programme; support artists’ income through commissions and exhibition and support the work of artists through purchase for the IMMA collection. IMMA has been supported in this initiative by Goodbody Stockbrokers.

    CONTENTS FROM CASHEL PALACE HOTEL TO BE AUCTIONED

    April 16th, 2016
    Cashel Palace

    Cashel Palace

    Around 1,000 lots from Cashel Palace Hotel are to be sold on the premises by Doneraile based auctioneer Aidan Foley over two days on April 26 and 27.  This is to facilitate an extensive re-furbishment of the hotel which is about to get underway.

    There will be some art and antique lots, bedroom and kitchen contents as well as pub signage and the entire furnishings of the basement buttery restaurant. Aidan Foley has previously auctioned contents from Ashford Castle and Adare Manor.  The catalogue is scheduled to go online from April 20.

    ART AND FURNITURE AT LYNES AND LYNES

    April 16th, 2016

    A large wooded landscape attributed to the British artist Richard Wilson (1714-1782) and six Georgian Cork nine bar chairs are among the art and furniture lots at Lynes and Lynes in Carrigtwohill, Co. Cork on April 23.  Around 400 lots will come under the hammer.  The Wilson is estimated at 2,000-3,000, the chairs at 1,000-1,500.  Antique furniture includes a c1860 French kingwood bonheur du jour with porcelain plaques (1,000-1,500) and a large pine kitchen table (200-400).  There is a selection of dining room, drawing room and bedroom furniture.  The selection of 40 lots of books includes a number of other original editions. There is a framed Cork jersey and hurley signed by the All Ireland champions of 1999. Other lots include a pair of Irish Georgian berry spoons by Samuel Neville Dublin 1814 (80-150), a Waterford Crystal nine branch chandelier (600-1,000) and a club fender.

    A large wooded landscape with figures in a river attributed to Richard Wilson, (1714-1782)

    A large wooded landscape with figures in a river attributed to Richard Wilson, (1714-1782)  UPDATE: THIS MADE 2,500 AT HAMMER

    A set of six Georgian Cork 9-bar chairs.

    A set of six Georgian Cork 9-bar chairs.  UPDATE: THESE SOLD FOR 1,000 AT HAMMER

    A c1860 French kingwood bonheur du jour

    A c1860 French kingwood bonheur du jour.  UPDATE: THIS WAS PASSED AT 750

    BASQUIAT TOUR DE FORCE AT CHRISTIE’S

    April 14th, 2016
    Jean-Michel Basquiat (1960-1988) Untitled Acrylic on canvas Painted in 1982 © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2016.

    Jean-Michel Basquiat (1960-1988) Untitled
    Acrylic on canvas
    Painted in 1982
    © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2016.

    Jean-Michel Basquiat’s explosive tour de force, Untitled, 1982, will lead Christie’s sale of post war and contemporary art in New York on May 10.  It is estimated to make more than of $40 million. Executed in Modena, Italy this is an epic painting, with its monumental size and visceral energy marking it as one of the artist’s most seminal works. As well as having been chosen for the cover of the artist’s Catalogue Raisonné, Untitled has been included in every major Basquiat retrospective and contains Basquiat’s heroic portrait of himself as a fiery black devil rising amidst an explosion of paint that has been thrown onto the canvas in the manner of Jackson Pollock. It is the dynamism and spontaneity with which Basquiat constructs his painterly surface that distinguishes this work as a masterpiece, especially considering this ambitious work was painted when the artist was only 22 years old.

    Brett Gorvy, Christie’s International Head of Post-War and Contemporary Art, remarked: “We are very proud to lead our evening sale with this truly exceptional work by Basquiat. Untitled is a remarkably powerful canvas, which instantly engulfs any viewer standing in its monumental presence. Untitled is among the top three paintings from the tremendously important body of work that the artist executed in 1982 while in Modena, Italy, which would go on to shape the rest of his career”.

    A TIME CAPSULE OF CALDER IN INDIA IN 1955

    April 13th, 2016

    A time-capsule collection of sculptures by Alexander Calder (1898-1976) created before and during his three-month visit to India in 1955 will be among the highlights at Christie’s Post-War and Contemporary Art evening auction in New York on May 10. Created before and during his three-month visit to India in 1955 the works capture Calder’s special relationship with the Sarabhai family, who hosted the artist for three weeks at their home in Ahmedabad.  At auction for the first time they testify not only to Calder’s ability at the height of his powers, but also to the extraordinary cultural dialogue fostered by the architect Gira Sarabhai and her family following the Indian Independence Act of 1947.

    Alexander Calder (1898-1976) - Frangi-Pani  ($2.5-3.5 million).

    Alexander Calder (1898-1976) – Frangi-Pani ($2.5-3.5 million).

    Alexander Calder (1898-1976) -Sumac 17 ($4-6 million)

    Alexander Calder (1898-1976) -Sumac 17 ($4-6 million)

    FROM EARTH TO FIRE: EUROPEAN CERAMICS, SILVER AND OBJECTS AT SOTHEBY’S

    April 13th, 2016

    The first sale at Sotheby’s exclusively dedicated to European Ceramics, Silver and Objects of Vertu at Sotheby’s in almost a decade will take place in London on May 10.  Testament to the ever-growing appetite of international collectors for unique pieces encapsulating the finest craftsmanship and materials of their time, the 265 lots in the sale are led by Dutch silver, ceramics and glass from the collection of the renowned Amsterdam antiques dealer Joseph M. Morpurgo. The focus of the “From Earth to Fire” auction is on the creation of pieces born from the earth and transformed through the kiln into exquisite works.  The sale also includes sculptural Paul Storr silver, early Chelsea porcelain scent bottles and a private collection of French gold boxes. Estimates range from £2,000-70,000.

    A pair of Victorian silver table centre dessert bowls Paul Storr for Storr & Mortimer, London, 1838 (£50,000-70,000)

    A pair of Victorian silver table centre dessert bowls
    Paul Storr for Storr & Mortimer, London, 1838 (£50,000-70,000)

    An agate cup and cover Jean-Valentin Morel, Paris, circa 1836-40 (£40,000-60,000)

    An agate cup and cover
    Jean-Valentin Morel, Paris, circa 1836-40 (£40,000-60,000)

    A selection from the auction.

    A selection from the auction.

    An English opaque-white glass vase and a cover, circa 1760 (£7,000-10,000)

    An English opaque-white glass vase and a cover, circa 1760 (£7,000-10,000)

    IS IT OR IS IT NOT BY CARAVAGGIO?

    April 13th, 2016
    The large canvas possibly by Caravaggio

    The large canvas possibly by Caravaggio

    Is it is or is it not by Caravaggio? Amid expert disagreement over whether a painting found in an attic near Toulouse is a Caravaggio, France has placed an export ban on the work for 30 months so it can be studied in depth. It was found in an attic in April 2014 when the owners of a house went to fix a leak. It is a painting of the beheading of Holofernes by Judith from the Book of Judith. Another version of the work, discovered in 1950, is at Rome’s National Gallery of Ancient Art.

    If it does turn out be to by Caravaggio the 400 year old canvas could be worth as much as 120 million euro.  But it might be by the Flemish artist Louis Finson who was familiar with Caravaggio. It is currently being studied at the Louvre.

    When The Taking of Christ by Caravaggio was discovered in Ireland in 1990 it was authenticated relatively quickly.  The provenance of the work, now in the National Gallery in Dublin, was painstakingly unearthed and traced back to Rome via Scotland.

    A 1922 LETTER OF APPEAL TO IRISH AMERICANS FROM MICHAEL COLLINS

    April 12th, 2016
    The Michael Collins letter to the editor of The Boston Globe.

    The Michael Collins letter to the editor of The Boston Globe.  UPDATE: THIS WAS UNSOLD

    A February 1922 letter from Michael Collins to the Editor of the Boston Globe appealing for support from Irish Americans comes up at the History sale at James Adam in Dublin on April 19. Written on the notepaper of the Provisional Government it mentions Collins’ relatives in Boston, and the liberality of friends of Ireland in Boston in supporting the Irish struggle for Independence with money. ‘Now that Freedom is on the eve of attainment I ask through the ‘Boston Globe’ on behalf of the Provisional Government, that they be equally liberal with their sympathy and patience, thus assisting us in restoring to the people of Ireland control of their own destinies” the letter goes on.  It is estimated at 12,000-15,000.   The catalogue is online. Here is a small selection:

    ATRICK PEARSE Collection of booklets including An Macaomh, Poems, The Spiritual Nation, The Murder Machine, The Separist Idea (150-250)

    PATRICK PEARSE
    Collection of booklets including An Macaomh, Poems, The Spiritual Nation, The Murder Machine, The Separist Idea (150-250)  UPDATE: THIS MADE 80 AT HAMMER

    KEARNEY (PEADAR), THE SOLDIER'S SONG, FIRST EDITION WITH MUSIC Four printed pages, in two parts, 31 x 24cm approx.. Written in 1909-1910 by Peadar Kearney, music by Paddy Heaney and arrangement by Cathal MacDubhgall. Later to become "Amhrán na bhFiann" (1,500-2,000)

    KEARNEY (PEADAR), THE SOLDIER’S SONG, FIRST EDITION WITH MUSIC
    Four printed pages, in two parts, 31 x 24cm approx.. Written in 1909-1910 by Peadar Kearney, music by Paddy Heaney and arrangement by Cathal MacDubhgall. Later to become “Amhrán na bhFiann” (1,500-2,000)   UPDATE: THIS MADE 1,500 AT HAMMER

    A $10 REPUBLICAN BOND CERTIFICATE, ISSUED JANUARY 21ST 1920 BY DE VALERA, President of the Elected Government of the Republic of Ireland, to Lucille Gallagher, No. 149790 (200-400)

    A $10 REPUBLICAN BOND CERTIFICATE, ISSUED JANUARY 21ST 1920 BY DE VALERA, President of the Elected Government of the Republic of Ireland, to Lucille Gallagher, No. 149790 (200-400)  UPDATE: THIS MADE 350 AT HAMMER.

    ALL IRELAND GAA FOOTBALL MEDAL - LOUTH 1910 (2,000-3,000)

    ALL IRELAND GAA FOOTBALL MEDAL – LOUTH 1910 (2,000-3,000)  UPDATE: THIS MADE 4,000 AT HAMMER

    A 1919-21 WAR OF INDEPENDENCE MEDAL, with Comrac Bar, black and tan ribbon and clasp bar (300-500)

    A 1919-21 WAR OF INDEPENDENCE MEDAL, with Comrac Bar, black and tan ribbon and clasp bar (300-500)  UPDATE: THIS MADE 300 AT HAMMER

    IRISH WAR NEWS. THE IRISH REPUBLIC. VOL. 1 NO. 1 DUBLIN, TUESDAY, APRIL 25, 1916 (600-800)

    IRISH WAR NEWS. THE IRISH REPUBLIC. VOL. 1 NO. 1 DUBLIN, TUESDAY, APRIL 25, 1916 (600-800) UPDATE: THIS MADE 420 AT HAMMER

    A BOTTLE OF VERY RARE POT STILL IRISH WHISKEY

    April 10th, 2016
    The Irish pot still whiskey

    The Irish pot still whiskey  UPDATE: THIS SOLD FOR 6,600 AT HAMMER

    A bottle of pot still 1916 whiskey from the long vanished Allman’s Distillery in Bandon, Co Cork comes up at the James Adam history sale in Dublin on  April 19.  Founded in 1826 Allman’s had a huge reputation.  It survived the famine and Fr. Matthew’s total abstinence campaign to become one of the most celebrated Irish whiskey producers. When the influential English journalist Alfred Barnard came to visit in 1886 he described it as the most successful rural distillery in Ireland. Barley was plentifully supplied by local farmers and the distillery had an internal village of around 200 employees including coopers, carpenters, coppersmiths and maltmen. The distillery imported specially sherry-seasoned casks from Cadiz. This is now common practice but Allman claimed to have been one of the first distillers in Ireland to do so.  The malting facility was second only to Guinness in Dublin. At a time when Irish whiskey was outselling Scotch by three cases to one Allman’s whiskey earned a popular following in Scotland and was a key brand there during the 1860’s.

    According to Adams this particular example, bottled by the Nun’s Island Distillery in Galway,  may be the oldest unopened expression of Irish single pot still whiskey. The style called “Irish pot still” or “single pot still” whiskey is a uniquely Hibernian variety. It is defined by the grain ingredients, a mixture of malt with a fine grist of “green” unmalted barley for texture and spice.   Whiskey made in a pot still without the green barley is not, by this definition, “Irish pot still whiskey”. Originally introduced as a means of dodging the Malt Tax, the use of raw barley has been a feature of Irish whiskey since the 18th century, became ingrained in the taste and was retained even after the tax was repealed in 1880. Barnard describes how the distillery separated its barley into raw gristing and malting facilities and ran them through two distinct runs in order to make “both Old Pot Still Whisky, designated Irish, and Pure Malt Whisky, both of a superior quality”.

    War, prohibition and competition from cheaper and more rapidly produced blended whiskeys meant Allman closed in 1925.  Trading as “Allman, Dowden and Co.”, its agents continued selling off stocks until 1939. In Bandon the Old Still Bar (converted from the distillery offices) proudly retained a bottle until 1971.  Most of the contents boiled away in a tragic fire that struck the pub that year.  This bottle is estimated at 6,000-10,000.