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    BECKETT’S MANUSCRIPT OF “MURPHY” AT SOTHEBY’S IN JULY

    Friday, May 31st, 2013
    Pages from the manuscript showing a portrait of James Joyce on the lower left. (Click on image to enlarge).

    Pages from the manuscript showing a portrait of James Joyce on the lower left. (Click on image to enlarge).

    A heavily corrected manuscript page.  (Click on image to enlarge).

    A heavily corrected manuscript page. (Click on image to enlarge).

    One of the most important 20th century working manuscripts remaining in private hands – Samuel Beckett’s first novel, “Murphy” – will come up at Sotheby’s in London on July 10. Thought capable of re-defining Beckett studies it is estimated at £800,000-£1 million.

    Handwritten in six exercise books between August 1935 and June 1936 in Dublin and London whilst Beckett was undergoing psychoanalysis, the manuscript, initially entitled “Sasha Murphy” is heavily revised throughout.  The hundreds of cancellations and revisions bear witness to Beckett’s struggle to give form to his artistic vision.  The novel is characterised by exuberant language and is the most comic of all Beckett’s works, although it also has deep philosophical roots. The plot concerns the eponymous Murphy’s attempts to find peace in the nothingness of the “little world” of the mind without intrusion  from the outside world. Spurred on to find employment by his prostitute girlfriend, Murphy finds some tranquillity working in an insane asylum before accidentally immolating himself in his garret.

    The notebooks are also full of lively doodles hinting at the author’s preoccupations during this period, including recognisable portraits of James Joyce, Beckett himself, and Charlie Chaplin (later an influence on the tramps in Waiting for Godot), as well as astrological symbols and musical notations.

    Peter Selley, Sotheby’s Senior Specialist in Books and Manuscripts commented: “This is unquestionably the most important manuscript of a complete novel by a modern British or Irish writer to appear at auction for many decades. I have known about the existence of this remarkable manuscript for a long time – as have a number of others in the rare book business, and some Beckett scholars – but it has only been glimpsed, tantalizingly, by a few chosen individuals during that time. The notebooks contain almost infinite riches for all those – whether scholars or collectors – interested in this most profound of modern writers, who more than anyone else, perhaps, captures the essence of modern man. The manuscript is capable of redefining Beckett studies for many years to come”.

    SHEPPARDS AUCTION AT FOTA HOUSE FOR ST. FIN BARRE’S RESTORATION

    Thursday, May 23rd, 2013

    Antique furniture, old Irish silver, Persian rugs and even a limited edition Picasso print will come under the hammer at Sheppards auction at Fota House in Cork on May 28.  The sale of 700 lots is in aid of the restoration project at St. Fin Barre’s Cathedral in Cork which was designed by William Burges.  The catalogue is on-line.  Here is a small selection.

    A pair of large Sheffield four branch candleabrae (800-1,200).

    A pair of large Sheffield four branch candleabrae (800-1,200).  UPDATE: THESE MADE 600

    Regency  Cork fold over tea table (1,400-1,800).

    Regency Cork fold over tea table (1,400-1,800). UPDATE: THIS WAS UNSOLD

    Irish eighteenth-century period mahogany breakfront hall table with scagliola marble top (2,500-4,000).

    Irish eighteenth-century period mahogany breakfront hall table with scagliola marble top (2,500-4,000). UPDATE: THIS WAS UNSOLD

    Silver tazza, Cork, circa 1720, Maker William Clarke, Provenance; Westrop Collection 795 grams (8,000-12,000).

    Silver tazza, Cork, circa 1720, Maker William Clarke, Provenance; Westrop Collection 795 grams (8,000-12,000).  UPDATE: THIS MADE 8,000

    Pablo Picasso MaternitÈ, Etching, Signed by Picasso, Dated in the plate 1963 (1,400-1,800).

    Pablo Picasso MaternitÈ, Etching, Signed by Picasso, Dated in the plate 1963 (1,400-1,800). UPDATE: THIS MADE 2,500 AT HAMMER

    William Irving (1866 - 1943), Arcadian landscape with figures wearing flowers, seated around a fallen Corinthian column, Signed and dated oil on canvas, c1920 (5,000-8,000).

    William Irving (1866 – 1943), Arcadian landscape with figures wearing flowers, seated around a fallen Corinthian column, Signed and dated oil on canvas, c1920 (5,000-8,000).  UPDATE: THIS WAS UNSOLD

    MOST IMPORTANT COFFEE POT EVER AT AUCTION

    Wednesday, May 22nd, 2013
    A GEORGE II SILVER COFFEE-POT, MARK OF PAUL DE LAMERIE, 1738 (£3.5-4.5 million) © Christie’s Images Limited 2013. (Click on image to enlarge).

    A GEORGE II SILVER COFFEE-POT, MARK OF PAUL DE LAMERIE, 1738 (£3.5-4.5 million) © Christie’s Images Limited 2013. (Click on image to enlarge).  UPDATE: IT WAS UNSOLD

    THE most important coffee pot ever at auction comes up at Christie’s London in The Exceptional Sale on July 4.  The Rococo masterpiece by Paul de Lamerie (1688–1751) – the greatest silversmith working in Britain in the 18th century – is expected to become the most valuable piece of English silver ever to be sold at auction. The George II silver coffee-pot was created in 1738, for a successful merchant and is now estimated at £3.5-4.5 million. It was the centrepiece of the British Silver exhibition at The Metropolitan Museum in New York.

    Lamerie’s works have been prized for 250 years. He was apprenticed to his fellow Huguenot Pierre Platel in 1703, becoming free of his master in 1711. Within six years he was described as the King’s Silversmith. This coffee-pot was commissioned by London based trader and fellow Huguenot Sir John Lequesne.  As a child, Lequesne came to Britain as a refugee  with his younger brother, fleeing Rouen like so many of his fellow Protestants.
    The first London coffee house was opened in 1652 by a member the English Levant company which traded with Turkey.  From the coffee house came the Gentleman’s Clubs and City institutions such as the insurance market Lloyds of London.
    UPDATE:   The Exceptional Sale evening auction realised £14,990,450 selling 69% by lot and 79% by value. The top price was paid for the Maharaja of Patiala’s banqueting service which realised £1,965,875, setting a world record price for an English dinner service sold at auction.

    HARRY POTTER AND THE PHILOSOPHER’S £150,000 AUCTION RECORD

    Wednesday, May 22nd, 2013
    THE title page of J.K. Rowling's Harry Potter and the Philosopher's Stone.

    THE title page of J.K. Rowling’s Harry Potter and the Philosopher’s Stone.

    A 1997 first edition of Harry Potter & The Philosopher’s Stone personally annotated by J.K. Rowling sold for £150,000 at Sotheby’s in London on May 21.   This is a new record for a printed book by Rowling.  The edition contained a revealing commentary and 22 of her own original illustrations.

    Matilda by Roald Dahl with new illustrations by Quentin Blake sold for £30,000; Kazuo Ishiguro’s The Remains of the Day, sold for £18,000; Julian Barnes’ Metroland,  sold for £14,000; Alan Bennett’s The Uncommon Reader, made £11,000; Seamus Heaney’s Death of a Naturalist, made £17,000; Colm Toibin’s The Heather Blazing, made  £15,500; Hilary Mantel’s Wolf Hall made £16,000; Edmund de Waal’s The Hare with Amber Eyes, made £14,500 and Ralph Steadman’s richly illustrated Fear & Loathing in Las Vegas by Hunter S. Thompson made £14,500.
    The First Editions, Second Thoughts  auction featured 50 contemporary writers.  They annotated and in some instances illustrated a first edition copy of one of their best-known works.  The sale raised a combined total of £439,200 for English PEN, the writers’ charity which campaigns for freedom of expression.

    A REMBRANDT ETCHING AT FRANCIS STREET, DUBLIN

    Friday, May 17th, 2013

    A copper plate etching by Rembrandt dating from 1642 is among the  more unusual lots at O’Reilly’s sale of antique and vintage jewellery, silverware, watches and paintings at Francs St. in Dublin on May 22.  St.Jerome in a Dark Chamber measures 151 x 173 mm and was with Harcourt’s Gallery in San Francisco in 1983.  Here is a small selection from the auction.

    REMBRANDT VAN RIJN, ''St Jerome in a Dark Chamber', copper plate etching 1642, 151 x 173 mm (800-1,200).

    REMBRANDT VAN RIJN, ”St Jerome in a Dark Chamber’, copper plate etching 1642, 151 x 173 mm (800-1,200).  UPDATE: THIS MADE 1,200

    A diamond brooch modelled as a bee (700-800).

    A diamond brooch modelled as a bee (700-800).

    A c1940's diamond plaque bracelet (20,000-22,000).

    A c1940’s diamond plaque bracelet (20,000-22,000).

    A diamond cluster pendant set with old cut stones.

    A diamond cluster pendant set with old cut stones.

    MOST PERFECT DIAMOND MAKES $26.7 MILLION: NAMED THE WINSTON LEGACY

    Thursday, May 16th, 2013
    This pear-shaped, D colour, Type IIA, flawless, diamond of 101.73 sold for $26.7 million and was named the Winston Legacy.

    This pear-shaped, D colour, Type IIA, flawless, diamond of 101.73 carats sold for $26.7 million and was named the Winston Legacy. IMAGE courtesy Christie’s Images Ltd., 2013.

    THE most perfect diamond ever offered at auction made $26.7 million at Christie’s in Geneva last night.  The flawless, pear shaped D colour 101.73 carat diamond was bought by Harry Winston and will be named the Winston Legacy.  The price represents a world record for a colourless diamond.

    The record breaking sale brought in $102 million and set records for diamonds, pearls and sapphires. This was the highest result ever for a various owner jewellery auction at Christie’s. There were world records for The Star of Kashmir, a cushion shaped Kashmir sapphire of 19.88 carats which made $3.48 million US; for a single strand natural pearl necklace, which made $8.45 million US; for a pair of natural pearl drop shaped ear pendants which made $2.44 million US and for a fancy red diamond ring which sold for $3.52 million US.  This is a world record price for a red diamond.

    More than 20 lots sold for over $1 million.  There was 147 buyers from 31 countries across five continents.

    (See post on antiquesandartireland.com for March 13, 2013).

    MOST IMPORTANT PRINTED BOOK TO BE OFFERED THIS CENTURY AT CHRISTIE’S

    Monday, May 13th, 2013
    VERGILIUS MARO, Publius (70-19 %SB.C.). Opera (Bucolica, Georgica, Aeneid, with argumenta). Venice: Vindelinus de Spira, 1470.

    VERGILIUS MARO, Publius (70-19 B.C.). Opera (Bucolica,
    Georgica, Aeneid, with argumenta). Venice: Vindelinus de Spira, 1470. UPDATE: IT MADE $1,181,875

    BURGES, William (1827-1881), a collection of illuminated letters and drawings, in English.

    BURGES, William (1827-1881), a collection of illuminated letters and drawings, in English.

    THE most important early printed book to be offered this century – Virgil’s Opera printed in 1470 – comes up at Christie’s in London on June 12.  The Aeneid by Virgil (70-19 B.C.) is the foundation stone of western literature. Christie’s say this is the earliest edition a collector could ever aspire to own. It is the textually superior second edition, printed in Venice in 1470 within a year of the beginning of printing in that city. An indication of its rarity is that the last copy to come on the market was sold in 1920 and was lacking nine leaves.  This newly discovered copy, complete and printed on vellum, is estimated at £500,000-800,000.

    Christie’s sale of Valuable Printed Books and Manuscripts features a pre-publication edition of Brideshead Revisited by Evelyn Waugh.  This copy was presented to Sir Fitzroy Maclean, the soldier, writer, and politician, who is considered to be an inspiration to Ian Fleming for the character of James Bond, and is estimated at £18,000-25,000.  A telegram sent by Lenin on April 6, 1917 to announce his departure from exile in Switzerland  to French socialist Henri Guilbeaux in Geneva is estimated at £20,000-30,000.
    The sale will feature a collection of illuminated letters by Englishman William Burges, the leading 19th century gothic revivalist architect and designer whose first major commission was St. Finn Barre’s Cathedral in Cork.  The earliest known surviving works by Burges, written when he was just 13 years old, are estimated at £7,000-9,000.

    LENNON’S FERRARI BACK ON AUCTION CIRCUIT

    Friday, May 10th, 2013
    John Lennon's Ferrari - photo credit Bonhams/Simon Clay. (Click on image to enlarge).

    John Lennon’s Ferrari – photo credit Bonhams/Simon Clay. (Click on image to enlarge).

    John Lennon’s Ferrari has raced back on to the auction circuit again.  Withdrawn from auction in Paris in 2011 due to what was termed “seller’s remorse”  the car will feature at Bonhams auction at the Goodwood Festival of Speed in Chichester, England on July 12 next.  In early 2011 it was estimated at 120,000-170,000 euro, the estimate now is £180,000 to £220,000 sterling.

    John Lennon used it for nearly three years from 1965.  By the late 1980’s it was with the Modena Ferrari dealership, from where it was acquired by the current owner.  Painted red and separated from its number plate, it was then lovingly restored to its original specification. It is one of only 500 of its type built.  
    (See post on antiquesandartireland.com for January 11, 2011).

    RECORDS FOR WILDE AND YEATS AT BONHAMS

    Thursday, May 9th, 2013
    There was new records for Irish poets Oscar Wilde and William Butler Yeats  at Bonhams in London on May 8. Wilde’s very early poem, ‘Heart’s Yearnings’ written when he was an undergraduate at Magdalen College Oxford in 1874 made £67,250, a world record for a poetic manuscript by the writer.  The previous record was £24,000 for a draft poem on Lillie Langtry.   A photograph of Wilde taken in New York by Napoleon Sarony in 1882 to publicise the writer’s tour of America made £16,250.
    A photograph of William Butler Yeats by the American photographer Alice Boughton taken in New York in 1903 made £18,750 over an estimate of £4,000-5,000.  Handwritten draft copies of his poems ‘Are you content’ and ‘The spirit medium’ sold for £15,000. The previous record for a Yeats poem at auction was £5,000.  Handwritten works by Oscar Wilde and William Butler Yeats and portraits of the two made over £130,000 in Part II of the sale of The Roy Davids Collection Part III:  Poetry: Poetical Manuscripts and Portraits of Poets. (Click on either image to enlarge it).
    (See post on antiquesandartireland.com for January 23, 2013).
    YEATS, WILLIAM BUTLER (1865-1939) PORTRAIT BY THE AMERICAN PHOTOGRAPHER ALICE BOUGHTON (1866-1943) SIGNED BY YEATS made £18,750.

    YEATS, WILLIAM BUTLER (1865-1939) PORTRAIT BY THE AMERICAN PHOTOGRAPHER ALICE BOUGHTON (1866-1943) SIGNED BY YEATS made £18,750.

    WILDE, OSCAR (1854-1900)  PORTRAIT BY NAPOLEON SARONY (1812-1896) SIGNED BY WILDE made £16,250.

    WILDE, OSCAR (1854-1900) PORTRAIT BY NAPOLEON SARONY (1812-1896) SIGNED BY WILDE made £16,250.

    SUNDAY INTERIORS AUCTION AT JAMES ADAM IN DUBLIN

    Tuesday, May 7th, 2013

    A mixed selection with everything from silver, porcelain and rugs to art, furniture and books will come under the hammer at the James Adam Sunday Interiors auction in Dublin on May 12.  The catalogue, which is on-line, lists 637 lots.  Here is a small selection.

    AN AESTHETIC MOVEMENT EBONISED AND STAINED OAK SIDE TABLE, by Lamb of Manchester, (200-400).

    AN AESTHETIC MOVEMENT EBONISED AND STAINED OAK SIDE TABLE, by Lamb of Manchester, (200-400)  UPDATE: THIS WAS UNSOLD

    OSCAR WILDE: HIS LIFE AND CONFESSIONS WITH MEMORIES OF OSCAR WILDE BY BERNARD SHAW Two Volumes. Frank Harris; Bernard Shaw Printed and published by the author, New York, 1918.(100-200).

    OSCAR WILDE: HIS LIFE AND CONFESSIONS WITH MEMORIES OF OSCAR WILDE BY BERNARD SHAW Two Volumes. Frank Harris; Bernard Shaw Printed and published by the author, New York, 1918.(100-200). UPDATE: THIS MADE 140

    AN EARLY 19TH CENTURY IRISH SILVER SWING HANDLE FRUIT BASKET Dublin 1825, mark of W Nowlan (1,000-1,500).

    AN EARLY 19TH CENTURY IRISH SILVER SWING HANDLE FRUIT BASKET Dublin 1825, mark of W Nowlan (1,000-1,500).  UPDATE: THIS WAS UNSOLD

    A PAIR OF ITALIAN PIETRE DURE PICTORAL PLAQUES BY GIOVANNI MONTELATICI, Florence (1864-1930) (3,000-5,000).

    A PAIR OF ITALIAN PIETRE DURE PICTORAL PLAQUES BY GIOVANNI MONTELATICI, Florence (1864-1930) (3,000-5,000).  UPDATE: THESE WERE UNSOLD

    A CHINESE BLUE AND WHITE PORCELAIN BOWL, MING DYNASTY (300-400).

    A CHINESE BLUE AND WHITE PORCELAIN BOWL, MING DYNASTY (300-400).  UPDATE: THIS SOLD FOR 700

    A FRAMED HERMÈS SILK SCARF depicting the coronation of Napoleon within military trophies, uniforms and vignettes from his life is estimated at 300-400.

    A FRAMED HERMÈS SILK SCARF depicting the coronation of Napoleon within military trophies, uniforms and vignettes from his life is estimated at 300-400.  UPDATE: THIS SOLD FOR 200

    A George IV giltwood sofa once owned by Lennox Robinson, playright and director of the Abbey Theatre, is estimated at 4,000-6,000.

    A George IV giltwood sofa once owned by Lennox Robinson, playright and director of the Abbey Theatre, is estimated at 4,000-6,000.  UPDATE: THIS WAS UNSOLD

    A Chinese hand knotted pictorial wool run from Paotou c1890-1900 is estimated at 400-600.

    A Chinese hand knotted pictorial wool run from Paotou c1890-1900 is estimated at 400-600.  UPDATE: THIS SOLD FOR 350