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    THE DEBORAH BROWN COLLECTION AT ADAMS IN DUBLIN

    Friday, September 13th, 2024

    Deborah Brown (1927 – 2023) – The Harper, 1952/53. UPDATE: THIS MADE 4,400 AT HAMMER

    A timed auction of the Deborah Brown collection will be held at Adams in Dublin on October 1. Deborah Brown was an artist of international repute mostly unheard of in her own country even though her work was regularly included in survey exhibitions of contemporary Irish art, including a number of major touring exhibitions and at ROSC. A 1982 retrospective exhibition was shown at the Ulster Museum and in Dublin at the Hugh Lane Municipal Gallery of Modern Art and there was a retrospective at the F.E. McWilliam Gallery in Banbridge in 2012/13.

    The sale is a fascinating collection of works by artist friends and contemporaries, those who particularly influenced her career and the studio collection of Deborah’s own work. There is art by James Humbert Craig; Mainie Jellett, Evie Hone, Alice Berger Hammerschlag, T.P. Flanagan, William Scott and Basil Blackshaw.

    After studying at Belfast College of Art and the NCAD in Dublin Deborah Brown moved to Paris in
    1950. Experiences of modern French painting transformed her work. In 1951 she was invited to hold a one-person exhibition in Belfast, with a subsequent exhibition organised in Glasgow in 1955 by the British Council. This in-turn led to her 1956 solo exhibition at the Ulster Museum. In 1953, Deborah Brown began to exhibit with Victor Waddington in Dublin and the Mayfair Gallery in London in 1954. She exhibited with the Ulster Academy of Arts between 1946 and 1976 and the Society of Women Artists in London, the Women’s International Art Club and the Ulster Society of Women Artists. In the late 1950s, Deborah Brown’s work became completely abstract and she exhibited increasingly outside Ireland at the New Vision Centre Gallery, in London, the Free Painters Group and at the Arnolfini Gallery, Bristol. The catalogue for the sale is online.

    JEFF KOONS’ BALLOON MONKEY (BLUE) AT CHRISTIE’S IN LONDON

    Thursday, September 12th, 2024

    Jeff Koons. – Balloon Monkey (Blue). Executed in 2006-2013. UPDATE: THIS SOLD FOR £7,555,000

    Jeff Koons’ Balloon Monkey (Blue) will be offered by Christie’s as one of the highlights of the October Frieze Week 20th/21st Century London evening sale on October 9. With an estimate of £6,500,000 – 10,000,00 this sculpture is one of five unique versions (Red, Magenta, Blue, Yellow, and Orange).

    It is to be installed in St James’s Square, adjacent to Christie’s Headquarters in London, from September 30 to October 9. The work comes to auction following the success of Balloon Monkey (Magenta) sold in 2022 for £10,136,500 and is an evolution of Koons’ renowned Celebration series which began in 1993. The series includes some of his most iconic creations — such as Balloon Dog (1994-2000).

    A VIEW OF SHERKIN ISLAND AT MORGAN O’DRISCOLL’S SALE

    Thursday, September 12th, 2024

    MAJELLA O’NEILL COLLINS (B.1964) – TOWARDS THE WEST OF SHERKIN. UPDATE: THIS MADE 1,100 AT HAMMER

    This 2023 oil on canvas by Majella O’Neill Collins comes up as lot 14 at Morgan O’Driscoll’s current off the wall online auction of Irish art which runs until September 16. The estimate is 1,200-1,800. More than 450 lots are on offer in this sale and the catalogue is online.

    DONEGAL CARPETS A FEATURE AT REILLY’S AUCTION

    Tuesday, September 10th, 2024

    A Handmade Donegal Carpet After a Design by Gavin Morton, G.K Robertson. UPDATE: THIS MADE 2,500 AT HAMMER

    This Lily of the Valley pattern handmade Donegal carpet comes up as lot 285 at Reilly’s auction in Prosperous, Co. Kildare on September 14. The sale of 500 lots – on behalf of renowned jockey Michael J Kinane of Eadling House, Punchestown – features a number of Donegal and Persian carpets and runners as well as fine furniture, art and collectibles. This one is estimated at €3,800-€4,000, the most expensively estimated at €8.000-€9,000 is a blue ground design by Gavin Morton and G K Robertson, who began their collaboration in the 19th century.

    A DROP OF THE RARE CRATUR AT SOTHEBY’S IN NEW YORK

    Monday, September 9th, 2024

    This bottle of Knappogue Castle Whiskey comes up at Sotheby’s sale of exceptional Scotch and epic rye in New York on September 12. The 70 cl bottle is estimated at $600-$900 and is lot 55 in a sale headed by a number of bottles from The Macallan in Lalique Six Pillars Collection with estimates from $35,000-$70,000. The Irish whiskey is described as from Cask #9, distilled 1951, bottled in 1987, bottle #170. UPDATE: THIS SOLD FOR $1,500

    STRONG DEMAND FOR MAINIE JELLETT AT O’DRISCOLL SALE

    Monday, September 9th, 2024

    MAINIE JELLETT (1897-1944) ABSTRACT COMPOSITION. UPDATE: THIS MADE 7,000 AT HAMMER

    This gouache on paper by Mainie Jellett, which is the opening lot at Morgan O’Driscoll’s Irish art online sale this evening, has already attracted much competitive bidding, with 32 bids so far. The estimate for Abstract Composition of €3,000-€5,000 has been exceeded. It is the opening lot in sale with a total of 195 lots on offer.

    JEWELLERY AUCTIONS ARE FOR EVERYONE

    Monday, September 9th, 2024

    PAIR OF TURQUOISE ‘SWEET ALHAMBRA’ EARSTUDS by VAN CLEEF & ARPELS. UPDATE: THESE MADE 2,600 AT HAMMER

    Jewellery auctions are for everyone, not just the super rich. This pair of Van Cleef & Arpels turquoise Sweet Alhambra earstuds come up as lot 5 at the Fine Jewellery and Watches sale by James Adam in Dublin on September 10 with an estimate of just €700-€900. A number of lots in this sale have estimtes of under €1,000. The most expensively estimated piece is a brilliant cut diamond pendant at €40,000-€50,000.

    THE COLLECTION OF A VISIONARY GALLERIST AT ADAMS

    Saturday, September 7th, 2024

    Berlin Suite by Cecil King (1921-1986). UPDATE: THIS MADE 3,600 AT HAMMER

    At a time when Irish art seemed to exist mostly in a landscape laden time warp from around the turn of the 20th century, when Irish Modernism existed in a vacuum, IMMA was far in the future and the avant garde was regarded as deluded and possibly even heathen Oliver Dowling opened his gallery on Kildare St. in Dublin in 1975 with a focus on minimalism, conceptualism, neo-expressionism and other abstractions.

    Concurring Rhythms by Alice Berger Hammerschlag (1917-1969) UPDATE: THIS MADE 360 AT HAMMER

    There were controversies.  This writer vividly remembers one evening paper dashing off to Lenehan’s Hardware Shop on Capel St. to purchase for a pittance a glass shelf and a water glass to demonstrate the folly of it all.  Oliver was showing An Oak Tree by Michael Craig-Martin, consisting of a glass of water on a glass shelf on metal brackets and a text (the original is now in the National Gallery of Australia with an artist’s copy at the Tate).  The news hounds entirely missed the conceptual point but it made for an amusing story. Oliver Dowling had a loyal following who understood how easily avant garde art could be misjudged in a world where it was so far ahead of the prevailing norms.

    Untitled by Fergus Martin (b 1955). UPDATE: THIS MADE 2,600 AT HAMMER

    Fast forward nearly half a century and art like this is fairly mainstream, even in Ireland, largely thanks to people like Oliver Dowling, his partner Cecil King (they were among the founders of the ROSC exhibitions), and all the other artists and gallerists who toiled in that vacuum. When I was a young journalist in Dublin Cecil King offered me a piece of advice which I’ve often quoted. Looking at a conceptual painting that consisted of not much more than a pencil dot on a large white canvas I asked what on earth it was all about.  “Just look” he said, “and keep on looking”.  This guidance has proved richly rewarding.

    It is why I’ve been pouring over the catalogue of The Oliver Dowling Collection with such enthusiasm.  It comes up at a timed online sale at James Adam on September 11.  There are 163 lots –  including as large a selection of work by Cecil King ever likely to be found at any sale – in an auction now on view at Adams.

    Oliver Dowling died in January. His collection bears witness to a true pioneer with rigorous standards. There is art by William McKeown, Mary Fitzgerald, Josef Beuys, Michael Coleman, Fergus Martin, Felim Egan, Ciaran Lennon, Nigel Rolfe, Luis Tomasello,  Willie Doherty, Jo Baer, Jerry Zeniuk, Raimund Girke, Alice Berger Hammerschlag, Colin Middleton, Eduardo Chillida, Dorothy Cross, Robert Janz, Maria Simmonds Gooding and many other acclaimed artists in this exceptional sale.

    Rose Stem and Pot by Derrick Greaves (1927-2022). UPDATE: THIS MADE 3,000 AT HAMMER

    SALE IN BANDON AND DONERAILE OFFER MANY CHOICES

    Saturday, September 7th, 2024

    A cloisonne garlic head vase at Hegartys

    A tall cloisonne garlic head vase or a Killarney wood sewing table?  The choice is yours at upcoming sales by Hegartys in Bandon on September 11 and at Aidan Foleys in Doneraile on September 16 and 17. Decorated with flowers and birds in inlaid enamel the vase is estimated by Hegartys at €180-€250.  The Killarney wood sewing table, last sold at Woodwards in 2010 for a hammer price of €5,200, is estimated by Aidan Foley at €4,000-€6,000.

    Hegartys will offer garden furniture, antique furniture, silver, art and collectibles in an auction where feature lots include pink topaz diamond studded pendant, a late Qing Dynasty garden stool, a west of Ireland oil on canvas by Mabel Young and an etched glass jar. Aidan Foley’s sale features a country house contents from Co. Limerick and lots from a town house in Thurles.

    Killarney wood sewing table at Aidan Foley’s sale. UPDATE: THIS MADE 4,400 AT HAMMER

    FORTUNE FAVOURED THE 1ST DUKE OF WELLINGTON

    Friday, September 6th, 2024

    UPDATE: THIS MADE £13,000 AT HAMMER

    The Armorial ‘hatchment’ for Anglo-Irish military officer, statesman and twice-serving UK Prime Minister Arthur Wellesley, 1st Duke of Wellington (1769-1852) at Dreweatts fine furniture sale on September 10 and 11.  A hatchment is a panel on which a coat of arms of a deceased person is temporarily displayed and lot 414 is estimated at £4,000-£6,000.  It bears the motto ‘Virtutis Fortuna Comes’ (Fortune favours the brave). Wellesley is revered as one of the leading military and political figures in Britain during the late 18th and early 19th centuries and in his military role, was one of the pivotal commanders to end the Anglo-Mysore and Napoleonic wars – most famously he is celebrated for ending the Napoleonic Wars in victory, when the Seventh Coalition defeated Napoleon at the legendary Battle of Waterloo in 1815.

    Born into Irish aristocracy (his grandfather was Richard Wesley, 1st Baron Mornington, who served in the Irish House of Commons representing Trim in County Meath), his childhood was spent between the family homes of Mornington House in Dublin and Dangan Castle near Summerhill in County Meath.