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    FROM EARTH TO FIRE: EUROPEAN CERAMICS, SILVER AND OBJECTS AT SOTHEBY’S

    Wednesday, April 13th, 2016

    The first sale at Sotheby’s exclusively dedicated to European Ceramics, Silver and Objects of Vertu at Sotheby’s in almost a decade will take place in London on May 10.  Testament to the ever-growing appetite of international collectors for unique pieces encapsulating the finest craftsmanship and materials of their time, the 265 lots in the sale are led by Dutch silver, ceramics and glass from the collection of the renowned Amsterdam antiques dealer Joseph M. Morpurgo. The focus of the “From Earth to Fire” auction is on the creation of pieces born from the earth and transformed through the kiln into exquisite works.  The sale also includes sculptural Paul Storr silver, early Chelsea porcelain scent bottles and a private collection of French gold boxes. Estimates range from £2,000-70,000.

    A pair of Victorian silver table centre dessert bowls Paul Storr for Storr & Mortimer, London, 1838 (£50,000-70,000)

    A pair of Victorian silver table centre dessert bowls
    Paul Storr for Storr & Mortimer, London, 1838 (£50,000-70,000)

    An agate cup and cover Jean-Valentin Morel, Paris, circa 1836-40 (£40,000-60,000)

    An agate cup and cover
    Jean-Valentin Morel, Paris, circa 1836-40 (£40,000-60,000)

    A selection from the auction.

    A selection from the auction.

    An English opaque-white glass vase and a cover, circa 1760 (£7,000-10,000)

    An English opaque-white glass vase and a cover, circa 1760 (£7,000-10,000)

    A 1922 LETTER OF APPEAL TO IRISH AMERICANS FROM MICHAEL COLLINS

    Tuesday, April 12th, 2016
    The Michael Collins letter to the editor of The Boston Globe.

    The Michael Collins letter to the editor of The Boston Globe.  UPDATE: THIS WAS UNSOLD

    A February 1922 letter from Michael Collins to the Editor of the Boston Globe appealing for support from Irish Americans comes up at the History sale at James Adam in Dublin on April 19. Written on the notepaper of the Provisional Government it mentions Collins’ relatives in Boston, and the liberality of friends of Ireland in Boston in supporting the Irish struggle for Independence with money. ‘Now that Freedom is on the eve of attainment I ask through the ‘Boston Globe’ on behalf of the Provisional Government, that they be equally liberal with their sympathy and patience, thus assisting us in restoring to the people of Ireland control of their own destinies” the letter goes on.  It is estimated at 12,000-15,000.   The catalogue is online. Here is a small selection:

    ATRICK PEARSE Collection of booklets including An Macaomh, Poems, The Spiritual Nation, The Murder Machine, The Separist Idea (150-250)

    PATRICK PEARSE
    Collection of booklets including An Macaomh, Poems, The Spiritual Nation, The Murder Machine, The Separist Idea (150-250)  UPDATE: THIS MADE 80 AT HAMMER

    KEARNEY (PEADAR), THE SOLDIER'S SONG, FIRST EDITION WITH MUSIC Four printed pages, in two parts, 31 x 24cm approx.. Written in 1909-1910 by Peadar Kearney, music by Paddy Heaney and arrangement by Cathal MacDubhgall. Later to become "Amhrán na bhFiann" (1,500-2,000)

    KEARNEY (PEADAR), THE SOLDIER’S SONG, FIRST EDITION WITH MUSIC
    Four printed pages, in two parts, 31 x 24cm approx.. Written in 1909-1910 by Peadar Kearney, music by Paddy Heaney and arrangement by Cathal MacDubhgall. Later to become “Amhrán na bhFiann” (1,500-2,000)   UPDATE: THIS MADE 1,500 AT HAMMER

    A $10 REPUBLICAN BOND CERTIFICATE, ISSUED JANUARY 21ST 1920 BY DE VALERA, President of the Elected Government of the Republic of Ireland, to Lucille Gallagher, No. 149790 (200-400)

    A $10 REPUBLICAN BOND CERTIFICATE, ISSUED JANUARY 21ST 1920 BY DE VALERA, President of the Elected Government of the Republic of Ireland, to Lucille Gallagher, No. 149790 (200-400)  UPDATE: THIS MADE 350 AT HAMMER.

    ALL IRELAND GAA FOOTBALL MEDAL - LOUTH 1910 (2,000-3,000)

    ALL IRELAND GAA FOOTBALL MEDAL – LOUTH 1910 (2,000-3,000)  UPDATE: THIS MADE 4,000 AT HAMMER

    A 1919-21 WAR OF INDEPENDENCE MEDAL, with Comrac Bar, black and tan ribbon and clasp bar (300-500)

    A 1919-21 WAR OF INDEPENDENCE MEDAL, with Comrac Bar, black and tan ribbon and clasp bar (300-500)  UPDATE: THIS MADE 300 AT HAMMER

    IRISH WAR NEWS. THE IRISH REPUBLIC. VOL. 1 NO. 1 DUBLIN, TUESDAY, APRIL 25, 1916 (600-800)

    IRISH WAR NEWS. THE IRISH REPUBLIC. VOL. 1 NO. 1 DUBLIN, TUESDAY, APRIL 25, 1916 (600-800) UPDATE: THIS MADE 420 AT HAMMER

    A BOTTLE OF VERY RARE POT STILL IRISH WHISKEY

    Sunday, April 10th, 2016
    The Irish pot still whiskey

    The Irish pot still whiskey  UPDATE: THIS SOLD FOR 6,600 AT HAMMER

    A bottle of pot still 1916 whiskey from the long vanished Allman’s Distillery in Bandon, Co Cork comes up at the James Adam history sale in Dublin on  April 19.  Founded in 1826 Allman’s had a huge reputation.  It survived the famine and Fr. Matthew’s total abstinence campaign to become one of the most celebrated Irish whiskey producers. When the influential English journalist Alfred Barnard came to visit in 1886 he described it as the most successful rural distillery in Ireland. Barley was plentifully supplied by local farmers and the distillery had an internal village of around 200 employees including coopers, carpenters, coppersmiths and maltmen. The distillery imported specially sherry-seasoned casks from Cadiz. This is now common practice but Allman claimed to have been one of the first distillers in Ireland to do so.  The malting facility was second only to Guinness in Dublin. At a time when Irish whiskey was outselling Scotch by three cases to one Allman’s whiskey earned a popular following in Scotland and was a key brand there during the 1860’s.

    According to Adams this particular example, bottled by the Nun’s Island Distillery in Galway,  may be the oldest unopened expression of Irish single pot still whiskey. The style called “Irish pot still” or “single pot still” whiskey is a uniquely Hibernian variety. It is defined by the grain ingredients, a mixture of malt with a fine grist of “green” unmalted barley for texture and spice.   Whiskey made in a pot still without the green barley is not, by this definition, “Irish pot still whiskey”. Originally introduced as a means of dodging the Malt Tax, the use of raw barley has been a feature of Irish whiskey since the 18th century, became ingrained in the taste and was retained even after the tax was repealed in 1880. Barnard describes how the distillery separated its barley into raw gristing and malting facilities and ran them through two distinct runs in order to make “both Old Pot Still Whisky, designated Irish, and Pure Malt Whisky, both of a superior quality”.

    War, prohibition and competition from cheaper and more rapidly produced blended whiskeys meant Allman closed in 1925.  Trading as “Allman, Dowden and Co.”, its agents continued selling off stocks until 1939. In Bandon the Old Still Bar (converted from the distillery offices) proudly retained a bottle until 1971.  Most of the contents boiled away in a tragic fire that struck the pub that year.  This bottle is estimated at 6,000-10,000.

    SIGNAC, DERAIN AND VLAMINCK AT SOTHEBY’S NEW YORK

    Saturday, April 9th, 2016

    Vibrant paintings by Signac, Derain and Vlaminck will lead Sotheby’s evening sale of Impressionist and Modern art in New York on May 9.  Paul Signac’s Maisons du port, Saint-Tropez ($8-12 million) is a pointillist painting from 1882.  Inscribed Op.237 it has remained in the family collection of Ambassador John Langeloth Loeb, Jr. since his parents acquired it in 1958.  It is at auction for the first time.

    Andreì Derain’s Les Voiles rouges ($15-20 million) and Maurice de Vlaminck’s Sous-bois ($12-18 million) were acquired in 1954 by art patron and philanthropist Sarah Campbell Blaffer of Houston, Texas. She was the daughter of William Thomas Campbell, the founder of the Texas Company, later known as Texaco. They have remained in her family’s collection since.  Only four major Fauve paintings have sold at auction since 2010.  These are considered the finest works to have come to auction since Derain’s Arbres a Collioure sold for £16.3 million in June 2010.

    (See post on antiquesandartireland.com for April 28, 2010)

    Andre Derain - Les Voiles rouges

    Andre Derain – Les Voiles rouges

    Paul Signac - Maisons du port, Saint-Tropez

    Paul Signac – Maisons du port, Saint-Tropez

    Maurice de Vlaminck - Sous-boix

    Maurice de Vlaminck – Sous-boix

    ROCK ICONS BY JULIEN’S AUCTIONS IN NEW YORK IN MAY

    Friday, April 8th, 2016

    From Elvis to Bowie, Lady Gaga to Duran Duran, the Rock Icons sale by Julien’s Auctions at the Hard Rock Cafe in Times Square, New York on May 21 covers a lot of rich ground.  Hundreds of pieces of iconic rock n’ roll memorabilia will go under the hammer in a live and online sale.   The biggest musical icons of our time are included.  Here is a small selection:

    ELVIS PRESLEY’S GIBSON DOVE GUITAR ($200,000-300,000)

    ELVIS PRESLEY’S GIBSON DOVE GUITAR ($200,000-300,000)  UPDATE: THIS SOLD FOR $334,000

    LADY GAGA’S FIRST CHILDHOOD PIANO ($100,000-200,000)

    LADY GAGA’S FIRST CHILDHOOD PIANO ($100,000-200,000)

    A 1966 Gretsch Tennessean bass guitar used by John Taylor in Duran Duran’s hit 2004 music video “REACH UP FOR THE SUNRISE. ($10,000-20,000)

    A 1966 Gretsch Tennessean bass guitar used by John Taylor in Duran Duran’s hit 2004 music video “REACH UP FOR THE SUNRISE. ($10,000-20,000)

    "From Nahodka Westward by Train," painted in 1994 by David Bowie and Beezy Bailey ($20,000-25,000)

    “From Nahodka Westward by Train,” painted in 1994 by David Bowie and Beezy Bailey ($20,000-25,000)

    THE UNIQUE PINK UNVEILED AT SOTHEBY’S TODAY

    Thursday, April 7th, 2016
    The Unique Pink.

    The Unique Pink.

    The “Unique Pink” at 15.38 carats the spectacular stone is the largest fancy vivid pink pear-shaped diamond ever offered at auction, was unveiled at Sotheby’s in London today. It comes up at Geneva on May 17.  The stone’s exquisite pear shape and brilliant cut accentuate its exceptional saturation, placing it in a rarefied category even among the world’s most beautiful diamonds. In addition to receiving the highest possible colour grading for a pink diamond from the Gemological Institute of America (GIA), the “Unique Pink” has been found to be Type IIa, displaying “exceedingly pure structure”. The estimate is US$28-38 million.
    David Bennett, Worldwide Chairman of Sotheby’s International Jewellery Division, commented: “It is difficult to imagine a diamond that better illustrates the term Vivid Pink than this outstanding stone. The colour is simply astonishing and, for its size, it is in my experience truly unique.”

    UPDATE: This sold for US$31.5 million

    CORK, LONDON AND DUBLIN VIEWINGS FOR O’DRISCOLL’S IRISH ART AUCTION

    Wednesday, April 6th, 2016

    Viewing for Morgan O’Driscolls Irish and International art auction at the RDS, Dublin on April 25 kicks off in Skibbereen for three days from April 9.   This will be followed by viewings at La Galleria, Pall Mall, London on April 18, 19 and 20. Dublin viewing will get underway at the RDS on April 22.  The catalogue, which is online, lists 190 lots.  Here is a small selection:

    Alex Katz (b1927) - Self Portrait (6,000-8,000)

    Alex Katz (b1927) – Self Portrait (6,000-8,000)  UPDATE: THIS SOLD FOR 5,800 AT HAMMER

    Peter Curling (b1955) - Exercising on a Cloudy Morning (8,000-12,000).

    Peter Curling (b1955) – Exercising on a Cloudy Morning (8,000-12,000).  UPDATE: THIS WAS UNSOLD

    John Shinnors (b1950) - Birds over Loop I (2004) (10,000-15,000).

    John Shinnors (b1950) – Birds over Loop I (2004) (10,000-15,000).  UPDATE: THIS WAS UNSOLD

    James Humbert Craig (1878-1944) - Labouring in the bog, Donegal (6,000-8,000).

    James Humbert Craig (1878-1944) – Labouring in the bog, Donegal (6,000-8,000).  UPDATE; THIS MADE 5,750 AT HAMMER

    PILKINGTON YONGLE MOONFLASK MAKES US$14.2 MILLION

    Wednesday, April 6th, 2016
    Nicholas Chow, deputy chairman of Sotheby's Asia with the Yongle Moonflask.

    Nicholas Chow, deputy chairman of Sotheby’s Asia with the Yongle Moonflask.

    Whatever you do don’t drop it.  Sotheby’s Nicholas Chow holds the Pilkington Yongle Moonflask which has just sold for US$14.2 million at Sotheby’s in Hong Kong. The Pilkington Collection of Chinese Art made a total of US$64.5 million on the fifth day of Sotheby’s Hong Kong spring sales, far exceeding the pre-sale high estimate of US$28.5 million.  The early 15th century blue and white moon flask, inspired in shape and decoration by Middle Eastern models, was the top lot in a sale which achieved spectacular results. The complex geometric design had no precedent in Chinese art. It had had a pre-sale high estimate of $4.5 million.   A blue and white Yongle holy water vessel sold for US$12.7 million.

    Roger Pilkington

    Roger Pilkington

    Spanning 1,000 years of Chinese porcelain production the Pilkington Collection includes rare pieces from the Song, Ming and Qing dynasties.  Around 100 lots came under the hammer. The collection was assembled in the 1950’s and ’60’s by the late Roger Pilkington of the Lancashire glassmaking family.

    DEMAND FOR PICASSO CERAMICS GROWS

    Wednesday, April 6th, 2016
    Pablo Picasso - Tripode and Gros Oiseau.

    Pablo Picasso – Tripode and Gros Oiseau.

    Demand for Picasso ceramics continues apace.  At Sotheby’s in London buyers drove the total for ‘Important Picasso Ceramics’ to almost double pre-sale expectations. The auction raised £2,201,250 with 98% of the lots sold and around a third of buyers new to Sotheby’s. The total had been estimated at £1.14-1.65 million. The top lot was Tripode, a large terre de faïence vase (1951, numbered 47/75), which sold to a private collector for £191,000.  Gros oiseau Picasso, a large terre de faïence vase (1953, numbered 35/75), made £106,250.

    Lucy Rosenburgh, Sotheby’s Picasso ceramics specialist, commented afterwards: “These results demonstrate the enormous appeal of Picasso’s ceramics. Collectors can envisage easily fitting these pieces in their homes and living with them – something Picasso would have delighted in when he decided to produce his editions. Over the past five years, London has proved to be the focal point of this market. This growth has coincided with a renewed academic interest in this extraordinarily innovative body of work, created by Picasso with the same passion as his paintings, sculptures and prints.”

    (See post on antiquesandartireland.com for March 25, 2016)

    A NEW WORLD RECORD PRICE FOR ZHANG DAQIAN

    Tuesday, April 5th, 2016
    Zhang Daqian -  Peach Blossom Spring (1982

    Zhang Daqian – Peach Blossom Spring (1982

    There was a world record for Zhang Daqian at Sotheby’s in Hong Kong today when an important splashed ink and colour masterpiece sold for  US$34.7 million.  Peach Blossom Spring had a high estimate of $8.3 million. It was bought by the Long Museum in Shanghai.  The painting attracted more than 100 bids.  Well-documented in scholarly works and exhibited in leading museums in the United States this monumental scroll is considered to be a pivotal work from Zhang’s late years, alongside Mt. Lu, another landscape by Zhang which is currently held by the National Palace Museum in Taiwan.  The painting set an auction record of US$240,000 in 1987.  It now returns to Asia from the Mactaggart Art Collection.

    After living abroad for more than two decades, Zhang Daqian relocated from the United States to Taiwan in 1976, hoping to settle down for a quiet life at his new riverside idyll on the outskirts of Taipei. Yet, as the suburb gradually grew into a bustling community, Zhang’s quietude was disrupted, inspiring him to paint a tribute to the peaceful town as he once dreamed of it. On this work, Zhang inscribed a poem to express his lifelong search for such a blissful scene.  Monumental in scale, vibrant in hue, this feat of artistic creation reaches over two metres in height and employs mineral pigments to create layers and layers of splashed ink evoking a landscape filled with trees. The heavenly scene stretches from a blank space at the foot of the scroll, where branches of a blossom tree reach upward in pink shades and a small fisherman boat floats by: the picture of natural tranquillity Zhang sought in person, and brought to life in his art.