David Hockney’s California (1965) will be a highlight of Christie’s 20th / 21st Century evening sale in London on March 7. One of his first pool paintings and the first to include figures it has been Held in the same European private collection since 1968. It stands amonghis first great swimming pool paintings and has been unseen in public for more than 40 years. Christie’s estimate it in the region of £16 million.
California is the largest and finest in the extraordinary group of early pool paintings created in London after Hockney’s first visit to Los Angeles in 1964. The art historians Paul Melia and Ulrich Luckhardt have noted that ‘Hockney considers it to be one of his most important pool paintings’. The paintings that followed have come to be synonymous with his oeuvre, combining dazzling technical virtuosity with strains of fantasy, desire and longing.
Hockney incorporated a swimming pool in the 1964 painting California Art Collector but it was not until he returned to London for Christmas that year that he made his first full pool painting: a figureless composition entitled Picture of a Hollywood Swimming Pool (1964). California followed shortly afterwards, along with the closely related painting Two Boys in a Pool, Hollywood (1965). California anticipates many of the achievements that followed in Hockney’s subsequent masterpieces. Its kaleidoscopic depiction of moving water lays the foundations for the techniques explored in A Bigger Splash (1967, Tate, London) and Portrait of an Artist (Pool with Two Figures) (1972). Its naked figures foreshadow the sensuous male nudes of Sunbather (1966, Museum Ludwig, Cologne) and Peter Getting Out of Nick’s Pool (1966, Walker Art Gallery, Liverpool). So essential did Hockney consider the painting to his oeuvre that, when unable to include it in his 1988 retrospective at the Los Angeles County Museum of Art, he made his own copy, now held in the museum’s permanent collection.
