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  • AUCTION TO MARK GLOBAL JAMES BOND DAY ON OCTOBER 5

    September 7th, 2012

    Bond catalogue cover © 1962-2012 Danjaq, LLC and United Artists Corporation. All rights reserved

    Bond’s Aston Martin is estimated at £100,000-150,000, image courtesy of Christie’s.  UPDATE: It made £241,250

    GLOBAL James Bond day, marking the 50th anniversary of the release of the film Dr. No, will be on October 5, 2012.  A day long series of events for 007 fans everywhere will include a charity auction at Christie’s in London and a survey to discover the favourite Bond film country by country. 50 Years of James Bond – The Auction offers fans an opportunity to acquire a piece of Bond memorabilia direct from the archives of EON Productions. Forty lots will be offered at an online- only auction from September 28 to October 8 with 10 further lots to highlight an invitation-only auction at Christie’s South Kensington on October 5.  The sale is led by a 2008 Aston Martin 6 Litre V12 DBS 2-Door Coupe used by Daniel Craig in Quantum of Solace. The estimate is £100,000-150,000 and proceeds will benefit Barnardo’s.  There will be memorabilia from every Bond film ever made. Lots will be on view at Christie’s, South Kensington from September 29.

    UPDATE: The auction realised a total of £752,050.  The top lot was an Aston Martin DBS used by Daniel Craig as James Bond in Quantum Of Solace. It made £241,250. An Automatic Seamaster Professional “Planet Ocean” wristwatch, by Omega, worn by Daniel Craig as James Bond, made  £157,250.  A surprise additional lot, the orchestral score for the theme song Skyfall, signed on the cover by Adele and co-writer Paul Epworth, sold for £13,750.

    ART BY WARHOL AT SERIES OF CHRISTIE’S SALES

    September 6th, 2012

    Andy Warhol.

    Art by Andy Warhol, much of it never before seen in public, is be offered by Christie’s in a series of phased sales over coming years.   The Andy Warhol Foundation for Visual Art has engaged Christie’s for sales of future work from its collection.  The Foundation, which has made nearly $250 million in grants to museums and non profit arts organizations worldwide since 1987, wants to expand its long term support of visual arts.  Christie’s will use multiple platforms, including single artist live auctions, private sales and continuing on-line auctions.  Meantime the Foundation plans to make additional gifts of significant works to museums.

    Around 350 paintings, drawings, photographs, prints, and printed graphic material by Andy Warhol will be offered at three  single-artist live auctions on November 12, 2012. Online auctions will begin in February 2013 with private sales on an ongoing basis. Christie’s will launch a special promotional website in October. It will offer a central resource for sale-related information throughout the years of the partnership.

    The Warhol estate, run by the Foundation, holds an inventory of around 350 paintings and 1,000 prints, plus drawings and photographs.

    CHALLENGING BRIAN MAGUIRE EXHIBITION IN EUROPEAN PARLIAMENT

    September 5th, 2012

    BRIAN MAGURE – Anna Maria Gardea Villalobos 1997 2009. (Click on image to enlarge).

    THE renowned Irish Expressionist artist Brian Maguire has an unusually challenging exhibition now on show at the European Parliament in Brussels.  Femicide/Juarez is made up of portraits of young female factory workers who have been abused and murdered since 1993. The artist spent the past three years researching with families women murdered in the State of Chihuahua, Mexico.  The result is a series of portraits of the young women. Femicide describes the murders of women and girls in Ciudad Juarez and the impunity that goes with it. Since 1993 more than 370 young women and girls have been murdered in the cities of Ciudad Juarez and Chihuahua.  The products made by these factory workers are in cars and television sets across Europe.

    Brian Maguire’s work connects with human rights. He is in public collections including including the Museum of Fine Arts Houston, Texas, the Irish Museum of Modern Art (IMMA), the Alvar Aalto Museum, Finland, the Wolverhampton Arts + Museum, England, the Dublin City Gallery The Hugh Lane and the Gemeentemuseum, The Hague, Netherlands. He is represented by the Kerlin Gallery in Dublin. The Brussels exhibition is hosted by the Irish MEP Emer Costello of the Group of the Progressive Alliance of Socialists & Democrats in the European Parliament.

    RAPHAEL’S HEAD OF AN APOSTLE AT SOTHEBY’S IN DECEMBER

    September 4th, 2012

    Raffaello Sanzio, called Raphael
    Auxiliary cartoon for the Head of a Young Apostle  UPDATE: THIS SOLD FOR £29.7 MILLION

     

    ONE of the greatest drawings by Raphael remaining in private hands is to be sold at Sotheby’s in London in December. Raphael’s Head of an Apostle c1519-20 is one of three Renaissance masterworks from the Devonshire Collection at Chatsworth to feature at Sotheby’s sale of Old Master Paintings and Drawings in London on December 5.

    The drawing is a study for one of the key figures in The Transfiguration which hangs in the Vatican Museum in Rome. When Raphael died, his body was laid out in state in his studio, with the Transfiguration hanging at his head. Only two other Raphael drawings of this calibre have appeared at auction in the last 50 years – each of which set an all-time record for an Old Master Drawing when they were sold. This one is estimated at £10-15 million.

    The manuscripts to be sold were made for two of the greatest libraries of the 15th century and are flawlessly preserved, with dazzling royal and ducal provenances. The first, the Mystere de la Vengeance (estimated at £4-6 million) was acquired by the 6th Duke of Devonshire at the celebrated Roxburghe sale of 1812, when it sold for £493.10s. – then the highest price ever paid for any illuminated manuscript. The second illuminated manuscript, estimated at £3-5 million, is an account of the fictional and swashbuckling Deeds of Sir Gillion de Trazegnies in the Middle East and was once among the most treasured works in the library of great Renaissance patron of the arts François I, king of France, 1515-47.

    The Duke of Devonshire said the sale will benefit the long term future of Chatsworth and its collections.  (Click on any image to enlarge).

    The Emperor Galba Enthroned
    from the Mystere de la Vengeance
    French Flanders (Hesdin), 1465 UPDATE: THIS WAS UNSOLD.

    The author’s discovery of the tomb of Sir Gillion and his two wives
    from the Deeds of Sir Gillion de Trazegnies in the Middle East
    Antwerp, 1464  UPDATE: THIS MADE £3.8 MILLION.

    KING GEORGE IV DEPARTS FROM DUN LAOGHAIRE HARBOUR

    September 3rd, 2012

    William Sadler c.1782-1839 THE EMBARKATION OF GEORGE IV. (Click on image to enlarge).

    ON this day in 1821 King George IV sailed from Dun Laoghaire harbour.  This painting by the Dublin born artist William Sadler (1792-1841) captures the September 3 event. It was acquired by de Veres for a private collector at an exhibition of 18th and 19th century paintings at The Gorry Gallery.  The painting is currently on view at de Veres on Kildare St. in Dublin.

    The departure of the king created considerable excitement and for the next century Dun Laoghaire was known as Kingstown.  George IV famously led an extravagant lifestyle both as King and Prince Regent and reportedly arrived in Ireland roaring drunk.   He is believed to have visited primarily to spend time with one of his Irish mistresses, Lady Conyngham, at Slane Castle.  The painting is on display with two other works, The Scholars by Gerard Dillon (1916-1971) and Interior of a Breton Bar by William John Leech (1881-1968), also acquired by de Veres for a private collector.

    1,442,813 REASONS TO CELEBRATE THE LONDON SALE AT CHRISTIE’S

    September 3rd, 2012

    The London Sale at Christie’s brought in an above estimate  £1,442,813 on September 3.  The auction, at which Christie’s celebrated an extraordinary year for London, offered collectors the chance  to acquire pieces of the city’s iconic imagery and history from paintings, prints, photographs and posters, through to rock and roll, Royal, Olympic and political memorabilia.


    Nicolas Martineau, Director, Head of Sale and Auctioneer commented: “There has been a real buzz in and around London this summer, and it has been a pleasure to join in the excitement by staging such a special auction celebrating the art and icons of the capital. Showcasing London’s rich history through the objects and works of art on offer, Christie’s The London Sale exhibition ran for six weeks, welcoming over 16,000 visitors including local residents and tourists from around the world. The packed saleroom and the results from the auction are testament to the popularity and fondness felt for the city of London by all who visit.”

     

    FUTURISTIC IN 1976 AND AN ANTIQUE TODAY

    September 2nd, 2012

    This 1976 Apple computer heralded a future that would change the world.

    FUTURISTIC then and a collector’s item today a 1976 model of the first Apple computer – in cyber speak as original an antique as anyone could hope for – will come under the hammer at Christie’s in London on October 9.  The Apple-1 serial number 22 from the estate of former Apple employee Joe Copson will be sold at Christie’s Travel, Science and Natural History auction in South Kensington. Designed and hand built by Steve Wozniak with improvements suggested by Steve Jobs the Apple-1 consisted  of a pre-assembled motherboard sold without a casing, power supply, keyboard or monitor. A keyboard and a tv was needed to operate it.

    The first Apple-1’s were sent to  customers from the garage of Steve Jobs’ parents house.  Originally it cost $666.66, but by April 1977 the price had dropped to $475.  It continued to be sold until August of that year.  Less than 200 were produced. By October 1980 Apple had established a factory in Cork city. With huge iPhone revenues it is now the world’s biggest company, worth more than Microsoft and Google combined.  This Apple-1 is estimated at £50,000-80,000.

    WARHOL MEETS MUNCH AT SOTHEBY’S PRINTS SALE IN LONDON

    August 31st, 2012

    ANDY WARHOL – The Scream (After Munch), 1984 screenprint (£200,000 – 300,000). Click on image to enlarge. UPDATE: THIS MADE £211,250

    WARHOL meets Munch at Sotheby’s sale of Old Master, Modern and Contemporary prints in London on September 19.  The auction will feature three exceptional prints by Andy Warhol which appropriate motifs from some of Munch’s most iconic works.

    The Scream (After Munch), Eva Mudocci (After Munch), and Madonna and Self-Portrait with Skeleton’s Arm (After Munch) are a rare and enterprising offering from Warhol.  The three prints come to auction with a combined estimate of £500,000-700,000.  They are from a European private collection.

    A woodcut by Edvard Munch which depicts The Girls on the Bridge, one of the artist’s most celebrated and popular compositions, is included.  Printed in 1918 it is estimated at £180,000 – 200,000.

    Nearly 200 lots which showcase 500 years of print making will feature in the sale.

    EDVARD MUNCH – The Girls on the Bridge. Woodcut, 1918 (£180,000 – 200,000). Click on image to enlarge.  UPDATE: THIS MADE £205,250

    ANDY WARHOL – Madonna and Self-Portrait with Skeleton’s Arm (After Munch). 1984 screenprint (£200,000 – 300,000). Click on image to enlarge.  UPDATE: THIS WAS UNSOLD

    ANDY WARHOL – Eva Mudocci (After Munch). 1984 screenprint (£100,000 – 150,000). Click on image to enlarge.  UPDATE: THIS MADE £121,250

    MAJOR WORK BY KANDINSKY AT CHRISTIE’S, NEW YORK

    August 29th, 2012

    WASSILY KANDINSKY (1866-1944) – Studie für improvisation 8. UPDATE: IT MADE $23,042,500

    A major work from abstract art pioneer Wassily Kandinsky comes under the hammer at Christie’s in New York in November.  The auction house will offer Kandinsky’s “Study for improvisation 8” at its evening sale of Impressionist and Modern Art on November 7.  The work is a fully realized study for the last of eight paintings created in 1909 which the Russian artist called “Improvisations”.  The series is widely recognised for its significance to the advancement of abstract art.

    Estimated at $20-30 million the mystical scene of a conquering hero wielding a golden sword has the potential to set a new record price for any work by the artist at auction.  The current record of $20.9 million was set in 1990.

    Studie für improvisation 8 is offered from the collection of the Volkart Foundation, a charitable trust founded by Volkart Brothers, a prominent Swiss commodities trading firm established in 1851.  Since 1960, the painting has been on loan from the Foundation to the Kunstmuseum Winterthur in Switzerland.  Over the years, it has been featured in major museum shows organized by the Tate Modern, Kunstmuseum Basel, the Fondation Beyeler and the Musée des Beaux-Arts in Montréal, among others.

    HUGHIE O’DONOGHUE AT THE ROYAL ACADEMY IN LONDON

    August 29th, 2012

    Crossing the Rapido III, 1998. Image courtesy of the artist. Photo: Anthony Hobbs. (Click on image to enlarge).

    Second World War work by Hughie O’Donoghue, who was not born until 1953, is on show at the Royal Academy in London. The five major works on show reflect the personal experiences of O’Donoghue’s father, Daniel O’Donoghue, during the Second World War. They came about as a consequence of sorting out his father’s effects after his death. The central work is Road, a painting in thirty-six panels that follows the journey of Daniel O’Donoghue during his time in the military. Part painting and part sculpture, O’Donoghue has used words, photographic images and pages of an old book to create a diary and chronological ‘remembering’ of Daniel’s experiences. The artist appropriated photographs that belonged to his father, images from the Imperial War Museum, as well as his own photographs taken when revisiting places where his father spent time in the war.

    Tomb of the Diver, 2002. Image courtesy of the artist. Photo: Anthony Hobbs. (Click on image to enlarge).

    “It is a process of re-membering rather than memory. There is a process of delving going on, an archaeological dig conducted in the medium of oil paint”, he explained. Four other large scale works including Crossing the Rapido 111, which is almost seven metres long, are shown. This measurement relates to the narrowest width and depth of the Rapido River near Cassino, Italy, during the harrowing crossing by the US 36th Infantry Division in 1944. The work has been made with water and graphite dust, sitting in a steel frame.

    Art by Manchester born O’Donoghue, whose mother was from the Mayo Gaeltacht and who lived for many years in Kilkenny, is in collections including the Irish Museum of Modern Art,  Arts Council of England, the Art Gallery of South Australia, Adelaide, the Ashmolean Museum, Oxford, Birmingham Museum and Art Gallery, the British Museum, Ferens Art Gallery, Hull, Fitzwilliam Museum, Cambridge, Gemeentemuseum, The Hague, Netherlands, the Hugh Lane Gallery, Dublin, the Imperial War Museum,  the National Gallery, London, Victoria Art Gallery, Bath, and the Yale Center for British Art, New Haven, USA. The show at the Royal Academy runs until October 14.