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    MASTERPIECE CONTINUES TO DRAW THE CROWDS

    Sunday, July 3rd, 2016

    Masterpiece continues to draw the crowds in London.  Over 5,000 guests attended on the first public day and daily numbers are continuing at close to this level. The premier fair reflects at a very high level the cross collecting taste that is now so fashionable. At Masterpiece you can take your pick.  There is everything from a monumental fragment of a standing male statute leg and feet at Axel Vervoodt and the Louis XIV walnut Os de Mouton sofa at Rose Uniacke to the 1966 Rhthme Couleur by Sonia Delaunay at Helene Bailly Gallery and Graham Sutherland’s Study of Sir Winston Churchill from 1954 at Christopher Kingzett. This is a rare preparatory sketch for a portrait that was considered so unflattering that it was destroyed.  Royal Bank of Canada continues as the principal sponsor of Masterpiece.  Exhibitors continue to report sales across a wide range of disciplines.  Masterpiece continues until July 6.

     Monumental fragment from a standing male statue Leg and Feet on base Roman 2nd century A.D. Courtesy Axel Vervoodt

    Monumental fragment from a standing male statue Leg and Feet on base Roman 2nd century A.D. Courtesy Axel Vervoodt

    Sonia Delaunay Rythme Couleur 1966 Courtesy Hélène Bailly Gallery

    Sonia Delaunay Rythme Couleur 1966 Courtesy Hélène Bailly Gallery

    The Louis XIV Walnut ‘Os de Mouton’ Sofa France c1730  Courtesy Rose Uniacke

    The Louis XIV Walnut ‘Os de Mouton’ Sofa France c1730 Courtesy Rose Uniacke

    Graham Sutherland Study of Sir Winston Churchill  1954  Courtesy Christopher Kingzett at Masterpiece, London.

    Graham Sutherland Study of Sir Winston Churchill 1954 Courtesy Christopher Kingzett at Masterpiece, London.

    THE WARWICK VASE FROM HADRIAN’S VILLA AT MASTERPIECE

    Friday, July 1st, 2016
    The monumental Warwick Vase.

    The monumental Warwick Vase.

    The massive mid 19th century Warwick Vase is a highlight at Anthony Outred’s stand at Masterpiece, which runs until next Wednesday at the Royal Hospital at Chelsea in London. It is of ancient Roman origin and Bacchic inspiration and was discovered in fragments at Hadrian’s Villa in 1771 by Gavin Hamilton. It was restored to Piranesi’s designs by Sir William Hamilton and passed to his nephew George Greville, Second Earl of Warwick. It now resides in Glasgow as part of the Burrell Collection.

    England is represented on the stand by a pair of panoramic views of Westminster that span 300 years.  One shows the buildings of 1895, the other is based on engravings from the time of Henry VIII.  They are based on aerial studies and engravings by English artists William Brewer and William Lionel Wyllie executed from a balloon 1,400 up.  They were published in May 1884 in the weekly illustrated magazine The Graphic.

    Westminster in the late 19th century

    Westminster in the late 19th century

    A view of Westminster c1584.

    A view of Westminster c1584.

    AN ITALIAN FIREPLACE FROM IRELAND IN ENGLAND

    Thursday, June 30th, 2016

    A c1790 Italian chimney piece from a collection in Ireland was one of a number of Irish pieces spotted at Masterpiece, the pre-eminent London fair now running at the Royal Hospital in Chelsea. At the stand of leading London dealer Ronald Phillips, where it is priced at a cool £850,000, the chimney piece is thought to have been commissioned by the Earl Bishop of Derry.  There are rosso antico plaques and micro-mosaic panels.  The last time such a fireplace came up at auction, at Sotheby’s around five years ago, it sold for £550,000.

    The bucket to the right of the chimney piece is one of a pair c1800 of Irish log buckets with brass handles and later brass liners.  They are unusually tall and priced at £205,000.

    More than 8,000 guests attended the opening day preview yesterday.  Many exhibitors reported robust sales.

    ONE OF A PAIR OF IRISH LOG BUCKETS

    ONE OF A PAIR OF IRISH LOG BUCKETS

    The c1790 Italian chimney piece from a private Irish collection.

    The c1790 Italian chimney piece from a private Irish collection.

    20th CENTURY ITALIAN ARTISTS FROM TORNABUONI ART AT MASTERPIECE

    Tuesday, June 28th, 2016
    Aligheiro Boetti - Mappa 1984

    Aligheiro Boetti – Mappa 1984

    Making its first appearance at Masterpiece – which previews in London tomorrow and runs from June 30 to July 6 – Tornabuoni Art will present a selection of work by modern and contemporary artists.  From Giorgio De Chirico’s early surrealist paintings to Turi Simeti’s latest works, the booth will reflect the 20th century Italian artistic panorama.

    Artists on show will include Alberto Biasi, Alighiero Boetti, Agostino Bonalumi, Alberto Burri, Enrico Castellani, Giorgio De Chirico, Lucio Fontana, Marino Marini, Arnaldo Pomodoro, Paolo Scheggi and Turi Simeti.  Here is a selection:

    Arnaldo Pomodoro - Cuneo con Frecce 2006

    Arnaldo Pomodoro – Cuneo con Frecce 2006

    Francesca Pasquali, Red Strawl 2016

    Francesca Pasquali, Red Strawl 2016

    ALBERTO BURRI - AI 1953

    ALBERTO BURRI – AI 1953

    JANE AUSTEN, BRAM STOKER, OSCAR WILDE 1ST EDITIONS

    Wednesday, April 20th, 2016
    1st edition, 1813, Pride and Prejudice: A Novel in three volumes.

    1st edition, 1813, Pride and Prejudice: A Novel in three volumes.

    Jane Austen, Bram Stoker and Oscar Wilde will all feature at Peter Harrington’s stand at the Paris Antiquarian Book Fair from April 22-24 at the Nef du Grand Palais. The Paris Fair, one of the most prestigious of its kind, offers  its ever increasing number of visitors a panorama of the highlights of our written heritage, together with a vast selection of engravings and drawings.

    Nearly two hundred national and international dealers will attend to unveil thousands of exceptional documents, representative of cultural history.

    Among the books at London dealer Peter Harrington is a 1st edition of Pride and Prejudice 1813 priced at £87,500, a 1st edition of Bran Stoker’s Dracula 1897 priced at £17,500 and and a trade issue 1st edition of Oscar Wilde’s Salome 1893 priced at £27,500.

    A WEEKEND OF ANTIQUES AT CASTLETOWN HOUSE

    Saturday, April 9th, 2016
    Castletown House in Celbridge, Co. Kildare is the venue for an Irish Antique Dealers Association Fair in conjunction with the OPW today and tomorrow.  It will run in the stables wing from 10 am to 5 pm on April 9 and 10 with 20 IADA dealers of fine furniture, paintings, silver, jewellery, books, prints, porcelain and works of art.
    Curiosities include buttons embroidered by Countess Markievicz while in jail in England at Courtville Antiques. George Stacpoole of Adare will bring drawings by members of the Gore Booth family. Weldons will show a rare piece of Irish gold jewellery, a c1835 gold pendant by Joseph Johnson with a 6.8 carat mixed cut pink topaz. Vanessa Parker Rare Books will bring a first edition of the Sinn Fein Rebellion Handbook published in 1917 and the Whitley Art Gallery will offer Japanese woodblock prints.

    The First Month (Mitsuki)` , Japanese Woodblock Triptych by Kunisada, 1847-1852

    The First Month (Mitsuki)` , Japanese Woodblock Triptych by Kunisada, 1847-1852

    The Sinn Fein Rebellion Handbook

    The Sinn Fein Rebellion Handbook

    An Irish gold pendant with a topaz

    An Irish gold pendant with a topaz

    STRONG SALES AND ATTENDANCES AT TEFAF MAASTRICHT

    Monday, March 14th, 2016

     

    Sir Anthony van Dyck (1599-1641)  Jupiter as a satyr (A fragment cut from Jupiter and Antiope)

    Sir Anthony van Dyck (1599-1641)
    Jupiter as a satyr (A fragment cut from Jupiter and Antiope)

    Significant sales are being notched up at TEFAF, which runs all this week at Maastricht in The Netherlands.  Among them was  Jupiter as a Satyr – a fragment cut from Jupiter and Antiope, c.1620, oil on canvas, by Sir Anthony van Dyck (1599-1641), which was acquired from The Weiss Gallery by a private collector who is making a long-term loan of the work to the Rubenshuis museum, Antwerp.  The Metropolitan Museum, New York, acquired Aristoteles Head, 1925, woodcut print, by Samuel Jessurun de Mesquita (1868-1944), from E.H. Ariëns Kappers.  James Butterwick sold two 1916 works by Alexander Bogomazov to the Kröller-Müller Museum, The Netherlands – Memories of the Caucasus and Landscape, Caucasus.

    TEFAF reports that sales across all collecting categories are strong.  Over 10,000 international private collectors, curators and representatives from the world’s leading museums and public institutions visited on the preview day and there was more than 7,000 visitors on the opening day.

    NEWLY DISCOVERED EARLY REMBRANDT AT TEFAF

    Wednesday, March 9th, 2016
    Rembrandt Harmenszoon van Rijn (Leiden 1606-1669 Amsterdam) - Smell

    Rembrandt Harmenszoon van Rijn (Leiden 1606-1669 Amsterdam) – Smell

    Major unveilings at TEFAF Maastricht, which opens on March 11 include a newly discovered very early work by Rembrandt.  Talabardon & Gautier will present the work which was purchased at auction in 2015 catalogued as Continental School, 19th century.  Meticulous research and cleaning by the gallery revealed it to be The Unconscious Patient (Smell), c.1624-25.  The oil on panel was executed when Rembrandt was only 18 or 19 years old. In addition an example of what is believed to be one of Rembrandt’s earliest signatures was discovered during cleaning.

    TEFAF provides an unparalleled platform for dealers to unveil discoveries and re-attributions to a discerning audience of international collectors.

    The 2016 TEFAF Art Market Report issued today shows that global sales fell 7% during 2015 from $68.2bn to $63.8bn.  The volume of sales declined by 2% to 38.1 million. The picture that emerges in 2015 is of a highly polarized market, whereby most of the value within the market is shared between two sectors – Post War and Contemporary and Modern art – and is concentrated in sales at the very highest price levels.

    Although the global sales figure fell in 2015, sales in the US rose by 4% to their highest ever total of $27.3bn confirming its position as the global market leader, with a 43% share of total sales values. The UK, in second place, had a 21% share and China accounted for 19% by value.

    (See post on antiquesandartireland.com for March 3, 2016)

    BUSTS OF CICERO AND HORACE REUNITED AT TEFAF

    Sunday, March 6th, 2016

    A pair of polychrome marble portrait busts of Cicero, civic hero of the Roman Republic, and Horace, the famed poet have been reunited by Tomasso Brothers Fine Art for TEFAF, which runs at Maastricht from March 1120.  Carved in the same 17th century Roman workshop, theyhave an illustrious provenance.  Originally part of the Valletta collection in Naples, they were acquired around 1721 by Thomas Herbert, the 8th Earl of Pembroke (1654–1733) for Wilton House, near Salisbury, one of England’s finest stately houses. They were displayed at the heart of one of the finest private art collections ever assembled in Europe for more than two centuries.  They flanked the main chimneypiece in the Earl’s ‘sanctum sanctorum’ of the Great ‘Double Cube’ Room designed by Inigo Jones, amongst family portraits by Sir Anthony Van Dyck, and works formerly in the esteemed collections of Cardinals Mazarin and Richelieu, King Charles I of England and Thomas Howard, the 14th Earl of Arundel.

    Pembroke’s influence on the tastes and collecting trends of the aristocratic English in the early eighteenth century were considerable.  When he embarked on his Grand Tour in 1676 and set about building a collection in the 1680s, he was all but alone.  Yet the fame of the galleries at Wilton House spread amongst the aristocracy, and by the time of his death in 1733, many of England’s great country houses were beginning to be decorated with antiquities, renaissance and baroque sculpture.  It is through the expertise of Tomasso Brothers Fine Art that the two works have been reunited since their dispersal from Wilton House. Cicero came into the gallery’s collection a short while after the directors had become aware of Horace. They knew instinctively that they were both great 17th century busts, and that the particular specimen of imperial porphyry used for the Horace was a wonderful quality. Whilst recognising the physical similarities of the two works, it was finding an old photograph of the Double Cube Room at Wilton House that set off months of study to discover the full history of the busts.

    Cicero

    Cicero

    Horace

    Horace

    TEFAF IS RENOWNED FOR THE QUALITY OF ITS VETTING

    Thursday, March 3rd, 2016

    The European Fine Art Fair (TEFAF) at Maastricht is renowned for many things.  Not least of these is the quality of its vetting procedures.  The organisers work very hard to ensure that what wealthy collectors and curators acquire here is exactly what it purports to be.  This year TEFAF runs its 29th edition from March 11 to March 20 at Maastricht Exhibition and Congress Centre.  Here is a video about the vetting that will take place before the fair.