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This oil on board by Markey Robinson comes up as lot 6 at Whyte’s Christmas sale of art and collectibles which ends from 6 pm on December 13. The estimate is €1,500-€2,000. With everything from Bealtes lithographs by Andy Warhol to Sheep by Graham Knuttel he work of a broad range of artists at affordable estimates is available. The timed online auction offers art, books, silver, wines and spirits.
The iconic ‘Birth of Aphrodite’ panels created by Jean Dupas for the Grand Salon of the famed liner S.S. Normandie made $378,000 at Christie’s two day series of Design sales in New York. The results were exceptional. The first sale featured a group of works by leading artists and designers from 1900 through to the present and achieved $11,408,670. The second was a showcase of works by glassmaker Louis Comfort Tiffany and the Tiffany Studio and it brought in $3,676,050. The highest prices were achieved by Les Lalannes, the iconic 20th century artist couple. François-Xavier Lalanne bronzes ‘Singe Alternatif IV’ made $945,000 and a black Bélier made $882,000. The third highest price was made by a ‘Singerie’ armchair by Claude Lalanne. The top lot of the Tiffany sale was a window – ‘Landscape with Magnolias and Irises’ – which made $705,600, three and a half times its low estimate.
The online sale by Hegarty’s in Bandon from 5 pm on December 12 will feature a first paperback edition of the first Harry Potter book, one of 5,150 copies in wrappers. Both paperback and hardback editions of Harry Potter and the Philosopher’s Stone were published on June 26, 1997. This one is estimated at around €3,000. The sale offers art by Graham Knuttel and a selection of antique furniture, collectibles and jewellery including contents from
Daniel O’Connell’s monogrammed leather gun case made a hammer price of €950 at Marshs online sale in Cork today. It had been estimated at €1,000-€1,500. By coincidence a half length portrait of Daniel O’Connell holding a pistol by John Doyle (1797-1868), the Irish artist who was grandfather to Sir Arthur Conan Doyle, came up last week at Bonhams Irish sale. The estimate was just €700-€1,000. It was unsold in an auction where Paul Henry’s Killary Bay, Connemara made €140,500 and a portrait of Harry Clarke by Margaret Clarke made €51,200.
(See post on antiquesandartireland.com for December 3, 2023).
Art by Patrick Scott, Frank McKelvey, Charles Brady and Louis le Brocquy feature in the Christmas art and design sale at de Veres. The timed online auction closes next Tuesday (December 12) and offers 20th century pieces by designers like Charles and Ray Eames, Rolf Benz and Fendi.
Rembrandt’s rediscovered Adoration of the Kings sold for £10.9 million (€12.7 million) at Sotheby’s in London on December 6. Just two years ago – when it was attributed to the Circle of Rembrandt – it was valued at just €10,000-€15,000 at Christie’s in Amsterdam. The complex monochromatic painting had been almost entirely unseen by scholars since the 1950’s when it came to light.
It was included in museum exhibitions and referenced as a Rembrandt work by leading Rembrandt scholars in the 1950s, but in 1960 German art historian Kurt Bauch, who only knew the painting from a black and white photograph, described it as a product of the Rembrandt School and omitted it from from the catalogue raisonné he was compiling. Thereafter, the painting was “entirely overlooked and completely ignored in the Rembrandt literature,” according to Sothebys. Following an 18 month research programme by Sotheby’s it was recognised as a work of great significance from Rembrandt’s early career.
The Adoration of the Kings was acquired by collector J.C.H. Heldring in Amsterdam in 1955. His widow sold it to a German family in 1985, where it remained until it was sold by Christie’s in Amsterdam two years ago. The painting, which measures 9.6 x 7.3 inches, was purchased by an anonymous buyer for €860,000 at the Christie’s sale — more than 50 times the estimated value. It was later identified as the work of the Dutch master.
The vast majority of Rembrandt’s works hang in museums around the world, and almost all of those that have come to auction over the past three decades have been portraits or studies of single character heads.
The National Gallery of Ireland announced today that it had acquired Titania Enchanting Bottom by Harry Clarke. It is undergoing conservation treatment and will be on display in the New Year. The luminous stained glass panel was sold by Morgan O’Driscoll last October 24 for a hammer price of €160,000. The acquisition was supported by the Patrons of Irish Art of the National Gallery of Ireland. Born in Dublin on St Patrick’s Day in 1889, Harry Clarke is one of Ireland’s best known and most beloved artists. He achieved significant acclaim in his short lifetime, working across different media including book illustration. His principal career was in the production of stained glass windows, mainly for churches and religious houses across Ireland, as well as in the UK, US and Australia. He also produced a small number of secular works in glass.
Titania Enchanting Bottom is the only glass work by Clarke that is inspired by Shakespeare. It depicts Act IV, Scene I, from Shakespeare’s comedy A Midsummer Night’s Dream. Featuring characters from the play including Bottom, Puck, Titania, Peaseblossom, Cobweb and Moth, the work is adorned with botanical elements – a detail typical of Clarke’s work. From 1917 to 1922, Clarke made a unique series of miniature panels inspired by literature – including this one – adapting his talent and passion for book illustration to the medium of stained glass. These panels were set into bespoke cabinets, of which several, including this example, were designed by Dublin-born furniture maker James Hicks (1866-1936). Titania Enchanting Bottom is one of just five panels that survive. At the National Gallery of Ireland, it joins The Song of the Mad Prince (1917) which is on display in Room 20 and was acquired by the Gallery in 1987. These panels are significant to the understanding of Harry Clarke as an artist. They are the forerunners to the The Eve of St Agnes based on the Keats poem and The Geneva Window now at the Wolfsonian Museum in Miami.
The Captain by Jack B Yeats was the top lot at the James Adam sale of important Irish Art in Dublin tonight. It made €95,000 at hammer. Near Leenane by Paul Henry made €80,000, Aran Harbour by Sean Keating made €75,000, The Colloquy of Monus and Una, a pencil, ink and watercolour by Harry Clarke made €70,000, Keem Bay by Paul Henry made €65,000 and Paysage Sinistre by Henry made €60,000.
Boat in the Bay, a creation in coloured pencils by Mary Swanzy, comes up as lot 116 at Whyte’s Christmas online art auction which runs until the evening of December 13. It is estimated at €600-€800. The sale is one view at Whyte’s on Molesworth St. from December 9 and the catalogue is online. There is a wide ranging selection of artists from Elizabeth Cope and Markey Robinson, Cecil Maguire and Kenneth Webb to Mabel Young and Moyra Barry, to Roderic O’Conor, Sarah Purser, Sir William Orpen, Jack B. Yeats, Beatrice Elvery (Lady Glenavy) and Mary Cottenham Yeats among more than 300 lots on offer.
This collection of Midleton Very Rare Irish Whiskeys from 2015 to 2023 comes up as lot 7 at Dolan’s timed online December sale with an estimate of €7,000-€9,000. The catalogue for this sale, which features 240 lots of 20th century and contemporary Irish artists along with antiques, collectibles, whiskeys rugs and books, is now live and will run until December 11.
