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    WARHOL ON-LINE AUCTION ACHIEVES $2.2 MILLION, DOUBLE THE ESTIMATE

    Wednesday, March 6th, 2013

    THE first Andy Warhol @ Christie’s online-only sale achieved $2,297,375—twice the pre-sale estimate. The auction, which finished yesterday, attracted 65,000 visitors and 263 bidders. This generated over 1,500 bids from 36 countries. The sell rate was as 99% by lot and by value. Proceeds will benefit The Andy Warhol Foundation for the Visual Arts and will enable it continue to develop long term support of the visual arts.
    The sale featured works representing a wide array of media spanning the artist’s career, many never before seen by the public. Estimates ranged from $600 to $70,000. Highlights included I Love Your Kiss Forever Forever (lot 94), a 1964 lithograph in color, which made $112,500 – almost 40 times its pre-sale estimate. In the bottom of My garden (lot 52), the complete book of offset lithographs colored by hand c1956 made $80,250. The Self-Portrait with Fright Wig screenprint on t-shirt (lot 16) realized $47,500. Especially notable was the turnout for the Warhol photographs, which represent 46% of the lots and were 100% sold.
    The next Andy Warhol @ Christie’s sale in April 2013 will be dedicated to the artist’s legacy at the Studio 54 nightclub.

    BRIAN BOURKE AT TAYLOR GALLERIES IN DUBLIN

    Wednesday, March 6th, 2013

    Model aeroplanes are a feature of Brian Bourke’s work now on show at Taylor Galleries.

    Model Aeroplanes over Belmont, the show by Brian Bourke at Taylor Galleries, Kildare St., Dublin, features a series of large scale paintings and smaller mixed media works on paper. The new work in this show was inspired by time spent in Belmont, the village in Co. Offaly that is home to the 18th century Belmont Water Mill.

    The mill, which produced flour, pinhead oatmeal and porridge oats for almost 130 years, is now divided into residential artists studios and a family home. Small planes being flown over the landscape by the local model aeroplane club drew the attention of the artist and feature prominently in his newest work.
    Born in Dublin in 1936 Brian Bourke studied at the National College of Art and Design, Dublin and St. Martin’s School of Art, London. He is based in Galway. HIs work is in public and private collections, he is a member of Aosdána and an honorary member of the Royal Hibernian Academy. The show at Taylor runs until March 23.

    WARHOL’S ENDANGERED SPECIES COMPLETE SERIES AT SOTHEBY’S

    Tuesday, March 5th, 2013

    A set of 10 screenprints of Andy Warhol’s Endangered Species highlight Sotheby’s sale of Old Master, Modern and Contemporary prints in London on March 19.  Complete sets of Warhol prints are rare to the market, so this one is estimated at £250,000-350,000.  The Endangered Species project happened after a conversation between Warhol and Frayda and Ronald Feldman, his New York art dealers, about beach   erosion. His interest and curiosity in animals made him keen to take on the project proposed by the Feldmans. The vibrantly coloured screenprints, produced in 1983, were described as ‘animals in make-up’ by Warhol. They are all portrayed majestically yet betray a poignant resignation to their fate. (Click on image to enlarge it).  UPDATE: THE SET MADE £386,500.

    Andy Warhol – Endangered Species, Siberian tiger.

    Andy Warhol – Endangered Species, African elephant.

    AN ACHILL GIRL PAINTED BY AN INFLUENTIAL AMERICAN ARTIST

    Monday, March 4th, 2013

    Little Irish Girl by Robert Henri (1865-1929) is estimated at $70,000-100,000. (Click on image to enlarge). UPDATE: THIS SOLD FOR $197,000

    An early 20th century painting of an Irish girl by influential artist Robert Henri (1865-1929) is among the highlights at Sotheby’s sale of American paintings, drawings and sculpture in New York on April 11. One of the organisers of the Armoury Show in 1913, Henri, who married Irish born Margaret Organ in 1908, came to Achill Island in 1913. He rented Corrymore House near Dooagh and became a regular visitor, painting the children of Dooagh every spring and summer. He finally purchased Corrymore House in 1924.
    Born in Cincinnati, Ohio he studied art at the Pennsylvania Academy and at the Ecole des Beaux Arts in Paris. After returning to Philadelphia in 1891 he taught at the Women’s School of Design. He believed that the work of an artist should be a social force stirring the world and became leader of the movement that became known as the Ash Can School. At the New York School of Art his students included Joseph Stella, Edward Hopper, Rockwell Kent, George Bellows, Norman Raeben, Louis D. Fancher, and Stuart Davis. From 1915 to 1927 he was an influential teacher at the Art Students League of New York. His ideas on art were collected by former pupil Margery Ryerson and published as The Art Spirit (Philadelphia, 1923), a book which exerted a strong influence on artists on both sides of the Atlantic.

    COLOUR AND CREATION AT SKYLIGHT GALLERY IN BANDON

    Sunday, March 3rd, 2013

    Male bather by Helen Walsh.

    October Leaves by Sharon McCarthy.

    Painter Sharon McCarthy and sculptor Helen Walsh joined forces for an exhibition entitled Colour & Creation at Skylight Gallery at Bandon in west Cork. After a stint in Australia where she worked on sets and props for film, tv and advertising Helen Walsh set up a studio in west Cork in 2009 and has completed a number of private commissions since then. Her work was included in the Sculpture in Context exhibition at the National Botanic Gardens in Dublin in 2012.
    Sharon McCarthy is a self taught artist who has worked in graphic design, brochure layout, newspaper advertising and sign writing. The graphic influence is apparent in her bright, vibrant and colourful works, greatly influenced by the wild flowers and woodlands of her girlhood in west Cork.

    BACON AND IRISH CONTEMPORARY ARTISTS AT BOZAR

    Friday, March 1st, 2013

    Francis Bacon,Untitled (Seated Figure on a Dappled Carpet), c.1966, oil on canvas, 198 x 147 cm, Reg no. 1973, © The Estate of Francis Bacon and DACS, Collection Dublin City Gallery The Hugh Lane.

    AN opportunity to see the work of Francis Bacon alongside the diverse practices of 20 contemporary Irish artists has arisen at BOZAR in Brussels.  Changing States is part of the cultural programme marking Ireland’s Presidency of the European Union. It presents post-2000 work in painting, sculpture, installation, photography, video-art and new media. Among featured artists are Orla Barry, Gerard Byrne, Nina Canell, Dorothy Cross, Willie Doherty, Fergus Feehily, John Gerrard, Patrick Graham, Katie Holten, Brian Maguire, Alice Maher, Martin & Hobbs, Niamh McCann, William McKeown, Richard Mosse, Gavin Murphy, Alan Phelan, Garrett Phelan, Eva Rothschild and Paul Seawright.

    The show is presented alongside an exhibition of materials and unfinished paintings from the studio of Francis Bacon (in 1998 Francis Bacon’s studio in London was presented by John Edwards to Dublin City Gallery The Hugh Lane).  This website has long believed that Irish contemporary art is insufficiently recognised.  In part this stems from the fact that Ireland is such a small country. This is not the only reason. The promotional effort Ireland makes on behalf of its best contemporary artists is not enough. Those Irish artists with international recognition tend to have earned it with little state support and mostly by leaving the country. We need more shows along the lines of this exhibition in Brussels, which runs until May 19.

    BROAD RANGE OF IRISH ART AT WHYTE’S SPRING SALE

    Friday, March 1st, 2013

    FROM Roderic O’Conor and Paul Henry to Patrick Collins and Louis le Brocquy the sale of Irish and British art by Whyte’s at the RDS on March 4 encompasses a broad range.  This is a sale which caters for most tastes.  The cataloge is on-line. Here is a small selection (you can click on any image to enlarge).

    Constance Gore-Booth, Countess Markievicz (1868-1927) Glendalough, Co. Wicklow 1895 (1,500-2,000).  UPDATE: THIS MADE 1,800

    Paula Rego DBE (b.1935) Come to Me 2001/2. An image of Jane Eyre based on Rego’s lithograph’s of the Brontë Sisters reproduced as a stamp by the Royal Mail in 2005. Lithograph 14/35. (600-800).  UPDATE: THIS MADE 2,600

    Louis le Brocquy HRHA (1916-2012) Image of Bono (Blue) 2003. Silkscreen print 39/75. (2,000-3,000). UPDATE: THIS MADE 2,500

    William Clarke (1803-1883) Topsail ketch on the Clyde sailing past the Clooch Lighthouse, Scotland 1865 (3,000-4,000).  UPDATE: THIS MADE 2,700

    Thomas Hovenden (1840-1895) Study of a young woman seen in three quarter profile from behind. (1,000-1,500). UPDATE: THIS MADE 950

    James Humbert Craig RHA RUA (1877-1944) The Tops of Glendun, Co. Antrim (5,000-7,000).  UPDATE: THIS WAS UNSOLD

    Aloysius C. O’Kelly (1853-1936) English peasant chopping swedes c1887-88. (6,000-8,000). This image graces the cover the catalogue.  UPDATE: THIS MADE 10,500

    Roderic O’Conor (1860-1940) Chrysanthemums, 1896 (20,000-30,000).  UPDATE: THIS MADE 19,000

    Evie Hone HRHA (1894-1955) Design for the Andrew Jameson Window at St. Marty’s Church of Ireland, Howth. (800-1,200).  UPDATE: THIS WAS UNSOLD

    Markey Robinson (1918-1999) Shawlie and Sailboats by the Shore (3,500-4,500).  UPDATE: THIS WAS UNSOLD

     

    CROZIER’S FLANDERS FIELDS AT NATIONAL GALLERY OF IRELAND

    Thursday, February 28th, 2013

    William Crozier (1930-2011) ‘Flanders Fields’, 1962 © Estate of William Crozier © NGI (Click on image to enlarge it).

    William Crozier’s Flanders Fields (1962) – one of the most recent acquisitions at National Gallery of Ireland – goes on view today in the Irish galleries of the Millennium Wing. Flander’s Fields is an animated composition of an isolated naked figure crouching and appears engulfed by a whirlwind of colour. It represents a sense of mortality and vulnerability, a universal quality that links it with other works in the collection, most notably, Jack B. Yeats’s Grief and Louis le Brocquy’s A Family. Glasgow-born Crozier (1930-2011) became an Irish citizen in 1973 and divided his time between Hampshire and Kilcoe in West Cork. He was a prominent figure in the London art world in the 1950’s and 1960’s and exhibited with, among others, David Hockney and Francis Bacon.
    Sean Rainbird, Director of the National Gallery of Ireland said: “Flander’s Fields is a major work in the artist’s oeuvre of the early 1960’s and will take its place among a significant number of works of art which have been recently added to the collection. They include Colin Davidson’s portrait of the poet and anthologist, Michael Longley and Jacob Epstein’s bronze head of the eminent physician, Dr. Solomons Snr. These are works of the highest quality and we look forward to displaying more of them over the course of 2013.”
    Among other recent acquisitions are: William Conor (1881-1968) Girl with Buckets, 1950’s; Sean Keating (1889-1977) Homage to Jimmy and Frans (Portrait of Jimmy O’Dea), 1963: Harry Aaron Kernoff (1920-1974) Miss Joan Wall (1920-2011), 1941: Jackie Nickerson (b.1960) Seamus Heaney (b. 1939), Poet, Playwright, Translator, Nobel Laureate, 2007: Roderic O’Conor (1860-1940) Portrait of a Man, possibly Paul Sérusier, 1895; Walter Frederick Osborne (1859-1903) In the Life Class, 1894; Walter Frederick Osborne (1859-1903) Portrait of Mrs Mary Louise (May) Gwynn (d.1941), c.1903; Edward James Rogers (1872-1938) Sylvia, c. 1929 and AE [George Russell] (1867-1935) Fairies in a Wood.

    MEALY’S SPRING SALE OF FINE AND DECORATIVE ART

    Thursday, February 28th, 2013

    Around 800 lots of antique furniture, art, silver and collectibles will come under the hammer at Mealy’s spring sale of fine and decorative art on March 5.  The sale is at Castlecomer, Co. Kilkenny but Mealy’s, which has just launched a new website, will offer a selection of Tribal art through remove viewing. Around 40 lots from the collection of Igor and Erica Mann in Kenya will be sold based on images, video and condition reports.  The catalogue is on-line. Here is a small selection (you can click on any image to enlarge it).

    A late 19th century Luba stool from the Kabongo workshop in the Congo. It is estimated at 20,000-30,000.  UPDATE: THIS MADE 15,000

    William Sadler II RHA (1782-1839), Figures at the edge of a river, cottage and church spire beyond (1,500-2,500). UPDATE: THIS MADE 2,800

    An Angolan Chokwe tribal mask (2,000-3,000).  UPDATE: THIS MADE 1,600

    A Victorian walnut, marquetry and parcel gilt cabinet with needlework tapestry (3,000-4,000).  UPDATE: THIS MADE 3,200

    A Victorian fruitwood tub armchair (500-700).  UPDATE: THIS WAS UNSOLD

    A diamond brooch formed as a phoenix (2,500-3,500).  UPDATE: THIS WAS UNSOLD

    LAVIT GALLERY 50TH ANNIVERSARY EXHIBITION

    Thursday, February 21st, 2013

    THE Lavit Gallery, home of Cork Arts Society, celebrates its 50th anniversary today with an exhibition by artists who have shown there.  The Lavit 50 Years On features work by John Behan, Liam Belton, Ana Duncan, James English, Mike Fitzharris, Tim Goulding, Arthur Maderson, Eilis O’ Connell, Michael Quane, Thomas Ryan and Neil Shawcross and Robert Ballagh. Plans for forthcoming exhibitions in 2013 include Gallery Friends in cooperation with the Taylor and Solomon Galleries in Dublin and the Cauldwell Gallery in Belfast.  Set up by artists to promote an interest in the arts in Cork it shows the work of over 200 artists. Here is a small selection from the show, which runs until March 16.

    John Behan RHA, Coracle.

    Arthur Maderson – In a glancing light – Tallow Horse Fair.

    Mike Fitzharris, La Mesa del Torero.

    Robert Ballagh – Thomas Russell.

    Michael Quane Dayrocker – Kilkenny marble.