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    SHUNGA – EXPLICIT EDO PRINTS AT SOTHEBY’S HONG KONG

    Monday, July 15th, 2013

    An unprecedented exhibition of shunga, or “spring pictures” – sexually explicit Japanese prints from the Edo period (1603-1868) – will be staged by Sotheby’s in Hong Kong from July 18-31.  Shunga came to be regarded as taboo in the late 18th century because of the influence of Western ethics. Academic interest has revived in the West and there has been exhibitions on the subject in Europe and the US.  The British Museum will stage a three month exhibition entitled Shunga: Sex and Pleasure in Japanese Art, 1600-1900 from October 3 next. The Sotheby’s exhibition shows more than 60 prints and albums of shunga from the private collection of Uragami Mitsuru.

    Suzuki Harunobu (ca. 1725 - 1770) Pipe (Detail) Circa 1770 Woodblock colour print

    Suzuki Harunobu (ca. 1725 – 1770) Pipe (Detail) Circa 1770
    Woodblock colour print

    Kitagawa Utamaro (1753 - 1806) Dew on the Chrysanthemum (Detail) 1786 Woodblock colour print; print books

    Kitagawa Utamaro (1753 – 1806) Dew on the Chrysanthemum (Detail) 1786 Woodblock colour print; print books

    Keisai Eisen (1790 - 1848) Passion in the Snows of Spring, Copy of Kaseikyu (Detail) 1822 Illustrated book, folding album

    Keisai Eisen (1790 – 1848) Passion in the Snows of Spring, Copy of Kaseikyu (Detail) 1822
    Illustrated book, folding album

    DEFINING IMAGE OF PRE-RAPHAELITE MOVEMENT AT SOTHEBY’S

    Friday, July 12th, 2013
    Dante Gabriel Rossetti (1828-1882)   Proserpine  Coloured chalks (£1.2-1.8 million). (Click on image to enlarge).

    Dante Gabriel Rossetti (1828-1882) Proserpine Coloured chalks (£1.2-1.8 million). (Click on image to enlarge).  UPDATE: IT SOLD FOR £3,274,500, A WORLD RECORD FOR THE ARTIST.

    A defining image of the Pre-Raphaelite movement, Dante Gabriel Rossetti’s Proserpine, will feature at Sotheby’s sale of British and Irish art in London next November 19.  The artist considered Proserpine the most beautiful of all his inventions. The model for the work, Jane Morris – wife of William Morris – became his inspiration and muse. The present version, formerly in the collection of Glasgow MP William Graham, Rossetti’s most loyal and devoted patron, comes to the market for the first time in over forty years, with an estimate of £1.2 – 1.8 million.

    The re-emergence at Sotheby’s of a version in coloured chalks is concurrent with the major Pre-Raphaelites exhibition taking place at the Pushkin Museum of Fine Arts in Moscow – the international show first staged by Tate Britain last year and held earlier this year at the National Gallery of Art in Washington DC.

    The drawing depicts Proserpine, (Persephone in Greek mythology), daugher of Zeus, in a shadowed corner of her underground palace.  She holds a pomegranate.  The consumption of its seeds condemned her to spend half of each year in the underworld with her abductor Pluto.  The spectator is placed in the position of Pluto, catching Proserpine moments after she has tasted the fruit. Her gaze has become an enigma of feminity. To Rossetti Proserpine, Queen of the Underworld, symbolises love in grief.

    Simon Toll of Sotheby’s commented: “Dante Gabriel Rossetti’s haunting image of Proserpine is one of the defining images of European art – instantly recognisable and representing the artist at the zenith of his originality. In many ways it stands apart from much of the art created by Rossetti’s contemporaries, as something new and otherworldly that was unlike anything else that had been seen before it. This is one of the most important British pictures to be seen on the auction market in many years, having only been in three collections since it was created in 1880.”

     

    UPDATE: IT MADE £3,274,500, A WORLD RECORD FOR THE ARTIST AT AUCTION.

    RARE VISUAL RECORD OF WEST OF IRELAND LIFE IN THE 1830’S

    Thursday, July 11th, 2013

    A rare visual record of life in the west of Ireland  in the first half of the 19th century is currently on exhibition at the National Gallery in Dublin.  William Evans of Eton (1798-1877), drawing master at England’s most prestigious public school, travelled to Ireland in 1835 and 1838, touring Galway and Mayo and recording images of the the landscape and its inhabitants.  

    Few images of pre-Famine Ireland exist. In 2008 the National Gallery of Ireland acquired a collection of 41 watercolours of west of Ireland scenes by the English topographical artist. The work is currently on display at the National Gallery in an exhibition entitled From Galway to Leenane: Perceptions of Landscape.  Evans’s traditional watercolours are shown alongside new work by Irish artist Wendy Judge who explores the ida of virtual travel.  The show continues until September 29. (Click on any image to enlarge it).

    William Evans of Eton (1798-1877) Spanish Arch, the Claddagh in the distance, Galway, 1838 Photo © National Gallery of Ireland

    William Evans of Eton (1798-1877)
    Spanish Arch, the Claddagh in the distance, Galway, 1838
    Photo © National Gallery of Ireland

     

    William Evans of Eton (1798-1877) Cor, Maam Valley, Connemara, 1838 Photo © National Gallery of Ireland

    William Evans of Eton (1798-1877)
    Cor, Maam Valley, Connemara, 1838
    Photo © National Gallery of Ireland

     

    William Evans of Eton (1798-1877) Killary, near the mouth of the Bundoracha River, County Mayo, 1838 Photo © National Gallery of Ireland

    William Evans of Eton (1798-1877)
    Killary, near the mouth of the Bundoracha River, County Mayo, 1838
    Photo © National Gallery of Ireland

     

    SOMETHING FOR EVERYONE AT SHEPPARDS FOUR DAY SALE

    Friday, July 5th, 2013

    A whopping 2,300 lots will come under the hammer at Sheppards four day sale in Durrow, Co. Laois on July 9, 10, 11 and 12 at 10,30 a.m. on each day.  There is everything from architectural salvage to antique furniture, art, collectibles and Asian art across huge price ranges. This is an auction with something for everyone.  The catalogue is on-line. Here is a small selection.

    Japanese ivory netsuke, Sculptor with mallet (200-400).

    Japanese ivory netsuke, Sculptor with mallet (200-400).

    Pair of  18th century terrestrial globes, by Gabriel Wright (3,000-5,000).

    Pair of 18th century terrestrial globes, by Gabriel Wright (3,000-5,000).

    19th century Russian gold and enamelled desk clock, encrusted with diamonds, signed Hoeg Zoib, in original case (5,000-8,000).

    19th century Russian gold and enamelled desk clock, encrusted with diamonds, signed Hoeg Zoib, in original case (5,000-8,000).

     

    Pair of 19th century gilt brass girandole mirrors, with ivory/bone counters dominoes and draughts (300-500).

    Pair of 19th century gilt brass girandole mirrors, with ivory/bone counters dominoes and draughts (300-500).

    David Cobb, ROI, RSNA, Born 1921, Mountains of Mourne (300-500).David Cobb, ROI, RSNA, Born 1921, Mountains of Mourne (300-500).

    A 19th century Gothic carved stone bank facade off Royal Avenue, Belfast in storage for over 60 years (15,000-20,000).

    A 19th century Gothic carved stone bank facade off Royal Avenue, Belfast in storage for over 60 years (15,000-20,000).

    GRAPHIC WORK OF WILLIAM CROZIER AT LAVIT GALLERY

    Thursday, July 4th, 2013
    THE first survey of the graphic work of artist William  Crozier (1930-2011) opens at the Lavit Gallery in Cork today.  The exhibition ranges from monotypes of the 1960’s to the Peninsula portfolio with Seamus Heaney inspired by the Irish landscape and realised in the final months of Crozier’s life. The work is characterised by vibrant colour and nervous energy in the drawing.
    Born in Scotland the artist became an Irish citizen in 1973 and maintained a home in west Cork. His work is in the National Galleries of Ireland, Canada, Poland and Australia and at the Tate Gallery in London.  The Crawford mounted a retrospective in Cork in 1991.   The show at the Lavit Gallery runs until July 24.

    William Crozier Kilcoe Strand, from the peninsula portfolio of 6 intaglio prints, 69 x 57cm, 2011.

    William Crozier – Kilcoe Strand, from the peninsula portfolio of 6 intaglio prints, 69 x 57cm, 2011.

    Two trees, intaglio print, 30 x 36cm, 2007.  (Click on image to enlarge).

    William Crozier – Two trees, intaglio print, 30 x 36cm, 2007. (Click on image to enlarge).

    EL GRECO SELLS FOR OVER £9 MILLION AT SOTHEBY’S

    Thursday, July 4th, 2013
    El Greco, St Dominic in Prayer.  (Click on image to enlarge).

    El Greco, St Dominic in Prayer. (Click on image to enlarge).

    El Greco’s St. Dominic in Prayer sold for £9,154,500 at Sotheby’s evening sale of Old Master and British Paintings in London on July 3.  A record for a Spanish Old Master the work had been estimated at £3-5 million.  It was the top lot in a sale which attracted buyers from 33 countries and realised £35,048,000 million. There were two paintingsss by El Greco – the first time in living memory that two masterworks by the artist featured in the same auction.  Christ on the Cross sold for £3,442,500.

    Claude-Joseph Vernet’s View of Avignon from the Right Bank of the Rhone sold for a record £5,346,500.

    Head of Old Master paintings at Sotheby’s Alex Bell said: “The greatest Old Master paintings have a timeless quality that transcends their era and gives them a relevance to audiences today, as tonight’s global bidding and record result for El Greco attest. The dialogue between Old and New is injecting fresh energy into our field. We’re now firmly in a new era, where clients from new markets are collecting Old Masters in new ways. Our response has been to offer the most exciting and diverse works we can find – and to present them a more contemporary way.” 

    (See post on antiquesandartireland.com for June 21, 2013).

    KATE MOSS – THE AUCTION

    Wednesday, July 3rd, 2013
    ALLEN JONES Kate Moss (bronze glitter), 2013 dye-destruction print image 42 ¾ x 42 ¾ in.  (£20,000-30,000), courtesy Christie's Images Ltd., 2013.

    ALLEN JONES
    Kate Moss (bronze glitter), 2013
    dye-destruction print
    image 42 ¾ x 42 ¾ in.
    (£20,000-30,000), courtesy Christie’s Images Ltd., 2013. UPDATE: THIS MADE £32,500

    Kate Moss the auction comes up at Christie’s in London next September 25.  Curated by Gert Elfering the sale – titled Kate Moss – The Collection – will present a selection of works in various media.  The roster of artists include Allen Jones, with his work Kate Moss (bronze glitter) 2013, (£20,000-30,000), Annie Liebovitz, Mary McCartney, Craig McDean, Irving Penn, Mario Sorrenti, Sam Taylor-Wood, Juergen Teller, Mario Testino, Ellen von Unwerth, and Albert Watson. Their images are complemented by new, specially commissioned painting and sculpture by Allen Jones, a collage by Sir Peter Blake, a tapestry by Chuck Close, and a sculpture of Kate Moss as a naked angel in 18ct gold by Nick Knight. Photographs predominate, many in exceptionally large sizes.

    Philippe Garner, director of photographs at Christie’s commented:  “Kate Moss – The Collection is a very special event at Christie’s this fall, a unique presentation of emblematic works that powerfully capture the very essence of contemporary glamour and style. Gert Elfering has applied his great flair as a curator, to the concept of bringing together a group of outstanding works around the theme of the greatest icon of style of the modern age, Kate Moss.  Gert recognised the appetite of today’s collectors for photographs that confound traditional norms.  And so he has worked with the artists involved to create unique or very limited edition printings in a range of scales that, in certain cases, reach dramatic mural proportions.  He was also keen to include works in other media, reminding us that photography, while central to our image culture, should, in the hands of its great practitioners, be measured and appreciated among the arts in all media”. (Click on any image to enlarge it).

    UPDATE: The sale realized £1,665,500. The top lot was A model Model, 2013, by Allen Jones, which realised £133,875.

    DAVID SIMMS Kate, French Vogue cover, 2005 archival pigment print image/sheet 54 x 44in.  £10,000-15,000. Courtesy Christie;s Images Ltd., 2013.

    DAVID SIMMS
    Kate, French Vogue cover, 2005
    archival pigment print
    image/sheet 54 x 44in.
    £10,000-15,000. Courtesy Christie;s Images Ltd., 2013. UPDATE: THIS MADE £12,500

    NICK KNIGHT Kate ‘Aladdin Sane’, 2003 hand coated archival pigment print image/sheet 40 x 30in.  £25,000-35,000 - Courtesy Christie's Images Ltd., 2013.

    NICK KNIGHT
    Kate ‘Aladdin Sane’, 2003
    hand coated archival pigment print
    image/sheet 40 x 30in.
    £25,000-35,000 – Courtesy Christie’s Images Ltd., 2013. UPDATE: THIS MADE £30,000

    ALBERT WATSON Kate Moss in torn veil, Marrakech, 1993, archival pigment print image 43 ½ x 34 ½ in. (£20,000-30,000). Courtesy Christie's Images Ltd., 2013.

    ALBERT WATSON
    Kate Moss in torn veil, Marrakech, 1993,
    archival pigment print
    image 43 ½ x 34 ½ in. (£20,000-30,000). Courtesy Christie’s Images Ltd., 2013. UPDATE: THIS WAS UNSOLD

    GERARD DILLON, ART AND FRIENDSHIPS

    Wednesday, July 3rd, 2013
    Drawn exclusively from private collections in Ireland Gerard Dillon, Art and Friendships is the title of the fourth summer loan exhibition at James Adam.  The exhibition examines his life and the bonds of his friendships from 1940 to 1971. The core group comprised Dillon, brothers George and Arthur Campbell, Arthur Armstrong and Daniel O’Neill and they were known variously as “The Ulster Group”, “The Northern Artists”, “The Ulster Painters” and “The Belfast Painters”.
    The art of Gerard Dillon developed from his naive style of the 1940’s to his experiment with abstract sand paintings in the late 1950’s and found objects in the 1960’s. In his final series the figure of a clown and pierrot set in surreal landscapes ecurrently feature.

    Gerard Dillon (1916-1971) - In the London flate.

    Gerard Dillon (1916-1971) – In the London flat.

    The exhibition is at Adams, St. Stephen’s Green, Dublin until July 26 and at the Ava Gallery, Clandeboye Estate, Co. Down from August 1 to August 29.

    Gerard Dillon.

    Gerard Dillon – Tea Party.

    Gerard Dillon - Island Man.

    Gerard Dillon – Island Man.

    CANALETTO’S VENETIAN VIEW TOPS CHRISTIE’S OLD MASTER SALE

    Tuesday, July 2nd, 2013

     

    Giovanni Antonio Canaletto (Venice 1697–1768) The Molo, Venice, from the Bacino di San Marco, courtesy Christie's Images Ltd., 2013.

    Giovanni Antonio Canaletto (Venice 1697–1768) The Molo, Venice, from the Bacino di San Marco, courtesy Christie’s Images Ltd., 2013. (Click on image to enlarge).

    Canaletto’s view of The Molo, Venice from the Bacino di San Marco was the top lot at Christie’s sale of Old Master and British Paintings in London this evening. It made £8,461,875 against a top estimate of £6 million in an auction which brought in £23,852,300.  There were buyers from 11 countries across four continents.

    Georgina Wilsenach of Christie’s said:  “This sale saw strong prices for paintings from all schools, particularly Italian, Flemish and British. We welcomed, once again, bidders from Asia, the Middle East, South America and Russia as well as the traditional markets of Europe and America, with buyers this evening from 11 countries across 4 continents. This resulted in the impressive price for the Canaletto, which doubled its pre-sale estimate.”

    MEALY’S AND THE SCOOP FOUNDTION AUCTION IRISH ART

    Tuesday, July 2nd, 2013

    A charity auction of Irish art by Mealy’s for The Scoop Foundation takes place at Bewley’s, Ballsbridge, Dublin on July 6. The sale will raise funds for an educational village in Varanasi, India.  Hammer prices will be split with the artist. Here is a small selection of work on offer.

    Jordi Fornies - The Tree Of Knowledge

    Jordi Fornies – The Tree Of Knowledge

    Jack Hickey - You Left Me Out

    Jack Hickey – You Left Me Out

    Duda - Arms Drawn

    Duda – Arms Drawn

    Ronan Goti - Sunrise.

    Ronan Goti – Sunrise.