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    IMPRESSIONIST AND MODERN WORKS ON PAPER

    Wednesday, October 23rd, 2013

    A strong offering of fresh to market Impressionist and Modern Art works on paper sale comes up at Christie’s in New York on November 6.  There are paintings, drawings and sculpture from leading masters. Work on offer ranges widely in style, medium and estimate.  Christie’s will offer more than 250 works between two sales. Included is work by Picasso, Pissaro, Matisse, Dali and Henry Moore.  The combined estimate is more than $31 million. (Click on either image to enlarge it).

    Pablo Picasso (1881-1973)  Mousquetaire, buste  ($600,000-800,000). Courtesy Christie's Images Ltd., 2013

    Pablo Picasso (1881-1973)
    Mousquetaire, buste ($600,000-800,000). Courtesy Christie’s Images Ltd., 2013 UPDATE: THIS MADE $1,805,000

    Salvador Dali (1904-1989) March of Time Committee: Papillon ($400,000-600,000). Courtesy, Christie's Images Ltd., 2013

    Salvador Dali (1904-1989) March of Time Committee: Papillon ($400,000-600,000). Courtesy, Christie’s Images Ltd., 2013

    THE COMPLETE PRINTS OF FRANCIS BACON ONLINE AT CHRISTIE’S

    Tuesday, October 22nd, 2013

    The complete prints of Francis Bacon are available on Christie’s online only auction from October 22 to November 5.  This is the first time the complete collection of Bacon’s entire graphic oeuvre has been offered at auction.

    It includes variations on some of his most famous subjects and themes. Study for a Bullfight is estimated at £40,000-60,000; Three Studies for a Self-Portrait is estimated at £18,000-25,000 and Study for a Portrait of Pope Innocent X after Velasquez has an estimate of £15,000-25,000.  There are 36 lots, with estimates from £2,000 to £60,000.

    The collection was formed in the 1970s and 1980s by a private collector, who had personal access to Bacon’s publishers and usually purchased the prints directly from them at the time of issue. In  his printed works, Francis Bacon further explored and developed the subjects of his paintings, thereby creating a second body of work which reflects his life-long obsessions and themes. Images Courtesy Christie’s Images Ltd., 2013.  (Click on either image to enlarge).

    Study for a bullfight no, 1 (S. 10) Lithograph in colours, 1971 (£40,000-60,000)

    Study for a bullfight no, 1 (S. 10) Lithograph in colours, 1971 (£40,000-60,000)

    Metropolitan triptych (large version) Set of 3 etchings and aquatint in colours, 1981 (£15,000-25,000)

    Metropolitan triptych (large version) Set of 3 etchings and aquatint in colours, 1981 (£15,000-25,000)

    THE HIDING OF THE REVOLUTIONARY FLAG TOPS ART SALE

    Tuesday, October 22nd, 2013
    Ivan Nikolaevich Aristov (1917-1993) The Hiding of the Revolutionary Flag

    Ivan Nikolaevich Aristov (1917-1993) The Hiding of the Revolutionary Flag

    The Hiding of the Revolutionary Flag by Ivan Nikolaevich Aristov (1917-1993) was the top lot at the Morgan O’Driscoll online auction of Russian and Czech art which ended last night.  It sold for 2,800 over an estimate of 2,000-3,000.

    Lenin on the March with Comrades by Andrei Andreyevich Serbutovskiy (b.1923) sold for 1,800.  The Advance Party by (Konstantin) Alekseevich Shurupov (1910-1985) was the third most expensive lot sold. It made 800.

    No less than 52 of the 64 lots were sold.  Auctioneer Morgan O’Driscoll said there were very few Irish buyers.  Online bidders came from the UK, Denmark, the US and as far afield as Sri Lanka. The Russian art came from a collector in Dublin, the Czech art was collected in the 1950’s by the mother of a man now living in Cork.  Nearly all the Russian art sold and one of the Czech pieces went to a collector in Sri Lanka.

    UNTITLED V BY de KOONING HIGHLIGHTS CONTEMPORARY SALE

    Tuesday, October 22nd, 2013
    WILLEM DE KOONING (1904 - 1997) UNTITLED V signed on the reverse

    WILLEM DE KOONING (1904 – 1997) UNTITLED V signed on the reverse   UPDATE: THIS SOLD FOR $24,805,000

    A 1975 work by Willem de Kooning is among the highlights at Sotheby’s Contemporary Art evening sale in New York on November 13.  Untitled V demonstrates his mastery as a colourist.  It is from a time when the artist returned to painting after a focus on sculpture.

    In 1975 de Kooning produced a renowned series of  canvases of explosive colour.  They made up an exhibition at the Fourcade, Droll Gallery in New York. Untitled V, notable for its variety of luscious brush strokes, emphatic mark making and violent flecks, is from that exhibition. It is estimated at $25-35 million.

     

    UPDATE: IT SOLD FOR $24,805,000

    HIGHLIGHT OF IRISH 18TH CENTURY PAINTING AT SLANE AUCTION IS SOLD

    Thursday, October 17th, 2013
    View of Dawson’s Grove, Co. Monaghan by William Ashford, painted about 1774. is estimated at 70,000-100,000.

    View of Dawson’s Grove, Co. Monaghan by William Ashford, (1746-1824) painted about 1774.

    THE highlight of Irish 18th century paintings at the James Adam auction at Slane Castle was William Ashford’s View of Dawson’s Grove, Co. Monaghan painted in 1774.  The painting, which was estimated at 70,000-100,000 failed to find a buyer at the auction. Interest remained strong afterwards.  The large and rare oil on canvas, which depicts the brick house built c1770 and seat of Thomas Dawson MP, has since been sold to an Irish collector for a hammer price of 60,000. Dawson was created Baron Dartrey (1770), Viscount Cremorne (1785) and later Baron Cremorne (1797).

    The work is typical of the Claudean style topographical views of estates or demesne paintings produced by Irish landscape painters of the eighteenth century.  In 1823, the year before he died, William Ashford was elected first President of the Royal Hibernian Academy.

    Destroyed by fire, Dawson Grove was replaced in 1846 by Dartrey, an Elizabethan Revival mansion which was demolished  around 1950.

    A STUNNING ORANGE ROTHKO AT CHRISTIE’S, NEW YORK

    Thursday, October 17th, 2013
    Mark Rothko (1903-1970) Untitled (No. 11) Painted in 1957. Courtesy Christie's Images Ltd., 2013

    Mark Rothko (1903-1970)
    Untitled (No. 11) Painted in 1957. Courtesy Christie’s Images Ltd., 2013  UPDATE: SOLD FOR $46,085,000

    A stunning orange Rothko comes up at Christie’s Post War and Contemporary Art evening auction in New York on November 12. Untitled (No. 11) from 1957 has featured in museum retrospectives including  the Contemporary Arts Museum in Houston, the Neue National-Galerie in Dusseldorf and The Solomon R. Guggenheim Museum in New York.

    It is estimated at $25-35 million. This is probably highly conservative.  There was an identical estimate on Mark Rothko’s Orange, Red, Yellow from the Pincus Collection, which sold for a record $86.8 million at Christie’s New York in May 2012.

    Brett Gorvy, Chairman and International Head of Post-War & Contemporary Art at Christie’s said: “The demand for masterworks by Rothko is probably the most international amongst all the artists we sell, with strong bidding consistently from the Americas, Europe, Asia, Russia and the Middle-East. Untitled (No. 11) is remarkable for its incredible beauty, intensity of color and inner light – the very hallmarks of Rothko’s prime period. The monumental scale allows viewers to be completely enveloped by the colors and its sensations.”

    UPDATE:  THIS SOLD FOR $46,085,000

    LOST DRAWING BY CASPAR DAVID FRIEDRICH AT SOTHEBY’S

    Thursday, October 17th, 2013
    Caspar David Friedrich Blick auf Arkona, Rügen (View towards Arkona, Rügen)

    Caspar David Friedrich Blick auf Arkona, Rügen (View towards Arkona, Rügen)

    Blick auf Arkona, Rügen (View towards Arkona, Rügen), a lost drawing by German artist Caspar David Friedrich known only from an archive photograph, has resurfaced on the international market.  Sotheby’s will present the drawing as a highlight of a sale of 19th century European paintings in London on November 20.  It is estimated at £200,000-300,000.

    Tessa Kostrzewa, director, Sotheby’s 19th century European Paintings department, said: “It is always tremendously exciting to handle works by Friedrich, the father of German Romantic painting, especially when one is dealing with a rediscovered work believed to have been lost. The composition, and its symbolism, was clearly very meaningful to the young Friedrich, as he repeated it several times. The isle of Rügen had a hold on his imagination, becoming the subject of one of his most famous paintings of all, of strollers overlooking the sea from the island’s chalk cliffs.”

    Friedrich worked up seven drawings of varying size and detail from an ink sketch he made on the beach at Vitt on the island of Rügen on Germany’s Baltic coast on 22 June 1801. This drawing in the series was produced circa 1803 and depicts a view looking north towards Kap Arkona, the island’s north cape.

    FINE AND DECORATIVE ART ON OFFER IN CASTLECOMER

    Wednesday, October 16th, 2013

    The catalogue for the autumn fine and decorative art sale at Mealy’s in Castlecomer on October 22 and 23 lists more than 1100 lots with a pre-sale estimate of 300,000-500,000. Oriental art, decorative art, clocks, barometers, scientific instruments, silver, jewellery, light fittings and glass will feature on October 22.  On Wednesday it is the turn of 18th, 19th and 20th century furniture, paintings, watercolours, carpets, rare books and maps.  The catalogue is online. Here is a small selection (click on any image to enlarge it).

    LATE 19TH CENTURY ITALIAN CARVED WHITE MARBLE FIGURE, (1,500-2,500).

    LATE 19TH CENTURY ITALIAN CARVED WHITE MARBLE FIGURE, (1,500-2,500). UPDATE: THIS MADE 3,300

    Some of the lots due to come under the hammer.

    Some of the lots due to come under the hammer.

    LOUIS B. HURT (1856-1929) Highland Cattle resting near a Loch (4,000-6,000).

    LOUIS B. HURT (1856-1929) Highland Cattle resting near a Loch (4,000-6,000).  UPDATE: THIS MADE 4,000

    A pair of 19th century Roman micromosaic circular panels (5,000-7,000).

    A pair of 19th century Roman micromosaic circular panels (5,000-7,000).   UPDATE: THESE MADE 6,900

    A total of 106 volumes, Thom's Irish Directory, late 19th century-mid 20th century (1,500-2,500).

    A total of 106 volumes, Thom’s Irish Directory, late 19th century-mid 20th century (1,500-2,500).  UPDATE: SOLD FOR 1,200

    IRISH GILTWOOD PIER TABLE SELLS FOR 90,000

    Tuesday, October 15th, 2013
    This George II carved Irish pier table made 90,000 at Adams.

    This George II carved Irish pier table made 90,000 at Adams.

    This c1740 George II Irish carved giltwood and gesso rectangular pier table sold for a hammer price of 90,000 at the James Adam Country House Collections auction at Slane Castle on Monday.  This one has a later breccia marble top above a frieze with tongue and dart border, ribbon tied knots and a lion mask.

    An illustration of one of a pair of very similar tables, also c1740, is contained in Glin and Piell’s Irish Furniture published by Yale University Press. That pair, which is slightly smaller than this table, was supplied to Malahide Castle.
    The only recorded Irish view by Joseph Mallord William Turner - Clontarf Castle in Co. Dublin - is estimated at 20,000-40,000.

    Turner’s Clontarf Castle

     

    The only recorded Irish view by Joseph Mallord William Turner – Clontarf Castle in Co. Dublin – made a hammer price of 65,000 over an estimate of 20,000-40,000.

    A HIGHLIGHT BY PAUL HENRY AT BONHAMS IN NOVEMBER

    Tuesday, October 15th, 2013
    Paul Henry R.H.A. (1876-1958) - The Currach (click on image to enlarge).

    Paul Henry R.H.A. (1876-1958) – The Currach (click on image to enlarge).  UPDATE: THIS SOLD FOR £158,500

    The Currach by Paul Henry is to be a highlight at Bonhams sale of Modern British and Irish Art in London on November 20.  Dating to 1913-14 it comes to market from a private Irish collection. It has not been sold for 60 years and it is now estimated at £100,000-150,000.

    Penny Day, Head of Irish Art at Bonhams, comments: “What’s exciting about ‘The Curragh’ is that it presents a rare and charged seascape by an artist who’s better known for his calm, rural landscapes. The scene is rendered with spontaneous strokes that show Henry at his best and compel the viewer to urge the men forward”.  It was painted on Achill Island where Henry spent a decade from 1910.
    It was exhibited in Belfast at the Art Gallery of the Belfast Industrial Development Association in 1914 and Magee’s Gallery in 1919; in Dublin at Mill’s Hall in 1919, the Royal Hibernian Academy in 1943, and the National Gallery of Ireland in 2003; and in Shannon at Shannon Free Airport in 1957.
    UPDATE: IT SOLD FOR £158,500.