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  • Archive for September, 2018

    ANCIENT MEXICAN STATUE FOR AUCTION IN KINSALE

    Saturday, September 15th, 2018

    An ancient Mexican statue possibly dating to the 3rd century BC is one of the more unusual lots at Aidan Foley’s sale in aid of the RNLI in Kinsale on September 16. The 76 cms tall figure is accompanied by an authentication report from CIRAM, the French radio carbon dating laboratory, and is estimated at 10,000-15,000.

    The cause is exceptional so this sale has attracted a variety of quality lots ranging from the Lipton Challenge Cup presented to Cove Sailing Club, Cork Harbour in 1921 by Sir Thomas Lipton to a tanzanite and diamond ring donated by Loretta Brennan Glucksman. The wide variety on offer includes contents from the former Lovetts Restaurant in Cork, Irish and English silver, art, furniture and jewellery.

    Ancient Mexican statue  UPDATE: THIS WAS UNSOLD

    The Lipton Cup

    HOCKNEY’S POOL PORTRAIT MAY SET AUCTION RECORD FOR LIVING ARTIST

    Thursday, September 13th, 2018

    DAVID HOCKNEY (B. 1937), Portrait of an Artist (Pool with Two Figures), acrylic on canvas.  UPDATE: THIS SOLD FOR $90.3 MILLION, BREAKING THE RECORD FOR A WORK BY A LIVING ARTIST

    With an estimate in the region of $80 million David Hockney’s Portrait of an Artist (Pool with Two Figures), 1972 is poised to become the most expensive work of art by a living artist ever sold at auction at Christie’s in New York in November.  Representing a culminating apex of the artist’s two most celebrated motifs— the glistening water of a swimming pool and a double portrait – Portrait of an Artist is an immediately recognisable and iconic image in Hockney’s diverse oeuvre.

    It graced the covers of numerous artist monographs, starred in various exhibitions – including his traveling retrospective organised by the Tate Britain, the Centre Pompidou, and The Metropolitan Museum of Art in 2017-2018 – as well as the 1974 cult Hockney film, A Bigger Splash, the present canvas firmly stands its ground among Hockney’s most celebrated works.

    An often-told story of two compositions—the first destroyed over months of working and reworking, Hockney originally conceived the composition for Portrait of an Artist (Pool with Two Figures) from the accidental, almost surreal juxtaposition of two photographs on his studio floor—one of a swimmer underwater, taken in Hollywood in 1966, and the other of a boy staring at something on the ground. Intrigued by how together, the disparate clipped images made it appear as if the boy was staring at the swimmer, this double-portrait arranged by chance impelled for Hockney a substantial dramatic charge.

    It comes up at Christie’s evening sale of Post-War and Contemporary Art on November 15.

    The auction current record for David Hockney was set by Pacific Coast Highway and Santa Monica, 1990, which sold for $28,453,000 at Sotheby’s New York on May 16, 2018. The current auction record for any living artist was set by Jeff Koons’s Balloon Dog (Orange), 1994-2000, which sold for $58,405,000 at Christie’s New York on November 12, 2013.

    ROYAL PORTRAITS BY VAN DYCK TO HIGHLIGHT OLD MASTERS AUCTION

    Thursday, September 13th, 2018

    These rwo portraits of Charles I’s eldest children – the eleven year-old Prince of Wales, (later King Charles II), and his nine year-old sister Mary, the Princess Royal, (later, the mother of the future king, William III) will be among the highlights of Sotheby’s London Old Master Evening sale on December 5.

    Conceived and executed in the summer of 1641, months before the artist’s death in December the same year, it is possible that they are the portraits of the Prince and the Princess recorded as being among the possessions left in the artist’s studio in Blackfriars on his death. Epitomising the extraordinary skill which Van Dyck brought to child portraiture, a genre in which he had excelled ever since his early years in Genoa, both works provide a penetrating likeness of the royal children at a time when their world, and the Stuart monarchy, was on the brink of collapse.

    Among the very last works that Van Dyck painted for his royal patron they have been in the same private collection for nearly a century, and come fresh to market with a combined estimate of £2.6 million – 3.8 million.

    VIEWING NOW UNDERWAY FOR WHYTE’S LATEST COLLECTOR’S SALE

    Wednesday, September 12th, 2018

    The Eclectic Collection sale at Whyte’s in Dublin on September 15 is the latest in this series of increasingly popular auctions.  This one has almost 600 lots ranging from a Celtic Revival harp from Sydney, Australia to a copy of the Irish Proclamation to Bono’s schoolboy copy of Lord of the Flies.  The catalogue is online and the auction is now on view.  Here is a small selection:

    UPDATE: THE GROSS TOTAL OF THE SALE CAME TO 420,000

    Padraig Pearse chair from St. Enda’s School sold for 7,800 at hammer.

    1916 (24 APRIL) THE PROCLAMATION OF THE IRISH REPUBLIC. AN ORIGINAL EXAMPLE OF THIS HISTORIC DOCUMENT. UPDATE: THIS WAS SOLD IN ADVANCE OF THE AUCTION FOR 100,000.

    AN EARLY 20TH CENTURY CELTIC REVIVAL HARP BY JAMES MCFALL, BELFAST. (2,000-3,000)  UPDATE: THIS MADE 2,000 AT HAMMER

    1830S SIX VIEWS OF NEW YORK AND ITS ENVIRONS BY WH BARTLETT (300-400)  UDATE: THIS WAS UNSOLD

    CURIOUS CREATURES AT THE NATIONAL GALLERY OF IRELAND

    Wednesday, September 12th, 2018

    A collection of 34 animal drawings and paintings by Frans Post (1612-1680), which lay unknown in a Haarlem archive for over three centuries only to be rediscovered in 2010, is on display at the National Gallery of Ireland until December 9. Curious Creatures – Frans Post & Brazil, exhibits drawings in a range of materials such as pen and ink; watercolour; gouache and graphite. It includes representations of the Six-Banded (Yellow) Armadillo, the South-American Tapir, the Jaguar, the Cayman (a reptile similar to an alligator), the Brazilian Porcupine and the Spider Monkey. Also included in the exhibition are Post’s outstanding oil painting View of Olinda, Brazil, 1662 (Rijksmuseum, Amsterdam); a drawing of a sugar mill (Atlas Van Stolk, Rotterdam); and the Gallery’s own Brazilian Landscape with Sugar Mill, 1660s. These works provide an insight into how the artist both engaged with and immortalised the so-called ‘New World’ for a curious European audience.

    Post spent seven years in Brazil, from 1637-44, charged with documenting the landscape for Johan Maurits (1604-1679), Governor-General of the new Dutch colony. On his return to the Netherlands in 1644, Post painted Brazilian-inspired landscapes featuring a wealth of exotic creatures. Scholars of the artist long suspected that he used observational sketches of wildlife for his paintings, but until De Bruin’s discovery, no actual drawings of native fauna by Post were known.

    A special loan of zoological specimens from the National Museum of Ireland – Natural History will complement the display.

    Frans Post (1612-1680)
    LIZARD Watercolour and gouache, with pen and black ink, over graphite 16 x 21 cm Courtesy Noord-Hollands Archief, Haarlem

    Frans Post (1612-1680)
    JAGUAR Panthera onca (Linnaeus, 1758) Watercolour and gouache in shades of yellow, brown, and black, with pen and black ink, over Graphite
    Courtesy Noord-Hollands Archief, Haarlem

    IRISH ART AT SOTHEBY’S IN LONDON TOMORROW

    Monday, September 10th, 2018

    Sotheby’s annual Irish Art sale in London on September 11 will be led by a major single-owner selection of works from the Joseph and Brenda Calihan Collection. In 16 oils, the Calihan Collection represents a superb distillation of Irish art across a hundred-year period, from the mid-19th to the mid-20th centuries. Led by Jack B. Yeats’ timeless and romantic Sunday Evening in September, the group is characterised by the exemplary and individual qualities of each piece. Acquired in the 1990s with passion and discernment, we are delighted to present the collection at auction to a new generation of collectors.

    Alongside the Calihan Collection are paintings by Roderic O’Conor, Paul Henry, John Lavery, Louis le Brocquy, works from the White Stag Group and a strong selection of contemporary paintings.  The catalogue is online. Here is a small selection:

    (See posts on antiquesandartireland.com for August 15 and August 27, 2018)

    UPDATE:  The sale total, including buyers premium, was £2,680,125.  This is the highest total for a dedicated sale since the re-introduction of Irish art sales in 2015. The National Gallery of Ireland purchased two works by Kenneth Hall and The Yew Walk by Patrick Hennessy.

    PETER CURLING
    HELL FOR LEATHER (£25,000-35,000)  UPDATE: THIS MADE £50,000

    PATRICK SCOTT
    GOLD PAINTING 20 (£10,000-15,000)  UPDATE: THIS WAS UNSOLD

    IR JOHN LAVERY, R.A., R.H.A., R.S.A.
    PORTRAIT OF GEORGE BERNARD SHAW (£70,000-100,000)  UDATE: THIS MADE £181,250

    Evie Hone UNTITLED (£15,000-20,00) UPDATE: THIS SOLD FOR £22,500

    THE SPANISH FLU IN IRELAND COMMEMORATED IN MUSEUM EXHIBITION

    Monday, September 10th, 2018

    The Enemy Within – The Spanish Flu in Ireland 1918-19, a new exhibition on the Spanish Flu that swept across Ireland 100 years ago, opens tomorrow at the National Museum of Ireland – Country Life in Turlough Park, Castlebar, Co. Mayo. The Spanish Flu claimed 23,000 lives and infected some 800,000 people in Ireland over a 12-month period from 1918 to 1919. No group, location or aspect of life was spared. However, the epidemic remains an almost forgotten event in 20th-century Irish history.

    Globally the influenza pandemic infected 500 million people and was one of the deadliest natural disasters un human history.

    The exhibition will explore the folk medicines and rudimentary cures used by the public to combat the illness.  It is to be opened by Professor Ingrid Hook, former Head of the School of Pharmacy at Trinity College and a current member of the Board of the National Museum of Ireland.

    Noel Campbell, curator with the National Museum of Ireland – Country Life stated: “The Spanish Flu has been eclipsed in our collective memory by the political events of that decade and the loss of life during the Great War in particular. It remains an understudied event in history despite claiming more lives worldwide than the Great War. The National Museum of Ireland has developed a programme of remembrance and research which will be informative, engaging and also challenging as we attempt to understand the Spanish Flu’s true significance and probe why this epidemic has been almost forgotten in our study and understanding of 20th-century Irish history.”

    A PIECE OF AVIATION HISTORY AT WHYTE’S ECLECTIC COLLECTOR SALE

    Saturday, September 8th, 2018
    In June 1919 the British aviators John Alcock and Arthur Brown made the first non-stop transatlantic flight from St. John’s, Newfoundland, to Clifden, Connemara in a modified First World War bomber which they crash landed in a field.   Local man Jim Fawl removed a souvenir from the crash site, a wooden rib, probably part of an aileron. The piece of aviation history came to light almost one hundred years later on RTE’s National Treasures programme and has been on exhibition in the Museum of Country Life, Castlebar since then.
    It is lot 137 in Whyte’s Eclectic Collector auction in Dublin at 11 am on September 15 estimated at €6,000-€8,000.  The sale includes historic artefacts, manuscripts, documents, maps, books, Irish provincial silver, advertising signs, posters, jewellery, watches, militaria, coins, medals and banknotes.
    UPDATE:  THIS MADE 8,500 AT HAMMER

    WORLD’S FIRST CINEMA POSTER SELLS FOR £160,000

    Thursday, September 6th, 2018

    Cinématographe Lumière (1896) poster – Henri Brispot (1846-1928)

    The world’s first cinema poster sold for a record £160,000 at Sotheby’s online-only sale of Original Film Posters.  Cinématographe Lumière’ sold for over 2.5 times the pre-sale high estimate of £40,000-60,000.  It has been in a private French collection for over 40 years.  It was designed by French artist Henri Brispot in 1896, to promote the first ever film to be publicly screened: a series of short clips about everyday life in 19th century France, created by the Lumière brothers.

    The first ever screening had taken place at The Grand Café in Paris on December 28, 1895.  Within days, the film was a sensation. The poster was created amidst the excitement which followed the initial screening, and shows crowds jostling to enter the Grand Café.  The screening at the Salon Indien of the Grand Cafe, on Boulevard des Capucines in Paris was a humble event, with an audience of less than thirty people.  It lasted approximately twenty minutes but marked the public beginning of one of the most important cultural, artistic and social phenomena of the 20th century. Victor Perrot, who witnessed the event, writes about that winter evening in various articles and memoirs, calling it a ‘great historical first’. 

    This is a new record for a film poster sold by Sotheby’s, previously set at £42,000 in September 2017 by King Kong. 

    ONLINE SALE OF IRISH ART AT DE VERES

    Thursday, September 6th, 2018

    An online sale of Irish artworks at modest estimates from the Axa collection runs at de Veres in Dublin until September 10. Comprised of over 200 original artworks the collection was gathered by Axa Insurance under the guidance of artist Bernadette Madden. It was put together over a 20 year period with a view to supporting emerging Irish artists. The sale is on view at de Veres, Kildare St., Dublin from today and all bidding is online. The sale gets underway at 6 pm on September 10.  Here is a small selection:

    BERNADETTE MADDEN BESTIARY BEASTS WAX RESIST ON LINEN (200-400)

    AOIFE DWYER UNTITLED PRINT, ARTIST’S PROOF, (100-200)

    ANDREW FOLAN ARHA THE OWL & THE PUSSYCAT LENTICULAR PRINT (100-200)

    ALBERT IRVIN LOUISE VII SCREENPRINT (100-200)