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  • Archive for March, 2016

    WOLFE TONE’S CARRARA CHIMNEYPIECE AT FONSIE MEALY AUCTION

    Monday, March 7th, 2016
    The fireplace from Wolfe Tone's house in Dublin inset with the grate from Elizabeth Bowen's home in Cork.

    The fireplace from Wolfe Tone’s house in Dublin inset with the grate from Elizabeth Bowen’s home in Cork.  UPDATE: The fireplace made 36,000.

    Wolfe Tone’s fireplace will come up at Fonsie Mealy’s Chatsworth spring fire art sale in Castlecomer on March 8.  The 18th century Carrara marble chimney piece was rescued from the front drawing room at the home of the Irish Revolutionary leader and founding member of the United Irishmen who died in 1798 at 44 Stafford St., Dublin (now Wolfe Tone St.) around 1960 by the present owner. It is estimated at 15,000-20,000.

    The grate in the image is from the bedroom of novelist and short story writer Elizabeth Bowen at Bowen’s Court in Co. Cork.  The iron framed grate made around 1760-70 is estimated at 1,000-1,500.  The catalogue for the auction of 765 lots is online.

    UPDATE: The fireplace was sold for 36,000

    (See post on antiquesandartireland.com for March 2, 2016).

    ANTIQUE FURNITURE AND HISTORIC PAINTING AT WOODWARDS IN CORK

    Monday, March 7th, 2016

    An historic Atkinson, a Queen Anne bureau bookcase, a 10′ Regency sideboard, a three pillar dining table and a Victorian four poster bed will feature at Woodwards sale in Cork on March 12.  A rare pictorial record of the visit of Queen Victoria to Cork Harbour in 1849 is contained in George Mounsey Wheatley Atkinson’s oil painting of the Royal Yacht Squadron bringing Queen Victoria to Cobh. It is estimated at 25,000-30,000.  As a result of the visit the Cove of Cork was renamed Queenstown, reverting to Cobh in the late 1920’s. The double domed Queen Anne bookcase has an estimate of 5,000-8,00, the pillared dining table, which extends to 16″, is estimated at 6,000-10,000, the four poster at 2,000-3,000 and the sideboard at 4,000-6,000.

    There is an estimate of 3,000-4,000 on a pair of Coalbrookedale garden seats and a Georgian long case clock with parquetry inlay by John Hallifax (1694-1750), Barnsley  is estimated at 2,000-3,000. The catalogue is online. (See post on antiquesandartireland.com for February 18, 2016).

    A Regency sideboard (4,000-6,000).

    A Regency sideboard (4,000-6,000).  UPDATE: THIS WAS UNSOLD

    A Queen Anne double domed bureau bookcase (5,000-8,000).

    A Queen Anne double domed bureau bookcase (5,000-8,000).  UPDATE: THIS MADE 4,100 AT HAMMER

    A Victorian four poster bed (2,000-3,000).

    A Victorian four poster bed (2,000-3,000). UPDATE: THIS MADE 1,000 AT HAMMER

    BUSTS OF CICERO AND HORACE REUNITED AT TEFAF

    Sunday, March 6th, 2016

    A pair of polychrome marble portrait busts of Cicero, civic hero of the Roman Republic, and Horace, the famed poet have been reunited by Tomasso Brothers Fine Art for TEFAF, which runs at Maastricht from March 1120.  Carved in the same 17th century Roman workshop, theyhave an illustrious provenance.  Originally part of the Valletta collection in Naples, they were acquired around 1721 by Thomas Herbert, the 8th Earl of Pembroke (1654–1733) for Wilton House, near Salisbury, one of England’s finest stately houses. They were displayed at the heart of one of the finest private art collections ever assembled in Europe for more than two centuries.  They flanked the main chimneypiece in the Earl’s ‘sanctum sanctorum’ of the Great ‘Double Cube’ Room designed by Inigo Jones, amongst family portraits by Sir Anthony Van Dyck, and works formerly in the esteemed collections of Cardinals Mazarin and Richelieu, King Charles I of England and Thomas Howard, the 14th Earl of Arundel.

    Pembroke’s influence on the tastes and collecting trends of the aristocratic English in the early eighteenth century were considerable.  When he embarked on his Grand Tour in 1676 and set about building a collection in the 1680s, he was all but alone.  Yet the fame of the galleries at Wilton House spread amongst the aristocracy, and by the time of his death in 1733, many of England’s great country houses were beginning to be decorated with antiquities, renaissance and baroque sculpture.  It is through the expertise of Tomasso Brothers Fine Art that the two works have been reunited since their dispersal from Wilton House. Cicero came into the gallery’s collection a short while after the directors had become aware of Horace. They knew instinctively that they were both great 17th century busts, and that the particular specimen of imperial porphyry used for the Horace was a wonderful quality. Whilst recognising the physical similarities of the two works, it was finding an old photograph of the Double Cube Room at Wilton House that set off months of study to discover the full history of the busts.

    Cicero

    Cicero

    Horace

    Horace

    ONLY KNOWN PAIR OF KINSALE SILVER TREFID SPOONS

    Saturday, March 5th, 2016
    A pair of Kinsale silver trefid spoons.

    A pair of Kinsale silver trefid spoons.

    The only known pair of Kinsale trefid spoons will feature at Weldon’s stand at the National Antiques and Vintage Fair at the South Court Hotel in Limerick on March 19 and 20. By Joseph and William Wall they were made c1695-1705 and are real rarities.  Trefid spoons are flat handled with a stem that widens at the top with two notches that form a shape with three lobes.  Irish provincial silver is much rarer than Dublin silver. Antique Kinsale silver pieces are prized by collectors.  Weldons say it is likely that they were owned by the Daunt family of Tracton Abbey near Kinsale.

    IRISH HISTORICAL MEMORABILIA AT WHYTE’S

    Friday, March 4th, 2016

    Irish historical memorabilia from 1000 BC to 2000 AD with an array of artefacts relating to the 1916 Rising is included in Whyte’s history and literature auction in Dublin on March 13.  The catalogue, which is online, lists over 500 lots including more than 100 relating to The Rising, the centenary of which is to be celebrated next month.  Estimates range from 100 t0 250,000, which is the top estimate for a rare original copy of the Proclamation.  Here is a small selection:

    A 1916-1921 period Irish flag (1,500-2,000).

    A 1916-1921 period Irish flag (1,500-2,000).  UPDATE: THIS MADE 2,000

    The Proclamation (150,000250,000)

    The Proclamation (150,000250,000)  UPDATE: THIS MADE 185,000 AT HAMMER

    At the Rising of the Moon and waiting for the French (120-180)

    At the Rising of the Moon and waiting for the French (120-180)  UPDATE: THIS MADE 220 AT HAMMER

    A rare facsimile replica of The Book of Kells (4,000-6,000).

    A rare facsimile replica of The Book of Kells (4,000-6,000).  UPDATE: THIS MADE 6,600 AT HAMMER

    TEFAF IS RENOWNED FOR THE QUALITY OF ITS VETTING

    Thursday, March 3rd, 2016

    The European Fine Art Fair (TEFAF) at Maastricht is renowned for many things.  Not least of these is the quality of its vetting procedures.  The organisers work very hard to ensure that what wealthy collectors and curators acquire here is exactly what it purports to be.  This year TEFAF runs its 29th edition from March 11 to March 20 at Maastricht Exhibition and Congress Centre.  Here is a video about the vetting that will take place before the fair.

    BIDDERS BATTLE FOR PERSONAL POSSESSIONS OF DUCHESS OF DEVONSHIRE

    Wednesday, March 2nd, 2016
    Deborah, Duchess of Devonshire feeding her chickens at Chatsworth, 1995 wearing a Balmain ball gown and pearls. Copyright Bruce Weber

    Deborah, Duchess of Devonshire feeding her chickens at Chatsworth, 1995 wearing a Balmain ball gown and pearls. Copyright Bruce Weber

    Hundreds of collectors battled at Sotheby’s in London today for the sale of personal possessions of Deborah, Duchess of Devonshire. The auction brought £1.8 million, three times the pre-sale estimate of £500,000-700,000.   The top lot was a Japanese  lacquer and ivory mounted guardian figure Meiji Period which sold for £62,500. The same price was paid for a c1880 diamond and ruby brooch designed as a butterfly. The first edition of Brideshead Revisited given to her  by Evelyn Waugh sold for a record £52,500, two pine and plywood travelling poultry boxes used by the chatelaine of Chatsworth to take her hens to country shows made £10,625, her personal keyring made £2,000, Nancy Mitford’s painting of their childhood home made £15,000 and the Duchess’s Elvis Presley memorabilia collection made £4,375.  Her friends included President Kennedy, Winston Churchill, Lucian Freud, Evelyn Waugh, Alan Bennett, members of The Royal Family, Hubert de Givenchy, Oscar de la Renta and Cecil Beaton. The 450 lots largely came from The Old Vicarage, the 18th-century house on the Chatsworth Estate where the Duchess spent the last ten years of her life.

    (See post on antiquesandartireland.com for January 22, 2016).

    SPRING FINE ART SALE AT FONSIE MEALY

    Wednesday, March 2nd, 2016

    With a range that extends from a magnificent pair of George II Irish silver candlesticks to a pine rocking horse Fonsie Mealy’s Chatsworth spring fine art sale in Castlecomer, Co. Kilkenny on March 8 promises to be brimful of interest.  The catalogue, which is online, features 765 lots,  everything from a diamond set brooch in a Greek key pattern to an almost matching pair of red boulle card tables.  There are Russian icons, sporting guns, wines and ports, sculpture and art including some 18th century Irish School MacNamara portraits from Baunkyle House, Corofin, Co. Clare and a good choice of antique furniture.  Here is a small selection:

    A pair of finely cast George II Irish silver candlesticks (5,000-7,000).

    A pair of finely cast George II Irish silver candlesticks (5,000-7,000).  UPDATE: THESE SOLD FOR 9,000 AT HAMMER.

    A Georgian brass bound door lock (700-1,000)

    A Georgian brass bound door lock (700-1,000)  UPDATE: THIS MADE 600 AT HAMMER

    An 18 carat diamond set brooch (500-700).

    An 18 carat diamond set brooch (500-700).  UPDATE: THIS SOLD FOR 700 AT HAMMER.

    A pine rocking horse of small proportion (750-1,250).

    A pine rocking horse of small proportion (750-1,250).  UPDATE: THIS SOLD FOR 1,050

    An almost matching pair of Boulle card tables (1,000-1,500).

    An almost matching pair of Boulle card tables (1,000-1,500).  UPDATE: THESE SOLD FOR 1,550 AT HAMMER.

    PAUL HENRY TOPS THE POLL AT SUCCESSFUL WHYTE’S SALE

    Tuesday, March 1st, 2016
    Building Tops by Christy Brown sold for 1,600

    Building Tops by Christy Brown sold for 1,600

    Paul Henry topped the poll at Whyte’s sale of Irish and international art.  His Kerry Bog sold for a hammer price of 66,000 in a sale that grossed 580,000 with 79% of 209 lots sold.  Whyte’s worries that the political instability in Ireland due to the inconclusive general election results might affect the market proved to be unfounded.  The second highest lot was another Henry, Cabins by a Lough which made 54,000.  An untitled Miro from 1973 made 20,000 at hammer, Cecil Maguire’s Early Light, Lough Inagh made a strong 9,000, as did Summer Yachting by James Humbert Craig. Harry Kernoff’s Western Colleen made 8,800 and Wild Ponies, Connemara by Patrick Hennessy sold for 7,500.  Other artists in demand included Camille Souter, Patrick Scott, George Campbell, John Skelton, Markey Robinson and Christy Brown.

    (See post on antiquesandartireland.com for February 21, 2016).

    A WATCH OWNED BY THE FOUNDER OF AGENCE FRANCE PRESSE

    Tuesday, March 1st, 2016

    A Breguet watch once owned by Charles-Louis Havas, founder of Agence France Presse, comes up at Christie’s in Geneva on May 16. The self-winding quarter repeating watch with equation of time, day, month and power reserve was acquired on December 311817 by Charles-Louis Havas (1783-1858), founder of AFP. The former international merchant who became banker, then journalist and translator, came up with the concept of an international and universal news agency in 1835, at the age of 52. This man of great taste, from a wealthy family, acquired this 18k golden watch which reunites the whole savoir faire of the Maison Breguet. It is today considered amongst the most complicated watch ever realized by Breguet following the example of the watch N°144, sold at Christie’s in 2012 at the record price of 3.6 million euros.  This one is estimated at 600,000-1.2 million Swiss francs.  UPDATE: IT WAS SOLD TO A PRIVATE SWISS MUSEUM FOR CHF3,245,000

    Breguet et Fils, Paris No. 217. Courtesy Christie's Images Ltd., 2016.

    Breguet et Fils, Paris No. 217. Courtesy Christie’s Images Ltd., 2016.

    Brequet et Fils, Paris No. 217

    Brequet et Fils, Paris No. 217