antiquesandartireland.com

Information about Art, Antiques and Auctions in Ireland and around the world
  • ABOUT
  • About Des
  • Contact
  • Archive for April, 2015

    MICHAEL FLATLEY: THE LORD OF THE ART AUCTION SALESROOM

    Monday, April 20th, 2015
    The Power by Michael Flatley

    The Power by Michael Flatley sold for 77,500 at hammer.

    Lord of the Dance Michael Flatley became the Lord of the Art Auction Salesroom in Dublin tonight when two of his artworks – created by tap dancing on canvas – sold for 77,500 and 44,000 respectively.

    The artworks attracted competitive bidding on the phone, over the internet and in the room at Morgan O’Driscoll’s Irish and International Art Auction at the RDS.

    The Power, just under six feet square, made 77,500 over an estimate of 70,000-90,000 and was bought by an international buyer. An Irish purchaser acquired Flight of the Quetzal, which sold for 44,000 over an estimate of 40,000-50,000.  These are hammer prices.

    The decision to hold a viewing in London for this sale proved wise, as UK bidders competed in numbers for the Irish and international art on offer.

    (See posts on antiquesandartireland.com for April 14, April 6 and April 1).

    PRE-RAPHAELITE PAINTINGS AND DRAWINGS AT CHRISTIE’S

    Monday, April 20th, 2015

    Works by Rosetti, Burne-Jones, Poynter and Leighton are among a stellar collection of Pre-Raphaelite and Victorian drawings and paintings at Christie’s in London on June 16.  They are from one of the very best collections in private hands with museum-quality works, some of which have not been seen for decades.

    The collection features 45 works and is expected to realise in the region of £2 million. One of eight works by Dante Gabriel Rossetti (1828-1882), Beatrice: A Portrait of Jane Morris (£700,000-1 million) leads the group.  Interest in the Pre-Raphaelite Brotherhood has been stimulated by the 2012 exhibition at The Tate.

    Dante Gabriel Rossetti (1828-1882) Beatrice: A portrait of Jane Morris (£700,000-1 million).

    Dante Gabriel Rossetti (1828-1882)
    Beatrice: A portrait of Jane Morris (£700,000-1 million). Courtesy, Christie’s Images Ltd., 2015

    Dante Gabriel Rossetti (1828-1882) Study for ‘Hamlet and Ophelia’ (£20,000-30,000).

    Dante Gabriel Rossetti (1828-1882)
    Study for ‘Hamlet and Ophelia’ (£20,000-30,000).  Courtesy Christie’s Images Ltd., 2015

    THE VINTAGE FASHION AND DECOR FAIR IN DUBLIN

    Monday, April 20th, 2015
    An example of what is popular at the Vintage Fair.

    An example of what is popular at the Vintage Fair.

    The Vintage Fashion & Décor Fair at The Royal Marine Hotel, Dun Laoghaire on April 26 will offer unique vintage fashion, retro homewares and precious jewels from the golden age of glamour. The fair will incorporate 50 trade stands, a retro fashion show, style demos, vintage makeovers, cocktails and dancing.

    There will be vintage furniture and homewares, fine china and table linen, along with collector quality vintage jewellery, original works of art and rare books and prints.

    The fashion show will draw inspiration from A Day At the Races, styled and presented by TV stylist and journalist Irene O’Brien.

    Vintage aficionados will be encouraged to dress up in style and enter Our Best Dressed Vintage Competition – a highlight of the day, with prizes for glamorous gals and smart looking guys, and even a prize for couples who share a love of vintage.

    AN AUCTION OF CONTENTS FROM A CAHIR CONVENT

    Sunday, April 19th, 2015
    In the 1990’s in Ireland sales of contents from convents and monasteries were almost commonplace. They are more unusual now but Charleville, Co. Cork based P.J. O’Gorman will offer contents from the Convent of Mercy in Cahir, Co. Tipperary on April 25 at noon.  The auction will take place at the convent, which has been in operation in this location since 1881. Antique furnitures in these sales tends to have been well maintained and in good condition.  Prime lots this time include a four door Regency breakfront secretaire bookcase and a mahogany pedestal desk.  There are Victorian two and three door bookcases, sets of Victorian dining chairs, chaises longues, Victorian sideboards, a walnut davenport, church pews, religious prints, statues, porcelain, glass, brass candlesticks and plated silver among more than 500 lots.

    A Regency secrétaire four door bookcase.

    A Regency secrétaire four door bookcase.  UPDATE: THIS SOLD FOR 3,600

    A mahogany cylinder pedestal bureau.

       A mahogany cylinder pedestal bureau.  UPDATE: THIS SOLD FOR 800

    IMPRESSIVE DINING TABLE AT COURTOWN HOUSE AUCTION

    Saturday, April 18th, 2015
    An impressive Gillingtons style c1820 mahogany dining table is one of a number of prime antique furniture lots at the James Adam house contents sale at Courtown House, Kilcock, Co. Kildare on April 22.   Attributed to Gillingtons of Dublin the table – on quadruped pillar supports – is designed to be used either as a single entity or three stand alone tables. It can be traced back to the original Courtown House contents auction in 1963.  Gillingtons were a Dublin firm of cabinet makers in the early years of the 19th century. The table is estimated at 25,000-35,000.
    Also from the dining room at Courtown House is a rare pair of George III mahogany dining room pedestals after a design by Gillows.  The restrained neo-classical urns on Roman pedestals correspond closely to a design by Gillows of 1788.  The lidded urns with bell finials and lead linings are on a square base with a single panel door and shelved interior. They were also in the 1963 catalogue. It is rare to come across an intact pair so this lot is estimated at 15,000-20,000.

    (See posts on antiquesandartireland.com for April 8 and April 15, 2015).

    An Irish George IV mahogany rectangular dining table attributed to Gillingtons of Dublin.

    An Irish George IV mahogany rectangular dining table attributed to Gillingtons of Dublin.  UPDATE: THIS SOLD FOR 70,000

    One of a pair of George III inlaid mahogany dining room pedestals.

    One of a pair of George III inlaid mahogany dining room pedestals. UPDATE: THESE SOLD FOR 28,000

    The pedestals in situ in the dining room.

    The pedestals in situ in the dining room.

    A TRICK OF THE LIGHT FINGERED SILVER SCAMMER

    Friday, April 17th, 2015
    Later chased Dublin George I 1714 teapot no maker's mark.

    Later chased Dublin George I 1714 teapot no maker’s mark.

    Buyers of more valuable pieces of Irish silver ought to be aware of a trick used by light fingered scammers. It revolves around the perfectly legal practice of de-chasing.  In Victorian times repousse (embossed) decoration was fashionable. The Victorians chased older pieces – such as a plain, classical Queen Anne piece, in pursuit of fashion. Why?  Because it was cheaper to decorate an existing piece than get a new one made. Consequently the integrity of the piece was devalued.

    The very small supply of Irish silver creates a constant hunt by international dealers to find later chased pieces and dechase them.  This practice adds huge value of perhaps up to ten times the original cost. International standards dictate that when a piece is dechased it has to be labelled as such. These pieces are not permitted to be offered for sale at top international antique fairs.  Sadly this practice has not been enforced in Ireland. Buyers of significant plain pre 1750 Irish  pieces do need to be aware that collectibles like bullet shaped teapots, bowls, beer jugs and coffee pots may have been dechased and not labelled as such.

     Later chased Cork George II inverted pear shape teapot by George Hodder 1745

    Later chased Cork George II inverted pear shape teapot by George Hodder 1745

    It is profitable for the unscrupulous to do this when silver work is early and has good hallmarks. Dechasing can degenerate into downright deception when crests, weights and shapes are changed. It is illegal to add a new piece of silver such as a spout without having the new addition hallmarked.  One Irish silver dealer, outraged at the practice, said that anyone with any doubts about a piece should have it vetted by the English plate committee as they possess the experience and knowledge to detect alterations. The vast majority of dechasing is carried out by British silversmiths. 
    Sadly in the world of antiques, art and collectibles anything valuable will have been forged, imitated and copied.  The difference between restoration and re-construction is blurred and causes problems in in many fields. The old adage “caveat emptor” – buyer beware – always applies. Examples of the sort of silver which might be dechased are illustrated.

     Later chased Dublin Geo II Coffee Pot by William Williamson 1745.

    Later chased Dublin Geo II Coffee Pot by William Williamson 1745.

    Large Cork George III Later chased Cup by John Whitney 1780

    Large Cork George III Later chased Cup by John Whitney 1780

    BACON, FREUD AND PETER DOIG AT CHRISTIE’S NEW YORK

    Friday, April 17th, 2015

    Masterpieces by Francis Bacon, Lucian Freud and Peter Doig will feature at Christie’s Post-War and Contemporary Art evening auctions in New York on May  11 and 13.  Bacon’s Portrait of Henrietta Moraes is one of the most seductive portraits of a woman he ever made. It will be presented alongside Lucian Freud’s Benefits Supervisor Resting, a masterful reworking of the traditional theme of the nude.  This is one of Freud’s most famous and iconic paintings.

    An icon of contemporary painting, Peter Doig’s Swamped conjures an extraordinary sense of atmosphere around a single solitary canoe. Rendered using a vast array of painterly techniques and processes, Swamped encapsulates the inimitable approach has come to define Doig’s contribution to the history of painting.

    Francis Bacon - Portrait of Henrietta Moraes (c$35 million).

    Francis Bacon – Portrait of Henrietta Moraes (c$35 million).  Courtesy Christie’s Images Ltd., 2015  UPDATE: THIS SOLD FOR $47,765,000

    Peter Doig - Swamped ($20-30 million).

    Peter Doig  (born 1959) – Swamped ($20-30 million). Courtesy Christie’s Images Ltd., 2015.  UPDATE: THIS SOLD FOR $25,592,000 A WORLD AUCTION RECORD FOR THE ARTIST

    Lucian Freud - Benefits Supervisor Resting ($30-50 million).

    Lucian Freud – Benefits Supervisor Resting ($30-50 million).  Courtesy Christie’s Images Ltd., 2015. UPDATE: THIS SOLD FOR $56,165,000, A WORLD AUCTION RECORD FOR THE ARTIST

    SHEPPARDS TWO DAY SALE IN DURROW, CO. LAOIS

    Friday, April 17th, 2015

    Period furniture, fine art, decorative art, jewellery and garden statuary will all come under the hammer at Sheppards two day sale in Durrow, Co. Laois on April 28 and 29.  A total of 1,300 lots will come under the hammer. The catalogue is online. Here is a small selection:

    This Italian violin of the Milan school, estimated at 4,000-6,000, sold for 9,400

    This Italian violin of the Milan school, estimated at 4,000-6,000, sold for 9,400

    Paul Sieffert (1874-1957) Study of a female nude, oil on canvas (12,000-16,000).

    Paul Sieffert (1874-1957) Study of a female nude, oil on canvas (12,000-16,000).  UPDATE: THIS SOLD FOR 19,000

    A c1790 satinwood and marquetry side table (3,000-5,000)

    A c1790 satinwood and marquetry side table (3,000-5,000)  UPDATE: THIS MADE 4,800

    Pair of Edwardian brass hall lanterns (2,500-3,500).

    Pair of Edwardian brass hall lanterns (2,500-3,500).  UPDATE: THESE DID NOT SELL.

    18th century French emerald ring (approx 5 carat) with 20 baguette cut diamonds set in yellow gold (6,000-8,000).

    18th century French emerald ring (approx 5 carat) with 20 baguette cut diamonds set in yellow gold (6,000-8,000).  UPDATE: THIS WAS UNSOLD

    A 19th century Italian sculpted stone cherub (1,400-1,800).

    A 19th century Italian sculpted stone cherub (1,400-1,800).  UPDATE: THIS MADE 1,000

    FEMALE FERTILITY FIGURE CHAIR AT DE VERES DESIGN SALE

    Thursday, April 16th, 2015
    Donna - UP5 and UP6 by Gaetano Pesce for B + B Italia

    Donna – UP5 and UP6 by Gaetano Pesce for B + B Italia  UPDATE; THIS MADE 3,200

    This Donna chair by Gaetano Pesce for B + B Italia (1969) was designed to resemble a prehistoric female fertility figure with a ball attached to symbolise captivity.  It is the catalogue cover lot for de Veres Design and Irish Art auction to be held at Kildare St., Dublin on April 28.  The catalogue for the sale is online.

    Donna UP5 and UP6 is completely in tune with the spirit of Pop Art and the Gaetano Pesce fondness for anthropomorphic shapes.  It is estimated at 2,000-3,000.

    The stretched fabric covered polyurethane foam chair is stamped with the makers label. Compressed and vacuum packed into pvc packages the chairs literally bounced into life when unwrapped.

    Pesce’s work is featured in over 30 permanent collections in the most important museums in the world such as MoMA in New York, Vitra in Germany, the Pompidou in Paris and the V and A in London.

    THE COLLECTIONS OF ILEANA SONNABEND AND NINA CASTELLI SUNDELL

    Wednesday, April 15th, 2015

    Works from the collection of Ileana Sonnabend and the estate of Nina Castelli Sundell  will come up at Christie’s Post War and Contemporary Art evening sale in New York on May 13 and at the day sale on May 14.  The collections include works by Andy Warhol, Roy Lichtenstein, Jasper Johns, Jim Dine, Claes Oldenburg, Robert Rauschenberg, Gilbert & George, Jeff Koons, Michelangelo Pistoletto, John Baldessari, Robert Ryman, Anselm Kiefer, Giovanni Anselmo, Pier Paolo Calzolari and Mario Merz.

    Nina Castelli Sundell with her parents Leo Castelli and Ileana Sonnabend.

    Nina Castelli Sundell with her parents Leo Castelli and Ileana Sonnabend.

    Ileana Sonnabend was one of the most innovative, daring, and stimulating gallerists of 20th-Century art, and her daughter Nina Castelli Sundell was a visionary curator and scholar who worked to introduce contemporary art to audiences throughout the United States. Ileana Sonnabend devoted her life to the discovery, appreciation, and promotion of new talent, often championing minimal, conceptual and performance works that were outside the comfort zone of the majority of her peers. From her gallery in Paris she introduced European connoisseurs to the untested American talents of Jasper Johns, Robert Rauschenberg, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, and Jim Dine. A decade later she reversed the process, using her New York gallery to expose Americans to a new generation of European artists. She also brought together a major art collection of her own, one that has never been on the market and that boasts classic examples of Post-War and Contemporary paintings, drawings, and sculptures, as well as major works of Arte Povera.

    Nina Castelli Sundell grew up surrounded by some of the greatest artists of the 20th Century. She followed her parents’ passion, and strove to foster that same environment around the world. Sundell introduced contemporary art to audiences throughout the United States at a time when its exhibition was largely restricted to New York.  In the years prior to her death in 2014 she was president of the artists’ community Yaddo in Saratoga Springs, New York. The community has been residence to thousands of distinguished cultural figures including Milton Avery, Aaron Copland, Sylvia Plath, Patricia Highsmith, Truman Capote, Philip Guston and Clyfford Still.

    UPDATE:  The stellar collection assembled by Sonnabend and Sundell gave the Post-War and Contemporary art sale a lively start. All nineteen works from the collection selected for the Evening Sale found buyers, with many reaching hammer prices well above estimate.  The group totaled $60.1 million, more than twice the pre-sale estimate.