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    NEWLY ACQUIRED CROSS ON VIEW AT NATIONAL MUSEUM, KILDARE ST.

    Wednesday, March 27th, 2013

    An image of the mid-15th century cross; copyright National Museum of Ireland. (Click on image to enlarge).

    A newly acquired mid-15th century copper alloy cross from Co. Waterford has just gone on view at the National Museum of Ireland, Kildare St., Dublin. The cross was donated by the Madden family on behalf of their late mother, Mrs. Bridget Madden (née Kelly) of Ferrybank, Waterford. Possibly from Caorbally, near Dunmore East, the cross was in in the possession of Mrs Madden’s family for several generations. Its exact provenance is unknown.
    This is one of about a dozen later medieval period altar crosses known from Ireland. Such crosses were made in England in the 15th and 16th centuries and are found throughout western Europe. Relatively simple in design the front is decorated in a foliate pattern and the four evangelists are represented on the cross terminals and base. There is also an undecorated space on the front where a crucifixion figure would originally have been mounted. There is an ‘IHC’ monogram on the back of each terminal and on the base representing the Greek version of the first three letters of the name of Christ. It is mounted on a separate lobed pedestal, likely to be of a date later than the 15th century.

    101.73 CARATS OF PERFECTION AT CHRISTIE’S IN MAY

    Wednesday, March 13th, 2013

    A pear-shaped, D colour, Type IIA, Flawless, diamond of 101.73 carats. Christie’s Images Ltd., 2013. (Click on image to enlarge).  UPDATE: IT SOLD FOR $26.7 MILLION US DOLLARS.

    ONE of the world’s most perfect diamonds will be sold by Christie’s in Geneva on May 15. The 101.73 carat stone is offered for sale for the  first time. The rough diamond of 236 carats was found at the Jwaneng Mine in Botswana and took 21 months to polish. It is one of the largest pear shaped diamonds known to date and is one of the world’s most perfect diamonds. It is a D colour, Type IIA Flawless gem.  Christie’s say the estimate for the stone is on request. Outside estimates suggest it could make up to $20 million.
    Rahul Kadakia, Head of Jewellery, Christie’s Switzerland and Americas said: “This diamond is in its scale, quality, and rarity one of the most beautiful ‘white’ diamonds Christie’s has ever had the honour of offering for sale.’
    Out of a total annual worldwide diamond production in excess of 100 million carats, the Gemological Institute of America estimates there are no more than 600 diamond crystals that finish as polished stones between one and two carats and that are D color, flawless clarity. Above ten carats this figure decreases dramatically, at 101.73 carats it is not only an exceptional rarity but a grand event in the world of gems and jewellery.
    The successful buyer of this 101.73 carat superb gemstone will have the privilege of establishing his or her own legacy by endowing this extraordinary diamond with a name.

    UPDATE: The diamond made $26.7 million US dollars in a sale which saw 20 lots make more than $1 million with buyers from 31 countries across five continents. The diamond was named the Winston Legacy after the new owner.

    Rahul Kadakia, Head of Jewellery, Christie’s Switzerland and Americas, declared: “Harry Winston acquired the most perfect diamond ever offered for sale at auction, ‘Winston Legacy’, continuing the tradition of buying and selling only the very best, a trait of the founder Mr. Winston himself. World record prices were set for diamonds, pearls and sapphires, thereby firmly establishing the international appetite for the most beautiful gems and jewels in a record-breaking $102 million auction at Christie’s Geneva”.

    EILEEN GRAY RETROSPECTIVE AT CENTRE POMPIDOU IN PARIS

    Wednesday, February 20th, 2013

    Villa E 1027, Eileen Gray et Jean Badovici, vue du salon Centre Pompidou, Bibliothèque Kandinsky. Photo Alan Irvine.

    Furniture, photographs, scale models and documents by Eileen Gray (1878-1976) are featured in a retrospective by the Irish designer at the Centre Pompidou in Paris until May 20. The exhibition pays tribute to a designer of genius, whose work traverses the Art Deco period and the Modern Movement. Along with Le Corbusier and Mies Van Der Rohe, Eileen Gray ranks among the architects and designers who have left a significant mark on the 20th century and defined modernity. One of the leading figures in French decorative arts in the 1910’s and 1920’s Gray continues to inspire artists to this day in fields ranging from photography to textiles, from lacquer painting to architecture.

    She never developed industrial production. Each of her pieces is unique and rare.  Gray’s masterpiece – a manifesto of modernity – remains the house E1027, built in Roquebrune, Cap-Martin in 1929, in close collaboration with Romanian architect Jean Badovici.

    Centre Pompidou say the exhibition highlights the career and the work of an artist who managed to associate tremendous technical virtuosity with an inimitable poetic force, excelling particularly in lacquer and textiles, but also in a new conception of space and of the relationship to furniture and objects.

    The catalogue and album (bilingual) is published by Éditions du Centre Pompidou under the direction of curator Cloé Pitiot. Taking place against the background of Ireland’s Presidency of the European Union Culture Ireland, the Centre Culturel Irlandais and the Embassy of Ireland in Paris are delighted to be associated with this retrospective. (Click on any image to enlarge it).

    Fauteuil Sirène, circa 1919 Bois laqué, velours Acheté par la chanteuse Damia à la galerie Jean Désert en 1923. Anthony DeLorenzo © photo : Anthony DeLorenzo

    Dining room chair, 1926-1929 Nickel-plated steel, brown leather Furniture from the villa E 1027 Donation from the Société des amis du Musée national d’art moderne, 2011 Centre Pompidou, Musée national d’art moderne, Paris © DR

    Fauteuil Bibendum, circa 1930 Métal chromé, toile Mobilier provenant de la collection de Mme Tachard Collection privée © photo : Monsieur Christian Baraja, Studio SLB

    SOTHEBY’S ACHIEVES $460.5 MILLION IN JEWELLERY SALES IN 2012, HIGHEST EVER TOTAL

    Wednesday, January 30th, 2013

    The Beau Sancy, a 34.98 carat diamond worn in the crown of Marie de Medici at her coronation as Queen Consort of Henri IV in 1610, made $9,699,618 in Geneva in May

    Exceptional diamonds and gemstones, private collections and historical jewels helped Sotheby’s achieve $460.5 million worth of jewellery sales in 2012. This is its highest ever total. There was a new world record in Geneva when a various-owner sale in May brought in $108.4 million. December auctions in New York reached $64.8 million, the company’s highest ever total for a day of jewellery sales. The annual total of $114.5 million in Hong Kong marked the company’s second-biggest year of jewellery and jadeite sales in Asia.
    In 2012 Sotheby’s jewellery auctions sold an average of 84% by lot. No less than 72 lots sold for more than $1 million with six above $5 million. Throughout 2012, prominent private collections fuelled strong sale results, featuring jewels owned by Brooke Astor, Estée Lauder, Evelyn H. Lauder, Mrs. Charles Wrightsman, Suzanne Belperron and Michael Wellby. Sotheby’s held two rare ‘white glove’ auctions – 100% sold by lot – in 2012: Jewels from the Personal Collection of Suzanne Belperron in Geneva in May, and The Jewellery Collection of the Late Michael Wellby in London in December.

    ANTIQUE AND VINTAGE JEWELLERY AT O’REILLY’S OF FRANCIS ST.

    Wednesday, January 23rd, 2013

    At Francis St. in Dublin O’Reilly’s first auction of 2013 on Wednesday January 30 features around 400 lots.  There is antique and vintage jewellery, silverware, watches and paintings.  There are diamond solitaire rings and earrings, watches by Chopard, Rolex and Cartier and some gold and gold jewellery.  The catalogue is on-line. Here is a sample:

    A diamond and enamel flower brooch by Boucheron (6,000-7,000).  UPDATE: THIS WAS UNSOLD

    A c1920 Art Deco emerald single stone ring mounted in platinum (16,000-18,000).  UPDATE: THIS MADE 16,400

    IRISH ANTIQUES AND ART WEBSITE ACHIEVES ONE MILLION MONTHLY HITS

    Monday, January 14th, 2013

    THIS website has just broken the million hits barrier. The attached image from Google’s Webmaster Tools shows that antiquesandartireland.com had one million hits in the month to January 13, 2013.  A big thank you to all readers. (Click on image to enlarge).

    HUGE INTEREST IN ANTIQUESANDARTIRELAND.COM

    Tuesday, January 8th, 2013

    Interest in all levels of the art and antiques market is undiminished even in a recession. As the chart below from Google’s Webmaster Tools demonstrates the antiquesandartireland.com website achieved a whopping 800,000 hits in the month from December 4 2012 to January 3, 2013.  They came, in order, from Ireland, the UK, the US, other European countries and the rest of the world even over the valley period of Christmas and New Year.  This website continues to exhibit a high degree of penetration in what is now the global marketplace for the art and antiques market. (Click on image to enlarge it).

    BIRKIN BAG BY HERMES TOPS CHRISTIE’S ON-LINE COUTURE AUCTION

    Tuesday, December 4th, 2012

    A bleu electrique Birkin bag by Hermès, 2011 was the top lot at Christie’s vintage couture on-line auction of handbags and shoes. A private bidder in the US paid £22,500 over a pre-sale estimate of £5,000-8,000.  The sale, which ran for two weeks from November 16 to November 30, brought in £255,500 and was 76% sold by lot and 99% by value.
    In a statement afterwards Clare Borthwick, Associate Specialist and Patricia Frost, International Specialist and Director, Vintage Couture and Handbags said: “We are very pleased with the results for the launch of Christie’s Vintage Couture online-only series. The quality craftsmanship and classic silhouette of Hermès bags continues to appeal internationally. Led by an electric blue bag (Lot 13), the bright and unusual colours of the most modern Birkins proved the most popular and commanded the highest prices, more than doubling their pre-sale estimates. Also of note was the price achieved for Chanel’s re-issued 2.55 bag, demonstrating that interest in this market also extends to other brands (Lot 52). Within the shoe offering the top lot was a pair of sandals by Christian Louboutin for Yves Saint Laurent which were limited edition with leather and diamanté ‘YSL’ logo and red soles from 2002 which realised £563 (Lot 51).”
    Bidders were from 36 countries and 55% of those who registered were new to Christie’s. The next on-line only series of vintage couture sales at Christie’s will be held in May 2013.

    This bleu electrique and thalassa epsom leather candy Birkin bag by Hermès, 2011made £22,500.

    These Christian Louboutin sandals for Yves Saint Laurent made £563.

    This silver metallic Chanel bag c2007 made £4,375.

    A TALE OF TWO CLASSICS, A DUESENBERG AND A RILEY

    Thursday, October 18th, 2012

    This 1929 Duesenberg Model J Sport Sedan with coachwork by the Walter M. Murphy Co. made $792,000. Photo Credit Darin Schnabel Courtesy of RM Auctions.

    A classic Duesenberg built in 1929 and a Riley from 1930 made for a transatlantic tale of two cars at auction this month.  RM Auctions, the world’s largest collector car auction house, sold the elegant Duesenberg Model J Sport Sedan illustrated on the left for $792,000 at Hershey in Pennsylvania last week.    In Ireland Mealy’s – best known for antique furniture and collectibles auctions – sold a 1930 Riley 9hp Special Sports Tourer for a hammer price of 22,500 euro at Castlecomer this week. It was the top lot in their two day auction.

    The top lot at the RM sale of 120 cars was an exceptional 1931 Duesenberg Model J Dual Windshield ‘Barrelside’ Phaeton by LeBaron, J299. One of just seven built it was the winner of the epic 1932 race at Lake Muroc against the Marx brothers’ Mercedes-Benz. It made $1,292,500. Both it and the 1929 Duesenberg Model J Sport Sedan, J139, with coachwork by the Walter M. Murphy Company were from the Ray Bowersox Collection. The RM auction of 120 cars generated $10.7 million with 95 per cent of lots sold. There were bidders from 17 countries in the room, on the phone and on the internet.

    The Riley at Mealy’s had a bespoke body, a copy of the James Flood design used by Jean Roberston in the 1931 Monte Carlo Rally. Mealy’s sold a 1969 Rolls Royce for 46,000 at the Mount Congreve auction in July. Click on any image to enlarge it.  (See post on antiquesandartireland.com for October 10, 2012).

    NO, these are not toys. They are more than $2 million worth of real. Click on image to see more clearly the two top selling Duesenbergs at RM Auctions in Hershey, Pennsylvania. Image Courtesy of RM Auctions.

    This c1930 Riley 9hp sports tourer made 22,000 at Mealy’s this week.

    THE HUNT OF THE UNICORN AT STIRLING CASTLE

    Wednesday, October 17th, 2012

    The Unicorn is Found Tapestry, © Crown Copyright reproduced courtesy of Historic Scotland. (Click on image to enlarge).

    The Unicorn is Found is one of a series of seven medieval tapestries collectively entitled The Hunt of the Unicorn being re-created for the Queen’s inner hall at Stirling Castle.  It will be displayed at the Fleming Collection, Berkeley St., Mayfair, London next year.  The exhibition, which runs from April 17 to June 1, 2012, celebrates the refurbishment of Stirling Castle by Historic Scotland and the skills of British tapestry weavers.  It has taken 12 years to weave the tapestries at the West Dean Tapestry Studio, part of the Edward James Foundation based near Chichester in west Sussex.  The originals are at the Metropolitan Museum in New York.

    The restoration is part of Historic Scotland’s £12 million undertaking to recreate the 16th century Royal Apartments of James V’s of Scotland’s Royal Palace.  Stirling Castle has been rated the United Kingdom’s best heritage attraction by members of Which? Magazine.  The Unicorn is Found is the centrepiece of  the seven tapestries.  The Fleming Collection has become an embassy for Scottish art in London and this will be the first time the tapestry has gone on public display outside Scotland.