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  • Archive for November, 2012

    THE MOST EXPENSIVE IRISH FURNITURE OF THE YEAR?

    Monday, November 19th, 2012

    A PAIR OF IRISH GEORGE II MAHOGANY SIDE TABLES CIRCA 1755, POSSIBLY BY RICHARD CRANFIELD.

    WHAT promises to be the most expensive Irish furniture sold this year comes up at Sotheby’s Arts of Europe auction in London on December 4.  The sophistication of mid 18th century Irish furniture making is evident in these c1755 George II side tables possibly by Richard Cranfield. Thought to have been commissioned by John Stratford, 1st Earl Aldborough (1691-1777) the sideboard tables are estimated at £250,000-400,000.
    The pair show a taste for the neo-Palladian designs of the early eighteenth century ‘slab-tables’ as promoted by William Kent and his follower John Vardy. The use in this instance of more slender mahogany tops is not only an idiosyncratic feature of Irish furniture of this date but also of the advanced style being promoted by Thomas Chippendale in the 1762 edition of his The Gentleman and Cabinet-Maker’s Director. The Greek-key and juxtaposed voluted legs of the present tables closely relate to a pair of pier tables and mirrors supplied to the Rt. Hon. Thomas and Lady Louisa Conolly for the Green Drawing Room at Castletown House, Ireland and thought to have been supplied by Richard Cranfield in 1767-68 where his work is listed in the Castletown Account books.
    John Stratford was a prominent Irish politician in the first half of the eighteenth century who entered the Irish House of Commons as MP for Baltinglass in 1721. He became in succession High Sheriff for Kildare, Wicklow and Wexford before being raised to Baron Baltinglass in 1763, Viscount Aldborough in 1776 and Earl Aldborough in 1777.

    UPDATE:  SOTHEBY’S HAVE ANNOUNCED THAT THESE LOTS HAVE BEEN WITHDRAWN FROM THE AUCTION.  They were withdrawn following a private sale prior to the auction for an undisclosed sum.

    EVENING IRISH ART AUCTION AT CLYDE COURT HOTEL, DUBLIN

    Saturday, November 17th, 2012

    A total of 195 artworks are on offer at the Morgan O’Driscoll evening sale at the Clyde Court Hotel, Dublin on November 19. Work from a broad cross section of Irish artists, including William Crozier, Cecil King, William Conor, Frank McKelvey, Mark O’Neill, Louis le Brocquy, Harry Kernoff, John Noel Smith, Alexander Williams, Sean O’Sullivan, Donald Teskey and Arthur Maderson, is on offer. Here is a small selection, the catalogue is on-line (you can click on any image to enlarge it):

    Donald Teskey (b.1956) Bridge Near Capel Street (10,000-15,000).  UPDATE: THIS MADE 10,200

    John Noel Smith (b.1952) Ogham Series (2,000-3,000).  UPDATE: THIS WAS UNSOLD

    John Shinnors (b.1950) Seated Mannequin (4,000-5,000). UPDATE: THIS WAS UNSOLD

    Louis Le Brocquy HRHA (1916-2012) Being, Human Image (17,500-22,500).  UPDATE: THIS WAS UNSOLD

    William Conor RHA RUA ROI (1881-1968) Churning Butter (12,000-15,000). UPDATE: THIS MADE 12,000

    CONTEMPORARY ART MARKET GETS EVEN HOTTER

    Thursday, November 15th, 2012

    Andy Warhol’s Marlon made $23,714,500.

    THE market for post war and contemporary art got even hotter in New York last night. There was more than 412 million reasons to celebrate at Christie’s where the auction of 74 lots brought in a whopping $412,253,100. This became the most valuable auction ever in the Post War and Contemporary Art category.

    Andy Warhol, whose  3-D Statue of Liberty made $43,762,500, shone throughout the sale. Results confirm that he remains the dominant star of the contemporary art market.
    Jeff Koons Tulips made $33,682,500, a new world auction record. It places him among the world’s top selling living artists. There were seven other artists records: Franz Kline (Untitled, 1957 made $40,402,500); Jean-Michel Basquiat (Untitled, 1981 made $26,402,500); Richard Diebenkorn (Ocean Park # 48, 1971 made $13,522,500); Donald Judd (Untitled, 1989 (Bernstein 89-24), 1989 made $10,162,500); Mark Grotjahn – Untitled (Red Butterfly II Yellow…) made $4,170,500); Richard Serra (Schulhof’s Curve, 1984 made $2,882,500) and George Condo (The Manhattan Strip Club, 2010 made $1,314,5000).
    The sale was 93% sold by value and 92% sold by lot, 11 works sold for over $10 million, 16 for over $5 million and 56 for over $1 million. “Over the past six years, Christie’s has led this market first over the $200 million, then over the $300 million, and now over the $400 million barrier,” said Brett Gorvy, Chairman and International Head of Post-War and Contemporary Art.

    ROTHKO MAKES $75.1 MILLION IN HOT CONTEMPORARY ART MARKET

    Wednesday, November 14th, 2012

    Mark Rothko’s No.1 (Royal Red and Blue) made $75,122,500. (Click on image to enlarge).

    Mark Rothko’s No.1 (Royal Red and Blue) made $75,122,500 over an estimate of $35/50 million at Sotheby’s Contemporary sale in New York last night. There were artists record for Jackson Pollock, Franz Kline, Hans Hofmann, Arshile Gorky, Robert Motherwell, and Wade Guyton, as well as for a work-on-paper by Andy Warhol and a painting by Takashi Murakami in a sale that totalled $375,149,000. This was the best auction result in any category in Sotheby’s history.
    The second best price was Pollock’s No. 4, 1951 which made $40,402,500 while Francis Bacon’s Untitled (Pope) was third on list at $29,762,500.
    “This has been an extraordinary year for Contemporary Art at Sotheby’s,” commented Tobias Meyer, Worldwide Head of Contemporary Art at Sotheby’s. “Tonight’s record results bring our 2012 total to well over $1 billion, and we still have tomorrow’s Day auction, as well as our upcoming sale in Paris. The Rothko was the undisputed highlight of the evening, surpassing the Rockefeller Rothko to become the second highest price ever achieved for the artist at auction. The wonderful consignment from the Collection of Sidney and Dorothy Kohl brought more than $100 million, led by the Jackson Pollock, which sold for $40.4 million, well above expectations. If you are looking for evidence that today’s market is alive and well, look no further.”

    KLINE, KOONS, RICHTER, STILL AND MORE AT CHRISTIE’S NEW YORK THIS WEEK

    Monday, November 12th, 2012

    Works by Franz Kline, Jeff Koons, Clyfford Still and Gerard Richter are among a superb selection of 74 pieces from 1928 to the present day at Christie’s Post-War and Contemporary sale in New York on November 14. There is Abstract Expressionism, Pop Art and contemporary masterpieces.  The auction is expected to realise more $400 million. Christie’s say it is the strongest sale ever presented to the market.  Here are just four of the works – more than enough to whet the appetite:

    Gerhard Richter (b. 1932) Abstraktes Bild (779-2) ($12 – 18 million) © Christie’s Images Limited 2012 UPDATE: THIS MADE $15,314,500

    Jeff Koons (b. 1955) Tulips (mirror-polished stainless steel with transparent color coating). Executed in 1995-2004. This work is one of five unique versions. ( $20-30­ million). © Christie’s Images Limited 2012 UPDATE: THIS MADE $33,682,500

    Franz Kline (1910-1962) Untitled Painted in 1957. ($20 – 30 million) © Christie’s Images Limited 2012  UPDATE: THIS MADE $40,402,500

    Clyfford Still (1904-1980) PH-915 (No. 1, 1946) ($15 – 20 million) © Christie’s Images Limited 2012  UPDATE: THIS WAS UNSOLD

    GUN CAPTURED FROM FRENCH IN 1667 AT AUCTION IN BANDON

    Monday, November 12th, 2012

    AN antique gun at Hegarty’s sale in west Cork. (Click on image to enlarge).

    A gun taken from a captured French frigate off Kinsale in 1667 is among the more unusual lots at Hegarty’s  sale in on November 13.  Local historical documents suggest the small frigate was captured off Kinsale in 1667. It was in the reign of Charles II and England was at war with France. Anthony and Eustace Stawell of Kinsale got the gun.

    Sometime around 1700 Jonas Stawell, a son of Eustace, brought it to Kilbrittain Castle where it was placed on a turret.  Hegarty’s estimate the piece at 2,500-5,000.  The sale is on Tuesday evening at 7 p.m. Around 355 lots of antique furniture and art will come under the hammer. The catalogue is on-line.

    UPDATE: IT WAS BID TO OVER 2,000 AND IS NOW UNDER NEGOTIATON.

    PICASSO TOPS SOTHEBY’S IMPRESSIONIST AND MODERN SALE IN NEW YORK

    Friday, November 9th, 2012

    Picasso’s Nature morte aux tulipes made $41,522,500.

    In an art market that at the highest levels remains functioning through tough times Picasso’s Nature morte aux tulipes was the top lot at Sotheby’s  Impressionist and Modern Art evening sale in New York on November 8.  The sexually charged portrait of his mistress Marie-Therese Walter that is at the same time a still life sold for $41,522,500 in an auction that brought in $163,009,000. Nearly one third of the 69 works on offer went unsold. Works  by Monet, Picasso and Renoir sold by American museums to benefit future acquisitions performed well and totalled $17,543,500 above a high estimate of $12.6 million. Monet’s Champ de blé from the Cleveland Museum of Art made $12,122,500. Picasso’s Mousquetaire au chapeau. Buste from the Hirshhorn Museum in Washington made $4,338,500.

    Six works from the estate of Greek shipping magnate George Embiricos sold for a total of $22,093,000. They were led by Picasso’s Le Viol which made $13,522,500. Sotheby’s will next offer works from the Embiricos estate in the Contemporary Art sale in New York on November 13, and the Old Master Paintings sale in January.  Five sculptures by Henry Moore, led by the monumental Two Piece Reclining Figure No. 1  from the Embiricos estate which made $4,674,500, were all sold and totaled $14,188,500.

    JOHN LUKE RETROSPECTIVE AT ULSTER MUSEUM

    Thursday, November 8th, 2012

    THE most comprehensive retrospective of John Luke’s work ever mounted is at the Ulster Museum in Belfast until next February. Northern Rhythm: The Art of John Luke celebrates one of Northern Ireland’s most distinguished artists.  A modernist dedicated to craftsmanship Luke began working as a riveter in the Belfast’s shipyards, subsequently training as an artist in Belfast and London in the era of the “Bright Young Things”. Unique in its decorative lyricism and abstract expressiveness his art is characterised by the sense of rhythm he found in the Northern Ireland landscape.

    Curated by Dr Joseph McBrinn of the University of Ulster the exhibition includes examples of Luke’s most important portraits, landscapes, drawings, designs for murals and sculptures, as well as woodcut and linocut prints. The painting Northern Rhythm, considered by John Luke to be his master work, is included in the show.

    The Three Dancers (1945) John Luke 1906-1975 © The Estate of John Luke. Collection Ulster Museum.  (Click on image to enlarge).

    The Rehearsal (1950) John Luke 1906-1975 © The Estate of John Luke. Collection Ulster Museum. (Click on image to enlarge).

    COLLECTION OF IRISH GEORGIAN AND REGENCY MARBLE PANELS

    Wednesday, November 7th, 2012

    A Georgian carved fireplace centre panel. (Click on image to enlarge).

    One of a pair of early Irish Regency corbel heads from a fire surround.

    A collection of 14 Irish Georgian and Regency marble panels by the Dublin based Courtenay family of stone carvers comes up at Matthews auction in Oldcastle, Co. Meath on November 13. They come from the collection of a family who came to Ireland in 1610 from the village of Courtenay, north of Paris, to work on the rebuilding of the vault of Christchurch Cathedral in Dubin, which had collapsed.

    For the next 400 years the family lived as an uninterrupted line of stone carvers within walking distance of the cathedral. The collection of panels being sold were originally centrepieces for fireplaces they worked on or reclaimed from fire surrounds broken up in the Victorian era. They contain Grecian style head carvings, urns and depictions of Diana and Neptune. The panels are estimated at 200-300 each.

    KILLARNEY BOX IN NEWCASTLEWEST AUCTION

    Wednesday, November 7th, 2012

    The Killarney wood box at auction in Newcastlewest. (Click on image to enlarge).  UPDATE: THIS MADE 300 AT HAMMER.

    A 19th century Killarney wood box is among more than 600 lots to go under the hammer at O’Donovans in Newcastlewest, Co. Limerick on November 10.  There is no reserve on the piece, which is estimated by auctioneer Patrick O’Donovan to make 250-350.

    Killarney furniture, with its distinctive arbutus wood inlay, comes in all shapes and sizes.  There is a short note about Killarney furniture on the front page of this website. This box is profusely inlaid in classical Killarney style and would make a bargain in that price range, even in these recessionary times.