Berlin Suite by Cecil King (1921-1986). UPDATE: THIS MADE 3,600 AT HAMMER
At a time when Irish art seemed to exist mostly in a landscape laden time warp from around the turn of the 20th century, when Irish Modernism existed in a vacuum, IMMA was far in the future and the avant garde was regarded as deluded and possibly even heathen Oliver Dowling opened his gallery on Kildare St. in Dublin in 1975 with a focus on minimalism, conceptualism, neo-expressionism and other abstractions.
Concurring Rhythms by Alice Berger Hammerschlag (1917-1969) UPDATE: THIS MADE 360 AT HAMMER
There were controversies. This writer vividly remembers one evening paper dashing off to Lenehan’s Hardware Shop on Capel St. to purchase for a pittance a glass shelf and a water glass to demonstrate the folly of it all. Oliver was showing An Oak Tree by Michael Craig-Martin, consisting of a glass of water on a glass shelf on metal brackets and a text (the original is now in the National Gallery of Australia with an artist’s copy at the Tate). The news hounds entirely missed the conceptual point but it made for an amusing story. Oliver Dowling had a loyal following who understood how easily avant garde art could be misjudged in a world where it was so far ahead of the prevailing norms.
Untitled by Fergus Martin (b 1955). UPDATE: THIS MADE 2,600 AT HAMMER
Fast forward nearly half a century and art like this is fairly mainstream, even in Ireland, largely thanks to people like Oliver Dowling, his partner Cecil King (they were among the founders of the ROSC exhibitions), and all the other artists and gallerists who toiled in that vacuum. When I was a young journalist in Dublin Cecil King offered me a piece of advice which I’ve often quoted. Looking at a conceptual painting that consisted of not much more than a pencil dot on a large white canvas I asked what on earth it was all about. “Just look” he said, “and keep on looking”. This guidance has proved richly rewarding.
It is why I’ve been pouring over the catalogue of The Oliver Dowling Collection with such enthusiasm. It comes up at a timed online sale at James Adam on September 11. There are 163 lots – including as large a selection of work by Cecil King ever likely to be found at any sale – in an auction now on view at Adams.
Oliver Dowling died in January. His collection bears witness to a true pioneer with rigorous standards. There is art by William McKeown, Mary Fitzgerald, Josef Beuys, Michael Coleman, Fergus Martin, Felim Egan, Ciaran Lennon, Nigel Rolfe, Luis Tomasello, Willie Doherty, Jo Baer, Jerry Zeniuk, Raimund Girke, Alice Berger Hammerschlag, Colin Middleton, Eduardo Chillida, Dorothy Cross, Robert Janz, Maria Simmonds Gooding and many other acclaimed artists in this exceptional sale.
Rose Stem and Pot by Derrick Greaves (1927-2022). UPDATE: THIS MADE 3,000 AT HAMMER