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  • Posts Tagged ‘Christie’s’

    IMPRESSIONIST AND MODERN ART MAKES £128 MILLION AT CHRISTIE’S

    Thursday, June 21st, 2018

    Pablo Picasso, Femme dans un fauteuil (Dora Maar)

    The Impressionist and Modern sale at Christie’s in London last night made £128,081,750.  The top lot was Claude Monet’s exterior view of the Gare St. Lazare which made £24.9 million.

    Picasso’s Femme dans un fauteuil (Dora Maar) made £19.3 million.  Franz Marc’s Drei Pferde sold for £15.4 million, six times the estimate of £2.5 million and Auguste Rodin’s Baiser, moyen modele made £12.6 million.

    A landscape by Kazimir Malevich made £7.8 million and L’Estaque by Georges Braque sold for £5.2 million.  Strong results were also achieved by German and Austrian artists.

    QUENTIN BLAKE ILLUSTRATIONS AT CHRISTIE’S

    Tuesday, June 19th, 2018

    Quentin Blake, Charlie, Willie Wonka and Grandpa
    Joe (£10,000-15,000)

    A series of illustrations from the  collection of Quentin Blake, one of Britain’s best-loved illustrators, come up at Christie’s in London on July 11. A selection of 30 illustrations feature in the Valuable Books and Manuscripts auction alongside a dedicated online sale of 148 illustrations from July 3 to 12.

    The collection comprises works from the past 40 years of Quentin Blake’s career, showcasing some of the most celebrated literary characters of today, which have captured the imagination of generations of children including Roald Dahl’s Charlie and the Chocolate Factory, The Twits, and James and the Giant Peach to David Walliams’s Mr Stink. Alongside these cherished children’s stories, the sale presents collectors the opportunity to acquire works from various other projects that Blake has worked on including editions illustrated for The Folio Society and artwork for J Sheekey Restaurant, along with illustrations for various public spaces, such as St George’s Hospital, Tooting and the Maternity Unit at Angers University Hospital in France.

    They are being sold to benefit House of Illustration, Roald Dahl’s Marvellous Children’s Charity and Survival International. Estimates range from £200 to £10,000.

    LANDMARK CHIPPENDALE SALE AT CHRISTIE’S

    Sunday, June 3rd, 2018

    Some of the grandest pieces of 18th century furniture ever created are included in a landmark Thomas Chippendale sale at Christie’s in London on July 5.  A George III mahogany and Indian ebony commode by Thomas Chippendale, supplied to Sir Rowland Winn between 1766 and 1769, is estimated at £3-5 million. This lavish neoclassical piece, a masterpiece of English design, broke the world auction record for his work when it was sold from the Messer Collection in 1991.

    Chippendale was master of many mediums and there are works in giltwood, mahogany, marquetry and lacquer as well as his game changing book The Gentleman and Cabinet-Maker’s Director first published in 1754. The dedicated London auction will present 22 lots with estimates from £5,000-5 million. Tradition has it that Chippendale designed Christie’s original rostrum for his friend James Christie, the model for which is still in use today.  Courtesy Christie’s Images Ltd., 2018.

    RECORD PRICES AT CHRISTIE’S $415.8 MILLION SALE

    Wednesday, May 16th, 2018

    Kazimir Malevich (1878-1935)
    Suprematist Composition

    Suprematist Composition by Kazimir Malevich made a world record for the artist $85.8 million at Christie’s impressionist and Modern Art evening sale in New York last night. The sale realised $415,852,500 and was 85% sold by lot. Brancusi’s La Jeune Fille Sophistiquee (Portrait of Nancy Cunard) made $71 million and was also a world record for the artist.

    Van Gogh’s  Vue de l’asile de la chapelle Saint-Paul de Mausole (Saint Remy) made $39.6 million.  This was for decades a centrepiece of the collection of Elizabeth Taylor.  There were bidders from 35 countries across five continents.  There were 37 lots with just four left unsold.

    (See posts on antiquesandartireland.com for March 27 and April 2, 2018)

    EXCEPTIONAL PRICES FOR THE ROCKEFELLER’S IRISH SILVER

    Friday, May 11th, 2018

    The Rockefellers Irish silver made exceptional prices in the exceptional sale of the Peggy and David Rockefeller collection at Christie’s  in New York last night. The running total on day three of the sales is now an astonishing $828,043,219.  Yesterday  the Coghill Monteith, a William III Irish silver monteith (a bowl used for washing wine glasses) by Thomas Bolton of Dublin sold for $137,500 and a George II Irish gold freedom box made by William Currie of Dublin sold for $47,500. A pair of Irish silver sauceboats by Charles Townsend, Dublin made $15,000 and a set of four Queen Anne Irish small silver strawberry dishes by John Ricketts, Cork sold for $16,250.  Among the other pieces of Irish silver in the collection was a George II Irish silver coffee pot by William Townsend which made $16,250.

    (See post on antiquesandartireland.com for April 16, 2018)

    THE COGHILL MONTIETH: A WILLIAM III IRISH SILVER MONTEITH
    MARK OF THOMAS BOLTON, DUBLIN

    A GEORGE II IRISH GOLD FREEDOM BOX
    MARK OF WILLIAM CURRIE, DUBLIN

    AN HISTORIC NIGHT FOR CHRISTIE’S AND THE ROCKEFELLERS

    Wednesday, May 9th, 2018

    PICASSO – Fillette à la corbeille fleurie    

    It was an historic night at Christie’s in New York as the 19th & 20th Century Art Evening Sale, the first sale in the series from the Collection of Peggy and David Rockefeller, totalled $646,133,594 / £476,148,559 / €541,380,911. This exceeded the high estimate by $100 million.  This is the most significant charitable auction ever.

    The top lots of the sale were Picasso’s, Fillette à la corbeille fleurie, which realized $115,000,000, Monet’s Nymphéas en fleur, which totaled $84,687,500, and Matisse’s Odalisque couchée aux magnolias, which sold for $80,750,000.

    In total, 7 works sold above $30 million, and 7 world auction artist records were set for Monet, Matisse, Corot, Delacroix, Seguin, Morandi and Redon. Collectors from Europe, Asia, North and South America, and Australia participated in the sales, representing 34 different countries.

    Marc Porter, Chairman Americas, “The twin goals of education and philanthropy have driven this project and we have been so gratified with the engagement from global audiences from the moment we launched the sale in Hong Kong last November. The Rockefeller legacy has resonated strongly and we are thrilled with the results achieved for the first evening in this series of sales, already over our expectations. With new price levels set for Monet, Matisse, Corot, and others, the bidding was testament to the taste, connoisseurship and standing of the Rockefeller family combined with a shared goal to achieve a great result for the charitable beneficiaries of the sale. We continue tomorrow.”

    Sales of The Collection of Peggy and David Rockefeller  continue with English & European Furniture, Ceramics and Decorations Part I  and the Art of the Americas Evening Sale  on 9 May, and the Fine Art Day SaleEnglish & European Furniture, Ceramics and Decorations Part II  and Travel and Americana  on10 May. The Online only sale continues until Friday 11 May.

    • The most valuable collection ever previously offered at auction was the Collection of Yves Saint Laurent et Pierre Bergé in 2009 at Christie’s Paris, which achieved more than US$400 million.

    Matisse – Odalisque couchée aux magnolias

    Monet – Nymphéas en fleur

    A 1911 MALEVICH LANDSCAPE AT CHRISTIE’S IN JUNE

    Wednesday, April 18th, 2018

    Kazimir Malevich, Landscape, 1911

    Kazimir Malevich’s Landscape (1911) will be a highlight of Christie’s Impressionist and Modern Art evening sale in London on June 20.  This will be part of a series of auctions taking place from June 15 to 21 under the umbrella of ‘20th Century at Christie’s’.

    The monumental, square-format landscape is from ‘The Red Series’, a group of works characterised by gestural brush strokes and an expressive use of colour, referencing both Fauvism and Cubism, and anticipating Malevich’s move towards Suprematism. The red-hot gleam on the horizon is a direct depiction of the sun, one of the unique features of the painting that foretells the primacy of colour that would define Suprematism.

    Landscape was first exhibited in the ‘Moscow Salon’ in February / March 1911. It was shown the following year in St. Petersburg as part of ‘The Union of Youth’, where Malevich represented a radical collective known as ‘Donkey’s Tail’.  In 1927, he was invited to Germany to show his work for the first time outside Russia and brought with him the best works of his career to date. Landscape was one such work and remained in Berlin after Malevich returned to Russia. Due to the rise of totalitarianism in Germany and in his home country, the artist lost control of his works abroad before he died in 1935. Landscape resurfaced after the war and was acquired by the Kunstmuseum Basel, where it hung for over 50 years, before being restituted to the heirs of the artist.  It is estimated at £7-10 million.

    AN IRISH SILVER GIFT FROM HENRY FORD TO THE ROCKEFELLERS

    Monday, April 16th, 2018

    This two handled Irish silver cup was a 1940 wedding gift to David and Peggy Rockefeller from Mr. and Mrs. Henry Ford of Dearborn, Michigan.  It will come up at Christie’s in New York on May 10 as part of Christie’s auction of the Collection of Peggy and David Rockefeller. The sales of approximately 1,550 auction lots includes one of the largest and most important collections of decorative arts to come to market in decades. Around 900 lots will come up at the New York saleroom on May 8, 9 and 10 and there will be a companion online sale of 650 lots to open worldwide on May 1. A number of philanthropic causes are to benefit from the auction.

    The silver cup, with the mark of Robert Calderwood, Dublin c , is estimated at $2,000-3,000 dollars.  Banker and philanthropist David Rockefeller, who died last year aged 101, was chairman of Chase Manhattan Corporation.  His wife, the former Peggy McGrath, died in 1996.  They had six children.

    UPDATE: THIS SOLD FOR $3,250

    A VAN GOGH THAT BELONG TO ELIZABETH TAYLOR AT CHRISTIE’S

    Monday, April 2nd, 2018

    Van Gogh’s Vue de l’asile et de la Chapelle de Saint-Remy

    A Van Gogh that belonged to Elizabeth Taylor, Vue de l’asile et de la Chapelle de Saint-Remy, comes up at Christie’s in New York on May 15.  From 1963 until her death in 2011 the painting hung in Taylor’s Bel Air living room.  It was sold at auction in 2012 from nearly $16 million and is now estimated to make more than $35 million.   Taylor’s father, art dealer Francis Taylor, purchased the painting on her behalf in 1963 at auction for £92,000.

    Painted in 1889, the year before his suicide, the work was included in several of Van Gogh’s most important early exhibitionsThese groundbreaking shows, including the 1905 retrospective at the Stedelijk Museum in Amsterdam, were instrumental in the formation of his posthumous reputation.

    Christie’s evening sale of Impressionist and Modern Art in New York includes works by Van Gogh, Fernand Leger and Mark Chagall, all of whom experienced breakthrough results in November 2017.  Chagall’s La Tour Eiffel ($6-9 million) is being sold by the National Gallery of Canada, Ottowa to benefit its acquisitions fund. Leger’s Le grand dejeuner from 1921 is estimated at $15-25 million.

    A MASTERPIECE OF 20TH CENTURY SCULPTURE AT CHRISTIE’S

    Tuesday, March 27th, 2018

    Constantin Brancusi – La Jeune fille sophistiquée (Nancy Cunard)

    A masterpiece of 20th century sculpture, Constantin Brancusi’s La Jeune fille sophistiquée (Nancy Cunard), comes up  at Christie’s in New York on May 15.  This unique piece from the collection of Elizabeth Stafford is at auction for the first time.  Christie’s say it is poised to make an auction record for the artist. It was cast in polished bronze in 1932 and acquired  by Mrs. Stafford and her husband Frederick Stafford directly from Brancusi during a visit to his studio in 1955.

    An extraordinarily rare and important work, La Jeune fille sophistiquée is the only existing bronze example of Brancusi’s stylized portrait of the Anglo-American heiress and writer Nancy Cunard. The work retains the artist’s original hand-carved marble base, a factor of immense significance given the importance Brancusi attached to the interaction between materials and the interplay between his sculptural subjects and the pedestals upon which he placed them.

    Conor Jordan, Deputy Chairman, Impressionist and Modern Art, New York, remarked: “A daring and exquisite work of art, the Brancusi from The Collection of Elizabeth Stafford represents one of the vanishingly small number of the artist’s bronzes with its original carved base not in a museum collection. Its appearance on the market will be an exciting event for the world’s foremost collectors of Modern art.”