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  • Archive for February, 2017

    UP THE WORKERS’ REPUBLIC, IRELAND AT WHYTE’S

    Tuesday, February 28th, 2017

    Harry Kernoff – Up the Workers’ Republic Ireland.

    Up the Workers’ Republic, Ireland is the title of this arresting watercolour by Harry Kernoff RHA (1900-1974) which sold for a hammer price of 1,600 over a top estimate of 1,200 at Whyte’s sales of Irish and International Art in Dublin.  The title of the work appears in nautical code (the International Code of Signals) on the rows of the flags.

    The auction grossed 850,000 with 78% of lots sold.  More than half went for over the top estimate. Over 250 bidders competed in the room, on-line, on the book or on the telephone. In this auction only 20% of lots sold went to internet buyers, which is lower than in previous art sales.

    Auctioneer Ian Whyte said that they are very pleased with this confident start of the 2017 series of art auctions, continuing the trend set in 2016.  Whyte’s will host an internet auction on April 3 and their next sale of Important Irish Art is on May 29.

    (See posts on antiquesandartireland.com for February 20 and February 15, 2017)

    AN IRISH ART ONLINE SALE AT MORGAN O’DRISCOLL

    Monday, February 27th, 2017

    An Irish art online auction with 193 lots is running at Morgan O’Driscoll‘s until March 6.  The catalogue is online. Here is a small selection:

    Basil Blackshaw HRHA RUA (1932-2016)
    Horse (4,000-6,000)  UPDATE: THIS MADE 4,400 AT HAMMER

    Gladys MacCabe ROI FRSA MA HRUA (b.1918) Going to Mass (3,000-5,000)  UPDATE: THIS MADE 3,000 AT HAMMER

    John Kingerlee (b.1936)
    Grid Series (3,000-4,000)  UPDATE: THIS MADE 2,800 AT HAMMER

    John Behan RHA (b.1938) Bull (2005)
    unique bronze (3,000-4,000)  UPDATE: THIS MADE 3,000 AT HAMMER

    Brian Maguire (b.1951)
    Untitled mixed media on paper (300-500)  UPDATE: THIS MADE 1,000 AT HAMMER

    ART, FURNITURE ONCE AT BALLYNAHINCH CASTLE AT FONSIE MEALY

    Sunday, February 26th, 2017
    Art, furniture, clocks, silver and porcelain once housed at Ballynahinch Castle, Co. Galway will come under the hammer at the two day Fonsie Mealy sale in Castlecomer on March 7 and 8 next.  Latterly housed at a gothic revival house known as The Aske at Shankill, Co. Dublin the Ballynahinch lots will include paintings by Gerrit van Hees, Theobald MIchau and Frank McKelvey.
    The auction will include collections from private clients including paintings from the Murnaghan collection.  An arts and crafts dining suite by Gillows which has been in the possession of the Harding family of Tulach Nore, Co. Laois for 100 years.  There is a collection of taxidermy by Derek Frampton, whose work can be found at The Natural History Museum in London.  Among the Old Master paintings is a suite of 17th century portraits attributed to the Flemish painter Justus Sustermans (1597-1681) estimated at 40,000-60,000.

    One of a suite of 17th century life size portraits attributed to Justus Sustermans

    Part of an Arts and Crafts walnut dining suite by Gillows

    A PORTRAIT OF THE GODOLPHIN ARABIAN AT HARLECH SALE

    Sunday, February 26th, 2017

    This portrait of The Godolphin Arabian by the Irish artist Daniel Quigley comes up at Bonhams sale of the contents of Glyn Cywarch, the property of Lord Harlech, in London on March 29.  Godolphin was one of three horses brought to England between 1689 and 1730 from which all modern thoroughbreds descend including Sea Biscuit.

    Among the most successful of his progeny were Lath, Cedes, Regulus, Babraham, Dormouse and Bajazet.  The horse was foaled in Yemen around 1724 and is said to have been given by King Louis XV of France to the Bey of Tunis in 1730. Later Edward Coke acquired him for his stud at Longford Hall, Derbyshire. Ownership passed to Francis, 2nd Earl Godolphin upon Coke’s death and the horse spent the remainder of his life at the Earl’s stud farm where he died on Christmas Day, 1753.

    Daniel Quigley’s portrait is thought to derive from an original, now lost, by David Morier, which was engraved and became a popular print. Other versions of Quigley’s portrait are in the National Horseracing Museum, Newmarket and the Paul Mellon Collection at the Yale Centre for British Art.  The painting is estimated at £15,000-20,000.

    UPDATE: THIS SOLD FOR £100,000 OVER FIVE TIMES THE ESTIMATE IN A WHITE GLOVE SALE WITH A 100% SUCCESS RATE.

    DAHL’S BACON AT CHRISTIE’S IN NEW YORK

    Friday, February 24th, 2017

    Francis Bacon’s Three Studies for a Portrait of George Dyer, 1963 will be a highlight at Christie’s Post-War and Contemporary evening sale in New York  on May 17.  It was formerly in the collection of author Roald Dahl, a friend of Bacon’s, and it has never been auctioned before.  Dahl became an admirer of Bacon’s work when he first encountered it on a touring exhibition in 1958. He was unable to collected it at that time, but after enjoying success in the 1960’s he acquired four works by Bacon between 1964 and 1967.  The triptych here is one of these works.

    Painted in 1963, Three Studies for a Portrait of George Dyer marks the beginning of Francis Bacon’s relationship with Dyer, his greatest muse. This triptych is the very first portrait Bacon made of his lover who came to feature in many of the artist’s most arresting and sought after works. George Dyer came to appear in at least forty of Bacon’s paintings, many of which were created after his death in Paris in 1971. The convulsive beauty of this work represents the flowering of Bacon’s infatuation with Dyer, and is only one of five triptychs of Dyer that the artist painted in this intimate scale. It is estimated at $50=70 million.

    Loic Gouzer, Deputy Chairman, Post-War and Contemporary Art, Remarked: “Three Studies for a Portrait of George Dyer is a masterful tryptych, which was completed with the first three months of Bacon’s relationship with the most important muse of his career. These powerful portraits exemplify the dynamism and complex psychology that the artist is most revered for. And with its tremendous significance to the artist and excellent provenance, we are honored to have the opportunity to present this monumental work at auction for the first time.”  

    UPDATE: IT SOLD FOR $51.7 MILLION

    LOUIS XV COMMODE AT DURROW AUCTION

    Friday, February 24th, 2017

    A Regency gilt bronze surtout de table (20,000-40,000) and a Louis XV parquetry commode (15,000-25,000) are among the top furniture lots at Sheppards two day sale in Durrow, Co. Laois on March 7 and 8 next. There is a similar 15,000-25,000 estimate on a large Irish side table by Mack Williams and Gibton originally from Loughton House in Co. Offaly, a pair of monumental carved wood console tables and a c1900 ormolu mounted roll top writing desk by Francois Linke. A c1790 French Hepplewhite silver table is estimated at 4,000-6,000 and a pair of mahogany satinwood and amboyna banded card tables by James Hicks is estimated at 3,000-5,000 in a sale with much interesting furniture. The catalogue is online.  Here is a small selection.

    A Louis XV commode (15,000-25,000).

    A pair of monumental carved wood console tables (15,000-25,000)  UPDATE: THESE SOLD FOR 17,000

    A Regency gilt bronze surtout de table (20,000-40,000)  UPDATE: THIS MADE 22,500

    A roll top desk by Francois Linke  UPDATE: THIS SOLD FOR 14,000 AT HAMMER (15,000-25,000)

    Large Irish side table by Mack, Williams and Gibton (15,000-25,000).

    A c1790 silver table (4,000-6,000).

    THE ART OF ULSTER AT AVA GALLERY, CLANDEBOYE

    Thursday, February 23rd, 2017

    Clint Eastwood by Basil Blackshaw. UPDATE: THIS MADE 22,000 AT HAMMER.

    The Art of Ulster at the Ava Gallery on the Clandeboye estate outside Belfast from March 9-15 will include over 40 pieces from the studio of the late Basil Blackshaw. This is a preview exhibition of highlights from the next sale of Important Irish Art at James Adam, which takes place in Dublin on March 29.  Prices for the Blackshaw works vary from 100 to 10,000 for his portrait of Clint Eastwood.  The exhibition will include works by Paul Henry, Grace Henry, George Russell, Frank McKelvey, James Humbert Craig and Maurice Wilks.

    There will be a section on later 20th century Ulster art, or what is now referred to as the art of the troubles.  This includes work by Dermot Seymour, Micky Donnelly, Jack Pakenham, Brian Ferran, Ross Wilson and Victor Sloan.  In addition there are two sculptures from F.E. MacWilliam’s Banner Series completed at the height of the troubles in 1975.

    UPDATE: THIS MADE 22,000 AT HAMMER

    A PICASSO PAINTING SYMBOLIC OF VICTORY IN EUROPE

    Wednesday, February 22nd, 2017

    Pablo Picasso – Plant de tomates. UPDATE: IT SOLD FOR £17,033,750

    Painted days before the liberation of Paris Picasso’s Plant de tomates comes up at Sotheby’s Impressionist and Modern Art evening sale in London on March 1.  Picasso’s series of five paintings of a tomato plant in bloom in the Paris apartment he shared with his lover Marie-Thérèse are ripe with personal as well as wider political and cultural significance. Symbolic of victory in Europe they were a way of reflecting the spirit of hope and resilience that characterised this time.  Estimated at £10-15 million this is the most complex and visually striking example of the war period series. This museum quality work has been in a private collection for four decades.  It was sold at Sotheby’s in New York in 1976.

    Samuel Valette, Sotheby’s Senior Specialist in Impressionist & Modern Art, commented: “This exceptional work by Pablo Picasso was painted at a moment of particular tension during the war: the liberation of Paris. As such, it is infused with a sense of renewed energy and hope that distinguishes it from other wartime still-lifes, which were imbued with a more sombre and dark mood. It shows that there was light at the end of the tunnel. For Picasso, the very act of continuing to paint as normal was an act of resistance, and following the Liberation, his atelier became a must-see for the allied soldiers who wanted to witness what the master had created in the war years.”

    LOAN EXHIBITION AT TEFAF FROM THE GALLERIA BORGHESE

    Tuesday, February 21st, 2017

    A selection of Italian paintings and sculptures from the 15th, 16th and 17th centuries from the Galleria Borghese in Rome will make up the loan exhibition at The European Fine Art Fair (TEFAF) Maastricht this year.  This is the first time that so many important works will be exhibited outside of the Galleria in Rome. TEFAF runs from March 10-19.

    Among the highlights at the exhibition entitled ‘Galleria Borghese – An Italian Legacy’ are a large canvas by the Neapolitan painter, Giovanni Battista [Battistello] Caracciolo (c. 1578-1635) depicting David holding the head of Goliath and a recently restored painting by Dosso Dossi [Giovanni di Luteri] (c. 1486 – 1542), who was a court painter in the Renaissance Court of Ferrara. Melissa or The Sorceress Circe dates from around 1522.  Sculptural highlights include Capra Amaltea or The Amalthea Goat by Gian Lorenzo Bernini (1598-1680) and Il Sonno or The Sleep by Alessandro Algardi (1598-1654).

    Giovanni Battista [Battistello] Caracciolo (c. 1578-1635) – David holding the head of Goliath

    Dosso Dossi [Giovanni di Luteri] (c. 1486 – 1542) – Melissa or The Sorceress Circe

    Capra Amaltea or The Amalthea Goat by Gian Lorenzo Bernini (1598-1680)

    Il Sonno or The Sleep by Alessandro Algardi (1598-1654).

    CARVED MARBLE LIONS TO LEAD CHRISTIE’S EXCEPTIONAL SALE

    Tuesday, February 21st, 2017

    Two Addorsed Lions by André Beauneveu

    A re-discovered carved marble group of Two Addorsed Lions by André Beauneveu (circa 1335–1402) dating from 1364–66 will lead Christie’s Exceptional Sale in London next July. Originally executed to form part of the tomb of King Charles V of France at the Abbey of St. Denis, the addorsed or placed back to back lions were brought from France in 1802 by the English aristocrat Sir Thomas Neave (1761–1848), and have remained in the same collection ever since. Known to scholars only from an engraving of the 18th century, the emergence of these lions represents a remarkable re-discovery.

    Donald Johnston, Christie’s UK, International Head of Sculpture: ‘It is extraordinarily rare to offer any medieval work of art with such a fully documented provenance. The fact that this marble group was executed by one of the most important sculptors of the period and is part of an important royal commission makes it even more remarkable. The discovery of these lions in a private English collection is wonderful news for collectors and scholars who previously thought they had been lost during the French Revolution.’